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Baroque 1600-1750
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1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Jan 14, 2016

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Edmund Bennett
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Page 1: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Baroque1600-1750

Page 2: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Baroque ArtArtistic style that used exaggerated motion and

clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Judith Beheading Holofernes by Caravaggio

Page 3: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

CaravaggioCombine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting

Painted religious scenesDied at 38 and his work was largely forgotten

until rediscovered in the 20th century

Page 4: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Judith Beheading Holofrones by Caravaggio

Page 5: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Conversion of St. Paul by Caravaggio

Page 6: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

St. Jerome by Caravaggio

Page 7: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

BerniniSculptor who captured the essence of a narrative moment with a dramatic naturalistic realism in his sculptures

Bernini used light as an important metaphorical device in the perception of his religious settings, often using hidden light sources that could intensify the focus of religious worship

Page 8: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Ecstasy of St. Theresa by Bernini

Page 9: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Ecstasy of St. Theresa (detail image) by Bernini

Page 10: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

RubensProponent of an extravagant Baroque style that emphasized movement, color, and sensuality.

Known for his full,lush figures

Page 11: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Descent from the Cross by Rubens

Page 12: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Detail of The Descent from the Cross by Rubens

Page 13: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Toilet of Venusby Rubens

Page 14: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

RembrandtGreatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible

Reds and browns dominated his later paintings, which had a more subdued style compared to his earlier baroque works

Page 15: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Storm on the Sea of Galilee by Rembrandt

Page 16: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Self Portrait by Rembrandt

Page 17: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

Titus as a Monk by Rembrandt

Page 18: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

VermeerSpecialized in domestic interior scenes of middle class

Vermeer worked slowly and with great care, using bright colors and sometimes expensive pigments, with a preference for cornflower blue and yellow.

He is particularly renowned for his masterly treatment and use of light in his work.

Page 19: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Girl With the Pearl Earring by Vermeer

Page 20: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Milkmaid by Vermeer

Page 21: 1600-1750. Baroque Art Artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur.

The Geographer by Vermeer