Architecture Portfolio Juan P. Gaitan

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Juan PGaitánArchitecture

Portfolio

2009 / 2016

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Juan P Gaitan

Public facility

Memory Museum

Open House

In Between

The Sheft

SeNa

See and don’t touch

Ecodaily machines

Ecosocial architecture

Centrico Bar

Paniqueso Bakery

El Jarillón

Archipelago of

Architecture

Common places

Colombian Pavilion for

Expo Milan 2015

Cultural Facility

Dwellings

Commerce Publications Temporary installations

01 02 03

04 05 06

Icon guide

Extra information

Data project

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Summary

Projects included

2009 / 2016

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Juan P Gaitan

We propose a space of engagement and

deliberation that aims to recover participa-

tory memory, democratic principles and

the importance of the presence of human

rights in Peru.

We propose space of meeting and recogni-

tion of the various narratives about the acts

of violence in our country, for understand-

ing and responding to the demands of

justice for victims of the internal armed

conflict.

We propose a space of symbolic repara-

tion, public gestures, acts of recognition

and welcome to the victims of the internal

armed conflict.

We propose a space under construction:

dynamic, promoter of participation and

dialogue. Facilitator continuous process of

research and learning, a place of action and

reflection.

Public Facility

01.1

Memory Museum

Location: Lima, Perú.

State: Professional

Team: Elizabeth Añaños,

Oscar Malaspina, Daniel

Feldman y Juan Pablo

Gaitán

Role: Production team

cordinator

Date: 2010

Architectural Studio:

Antonio Yemail Oficina

Informal

Typology: Public facilities

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Cultural Action Center

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Central square.

Alternative uses

Jun18

Concierto de conmemoriación de los 20 años de la Matanza de CayaraBanda sinfónica Municipal de Ayacucho

2013

Actos conmemorativos

Nov3

Feria de productos artenales elaborados por el grupo de madres de la comunidad Ashanikas

2015

Ferias de comercio justo

Sep23

Observar la puesta de sol

2014

Uso individual

Queso Paria, Puno

Tienda de comercio justo y ferias de productoresFacilitar un espacio que pueda ser usado como vitrina de exposición de iniciativas a�rmativas para el desarrollo de medios de vida sostenibles. Intervienen muchas comunida-des o personas que, incluso hasta hoy, siguen viviendo las secuelas del con�icto armado. La tienda al interior del Lugar de Memoria pone al alcance de los visitantes la producción de bienes de uso y bienes culturales de estas poblaciones.

Vista interior de la plaza de la memoria

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Plaza de la memoriaBrindar espacios que permitan la realización de actos públi-cos masivos con motivo de celebraciones importantes: cere-monias o�ciales, celebraciones religiosas, conciertos, ferias, exposiciones abiertas, etc. La plaza de la memoria es un gran espacio en forma de an�teatro público; permite albergar una gran cantidad de personas. La capacidad de tal espacio se ve incrementada si se usa el parque de la memoria como una gran tribuna.

Retablo ayacuchanoPiezas de Mate burilado, JuninQueso Paria, PunoQueso Cachipa, AyacuchoTabla Sarhua, Ayacucho

ColumnaEstructural

Columna Banca

Columna Mesa

ColumnaLámpara

Bosque de columnas

Planta segundo piso Esc: 1:200

Corte general B-B´ Esc: 1:200

A-A’

B-B’

A-A’

B-B’

Jun18

Concierto de conmemoriación de los 20 años de la Matanza de CayaraBanda sinfónica Municipal de Ayacucho

2013

Actos conmemorativos

Nov3

Feria de productos artenales elaborados por el grupo de madres de la comunidad Ashanikas

2015

Ferias de comercio justo

Sep23

Observar la puesta de sol

2014

Uso individual

Queso Paria, Puno

Tienda de comercio justo y ferias de productoresFacilitar un espacio que pueda ser usado como vitrina de exposición de iniciativas a�rmativas para el desarrollo de medios de vida sostenibles. Intervienen muchas comunida-des o personas que, incluso hasta hoy, siguen viviendo las secuelas del con�icto armado. La tienda al interior del Lugar de Memoria pone al alcance de los visitantes la producción de bienes de uso y bienes culturales de estas poblaciones.

Vista interior de la plaza de la memoria

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Plaza de la memoriaBrindar espacios que permitan la realización de actos públi-cos masivos con motivo de celebraciones importantes: cere-monias o�ciales, celebraciones religiosas, conciertos, ferias, exposiciones abiertas, etc. La plaza de la memoria es un gran espacio en forma de an�teatro público; permite albergar una gran cantidad de personas. La capacidad de tal espacio se ve incrementada si se usa el parque de la memoria como una gran tribuna.

Retablo ayacuchanoPiezas de Mate burilado, JuninQueso Paria, PunoQueso Cachipa, AyacuchoTabla Sarhua, Ayacucho

ColumnaEstructural

Columna Banca

Columna Mesa

ColumnaLámpara

Bosque de columnas

Planta segundo piso Esc: 1:200

Corte general B-B´ Esc: 1:200

A-A’

B-B’

A-A’

B-B’

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Section A-A’.

Plan view.Section B-B´.

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The spiral form is linked to dif-

ferent ways of understanding

the world and the cycles of life.

The spiral represents the evolu-

tion between the end of a stage

and the beginning of another in

a space and a different time.

The spiral is the mildest form of

land on the ground and go down,

through continuous paths that

provoke meeting from opposite

directions.

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Juan P Gaitan

Public Facility

01.2

Open House

Culture and art have become to dynamic of

social, economic and political power there-

fore in desirable phenomenon in many cities

worldwide. Unfortunately the big shows are

still exclusive rather than inclusive. That is

why we propose a horizontal system into a

vertical structure.

The building performs as a focal point that

articulates different cultural situations

throughout the city. It also communicates,

locates and establishes relationships among

events happening within it, generating a

communication and interaction network.

On the other hand the structural exten-

sion (stage machinery) suggested for the

building not only reveals events happening

inside it, but also contains the necessary

mechanisms to operate three platforms

that allows this Gothic building to have

interior hyper flexibility.

Location: Praga,

República Checa.

State: Competition

Team: Felipe Rodriguez,

Carlos Urrego, Andrea

Salas, Santiago Buendía,

Juan Pablo Gaitán.

Date: 2011

Typology: Rehabilitación

Area: 2350m2

Client: Architectural

Design, Theorical

reflection and 3D model

production

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1. Spacial Hyper-flexibility

2. Democratization of culture

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3. Auditorium plan studies

4. Communication Strategy

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4

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Public Facility

01.3

In Between

In this studio project we were asked to

design a Cinema hall in Turkey, which were

able to host the increasing bike culture in

the city and the biodiversity of the Mediter-

ranean. In order to find this common area

of co-relation we proposed a project that

acts as a bridge between multiple situations,

organic-inorganic, city-nature, past-pro-

logue, and so on.

The topology of this surface is deformed

according to the “guest” is going to host.

Therefore, the big volume in the middle is

the house for theater while the linear “arms”

that grow from it, is a BMX track that in cer-

tain places divides the path between bikers a

shelter spots for butterflies to live.

At the same time we were interested in

create a project with expiration date, so we

used sponge travertine that have the proper-

ties to host nature within its cracks

Location: Antalia,

Turkey.

Role: Leader team

Level: Fall semester

Date: 2015

Supervisor: Sulan

Kolatan

Typology: Cultural

Area: 2600 m2

Contribution:

Architectural desing,

drawing production.

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Organic / inorganic

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Interior view of the theater

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Intentional decay as a strategy

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1 2

3

Cell exploration

Butterfly cycles

Speed and Altitud

Plan view

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2

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IN BETWEEN ARCHITECTURE

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4

2

L:7.5

L:5.0

L:+4.o

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Butterfly stations

Speed diagram

Site view plan

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For the development of the Museum shop

we propose an autonomous and free instal-

lation; an object that is halfway between

the idea of a three-dimensional shelf (liv-

ing) and a sculpture auction and propose a

dialogue with the entrance hall to a cultural

complex. For this propose building a vol-

ume assume the proportions of the space

(a parallelepiped) dematerializes but lose

weight and be composed of a fabric. With

the idea of continuity we seek to overcome

the conflicting relationship between figure

and background, without formal dramatics

or homogenisation.

Structurally these tissues (mesh) are

lightweight, stable and high efficiency

constructive elements; but also in the

context of a Museum of Contemporary Art

allow us to generate a closer tie-ups with

and so traditional and common cultural

bond Colombian woven handicraft materi-

als. That is, the tissues allow us to evoke a

local information manually constructed by

intermixing materials (one craft).

Cultural Facility

02.1

The Shelf

Location: Bogota,

Colombia.

State: Built

Team: Vicky Chaibud,

Juan Pablo Gaitán

Role:

Design team cordinator

Date: 2012

Architectural Studio:

Oficina Informal and

Manuel Villa

Typology: Cultural

Contribution:

Architectural design

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Composed of a woven

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Wood three-dimensional mesh

composed from a single module

At the same time, we highlight the

double dialogue that the pavilion raises

to display: the structure disappears

and is attenuated while displaying

an item or reappears in its plastic

dimension when empty - beating that

particular feeling that occurs when

you see a half-empty shelf or fill . We

propose that this three-dimensional

mesh made from a single constructive

module that is replicated to form the

entire volume.

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Juan P Gaitan

Unfolded facade

7 6/A 5/B 4/A 3/B 2 1/A B C/B D/A E/B F/A G/B H I/1 2 3/A 4/B 5/A 6/B 7

N+ 3,00

N+ 2,30

N+ 1,56

N+ 0,83

A BA´ B´

N+ 0,06

7 6/A 5/B 4/A 3/B 2 1/A B C/B D/A E/B F/A G/B H I/1 2 3/A 4/B 5/A 6/B 7

N+ 3,00

N+ 2,30

N+ 1,56

N+ 0,83

A BA´ B´

A B

A´

B´

AA

´

AA

´

AA

´

BB

´

BB

´

BB

´

BB

´

AA

´

AA

´

BB

´

BB

´

N+ 0,06

1 5

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In process

Wooden joins

Detail drawings

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2

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1

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1.

3.

4.

1.

4.

2.

3.

5.

6.

1. Vidrio templado2. VitrinaDetalle de piso3. Madera lámina 12 mm4. Super T 12 mm5. Estructura en durmientes 3 x 5 cms

1. 2. 4.3.5.

6. 7.

8.

9.10.

Detalle Estructura Esc: 1:5 Detalle nudo (planta)

Esc: 1:5

Detalle nudo (alzado)Esc: 1:5

Detalle de pisoEsc: 1:5

Detalle nudo (planta)Esc: 1:5

Detalle nudo (alzado)Esc: 1:5

6. Estructura en durmientes 4 x 12 cms7. Caucho de alta densidad8. Ángulo 1"9. Ángulo 2"10. Anclaje a piso Ángulo 1"

Detalle de piso

Detalles estructurales1. Tubio metálico 2cm x 4cm2. Canal de 4cm x 10cm3. Madera de 2cm x 4cm4. Platina metálica5. Estructura cubierta 4cm x 4cm6. Pieza de apoyo en madera 4cm x 6cm7. Estructura Vitrina descolgada8. Anclaje a estructura cubierta

Perspectiva explotada

1 Estructura vertical en madera, 2 Estructura metálica en tubulares de 4cm x 2cm, 3 Cubierta en listones de madera, 4 Sobrepiso en madera, 5 Paneles de vidrio existentes

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5

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Cultural Facility

02.2

SeNa (Second Nature)

Under the concept of ecological thinking

and the fact that Pier 40 is sinking, this

project works as emerging island, which

is capturing the activities, materiality and

flows of the Pier, as well as, it is creating a

diffuse border with the Hudson River which

will produce new relationships between city,

birds and the living creatures in the river.

We were interested in the idea of creating an

institute in which different species –fishes,

water plants and Phytoplankton- could find

a habitat. Therefore, we proposed a surface

with particular qualities that respond to site,

inhabitants and environmental inputs. Also,

this surface works as a receptacle of site

information and objects. Through different

percentage of opacity in a mesh, the insti-

tute catches from wind, sunlight to garbage,

soil and water.

Eventually, that elements will create the

proper conditions for species to find shelter,

entertainment, shadow, food, etc.

Location: New York

City, USA.

Role: Leader team

Level: Master Of

Science in Arch.

Date: 2015

Supervisor: Phillip

Parker

Typology: Cultural

Area: 2600 m2

Contribution:

Architectural desing,

drawing production.

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Environment C

Simulation of the heart beat

Echos of ultrasound

Transducer

Environment B Environment C

Fetal Heart Doppler

Zig-zag

Continuity in multiple levels

GradientWaviness Dematerialization

Multidirectionality Catching information

Surface qualitiesSite drawing

Zig-zag

Levels of strenght Continuity in multiple levels

Dematerialization

Multidirectionality

Separation Alignment Cohesion

Elasticity Hierarchies

Datascape Birds vs Social role

SeNa, Second natureHabitat institute

Site Plan

•Grade of Opacity: 45%.•High porosity.•Birds habitat.•Shadow and shelter.•Diffuse border between outside and inside.•Difficult access for human beings.•Radical inflextions in the surface. tweesting and bending at the same time.•Catcher of sunlight

People level

•Grade of Opacity: 65%•Two grades of slops to get through the institute.•Concave and convex spaces.•High and low tides produce unexpected spaces and interactions.•Less inflections, more connectivity in multiple levels.•Air speed can be mesured

High tides

Water baths for birdsBirds watchersKayaking and fishingHabitat for water plants

Zig-Zag movement in section al-lows connectios in multiple levels.

Intersection between two surfacesBifurcation.

Radical folds create stable struc-ture because they work as a unit, not sum of elements.

Theater / Climb hill

Low tides

Phitoplankton level

•Grade of Opacity: 90%.•Catcher of information (garbage, sedimantation, fishes).

Final destiny of the sunlight.•Habitat for water plants.•Reduces the speed of the waters in storms•New ground for the river.

Environment C

Simulation of the heart beat

Echos of ultrasound

Transducer

Environment B Environment C

Fetal Heart Doppler

Zig-zag

Continuity in multiple levels

GradientWaviness Dematerialization

Multidirectionality Catching information

Surface qualitiesSite drawing

Zig-zag

Levels of strenght Continuity in multiple levels

Dematerialization

Multidirectionality

Separation Alignment Cohesion

Elasticity Hierarchies

Datascape Birds vs Social role

SeNa, Second natureHabitat institute

Site Plan

•Grade of Opacity: 45%.•High porosity.•Birds habitat.•Shadow and shelter.•Diffuse border between outside and inside.•Difficult access for human beings.•Radical inflextions in the surface. tweesting and bending at the same time.•Catcher of sunlight

People level

•Grade of Opacity: 65%•Two grades of slops to get through the institute.•Concave and convex spaces.•High and low tides produce unexpected spaces and interactions.•Less inflections, more connectivity in multiple levels.•Air speed can be mesured

High tides

Water baths for birdsBirds watchersKayaking and fishingHabitat for water plants

Zig-Zag movement in section al-lows connectios in multiple levels.

Intersection between two surfacesBifurcation.

Radical folds create stable struc-ture because they work as a unit, not sum of elements.

Theater / Climb hill

Low tides

Phitoplankton level

•Grade of Opacity: 90%.•Catcher of information (garbage, sedimantation, fishes).

Final destiny of the sunlight.•Habitat for water plants.•Reduces the speed of the waters in storms•New ground for the river.

Transitional step from a Ecludian form to a Open mesh. Architecture as a socio-ecological construction.

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Architecture as a information catcher

Stage 2.0Stage 1.0

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Foalking strategies

Dematerialization

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2

1

2

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Cultural Facility

02.3

See and don’t Touch

This project is the spatial and functional

adequacy of a house for the new headquar-

ters of a public gallery for contemporary art

and related programs. Working with the

constraints and legacy of a 1940’s English-

style building, we proposed the installation

of a floating mesh throughout the house

without transforming its spatial values.

We conceived the metallic uneven grid as a

support that combines the functional needs

of the gallery and weaves together the rooms

in the house.

The structure supports and unfolds

furniture, extends to hold items such as

bulletin boards, shelves for the documenta-

tion centre or hanging doors for isolating

the exhibition rooms with shared spaces. It

also allows for signs to be hung with three

colors indicating the different programs in

the gallery.

The project aims at decentralization of art

and the opening of alternative public spaces

for the promotion of creativity. It is man-

aged with very precise and limited public

resources. The intention of transmitting

the bet management visible and widespread

manner by the whole house recursive con-

structive strategies required, or put another

way to build more with less.

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Location: Bogota,

Colombia.

State: Built

Team:Daniella Robledo,

Juan Pablo Gaitán

Role:

Design team cordinator

Date: 2012

Architectural Studio:

Antonio Yemail

Oficina Informal

Typology: Cultural

Contribution:

Architectural design

Production of details

and drawing plans

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2

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Public court

Floating mesh

Energy pattern

Information pattern

Usages and program

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5

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Dwelling

03.1

Ecodaily Machines

The project is a joint initiative seeking to

convert an area of three hectares into a

model of sustainable productivity for the

region. It proposes a series of daily machines

that respond to different functions: hous-

ing, social and economic. The machines

are standardized models that share basic

information that is transmitted from one to

another through geometric configurations.

At the same time, they have been designed

to integrate information with key natural

phenomena in their environment and to

transform daily through the interaction of

its inhabitants.

he machines serve a model of coexistence

that promotes public involvement while

preserving the individual desires of the

inhabitants. A network is established which

exchanges resources and shares functions

with the common areas, such as laundry,

orchard and cooking facilities.

The configuration satisfies the criteria of

efficiency related to water management,

recycling and energy optimization. Mean-

while, the machines work to relate to the

various forms of surrounding natural life.

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Location: Cachipay,

Colombia.

State: Professional

Team: Ricardo Daza,

Elizabeth Añaños,

Camila Afanador y Juan

Pablo Gaitán

Role: Research team

cordinator

Date: 2009

Architectural Studio:

Antonio Yemail Oficina

Informal

Typology: Dwelling

Area: 10 Ha

Contribution:

Production

of infographics,

Drawing production.

3D models production. >

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Bird watchers architecture.

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Inter-social relations

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Site Plan

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1 2

3

4

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Design Process

Cultural module

Herbarium module

Forest machine

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2

3

4

The machines respond to the economic

diversity and building processes of its

location. They use a mixture of techniques

and technologies such as smart strategy to

utilize available resources and the restric-

tions of a context with difficult access.

The machines were developed within a

flexible system of relationships and capac-

ity for improvement. These models are

scheduled to receive further extensions,

technological advances or potential of be-

ing removed.

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1

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View plan

Section

1

2

2

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Commerce

04.1

Paniqueso Bakery

What is the chance of raising the coexist-

ence relationship, without continuity or

shock, between a space with a program quite

clear (supermarket) and another that seeks

to replicate the very vagueness of public

space and proximity of domesticity? We

wanted clarify the presence of this bakery at

the risk of making design decisions guided

intuition and remix of images. In other

words, we have occupied more space ampli-

fied color, more forms and certain technical

and relational devices transposing public

and external logic-what domestic-and what

they could lead to an unexpected project.

The project is inhabited by 24 species of

objects that have been designed as an object-

based family. A family that answers common

formal features and materials but are flexible

and multiple in their usage format.

We have designed a ceiling of variable sec-

tion as a complementary geometry continu-

ity ground. The sequence of fifteen broken

stripes that make you assume an indicative

role of spaces, identifying each area with

skylights function as color or odor that

®ecualizadores They are connected to the

furnace to remove the smell of fresh bread

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Location: Bogotá,

Colombia.

State: Built

Team: Omar Jarbou

and Juan Pablo Gaitan

Role: Design

coordinator

Date: 2011

Architectural Studio:

Antonio Yemail Oficina

Informal

Typology: Commerce

Contribution:

Architectural Desing,

drawing production

and edition of images

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A colony of vintage robots

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Domestic vindications. Relationships layers.

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Odor catalysts Sections

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Publications

05.1

El Jarillon

From late 2010 to the present, Colombia is

undergoing what has been the biggest en-

vironmental crisis in its history. The winter

has caused tragedies around the country and

has left hundreds of thousands of victims

and survivors. On the other hand the official

reports (and our own intuition) realize that

alterations and winter emergencies are here

to stay. In other words, weather phenomena

wet and dry areas are now first-line political

and economic agenda of the country.

From the perspective of a group of small

groups of architects and artists to be more

specific, we would like to know what the

role corresponende us in this. And in the

same sense to ask how can we update our

agenda critical, our pantry or our wardrobe?

To answer these questions, we followed

the headlines of major print media in the

country as a thread that would allow us to

uncover from a vision criticizes the true

state of the country and its prospects after

the tragedy; in return we have obtained

endless new questions we have compiled

and graphed in the fanzine that you have in

your manos.Si you are of those who made

the same questions or may have the answer

for some of them.

Location:

Bogotá, Colombia.

State: Print

Team: The Hydrological

Role: Part of a team

Date: 2011

Typology: Publicacíon

/ Publication

Print run: 100

ejemplares / 100

copies

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Temporary installations

06.1

Common Places

For Nishi their work ends with a proposed

installation “build new areas, where citizens

literally come otherwise the historical herit-

age, renewing their meanings and making

visible its historical dimension”. For us it was

the beginning of a very undefined project

we wanted to take, ironically that classic

exercise for students of architecture, as the

design of a “house for an artist.” And finally

the modernist tradition established that

housing project offers better opportunities

to experiment, research and test new ideas.

In this case, temporary housing, 30 meters

high and the public.

How to solve this apartment and how to

build it we start with a simple observation

of the most everyday, energy of what is

available. This optimistic way of addressing

the context of natural restrictions on any

project we called “Declining resolution.”

This means that add value to the everyday,

ordinary revitalize or try to become a more

fact imperfection is how we adapt to the

accident and bureaucracy foregoing most

processes of our society

Location:

Bogotá, Colombia.

State: Print

Team: The Hydrological

Role: Part of a team

Date: 2011

Typology: Publicacíon

/ Publication

Print run: 100

ejemplares / 100

copies

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Vitality of the everyday Attached system

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Domestic space to house the clock on the front facade.

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Temporary installations

06.2

Colombian pavilion for Expo Milan 2015

The project is raised as the interaction of

four units that function as a harmonious

whole, where the distances between the

blocks generate clearances, ideal for the

warm and dry environment outside. The

ground floor is divided into squares of

common areas where the store is a place for

artisans; the restaurant presents typical local

products from the popular marketplaces.

It has an auditorium as a space for cultural

exchange and multiple events.

The second level is an exhibition space,

which can be accessed from the cover on an

upward path.

The exhibition spaces represent characteris-

tic climatic zones of the country, highlight-

ing the general aspects of the landscape,

Gastronomy, flora and fauna, inviting to

develop a conscious process of identity and

environmental conservation.

Location: Milan, Italy.

State: In Construction

Team: , Juan Pablo

Gaitán

Role: Desing team

coordinator

Date: 2015

State: In construction

Architectural Studio:

Oficina Informal /

Manuel Villa

Typology: Temporary

Instalations

Area: 1500 m2

Contribution:

Architectural desing,

drawing production.

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Colombian landscape

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Micro-macro regions

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Wooden structure

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Materiality from carebBean aesthetics

Section and plant view

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Juan Pablo Gaitán

Architect

Colombia

Bogota, May 7 of 1987

+1 646 771 1374

[email protected]