Page 1
1
15020101: INTRODUCTION TO TEXTILE FIBRE
SEMESTER : I
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To introduce various type of fibre and their evolutionary growth.
To familiarize with physical and chemical properties and their end uses.
COURSE DETAIL
UNIT-I
Introduction to Fibre, Classification of Textile Fibers, Natural fibres such as cotton, jute,
flax, wool, silk etc., uses of natural fibres, importantphysical and chemical properties of
these fibres.
UNIT-II
Polymer Chemistry: Polymer, Types of polymer, Methods of polymerization, Requirements
of fibre forming polymer, polymer arrangement
UNIT-III
Introduction of regenerated and manmade fibres, Source of production of synthetic fibres:
nylon, polyester, viscose rayon, acrylics, acetate etc, physical and chemical properties of
important man-madefibres and their end uses.
UNIT-IV Basic concept, properties and uses of high performance fibres.
REFENERENCES:
Cook Gordon J, “Hand Book of textile fibre”, Vol. I and II, Wood head
Fibre Science Series, UK, 1984.
Gupta V B and Kothari V K, “Manufactured Fibre Technology”, 1st Ed., Chapman
and Hall, London, 1997.
Introduction to Textiles by KVP Singh Kalyani Publishers
Page 2
2
15020102: HISTORY OF FASHION
SEMESTER : I
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
Imparting Knowledge of textiles through the previous centuries to influence the
sense of design, symbolism of motifs and colours
The students learn about the historic importance and relevance of the costumes and take inspiration and influence for their own creations.
COURSE DETAIL
UNIT-I
Origins of fashion,Clothing as modesty, protection, status and religious symbol, Fashion as
status symbol, the major fashion centers and, classification of Fashion
UNIT-II
Outline of Indian history of fashion. Study of Costumes, jewellary, footwear, hairstyles
etc. in India in different periods as– Vedic, Mauryan, Kushans, Satavahanas, Gupta &
Mughal.
UNIT-III
Influence of British rule on Indian fashion in 1920, Rajasthani style of sari of the 15th century, 1970’s fashion of pant suit and pathani suit, Christian Dior’s New Look of pencil
slim skirt and its influence in India.
UNIT-IV
Symbolic motifs & textile design of various culture from ancient to modern day- woven-
Brocades of Banaras , Baluchuri, Chanderi, Tanchoi, Kanjivaram, Dyed- tie & dye, Ikat,
double Ikat, Bandini, Printed- block, screen, applied – dyed & painted textiles – Kalamkari,
Madhubani etc.
Page 3
3
REFENERENCES:
Konemann A history of Fashion in the 20th Century - 1974
Brockman, H.L., “The theory of Fashion ", John Wiley & Sons, 1965
Jamila BrijBhusan, The Costumes and textiles of India, Taraporevala- Bombay.1958
ManmeetSodhi, History of Fashion, Kalyani publisher
Page 4
4
15020103: ENVIROMENTAL STUDIES
SEMESTER : I
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES
Students will be aware about physical environment and its components.
Students will acquire Knowledge of natural resources and their types.
Students will develop the concept of ecology and its components.
Students will understand the impact of human activities on ecology ant need to
conserve the resources
COURSE DETAIL
UNIT –I
The Multidisciplinary nature of environmental studies Definition, scope and importance.
Need for public awareness
Natural Resources Renewable and non-renewable resources
Natural resources and associated problems
Water resources: Use and overutilization of surface and ground water, floods, drought,
conflicts over water, Dams benefits and problems.
Mineral resources: Use and exploitation, environmental effects of extracting and using
mineral resources, (case studies).
UNIT –II
Food resources: World food problems, changes caused by agriculture and overgrazing,
Effects of modern agriculture, fertilizer-pesticide problems, water logging, salinity,(case
studies).
Energy resources: Growing energy need, renewable and non-renewable energy sources. Use
of alternate energy sources, (case studies)
Land resources: Land as a resource, land degradation. Human induced landslides, soil
erosion and desertification.
UNIT – III
Biodiversity and its conservation Hot-spots of biodiversity. Threats to biodiversity : habitat
loss, poaching of wildlife, manwildlife conflicts Conservation of biodiversity: Insitu and Ex-
situ conservation of biodiversity
Page 5
5
UNIT – IV
Environmental Pollution Definition, causes, effects and control measures of
A. Air pollutionB. Water pollution C. Soil pollutionD. Marine pollution
E. Noise pollution F. Thermal pollution G. Nuclear hazards Pollution (case studies). Bhopal
gas tragedy Minamata Chernobyl Love canal tragedy London smog Los Angeles Smog,
Solid waste Management: Causes, effects and control measures of urban and industrial
wastes.Fireworks, their impacts and hazards
Disaster management: Floods, earthquake, Cyclones and landslides.
Social Issues and the Environment From Unsustainable to Sustainable development Urban
problems related to energy Water conservation, rain water harvesting, watershed
management Resettlement and rehabilitation of people; its problems and concerns. Case
studies
Environmental ethics: Issues and possible solutions. Consumerism and waste products.
Environmental Legislation (Acts and Laws), Issues involved in enforcement of
environmental legislation. Human Population and the Environment
Population growth, variation among nations with case studies Population explosion Family
Welfare Programmes and Family Planning Programmes
REFERENCE
Environmental Biology Agarwal, K.C Nidi Publi.Ltd.Bikaner2001
Hazardous Waste Incineration Brunner R.C McGraw Hill Inc.480p, 1989
Marine Pollution Clark R.S Clanderson Press Oxford (TP)
Environmental Encyclopedia Cunningham, W.P. Cooper, Jaico Publ. House, Mumbai,
1196p M.T.2001
Environmental Chemestry De A.K WileelyEastem Ltd.
Down to Earth, Center for Science and Environment ®
Water in crisis, Gleick, H.P Pacifics Institute for Studies in Dev., Environment & Security.
Stockholm Env. Institute. Oxford Univ. Press.473p.1993
Page 6
6
15020104: FUNDAMENTALS OF DESIGN
SEMESTER : I
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To understand the Design concepts
To understand how to combine the elements for design.
To know about the principles of design.
COURSE DETAIL
UNIT-I
What is design, Types of Design – Structural and Decorative
Design basics, Fashion terminology Importance of Design in the field of fashion
UNIT-II The elements of design
Principles of Design
Colour theory:- Primary, secondary, tertiary. Explain its importance
Colour wheel, Tints and Shades of colour Colour Schemes - Analogous, Complementary, Split complementary, Triad schemes.
Warm and Cool colours, Colour dimensions - Hue, value and chroma.
UNIT-III
Explore pencil as medium for drawing and sketching and exploration of different types of grade of
pencils (HB to 8B pencils), marking straight lines, controlled lines, lines of equal length with equal
pressure points, equidistant lines etc.
UNIT-IV
Explore different techniques of sketching, color medium for painting Exploring and sketching 3D objects with light and shade effect.
Human features: Eyes, Nose, Lips, Ears, Hand & legs
UNIT-V
Motifs Development: Natural & Geometric
Swatch Rendering: prints, checks etc.
Page 7
7
REFERENCE:
Frings G. S., Fashion from Costumes to Consumer, 4th edition, Prentice Hall Career
& Tech, 1982.
Albert W. Porter, Elements of Design
Manfred Maier, Basic Principles of Design (Vol. 14).
Birren&Fabersuan, Principles of Color.
Page 8
8
15020105: FASHION DRAWING
SEMESTER : I
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To familiarize Students with the sketching ideas for various garments.
To understand the flow of hand.
To impart the skills to draw different features and hairstyles with a practice.
COURSE DETAIL
UNIT- I
Free hand drawing , Sketching of Facial features – Eye, Ear, Nose, and Sketching of Faces
& Hair Styles, hands, Arms, Legs, Feet.
UNIT-II
Inspirational drawing- inspirations from nature, seasons, objects, fabrics, sign &symbols,
surrounding etc.
Medium Exploration- All medium like pencils, water color, steadlers, poster colors, crayons,
dry pastels etc UNIT-III Different Presentation Techniques: collage work, swatch board, textural effects etc.
UNIT-IV Elements ofdesign: introduction to element of design- lines, dots and direction– shape and
form– size, colour-texture.
Principles of Design: Definition Harmony, Proportion, Balance, Rhythm, Emphasis,
meaning types and application on apparel psychology of clothing. REFERENCE:
Advanced fashion Sketch Book - Bina Abling
Ireland, “Fashion Design Drawing and Presentation”, Batsford.
Page 9
9
15020106: DRAFTING & PATTERN MAKING - I
SEMESTER : I
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To introduce various tools and material use for drafting and pattern making.
To gives hands on training the Students about drafting of child’s basic and adult
basic blocketc.
COURSE DETAIL
UNIT-I
Introduction to pattern, Types of pattern: Commercial pattern, Drafting pattern, Drafted
pattern, graded pattern, production pattern etc.
Introduction to drafting and pattern making tools, Drafting of child’s basic and adult bodies
block
UNIT-II
Drafting of different types of pockets-flat pockets, Nehru pocket, slant pocket, cargo pocket
etc,
UNIT-III
Drafting and pattern making of commonly sleeves as puff, raglan, Kimono, flared sleeve,
Develop pattern- Puff, raglan, kimono sleeve and flared sleeve, Drafting and pattern making of different collars- Mandarin, Peter Pen, Sailor, cowl collar
UNIT-IV
Dart manipulation- Darts- single, double and multiple dart
REFERENCES:
Armstrong, Pattern Making for Fashion Design, Dorling Kindersley Publication.
Jacob Solinger, “ Apparel manufacturing and handbook”, vanvu strand Reinhold
Page 10
10
15020107: GARMENT CONSTRUCTION-I
SEMESTER : I
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To Learn and apply utility of various components in a garment.
To understand the utility of commonly techniques used as design features.
COURSE DETAIL
UNIT-I
Introduction to Sewing Machine, their parts, Practice of machine stitches on paper and on
fabric.Introduction to various sewing machine parts, their performance and applications
Needle: Types of needles, Introduction to various parts of needle
Aid and tools equipments for cutting
UNIT-II
Machine stitches and their classification. Blind stitch, chain stitch, double needlemachine
stitch, lock stitch, zigzag machine stitch, over edge machine stitch, purl edging, safety stitch
etc.
Hand seams& fastenings: Even tacking, Uneven tacking, visible/invisible
Hemming: Back stitch, stay stitch, hook & eye, press buttons, button &button hole
Preparation of different types of seams- plain, French, flat open, top stitch, edge stitch, cord,
fagotted, flat felt, superimposed, lapped, bound, flat seam etc.
UNIT-III
Prepare different types of pleats: knife, meet, box pleat, meet pleats
Prepare different plackets: slit, Blouse, Continuous, kurta
UNIT-IV
Prepare samplesof different neckline: - V’ shaped, sweet heart, scalloped, scoop, square and
glass, boat neck etc
Sewing defects & remedies
Page 11
11
REFERENCES:
Jacob solinger, “Apparel manufacturing handbook.”, Nostrand Rein hdd Company
Practical cutting & tailoring part II eshwasriAnwahi, Lakhrayhans R. B.
Publications, Delhi.
Page 12
12
15020201: INTRODUCTION TO TEXTILE YARN
SEMESTER : II
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:-
To impart the knowledge about yarns, their manufacturing, To familiarize physical and functional characteristics and their relevance in
influencing.
COURSE DETAIL
UNIT-I
Introducing yarn, classification of yarns and their types, comparison in spun andfilament
yarns, Flow chart from fibre to spun yarn, carded and combed yarn
UNIT-II
Introduction to mixing & Blending techniques, Objectives of blowroom, carding, combing,
draw frame, speed frame and ring frame, cotton spinning system,Yarn numbering system
UNIT-III
Yarn count, Yarn twist, Yarnspinning: ring or conventional spinning, open end rotor
spinning, Airjet spinning, Waterjet spinning, self twist etc., textured yarns, types and their
uses
UNIT-IV
Brief description of fancy yarns; Spun effects, yarn effects, slub yarn,grindle, mélange
yarns, boucle yarn, crepe yarn etc. Yarn Defects
Page 13
13
REFENERENCES:
Bernard P. Corbman, “Textile Fibres to Fabric” McGrawhill Publications, 6th
Edition 1983
Penny Walsh, “ The yarn book”, A & C black publisher
Introduction to Textiles by KVP Singh Kalyani Publishers
Page 14
14
15020202: FASHION STUDIES
SEMESTER : II
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To introduces the Students to the various Fashion terms & aspects of Fashion.
To provide a comprehensive understanding of fashion as a socio-cultural
phenomenon.
COURSE DETAIL
UNIT-I
Fashion Origin, Classifications of fashion, Fashion theory-trickle down, trickle across,
bottom-up theory, Fashion cycle, Factors affecting fashion – economic factors, sociological
factors, psychological factors,
UNIT-II
Fashion Terminologies - Style, Change, Trend, Fad, Classic, Couture, Haute couture, origin,
Ready –to –wear, prêt-a-porter, high fashion etc, Fashion categories
UNIT-III
Forecasting fashion-fabric, trend, style, color, Brands and their influence on Forecasting,
Fashion source, Fashion season and Major Fashion Centers of the world.
UNIT-IV
Fashion promotion and communications- Trade fairs, Fashion shows, fashion week’s etc,
Brand name and trade mark, Product life cycle of certain brands
Page 15
15
REFERENCE:
Gini Stephens Frings, "Fashion Concept to Consumer", Publisher Pearson.
Tate and Sharon Lee, “Inside fashion design”, harper Publication Inc., U.Kng
Brockman, H.L., “The theory of Fashion ", John Wiley & Sons, 1965.
Swinney, John B, “Merchandising of Fashion ", Ronald press, 1942.
Page 16
16
15020202:COMMUNICATION ENGLISH
SEMESTER : II
MAX. LECTURE-3 Hrs./ Week : 48
MAX. TUTORIAL-1 Hr./Week : 16
MAX. PRACTICAL-0 Hr./Week : NIL
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To understand the basic need of fashion communication.
To communicate the fashion terminology through media/ mediator.
To learn the linkage of the fashion.
COURSE DETAIL
UNIT-ICOMMUNICATION
Communication; an overview, Process, Importance, Forms
Barriers; ways to overcome
Non verbal communication
Kinesics, Proxemics/Space distance, Paralinguistic features, Chronemics, Haptics
UNIT-IIPHONETICS BASICS
Phonetics
Sounds: Vowels/Diphthongs
Consonants
Transcription of words
Syllables
Word stress
Intonation
UNIT-IIIENGLISH LANGUAGE;
Parts of speech, Sentence, Clauses and phrases, Tag-questions
Common errors, Concord, Articles, Modals
Punctuation
VOCABULARY
Word formation ,Synonyms, Homophones, Eponyms
Words often confused, One word substitution, Phrasal verbs, Idiomatic expressions
UNIT-IV
PRESENTATION SKILLS
Page 17
17
Presentation – Types, Nuances of delivery, Public Speaking, Body Language
Group Discussion, Panel Discussion, Telephonic Skills, Interview Skills
WRITING SKILLS
Writing Comprehension, Letter-Writing, Composing an effective paragraph
Writing a report, Art of Condensation, Summarizing a Report/Article/Editorial
Writing Article/Editorial/Feature
Writing a Review (Book/Cultural Event)
REFERENCE:
Ferdinand, Nicole; Kitchin, Paul J.; Event Management; Sage Publication
Kirk, R. Land; Catherwood, D. W.; The Complete Guide to Special Event Management;
John Wiley and Sons
Singh,G.S.; Devesh, Kishore; Event Management; Haranand Publications
Bowdin, Glenn; Allen, Johnny; Harris, Rob; Events Management ; Taylor & Francis
Style book of the Economist.
Raymond Murphy ‘Essential English Grammar’, Cambridge University Press: New
Delhi. 1998. Print
English Vocabulary in Use (Advanced), Michael McCarthy and Felicity, CUP
Learning Spoken English by Lynn Lundquist-ASIN: B0094XNOPW
Meenakshi Raman and Sangeeta Sharma. ‘Technical Communication Principles and
Practice’. Oxford University Press: New Delhi. 2012. Print.
Page 18
18
15020204: FASHION IMAGE & STYLING
SEMESTER : II
MAX. LECTURE-3 Hrs./ Week : 48
MAX. TUTORIAL-1 Hr./Week : 16
MAX. PRACTICAL-0 Hr./Week : NIL
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To know about the styling
To understand the garment and lifestyle products according to category.
To identify different fabric for male & female
To learn the sense of styling.
COURSE DETAIL
UNIT I
Introduction to fashion styling
Relation between Fashion & Styling
Importance of styling
Fashion trend & fashion image
UNIT II
Type of Body Shape &Face Shape
Categories of female garments: Formal Wear, Casual wear, Party wear, traditional wear
etc.
Categories of male garments: Formal Wear, Casual wear, Party wear, traditional wear
etc.
UNIT III
Identification of Fabrics, Prints & Colors according to category
Selection of clothes for self: Personal Styling- Identify which items fits to Body and life
style products/accessories suits on face according to dress.
UNIT IV
Different National & International brands for garment & lifestyle products according to
category.
Relation between fashion & personality
UNIT V
Consumer group: Fashion Leaders, Fashion followers
Consumer satisfactory level
Breaking fashion rules : Fashion Errors
Page 19
19
REFERENCE:
Mastering Fashion stylingby Jo Dingemans
Secrets of Stylists: An Insider's Guide to Styling the StarsBy Sasha Charnin Morrison
Dress Your Best: The Complete Guide to Finding the Style That's Right for Your
Body Paperback – September 13, 2005by Clinton Kelly (Author), Stacy London (Author)
Basics Fashion Design 08: StylingBy: Clare Buckley, Jacqueline McAssey
Style Wise: A Practical Guide to Becoming a Fashion Stylist by Shannon Burns-Tra
Page 20
20
15020205: FASHION ILLUSTRATION –I
SEMESTER : II
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To teach the Students various fabric rendering technologies
To familiarize Students with the sketching ideas for various garments.
To develop skills in Fashion and model drawing.
COURSE DETAIL
UNIT- 1
Fashion figure in different views, as front view and side view. - 8, 10 and 12 heads, fleshing
on block figures.
UNIT- 1I
Photo analysis, Creating various textures and fabric rendering using different techniques and
mediums
Fabric Renderings: Prints, Stripes, denim, velvet, Fur, Brocade, leather, floral, checks,
chiffon
UNIT- III
Designing of different types of sleeve -Bishop Sleeve, Lantern Sleeve, Juliet Sleeve, Saddle
Sleeve, contoured Patterns: Halter Style etc, designing of different types of collar- Winged
Collar,Chelsea Collar, Bishop Collar, Shawl Collaretc
Necklines, cuffs, placket
UNIT- 1V
Illustrate croqui with dress rendering according to theme, Posture, Stylization:
Corporate, formal wear, sports wear etc.
Page 21
21
REFERENCE:
Kopp, E., Rolfo, V., and Zelin - New Fashion Areas for Designing Apparel through the flat pattern. Fairchild Publications, Inc. 1972.
"Big Book of Fashion Illustration" By Martin Dawver, Publisher Batsford
Page 22
22
15020206: DRAFTING & PATTERN MAKING - II
SEMESTER : II
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To understand the importance of pattern development.
To apply the knowledge of pattern development for creating structural designs
COURSE DETAIL
UNIT –I
Body measurements – Importance - Preparing for measuring - measurements for ladies,
men, boys & girls.
Male & Female bodice block
UNIT –II
Drafting and Pattern making of skirts:
Basic skirt, Wrap around skirt, Handkerchief skirt
Introduction to fullness & skirt variation:
Dirndl skirt, Gypsy skirt, Tiered skirt, Balloon Skirt
UNIT –III
Dart Manipulation
Slash and spread technique
Pivot transfer technique
Curved dart
Parallel dart
Graduating
Radiating
Dart equivalent
Page 23
23
UNIT –IV
Adult’s Skirts Pattern
Basic single & double dart
A – Line
Paneled
Gored
Flounce
Wrap
Circular
Cascade
REFERENCE:
Bernard Zamkoff and Jeanne Price, Creative Pattern Skills for Fashion Design (f.i.t.
Collection), 1990, Publisher: Fairchild Books & Visual.
Helen Joseph Armstrong, Pattern making for Fashion Design, 2000, Dorling
Kindersley (India) Pvt.Ltd. India.
Sandra Betzina, Fast Fit – Easy Pattern Alterations for Every Figure, 2003 Taunton
Pr.
Page 24
24
15020207: GARMENT CONSTRUCTION-II
SEMESTER : II
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To give hand training of various sleeves, collars, cuffs etc. can also be used as
design features
COURSE DETAIL
UNIT–I
Construction of different types of Collar: Peter Pen, Sailor, Mandarin, Bishop,
Winged,Chelsea and Shawl Collar
UNIT–II
Preparation of samples: puff sleeve, raglan, kimono, petal, leg-o-mutton, cap sleeve and
bishop sleeve etc.
UNIT–III
Preparation of different types of pockets-flat pockets, Nehru pocket, slant pocket, cargo
pocket etc.
Construction of different collars: peter pan: flat & raised, mandarin. Stand & fall, shirt collar
etc.
UNIT–IV
Zipper attachment: centre, lapped, invisible
Page 25
25
REFERENCE:
Readers Digest, Guide to Sewing and Knitting.
Sewing for the Apparel Industry. Claire Schaeffer, Prentice Hall.
Practical cutting & tailoring part II eshwasriAnwahi, Lakhrayhans R. B.
Publications, Delhi.
Page 26
26
15020301: FABRICAND LEATHER SCIENCE
SEMESTER : III
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION : 12-16Weeks/Semester
CREDITS : 4
OBJECTIVES:
To impart knowledge of Fabric information process and various type of fabrics
techniques
To introduce Fabric construction and comfort related properties
To understand about leather material andleather tanning process
To learn the adaptation with other materials.
COURSE DETAIL
UNIT-I
Classification of Fabrics, Introduction to various Fabric manufacturing methods: woven,
knitted, braided &Non woven, Conversion of Yarn into Fabric with flow charts,
Introduction of wrap and weft preparatory Process
UNIT-II
Warping: objectives of warping, direct and Sectional warping, Sizing: Objectives of sizing,
various sizing ingredients. Drawing- In: objectives and flow of material in these operations.
Functional and comfort related fabric properties
Shuttle Looms: Definition of handloom, plain loom, and automatic loom , basic loom
mechanisms; primary, secondary and auxiliary motions, Principle of shuttle loom.viz
multiple gripper etc.
UNIT-III Characteristics of woven Fabrics and their importance, Fabric Inspection, Point rate system-
4 Point System, 10 Point System, Fabric defects and their Classifications, Introduction to
non woven fabrics
Brief introduction about Knitted fabrics, narrow FabricsDobby & Jacquard, Composite
Fabrics; coated fabrics, laminated fabrics, bonded fabrics etc.
Page 27
27
UNIT-IV
Skin components in different animals, Structure and section of epidermis, dermis
Tissues, Hair, Fat tissues, Nerve, Muscle, Glands
Pre-tanning process:
Soaking, Liming, De liming, Bating, Pickling, De pickling, Degreasing etc.
Tanning process:
Peddle procedure, Drum procedure, Vegetable tanning, Chrome tanning
Different types of raw material used leather garments, bags &footwears.
Leather finishing: Plating&Drying
REFERENCES:
AdahurSabit, Handbook of weaving, Technomic Publishing Company, Inc, USA
Lord P.R Mohamed H.M, weaving : Conversion of Yarn to Fabric, wat ford:
merrow, 1973
Carbmann, B.P Textiles: Fabric to Fabric’ Mcgraw Hill, Singapore, 1986
Page 28
28
15020302:INTRODUCTION TO FASHION & APPAREL INDUSTRY
SEMESTER : III
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To familiarize students with structure of apparel industry with trends, scope
andprospects.
To provide an adequate knowledge of various departments of textile and apparel unit
To give awareness the nature of Fashion and to understand the change occurring in
the Fashion industry
COURSE DETAIL
UNIT-I
Fashion- Definition of fashion in all aspects
Evolution of Fashion&Principles of Fashion
Fashion cycle
Theories of fashion adoption
UNIT-II
Importance of Fashion
Four levels of fashion
The various aspect of fashion business- designing, manufacturing & retailing
UNIT-III
Fashion categories: Men’s wear, Women’s Wear&Kid’s wear
Role of designer, merchandiser & coordinator
UNIT-IV
Market Segmentation
Different Stores: Department Stores, Chain Stores, Discount Stores, Boutiques, Design
Studio, Factory Out lets
Support institutes of fashion industry
FDCI
AEPC
Ministry of Textile
Page 29
29
Handloom &Handicraft
NITRA, Silk Board, KVIC, LEPC
REFERENCES
Mackely and Munslow Janine, Fashion Design, Press Innovation and Practice,
Blackwell, 2003.
Fashion from Concept to consumer by Gini Stephens Pearson ,2005
Clothing technology by H.eberly Berger Verlag Europa LeherMittel, 2010
The Dynamics of Fashion by Elaine Stone Fairchild Publication, 2008
The Business of Fashion by Leslie Davis Burns and Nancy O. Bryant Fairchild
Publication, 2002
J. BrijBhushan, The Costumes and Textiles of India.
Walter Hutchinson, Costumes of the World.
RoshenAlkazi, Ancient Indian Costume.
P. Rambach and V. Golich, TheGol.
Page 30
30
15020303 : COMPUTER AIDED DESIGN I
SEMESTER : III
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES
To learn the new design software.
To understand the computer design technical terminology.
To understand and create the new designs as per the requirement.
COURSE DETAIL
UNIT I
Introduction to MS Office
MS Word
MS Excel
MS Powerpoint
UNIT II Introduction to Coral Draw. Learning basic tools of Coral Draw. Using Basic Shapes,
Transformations, Duplicate, Cloning. Applying fill, outlines, special effects, shaping
objects,
creating custom Shapes using basic shapes and other drawing tool, working with the text,
Effects, Shaping object with envelope tool, Power Clip objects, splitting and erasing portion
of objects.
UNIT III CorelDraw utility in fashion industry
Motifs & design development
UNIT IV Basic about Photoshop
Photoshop tools in detail, enhancing images, Masking, transforms, working with layers.
Merging & blending layers, text effects.
Photoshop utility in fashion industry
REFERENCE:
Atman R., CorelDraw X5, BPB Publicatins.
Bangia R., CorelDraw, Khanna Book Publishing Delhi, 2003.
Phyllis D., CorelDraw, Steve Publisher.
Page 31
31
15020304: FASHION ILLUSTRATION - II
SEMESTER : III
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES
To teach the Students various fabric rendering technologies
To familiarize Students with the sketching ideas for various garments.
To develop skills in Fashion and model drawing.
COURSE DETAIL
UNIT-I
Drawing a full fledged fashion figureof male & femalein different views, as front view,
3/4th view back view and side view,
UNIT-II
Introduction to Fashion model drawing to understand the proportion, balance and
developing silhouettes, sketching of the movement figures in various postures/body
positions.
UNIT-III
Illustrate of different male/female croquis of different, Postures,Stylization and render
dresses according to theme
Traditional dresses
Wedding dresses etc.
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32
UNIT-IV
Designing of various garments form the following categories and different embellishment
effects.
REFERENCES:
Ireland,” Fashion Design drawing and presentation”, batsford.
“Fashion Design Illustration” by Patrick John
“Inside Fashion Design” by TATA Saharan Lee, Publisher can field press.
Page 33
33
15020305: DRAFTING &PATTERN MAKING – III
SEMESTER : II
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To develop the advanced drafting.
To develop and create the different patterns for different designs.
To build up the confidence strengths towards pattern drafting
COURSE ETAIL
UNIT-I
Men’s Wear
Drafting and cutting pattern for trouser, shirt
Drafting and cutting pattern for creative trousers
Pattern for lining – leather garments, knitted garments
Drafting and cutting patterns – Suit/ coat/ blazer for men
Drafting and cutting patterns– Kurta-Pyjama for men
Drafting and cutting patterns– Modern & western dress for men
UNIT-II
Women’s Wear
Drafting and cutting patterns – Suit/ coat/ blazer for women
Drafting and cutting patterns– Churidar, suit, salwar for women
Drafting and cutting patterns– Lehanga-choli for women
Drafting and cutting patterns– Modern & western dress for women
UNIT-III
According to fitting textile – modification of patterns and drafting
Drafting and cutting patterns – improvement analysis
UNIT-IV
Draft and cutting pattern for new designs as per the theme/ project/ event etc
Page 34
34
15020306: GARMENT CONSTRUCTION – III
SEMESTER : II
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
Acquire the skill and knowledge of the use ofspecial purpose machinetrims and
supporting materials ongarment construction to assemble the end product.
Apply appropriate finishing techniques for the specific fabric.
COURSE DETAIL
UNIT-I
Men’s Wear stitching
Trouser, shirt
Creative trousers
leather garments, knitted garments with lining
Suit/ coat/ blazer for men
Kurta-Pyjama for men
Modern & western dress for men
UNIT-II
Women’s Wear stitching
Suit/ coat/ blazer for women
Churidar, suit, salwar for women
Lehanga-choli for women
Modern & western dress for women
UNIT-III
According to fitting textile – modification ,improvement analysis
UNIT-IV Develop new designs as per the theme/ project/ event etc.
Page 35
35
REFERENCE:
Jacob solinger ,”Apparel manufacturing handbook”, VanNostrand Reinhold
Company, 1980
Bernard Zamkoff and Jeanne Price, Creative Pattern Skills for Fashion Design (f.i.t.
Collection), 1990, Publisher: Fairchild Books & Visual..
Measure, Cut and Sew, Holt Rinehart and Winson.1922, Mc Millian Publishing
Company.
Page 36
36
15020307: TERM PROJECT
SEMESTER : III
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To implement the understanding individually.
This is the error and learning process.
To improve the work through experiment/ experience.
COURSE DETAIL
Teachers can be assigned any kind of project/ assignment/ craft work/ chapter study/ theme
based work/ project/ special order/ free launching etc.
Students need to submit all the details, documentation etc for evaluation. / Group or
individual activity can be allowed only by the concern tutor.The students are required to
maintain a field diary all through the tour,The collected information should be documented
through visuals, samples etc.After such a tour student shall submit a report.
Page 37
37
15020401: APPAREL PRODUCTION, PLANNING & CONTROL
SEMESTER : IV
MAX. LECTURE- 3 Hr. /Week : NIL
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : 48
DURATION : 12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To familiarize students with production planning in apparel industryusing work
study, time study
To impart skills in apparel production in an Industrial set-up.
To understand various processes and technical parameters of garment production.
COURSE DETAIL
UNIT-I
Introduction to production, operation concept of production, production as theconversion
process, Production planning and Control, its objectives, function, organization of (PPC)
department.
UNIT-II
Production planning – order preparation, material planning process planning, loading
andscheduling, Method study – basic procedure of method study. Work measurement – uses
of work measurement, data, basic procedure of work measurement, definition and scope of
motion and time study
UNIT-III
Sampling department- importance of sampling department, types of sample-prototype, fit
sample, pp sample, size set, production sample, shipment sample, Cutting department:
Markers- planning, production, efficiency, methods of making, fabric spreading,
Production department: selection of production system- progressive bundle system, unit
production system, Quick response in apparel manufacturing, different production systems
UNIT-IV
Quality & Inspection
Page 38
38
Packaging
Shipment
REFERENCES:
Chuter A J,”Introduction to Clothing Production Management”, Blackwell.
Rajesh Bheda, “Production Management in Apparel Industry”.
Carr H. &, Latham, B. (1984) The Technology of Clothing Manufacture,
Blockwell Scientific Publication
Jones, Richard M., “Apparel Industry”, Blackwell, 2nd Edition.
Page 39
39
15020402: INTRODUCTION TO MARKETING & MERCHANDISING
SEMESTER : IV
MAX. LECTURE-3Hrs/Week : 48
MAX. TUTORIAL-1Hrs/Week : 16
MAX. PRACTICAL-0Hrs/Week :NIL
DURATION :12-16Weeks/ Semester
CREDITS :4
OBJECTIVES:
To give awareness regarding the importance of Fashion Marketing
To impart knowledge and skills in the areas of apparel merchandising
To awareness of the Students with various marketing and merchandising
procedures.
COURSE DETAIL
UNIT-I
Marketing- Definition, what it does, core concepts of marketing, marketing management –
process, different approaches. Marketing mix- P’s of Marketing’ -Product, Price, Place and
Promotion
UNIT-II
Merchandising-definition,role of a merchandiser- differentiating his roles at buyer, buying
office and manufacturers’ workplace, cost merchandising-costing, different departments in
an export house and their functioning,
UNIT-III
Type of Merchandising, Retail merchandiser, quick response, just –in-Time, merchandiser
calendar, trend analysis, Fashion Trend Analysis, product life cycle
Page 40
40
UNIT-IV
Domestic Vs international marketing, challenges for international marketing, identifying
foreign apparel markets, international marketing mix – PLC model, pricing decision,
channels of distribution, promotion mix in international context.
REFERENCES:
Fashion from concepts to consumers- Gini stephesis
Swinney, John .B,”Merchandising of Fashion”, Ronald Press, 1942
Marketing Fashions- Harriet Poshar- Laurence King,London
Philip R Cateora, “International Marketing”, 11th Ed, McGraw-Hill Publication 6.
Granger, M., Case Studies in Merchandising Apparel and Soft Goods, Fairchild,
1997. 7. Rabolt, N
Page 41
41
15020403 : COMPUTER AIDED DESIGN II
SEMESTER : IV
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To learn the computer design techniques.
To understand how to do design on the computer design software.
To improve the knowledge to do the design in computer.
COURSE DETAIL
UNIT-I
Fashion trend forecasting websites – Introduction, leading online trend-analysis and
research
service on creative and business intelligence for the apparel, style, design and retail
industries, insight and creative inspiration, real-time retail coverage, seasonal trend analysis,
consumer research and business information
UNIT-II
Photoshop:
Creating an advertising brochure. Painting & rendering in Photoshop, creating &
manipulating Fashion Model drawings, gradient‘s use for rendering & 3D effects, making
collage in Photoshop, Applying filters
UNIT-III
Create Mood / Inspiration, client / customer, colour and Texture board using Photoshop.
UNIT-IV
Corel Draw:
Creating fashion accessories like necklace, bracelet, anklets, ear ring, and head gear .Etc
Using Coral Draw.
Motifs development – Symmetrical/Asymmetrical, Balanced/Unbalanced, Repeat – ½ drop,
¼ drop, ¾ drop – H/V. Drop reverse, Design placements on boarders
Logo Designing, Creating Tags & Labels – Main label, Size label, Wash Care label, Content
label using Corel Draw
Development of design & motifs
Page 42
42
REFERENCE:
Rajaraman V., Fundamentals of Computer, PHI LearingPvt. Ltd., 2010.
Siprut M., Adobe Photoshop, BPB Publications, New Delhi, 2001.
Eismann, Katrin, Photoshop Retouching Techniques, Steve Publishers, 2001.
Page 43
43
15020404: DRAPING - I
SEMESTER : IV
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/ Semester
CREDITS : 2
OBJECTIVES:
To understand the draping aspects of pattern making.
To apply the knowledge of draping in developing patterns and designs by draping.
COURSE DETAIL
UNIT-I
Introduction to draping and dress forms, Preparation of muslin fabric.
UNIT-II
Draping of Skirts: Basic skirt with two dart front and back, A-line skirt, Circular skirt,
Gathered skirt, flared skirt, Skirt with flared and Flounces
UNIT-III
Draping in different styles of different ages: Sarris, dhoti, skirts, Pants etc.
UNIT- IV
Dart manipulation – Single dart, double dart, French dart and variations, Preparation of
fabrics Yokes and midriffs- bodices yoke, hip yoke, fitted midriff.
Page 44
44
REFERENCES:
Connie Amaden – Crawford, The Art of Fashion Draping, 2nd edition (Oct. 1995)
Publisher: Fairchild Books, K Visual.
Helen Joseph- Armstrong, Draping for Apparel Design, Oct. 1999 Publisher:
Fairchild Books &Visual.
Page 45
45
15020405: ADVANCED PATTERN MAKING
SEMESTER : IV
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/Semester
CREDITS :2
OBJECTIVES:
To provide more advanced and complex concepts to the pattern-making discipline.
To enable the students to produce marker patterns for any garment.
To make student proficient at grading the pattern to different sizes using nested
grading.
COURSE DETAIL
UNIT-I
Drafting & pattern of Blazerfor Men/ Women’s,Contour guide pattern, Hoods &capes: A-
line cape foundation, flared cape foundation, contoured loose hood foundation etc,
UNIT-II
Drafting & Pattern of different Cowls: Front cowl-High relaxed cowl, Mid- Depth cowl, low
cowl, deep cowl, back cowl-High back cowl, mid back cowl, low back cowl
UNIT-III
Grading the Basic sleeve, grading the Basic collar, Grading Bodice, skirts & Trousers.
UNIT-IV Drafting & Pattern making of any two garment with their components based on theme:
Party wear, Dance wear and Bridal wear
REFERENCE
Grading for the fashion Industry – Patrick.J.Taylor& Martin Shobhen, Neson
Thomas
Pattern Grading for women’s, Men’s & Child clothes – Gerry cooklin, Black well
science
Helen Joseph Armstrong, Pattern making for Fashion Design, 2000, Dorling
Kindersley (India) Pvt.Ltd. India.
Page 46
46
15020406: ADVANCE GARMENT CONSTRUCTION
SEMESTER : IV
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
Acquire the skill and knowledge of the use of appropriate garment construction
withcosting techniques to assemble the end product. Apply appropriate finishing
techniques for the specific fabric.
To develop skills in different techniques of pattern development and standard
measurement
CORSE DETAIL
UNIT-I
Study of international stitch number and preparation of technical specification sheet,
Analysis of spec sheet.
UNIT-II
Stitching of any garmentsbased on theme like Party wear/ Bridal wear: Men‘s / Women‘s
using, flat sketches, technical drawing, spec sheet, component drawing, and costing sheet
UNIT-III
Stitching of any garmentsbased on theme like Casual wear/ Formal wear; Men‘s / Women‘s
using, flat sketches, technical drawing, spec sheet, component drawing, and costing sheet
UNIT-IV
Development of any garments using different basic embroideries stitches and surface
ornamentation such as chain stitch, herring bone stitch, cross stitch etc.
Page 47
47
REFERENCE:
Bernard Zamkoff and Jeanne Price, Creative Pattern Skills for Fashion Design (f.i.t.
Collection), 1990, Publisher: Fairchild Books & Visual.
Helen Joseph Armstrong, Pattern making for Fashion Design, 2000, Dorling
Kindersley (India) Pvt.Ltd. India.
Sandra Betzina, Fast Fit – Easy Pattern Alterations for Every Figure, 2003 Taunton
Pr.
Page 48
48
15020407: TERM PROJECT
SEMESTER : IV
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To implement the understanding individually.
This is the error and learning process.
To improve the work through experiment/ experience.
COURSE DETAIL
Teachers can be assigned any kind of project/ assignment/ craft work/ chapter study/ theme
based work/ project/ special order/ free launching etc.
Students need to submit all the details, documentation etc for evaluation. / Group or
individual activity can be allowed only by the concern tutor.The students are required to
maintain a field diary all through the tour,The collected information should be documented
through visuals, samples etc.After such a tour student shall submit a report.
Page 49
49
15020501: APPAREL EXPORT & BUSINESS MANAGEMENT
SEMESTER : V
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To understand the nature of fashion business, elements and challenges associated
with Fashion Industry.
To familiarize students with Indian and global business environment and
theirpolicies.
To acquire the knowledge regarding environment and movement of fashion so that to
understand the various aspects of Fashion.
COURSE DETAIL
UNIT-I
Business of Fashion:Importance of Fashion, Economic importance of Fashion Business,
Four levels of Fashion (Primary level, Secondary level, the Retail level & Auxiliary level),
International marketing environment, identifying foreign apparel markets
UNIT-II
Nature of Fashion: Definition of Fashion, Evolution of Fashion, Terminology of Fashion,
Principles of Fashion movement, Fashion cycle, International Fashion centers
Environment of Fashion: Market segmentation (Demographics, Geographic, Psychographics
& Behavioral), Economic Environment, Social Environment
Page 50
50
UNIT-III
Exports – INCO terms, export procedure, their objectives, and documentation, export
promotion council etc., terms of payment, export finance.WTO – Genesis, Agreement,
Rounds, Impact on Indian Business Environment, Indian Business Scenario.
UNIT-IV
General concept: GNP, GDP, BOP, Fiscal Policy, Monetary Policy, EXIM Policy, New
economic policy
REFERENCE:
Mishra &Puri, Economic Environment of Business, Himalaya Publishing House,
Mumbai
Francis Cherunilam, Business Environment, Himalaya Publishing House, Mumbai,
2007.
John Graham, Mary C. Gilly, Philip R. Cateora, International Marketing, McGraw
Hill, 2008.
“Nabhi’s Publication on Export: Govt Handbook”.
SakOnkvisit and John J. Shaw, “International Marketing”, Routledge, 2004
Jain T R, MukeshTrehan and RanjuTrehan, Indian Economy, V K Publications
Page 51
51
15020502VISUAL MERCHANDISING
SEMESTER : V
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
Understanding of architectural tools required for store planning
Exposure to variety of material used in industry
Usage of Lighting
COURSE DETAIL
UNIT-I
Visual merchandising and Display Basics
Purpose of Display
Colour and Texture
Line and Composition
Light and Lightings
Type of Display and Display settings
UNIT-II
Display Locations
Store Exterior
Window Display
Store Interior
UNIT-III
Display Equipments
Mannequins
Alternative to the Mannequins
Dressing the three dimensional form
Fixtures
Visual Merchandising and Dressing Fixtures
Furniture as props
Visual Merchandising and Display Techniques
Attention getting devices
Familiar symbols
Page 52
52
Masking and proscenia
Sale ideas
Fashion Accessories
Graphics and Signage
UNIT-IV
Merchandising & Planning
Visual Merchandising and Planning
Setting up a Display shop
Store Planning and Design
Visual Merchandising and Changing face of Retail
Related Ares of Visual Merchandising and Display
Point of Purchase Display
Exhibit and Trade show Display, Industrial Display
Fashion Show
Trade Organizations and Sources
Career opportunities in Visual Merchandising
REFERENCE:
Visual Merchandising and Display / Edition 5by Martin M. Pegler , Fairchild
Publication.
Contemporary Visual Merchandising and Environmental Design by Jay Diamond,
Ellen Diamond in Books
Visual Merchandising and Store Design Workbook by Greg M. Gorman – ST
Publications (1996)
Visual Merchandising by ST Media Group International, Incorporated (2009)
Page 53
53
15020503: FOREIGN LANGUAGE-GERMAN
SEMESTER : V
MAX. LECTURE-3 Hrs./ Week : 48
MAX. TUTORIAL-1 Hr./Week : 16
MAX. PRACTICAL-0 Hr./Week : NIL
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
MAXIMUM MARKS : 40+60=100
OBJECTIVES
To use German vocabulary and grammar.
To develop communication skills in German Language.
To use German language in their professional life.
COURSE DETAILS
UNIT I
Vocabulary
Getting to know people
Starting a conversation
People and things
Talking about relatives
UNIT II
Arrival
Finding a space
If you want to ask a Question
Pronouns and Verbs
UNIT III Seeing the Sights
Finding your way on foot
How do I get to….
How to point out something
Verbs Again (Grammar)
UNIT IV
Public Transportation
What to say to the conductor
Some contractions
More action Verbs
On Nouns and Articles (Grammar)
Page 54
54
Countries and Languages
I am …….
I am travelling to...
Lost in the way.
I speak….
REFERENCE
Barron’s German (Learn Deutsch) The Fast and Fun Way. Third Edition by Paul and
Heywood Wald, coordinating Editor. 2004
Deutsch alsFremdSprache A1 by Dengler, Rusch, Schmitz and Sieber. Klett
Langenscheidt, Munchen. Published by Goyal Publishers.
Lernziel Deutsch: Deutsch alsFremdsprache by Wolfgang Hieber. 2007. Max
HueberVerlag (Max Hueber Publication) Munchen
Page 55
55
Discipline Specific Elective [DSE]:
Opt any One from DYEING & PRINTING or SURFACE ORNAMENTATION
15020504 : DYEING AND PRINTING
SEMESTER : V
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To understand the different dyes.
To learn the technical process of dyeing and printing.
To understand the values of dyeing and printing.
COURSE DETAIL
UNIT-I Introduction to dyes & printing
Classification of dye and pigments
Introduction to preparatory process- Sinzing, desizing, scouring, bleaching, mercerizing
Post/After Treatments of Dyeing & Printing
UNIT-II
Dyeing on different Yarn & fabrics
Cotton, Wool, Silk, synthetic fabrics, Leather etc
Dyeing on trimmings
Laces, Zippers, Elastics, Buttons etc.
UNIT-III Tie – Dye
Marbling, knotting, fan folding, circular binding, spiral binding etc.
Bandhej, Leheriya and bandhani
Tritik, Batik
UNIT-IV Block printing
Screen printing
Stencil printing
Spray printing etc
Page 56
56
Sample&Product development of all above techniques
REFERENCE:
Gale, Colin and Kaur, The Textile Book, Berg 2002.
Thimou, Paul, Screen Printing, Design Ideas and Tips for Graphic Prints, Quary
Books, 2006.
Befler Nancy, Batik & Tie-Dye Techniques, Dover Publications.
Page 57
57
15020505 : SURFACE ORNAMENTATION
SEMESTER : V
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To know about the surface ornamentation.
To use different materials and waste materials towards designs.
To learn the surface ornamentation techniques.
COURSE DETAIL
UNIT I
About embroidery
Hand embroidery&Machine embroidery
Tools and equipments for embroidery
UNIT II Basting
Back stitch
Chain stitch
Button hole
Lazy daisy
Herring bone
Satin stitch
French knot
Shadow stitch
Cross stitch
Blanket stitch
Eyelet stitch
UNIT III Mirror work
Sequins work
Bead work
Patch work
Appliqué work
Quilting work
Page 58
58
Smoking work
Lace work
UNIT IV Traditional embroideries:
Kantha – West Bengal
Kasuti – Karnataka
Chikankari – Uttar Pradesh
Kathiawar – Gujarat
Kashida – Kashmir
Chambarumal – Himachal Pradesh
Phulkari – Punjab
Banjara – Andhra Pradesh
Zardozi etc.
Develop a product using various above techniques
REFERENCE:
Jennifer Campbell and Ann-Marie Bakewell, Complete Guide to Embroidery Stitches.
Judy Brittain, Step-by-Step Needlecraft of Encyclopedia, Dorling Kindersley Publishers
Ltd., Revised edition 1995.
Page 59
59
15020506: DRAPING- II
SEMESTER : V
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 2
OBJECTIVES
To teach the students the basics principles, and interpret and analyze complex drapes
To enable students to create their original designs on a three dimensional form using
draping method.
COURSE DETAILS
UNIT-I
Bodice styles: Classic princess drape, Surplice, Off –Shoulder.
Skirts: A-line flare, Stylized yoke with pleat / flare skirt, Skirt with gathered waist line.
UNIT-II
Cowls: Front and Back cowl
Dress foundations and designs:-Sheath, Shift, Box silhouette, Panel dress, Empire dress
UNIT-III
Gown with radiating drapery.
Design, Drape and Construct a Gown
UNIT-IV
Draping Dresses – The Straight Shift, Princess Dress.
Development of basic choli and converting the same in to garment.
Draping of designer choli and evening gown, 3D draping.
Create innovative dresses according the theme based
REFERENCES
Draping for apparel design –Helen Joseph-Armstrong
The art of fashion draping –Connie Amaden-Crawford
Draping for fashion design-Hilde Jaffe,NurieRelis
Designs cutting and draping for special occasion clothes,for evening wear and party
Wear ,Drawncloak, Chryssalis
Dress design-draping and flat pattern, hill house MS,HoughtonMiffin co London USA
Page 60
60
The theory of fashion design, Brockman, Magritha,John Wiley sons,NewYork
Design through draping, Sheldom, Marhta Burgers Publishing company,
Minneapolis,USA
Modern pattern design ,Popin, Harut,Funk and Wagnalls,New York and London
Connie Amaden – Crawford, The Art of Fashion Draping, 2nd edition (Oct. 1995)
Publisher: Fairchild Books, K Visual.
Helen Joseph- Armstrong, Draping for Apparel Design, Oct. 1999 Publisher: Fairchild
Books &Visual.
HeddeJeffe, Jurie Reus, Draping for Fashion Design, 1993, Prentice Hall Carrer
Page 61
61
15020507: FASHION ACCESSORIES & ORNAMENTATION
SEMESTER : V
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/Semester
CREDITS : 2
OBJECTIVES:
To impart knowledge of Fashion Accessories.
To give hand on training to design and develop Fashion Accessories.
OBJECTIVES:
To impart knowledge of Accessories
To provide opportunity to design and develop Fashion Accessories.
COURSE DETAIL
UNIT-I
Fashion Accessories: - Introduction, Definition & Classification, Usage of different raw
materials as leather, Fur, Beads, wood etc.
Survey and compile information about Fashion
Accessories available in market: bags and purse, belts, bracelets, key chains etc
UNIT-II
Role and Significance of Fashion Accessories
Importance of fashion accessories in apparel industry
History and overview of accessory design
Role of an accessory designer
Leading contemporary accessory designers and brand
UNIT-III
Construction and Design: Handbags, belts, wallet, hat.
UNIT-IV
Accessories making of design: Bracelets, chains-hip chain, neck chain
Ear rings& head hair Ornaments with different materials like metal, wood, plastic
Page 62
62
REFERENCES:
Claire Billocks ,”Century of Bags”, chart well books
Meadows Celia Stall, now your Fashion Accessories, Fair Child books, 2003
Diamond Ellen and Diamond Jay, Fashion Apparel and Accessories.
Meadows Celia stall, know your Fashion Accessories, fair child books, 2003.
MalolowBlahhik- Co Collin Mac dolw,”shoes- Fashion and Fantasies”, Thomes and
Hudson, 1989
ClarieBillcocks,”Century of Bags,”chartwell Books, New Jersey. 1997.
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15020508: TERM PROJECT
SEMESTER : V
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To implement the understanding individually.
This is the error and learning process.
To improve the work through experiment/ experience.
COURSE DETAIL
Teachers can be assigned any kind of project/ assignment/ craft work/ chapter study/ theme
based work/ project/ special order/ free launching etc.
Students need to submit all the details, documentation etc for evaluation. / Group or
individual activity can be allowed only by the concern tutor.The students are required to
maintain a field diary all through the tour,The collected information should be documented
through visuals, samples etc.After such a tour student shall submit a report.
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15020601: KNITTING TECHNIQUES
SEMESTER : VI
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL-1 Hr. /Week : 16
MAX. PRACTICAL-0 Hr. / Week : NIL
DURATION : 12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To impart knowledge of knitted Fabric
To introduce manufacturing techniques of knitting.
COURSE DETAIL
UNIT-I
Definition of Knitting, Comparison of Knitting and Weaving, Classification of Knitting-
wrap & weft Knitting, Difference between woven and Knitted Fabric Properties. Wrap and
weft knit structure
UNIT-II
Weft Knitting Element – Knitting needles, sinker cam system, knitting cycle of Latch, Beard
and Compound needle
Weft Knitting Elements- Properties and send uses of basic weft Knitted Structure – Plane,
rib, interlock and purl.
UNIT-III
Brief introduction about Tricot machines, Fundamental Stitch: Knit, Tuck and float Stitches
and their uses, Concepts of Loop length, Stitch Density, Tightness Facto, areal density.
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UNIT-IV
Orientation of Knitted: Fabrics, Major Knitted Fabric Faults and their Remedies
Characteristics of Knitting Yarn
REFERENCES:
D.J Spencer, Knitted Technology, 3rd edition woodhand Publishing, 1983
A Zgaonkar,”Knitting Technology”, Universal Publishing corporation, 1908
Irfan Ahmed Seikh, Pocket Technology, Black well
Terry Knitted Clothing Technology, Blackwell.
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15020602: QUALITY CONTROL & ASSURANCE
SEMESTER : VI
MAX. LECTURE- 3 Hr. /Week :48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To develop an understanding of the latest technological developments in the apparel
industry.
Understanding the quality control parameters of apparel industry.
COURSE DETAIL
UNIT-I
Quality: definition, Quality loop. Quality function. Evaluation of quality cost,objectives of
quality cost evaluation
UNIT-II
Quality control:- principles of quality control -SQC, Quality standards- ISO-9000 series of
standards, Quality assurance, TQM, Six Sigma, Garment durability testing of Zipper,
Button, Seam strength, seam slippage etc.
UNIT-III
Fabric Inspection system : 4 point,10 point system and in process inspection,
Inspectionloop, stages of inspection, how much to inspect-arbitrary, statistical sampling,
AQL, zones in garment evaluation, classification of defects.
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UNIT- IV
Introduction to Apparel testing and quality control , Importance of apparel testing and
quality control, Apparel testing equipments- GSM, Tensile tester, Bursting strength tester,
Tear strength tester, fabric stiffness tester, crock meter, colour matching cabinet.
REFERENCE:
Joseph Juran, “Hand book of Quality Control”, McGraw Hill Publication.
John Oakland, “Total Quality Management: A pictorial guide for manager”,
Elseveir Publication.
Quality assurance for Textile and Apparel, Sara J.Kadolf, Fairchild publication.
Irfan Ahmed sheikh, Pocket textile testing & Quality expert, Irfan publisher
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15020603: CLOTHING CULTURE & COMMUNICATION
SEMESTER : VI
MAX. LECTURE- 3 Hr. /Week : 48
MAX. TUTORIAL- 1 Hr. /Week : 16
MAX. PRACTICAL- 0 Hr. / Week : NIL
DURATION :12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To create awareness about clothing culture
To impart knowledge of clothing communication and fashion expression
COURSE DETAILS
UNIT-I
Understanding clothing and Clothing culture.
Individual & dress, personal communication, personal expression, image building,
psychological and sociological influence on clothing.
UNIT-II
Clothing culture and communication, men and women clothing groups, role and status
ofclothing.
Clothing culture and communication based on conservative, labor, liberal, social,
democrat,customs and marital status.
UNIT-III
Individual and dress, personal communication, personal expression, image building.
Psychological and sociological influence on clothing.
Fashion, fashion concepts, differences of fashion and non- fashion, recurring cycles
offashion, styles and fashion.
UNIT-IV
corset culture, fashion in 20th century. Women at war, between war and post war.
Equalitybetween men and women, sexual revolution, marriage and family, education
andemployment. Evolution of different types of costumes.
Minis, maxis, unisex, fit woman, glamorous woman, casual and formal clothing. Fashion
forall ready to wear fashion, mass marketing of fashion.Youth style and fashion, teddy boy,
skins, mods, hippies, punks, taste of youth and their lifestyle.
REFERENCE
Anderson Black, J ―A History of Fashion‖ Orbis Publishing Ltd., USA. 1985.
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Elizabeth Rouse, Understanding Fashion, Blackwell Science, UK, 1989.
Jane Ashelford, The art of dress: Clothes & Society, ISBN1500-1914, Amazon com.
Wilcox, T The dictionary of costume, Batsford Ltd., UK.
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15020604: FOREIGN LANGUAGE - GERMAN
SEMESTER : VI
MAX. LECTURE-3 Hrs./ Week : 48
MAX. TUTORIAL-1 Hr./Week : 16
MAX. PRACTICAL-0 Hr./Week : NIL
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
COURSE OBJECTIVES
To familiar with the basic level of German Language
To able to understand communication in German language
To read simple sentences of day to day Life
Enabled to write/frame simple sentences in day to day Life.
COURSE DETAILS
UNIT I
Cars and Vans
Road signs
At the Car Rental Office
Essential phrases for Drivers
Road signs
At the service station
The Car
Essential Expressions about your car
Grammar:
The Imperative
Modal Verbs
UNIT II
At the Grocery store
How do you say?
Grammar:
More important Verbs
Weather / Season
How is the weather
If today is Tues day, then….
Grammar…
Airplanes and Train, The Plane
UNIT III
Asking for something
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All Aboard
Grammar:
Reflexive Pronouns
Direct Object Pronouns
Ordering Food, Meals / Food ,Breakfast
The Table, The main Meal, The Noon meal
To give and take
UNIT IV
Clothing stores
Trying on clothes
Men’s clothes
Women’s clothes
Shoes for men and women
Clothes for the Party
Communicating, Use of Language
Pronunciation and Intonation, Reading and Understanding.
Text writing ,Text forming
Use of Language, Building up the Language ,Language Comparison
REFERENCES
Barron’s German (Learn Deutsch) The Fast and Fun Way. Third Edition by Paul and
Heywood Wald, coordinating Editor. 2004
Deutsch alsFremdSprache A1 by Dengler, Rusch, Schmitz and Sieber. Klett Langenscheidt,
Munchen. Published by Goyal Publishers.
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Discipline Specific Elective [DSE]:
Opt any One from PROFESSIONAL PORTFOLIO DEVELOPMENT or DIGITAL
PORTFOLIO DEVELOPMENT
15020605: PROFESSIONAL PORTFOLIO DEVELOPMENT
SEMESTER : VI
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To show their talents visually.
To compile the different work under sequence.
To deal with corporate demands.
COURSE DETAIL
Final portfolio need to develop for corporate dealing.
Combine all the semester work when ever necessary.
The relevant details, photography need to be shown properly.
Guidance may be taken from the faculty member(s).
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15020606 : DIGITAL PORTFOLIO DEVELOPMENT
SEMESTER : VI
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/ Semester
CREDITS : 4
OBJECTIVES:
To combine the collective creative work promptly.
To develop the professional portfolio.
To represent the creative talents in front of professionals.
COURSE DETAIL
Develop a digital portfolio for a product/ them/ previous work/ design etc.
As per the corporate need student must develop the portfolio.
The portfolio may representation the specific work of the student.
EVALUATION CRITERIA
Semester Sessional Exam
Attendance – 10 Marks
Assignments/Submission/ Presentation/ etc. – 10 Marks
Sessional Practical Exam – 20 Marks
(with viva)
Total – 40 Marks
Semester End Exam
End exam – 60 Marks
Grand Total – 100 Marks
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15020607: DESIGN COLLECTION
SEMESTER : VI
MAX. LECTURE- 0 Hr. /Week : NIL
MAX. TUTORIAL- 0 Hr. /Week : NIL
MAX. PRACTICAL- 4 Hr. / Week : 64
DURATION : 12-16 Weeks/Semester
CREDITS : 4
OBJECTIVES:
To enable the students to apply the knowledge on developing a theme based
collection in fashion.
To acquaint the students with various ornamentation techniques on the fabrics.
COURSE DETAIL
A Collection portfolio will be prepared by each student during their master
programme, in which he / she shall display his collection of themes, using different
presentation skills as fashion show. Statement of your design philosophy to clarify
your attitude towards fashion.
The Design collection must include:
Preparation of a collection should be illustrated innovative garment designs prepared
using different themes picked from various sources (magazines, cultural, nature,
season, environment, film etc.)
To justify the theme of the dress, the theme could be seen in the colour of the dress/
silhouette of the dress/ surface texture of the dress/ surface ornamentation of the dress.
The students should be shortlist any one garments and construct the same theme of
dress using working sketch, paper pattern, Spec sheet showing technical strength, and
fabric consumption detailed measurement charts are all essential,
The portfolio should have atleast 6 lines of costumes.
Produce one collection from the portfolio and to be presented as fashion show.
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REFERENCE:
Jarnow, J and KG Dickenson, ―Inside the Fashion Business‖ Prentice Hall, 1997
Ireland, Patrick John, Fashion Design Drawing and Presentation, 1996, B.T.
Batsford London.
Seaman, Julian, Professional Fashion Illustration, 1995, B.T. Batsford, London.
Drake and Nicholas, “Fashion Illustrations”, 1995, Thames and Husdon, London.