MASTERDAYGUITARPIANOBARS CLIMBINGJ.S
CHORDAPPREGIOSwing.metronomeCOMP.
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Chord
Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree
Vocing #9. Solo Guitar TransriptingSCALE
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note
per String4. IntervalsCHORDTONE
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on
ChordtoneSEQUENCE
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13. TranscriptionS.
Reading
Poh Joy Goh: S.Reading:1. Sight Reading2. Melodic Dictation/ Sight
Singing3. Rhythm Dictation/ Sight Reading4. Chord Identification5.
251 Identification-Ear Master ProNDAYGUITARPIANOBARS CLIMBINGJ.S
CHORDAPPREGIOSwing.metronomeCOMP.SCALECHORDTONESEQUENCES.
ReadingN813HRJIM's Final Project PraticingYES13HRYESYESYESYES
823HRJIM's Final Project PraticingYES23HR1HRYESYESYESYES 833HRJIM's
Final Project PraticingYES34HRYESYESYESYES
845HR4HRYESYESYESYESYESYESYESYESYES46HRYESYESYESYES
856HRYESYESYESYESYES55HR3HRYESYESYESYES
YES864HRYESYESYESYES65HR2HRYESYESYESYESYESYES YES875HRJIM's Final
ProjectYES73HR1HRYES YESYESYES
YES887.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.L83HRYES
YESYES YES896HRPerformingL94.5HRYESYESYESYES YESYES
903HRYESYESYESYESYESYES YES107HRYESYESYESYESYESYES
LYES913HRYESYESYESYESYESYESYESYES114HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.923HR1HRYESYESYESYESYES126.5HRYESYESYESYESYESYESYESYES932.5HROrbit
Folks Last
Day134HRYESYESYESYESYESYESYESYES944HR2HRYESYESYESYESYES143HRYESYESYESYES
YES YES953HRYESYESYESYESYESYESYES153HRYESYESYESYES YESYES
963HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.TOTALPERCENT165HRYESYESYESYES
YESYES LTOTALPERCENT97JAMMartijn Last
Day1615.3846153846174HRYESYESYESYES YES
1610984.5HR2HRYESYESYESYESYESYESYES2322.1153846154183.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.4628.75993HR1HRYESYESYESYESYESYESYESYES6562.5193HR3HRYESYESYESYES
YESYES 9861.251003HRYESYESYESYESYES104100204HR3HRYESYESYESYES
YESYES 160100DAYGUITARPIANOStrength Exercise
Poh Joy Goh: Strength Exercise:1. Bars Climbing2. J.S. Chord3.
Hammer on /Pull off with any two
fingersAPPREGIOSwing.metronomeCOMP.
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Chord
Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree
Vocing #9. Solo Guitar TransriptingSCALE
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note
per String4. IntervalsCHORDTONE
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on
ChordtoneSEQUENCE
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13.
Transcription213HRYESYES YESYES 224HRYES YESYES YESYES
DAYGUITARPIANO3NOTEPERSTRINGBLUESAPPREGIOSWING.METRONOMECOMP.SCALECHORDTONESEQUENCE235HRYESYESYESYESYESYESYES
1017HRYESYESYESYESYESYES244HRYESYESYESYESYESYESYES
1023.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.254.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1033HR1HRYESYESYESYESYESYESYES264HRYESYESYESYESYES
1043HR1HRYESYESYESYESYES275HRYESYESYESYESYES
YES1053HR1HRYESYESYESYES283HRYESYESYESYESYES YES
1062.5HR2HRYESYESYES293HRYESYESYESYESYES YES
YES1073HRYESYESYESYESYESYES303HR YESYES YESYES 1082HRDOUBLE DOUBLE
BASS NIGHT316.5HRYESYESYESYESYESYES
LYES1095HRYESYESYESYESYESYES325HRYESYESYESYESYESYESYESYES1104HRYESYESYESYESYESYESYES334HRYESYESYESYESYESYESYES
YES1114HRYESYESYESYESYESYES347HRYESYESYESYESYESYESYES
1123HRYESYESYES355HRYESYESYESYESYESYESYES
1133HRYESYESYES364HRYESYESYESYES
YESYESYESTOTALPERCENT1147HRYESYESYESYESYESYES373HRYESYESYESYESYES
YES 851158HRYESYESYESYESYES386HRYES YESYESYESYESYES
3823.751164HRSIZIKONG393HR2.5HRYESYESYESYESYES YES
11471.251173HRLISTEN403HR3HRYESYESYESYES YES
1601001185HRYESYESYESYESYESYESYESYES413HR3HRYESYESYESYESYESYESYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing
improved.1194HRYESYESYES423HR3HRYESYESYESYESYESYESYES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.
Poh Joy Goh: S.Reading:1. Sight Reading2. Melodic Dictation/ Sight
Singing3. Rhythm Dictation/ Sight Reading4. Chord Identification5.
251 Identification-Ear Master
Pro1207HRYESYESYESYES433HRYESYESYESYES YESYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)2. Put the V of the
chord or substitution into comping to create richer sound when it
is suitable to play more.1214HR 443HRYES YESYESYES YESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes
the bass is a little bit faster than drums, sometimes slower. Each
one must think as 'I want to be slower/faster than him/her',
creating the sound that isn't match on the beat, but not really
slower and faster, just not on the beat. Some masters do it also,
they may like the sound like this. This can really help each one
listen to each other. After Playing this, you will get the sound in
match easier since you've listened to others and though about being
faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)2. Put the V of the
chord or substitution into comping to create richer sound when it
is suitable to play more.
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes
the bass is a little bit faster than drums, sometimes slower. Each
one must think as 'I want to be slower/faster than him/her',
creating the sound that isn't match on the beat, but not really
slower and faster, just not on the beat. Some masters do it also,
they may like the sound like this. This can really help each one
listen to each other. After Playing this, you will get the sound in
match easier since you've listened to others and though about being
faster/slower than him/her.2.
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6.
Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9.
Solo Guitar Transripting
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7,
C7, D7, #D7, E7, G7.
Poh Joy Goh: Strength Exercise:1. Bars Climbing2. J.S. Chord3.
Hammer on /Pull off with any two fingers
Poh Joy Goh: COMPING:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Chord
Inversion6. Walking Bass7.Comping with Walking Bass8 4-Degree
Vocing #9. Solo Guitar Transripting
Poh Joy Goh: SCALE:1. 7-Position2. HOPELESS Exercise (Key)3. 3-Note
per String4. Intervals
Poh Joy Goh: CHORDTONE:1. Chordtone Solo2. Sequence on
Chordtone1233HRYESYESYESYESYESYESYES456HRYESYESYESYESYESYESYES
L1243HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.464HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1253HRYESYESYESYESYESYES476.5HRYESYESYESYESYESYESYESYESYES12618HRszk48SICK
PA FOR ANIMATION WHOLE DAY IN
TAIPEI1273HRYESYYY493.5HRYESYESYESYESYESYES
1283HRYESYYYYYY503HRYESYESYESYES
1294HRYESYYYYYY513.5HRYESYESYESYESYESYESYES130HK
Coming524HRYESYESYESYESYESYES1313hr533HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1323HR5411HRYESYESYESYESYESYESYESYES1333HR553HR2HRYESYESYESTOTALPERCENT1343HR563HRYESYESYESYESYESYESL2415.7894736842135pack
up573HRYESYESYESYESL3120.39473684211363hr588HRYESYESYESYESYESYESYESYES9763.81578947371374HR593HRYESYESYESYESYES1521001385HR604HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1395HR616.5HRYES
YESYESYESYESYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: SEQUENCE:1. Sequence2. 2-5-13.
Transcription140REST623HRYESYESYESYESYES YES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY &
FREQUENTLY.14110HR633.5HRYESYESYESYESYES YES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)2. Put the V of the
chord or substitution into comping to create richer sound when it
is suitable to play more.14210HR643HRYES YESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes
the bass is a little bit faster than drums, sometimes slower. Each
one must think as 'I want to be slower/faster than him/her',
creating the sound that isn't match on the beat, but not really
slower and faster, just not on the beat. Some masters do it also,
they may like the sound like this. This can really help each one
listen to each other. After Playing this, you will get the sound in
match easier since you've listened to others and though about being
faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing
improved.14310HR658.5HRYESYESYESYESYESYESYESYESL
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6.
Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9.
Solo Guitar Transripting14410HR66HAVING GUITAR REPAIRED
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7,
C7, D7, #D7, E7, G7.14510HR673HRYESYESYESYESYES 14610HR685.5HR2.5HR
YES YESYESYESYESYES14710HR696HR1HRYESYESYESYES
YESYESYESYES1483HR704HRYESYESYESYESYESYES
YES149Traveling714HRYESYESYESYESYES YES1503HR724HRYES
YESYESYESYESYES L1513HR735HRYESYESYESYESYES
YESYES1523HR744HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.1535HR753HRYESYESYESYES
YES1546HR766.5HRYESYESYESYESYESYESYESYESYESTOTALPERCENT155(mon)5HR774HRYES
YESYESYESYES 85.2631578947156(Fan birth)3HR 783HRYESYESYESYES YES
YES4126.97368421051573HR797HRYES YESYESYESYESYES
LYES10367.76315789471585HR803HRYESYESYESYES
YES1521001598HR813HRJIM's Final Project PraticingYES
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing
improved.1605HR823HRJIM's Final Project PraticingYES
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY & FREQUENTLY.161Sing jazz
jam3HR833HRJIM's Final Project PraticingYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)2. Put the V of the
chord or substitution into comping to create richer sound when it
is suitable to play
more.1623HR845HR4HRYESYESYESYESYESYESYESYESYES
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes
the bass is a little bit faster than drums, sometimes slower. Each
one must think as 'I want to be slower/faster than him/her',
creating the sound that isn't match on the beat, but not really
slower and faster, just not on the beat. Some masters do it also,
they may like the sound like this. This can really help each one
listen to each other. After Playing this, you will get the sound in
match easier since you've listened to others and though about being
faster/slower than him/her.2.
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing
improved.1638HR856HRYESYESYESYESYES
Poh Joy Goh: Comping:1. Approach2. Swing Picking3. Swing
Fingering4. Thumb and Fingers Pratice Separately5. Walking Bass6.
Chord Inversion7.Comping with Walking Bass8 4-Degree Vocing #9.
Solo Guitar Transripting
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY &
FREQUENTLY.16411HR864HRYESYESYESYES
Poh Joy Goh: Am Blues scale(A C D #D E G A ) is able to play on A7,
C7, D7, #D7, E7, G7.
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)2. Put the V of the
chord or substitution into comping to create richer sound when it
is suitable to play more.
Poh Joy Goh: For Bass And Drums:1. Play the Game [Lay]. Sometimes
the bass is a little bit faster than drums, sometimes slower. Each
one must think as 'I want to be slower/faster than him/her',
creating the sound that isn't match on the beat, but not really
slower and faster, just not on the beat. Some masters do it also,
they may like the sound like this. This can really help each one
listen to each other. After Playing this, you will get the sound in
match easier since you've listened to others and though about being
faster/slower than him/her.2. 16512HR875HRJIM's Final
ProjectYES1667HR887.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.L1678HR896HRPerformingL168(sun8HR903HRYESYESYESYESYESYES
YES1695HR913HRYESYESYESYESYESYESYESYES1703HR923HR1HRYESYESYESYESYES1716HR932.5HROrbit
Folks Last
Day1724HR944HR2HRYESYESYESYESYES1735HR953HRYESYESYESYESYESYESYES1742HR963HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.TOTALPERCENT175(SUN)6HR97JAMMartijn
Last
Day1615.38461538461766HR984.5HR2HRYESYESYESYESYESYESYES2322.11538461541773HR993HR1HRYESYESYESYESYESYESYESYES6562.51783HR1003HRYESYESYESYESYES1041001793HR1805HR1815HR182
(SUN)3HR1838HR1849HR1858HR1867HR1877HR1884HR189(sun)6HR1904HR1913HR(almost1923HR19310HR19411HR1957HR196(SUN)Store
assist197Dragon birth1983HR almost1993HR2008HR2018HR202
(travel2HR203(SUN)cleaning2044HR2053HR2063HR2074HR2083HR
szk2093HR210 (SUN)4HR2115HR2123HR2134HR2145HR2153HR szk2164HR217
(sun)5HR2187HR2193HR2204HR2214HR22210HR2234HR224
(SUN)4HR2255HR2264HR2273HR2285HR2293HR2303HR231 (sun)competition
jazz
rookie2322HR2333HR2343HR2355HR2364HR(szk2372HR238(sun3HR2393HR2405HR2417HR242Taichung
Jazz2433HR2452.5HR246(sunTaichung Jazz2474HR2486HR249the beat
brothers2506HR2514HR2523HR253(SUN)9HR2543HR2554HR2565HR2574HR2584HR2593.5HR260(SUN)3HR2614HR2623HR2636HR2644.5HR2653HR2664HR267(sun)6HR2686HR2694HR2704HR2714HR2726HR2736HR274(sun)4HR2753hR2763HR277master
class peng yu
wen2785HR2794HR2805HR281(SUN)8HR2824HR2833HR2845HR2854HR2863HR287yu
wen concert288(SUN)3HR and
composing289composing290composing2915HR2924HR2934HR2943HR295(SUN)8HR2964HR2973HR2984HR2992HR300Toeic
preparing301composing302(SUN)4HR3033HR3042HR3055HR3063HR3075HR3082HR309(SUN)3HR3106HR3114HR3122HR3132HR3142HR3157HR316(SUN)szk3175HR3183193203HR32114HR3224HR323(sun)
Hope master
class4HR324RIP325RIP3263HR3273HR328RIP3294HR330(SUN)Going
home3315HR332RIP3338HR33410HR3355HR32610HR331(SUN)10HR3323HR3338HR3348HR3355HR3365HR337RIP338(SUN)5.5HR3394HR3401.5HR3415HR3426HR3438HR3446HR345(SUN)8HR3467HR3476HR3485HR3498HR3505HR351RIP352(sun)4HR35210HR3538HR3544HR3553HR3562.5HR3570.5HR
(listening358(SUN)1HR Listening359RIP3600.5HR
(listening3612HR362RIP362Traveling363RIP364(SUN)3HR365RIP3664HR3673HR3685HR3693HR3705HR371(SUN)RIP3725HR3733HR3745HR3755HR3762.5HR3776HR378(SUN)4HR3796HR380RIP3817HR3825HR3835HR3842HR385(SUN)3HR3864HR3873HR388RIP3895HR3904HR3914HR392(SUN)RIP3932HR3942HR3952HR396RIP397RIP3982HR399(SUN)3HR4005HR4017HR4024HR403Sorrow
Day4045HR4053HR407(SUN)2HR4084HR4093HR
(composing)4103HR(composing)4112HR412RIP4136HR414(SUN)4153HR4163HR4175HR4185HR4196HR4202HR421(SUN)2HR4214HR4223HR423(2HR4243HR4252HR4262HR427(SUN)6HR4285HR4292HR4304HR4312HR4325HR433RIP434(SUN)RIP435()3HR436
DAY1-30DAYGUITARPIANOBARS CLIMBINGJ.S
CHORDAPPREGIOSwing.metronomeCOMP.SCALECHORDTONESEQUENCES.
ReadingN13HRYESYESYESYES 23HR1HRYESYESYESYES 34HRYESYESYESYES
Poh Joy Goh: FOR COMPING:1. Approach ideas can be used on comping
too.(Able to use the Approach of the chord which is at the moment
you play, or the aprroach of the next chord)
Poh Joy Goh: For Extending Paratice:1. Pratice ChordTone With Some
Sequences O.R Traids.2. Pratice more Blues in different keys!!3.
Play the Triplets game for Building up Band Teamwork.4. For Walking
Bass ,Comping and even more, think about Triples even when just
playing Quarter Notes. 5. Don't use a metronome as quarter notes in
downbeats. Imagine the clicks are on maybe, the Third note of
Triplets, the Second note of Triplets, or even The first and the
third notes of First Triplet and Second note of Second Triplets.
Just don't make it normal, or resulting nothing improved.
Poh Joy Goh: FOR EXTENDING PRATICE:1. Alternate picking in
Triplets. Try to put different accent in them.2. Play "Waltz Game"
in band.3. PRATICE CHORTONE STRICTLY &
FREQUENTLY.46HRYESYESYESYES 55HR3HRYESYESYESYES
YES65HR2HRYESYESYESYESYESYES YES73HR1HRYES YESYESYES YES83HRYES
YESYES YES94.5HRYESYESYESYES YESYES 107HRYESYESYESYESYESYES
LYES114HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.126.5HRYESYESYESYESYESYESYESYES134HRYESYESYESYESYESYESYESYES143HRYESYESYESYES
YES YES153HRYESYESYESYES YESYES 165HRYESYESYESYES YESYES
L174HRYESYESYESYES YES
183.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.193HR3HRYESYESYESYES
YESYES 204HR3HRYESYESYESYES YESYES 213HRYESYES YESYES 224HRYES
YESYES YESYES 235HRYESYESYESYESYESYESYES 244HRYESYESYESYESYESYESYES
254.5HRS.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.S.Z.K.264HRYESYESYESYESYES
TOTALPERCENT275HRYESYESYESYESYES YES2410283HRYESYESYESYESYES YES
6928.75293HRYESYESYESYESYES YES YES14761.25303HR YESYES YESYES
240100
Sheet3