The Round, Spring 2012 : Issue VI

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The Round is a literary and visual arts magazine based at Brown University in Providence, RI. Spring 2012, issue VI.

Transcript

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Sailing at Night under the Bridge by Anonymous..................1

After the Storm by Anonymous.............................................2

Concessions by Michael Goodman.........................................6

God Bless His New School by Lisa Starr.................................18

Am Mammal by Emma Winsor Wood................................24

Widowmaker by Emma Winsor Wood...............................25

Translation of Alessandro De Francesco by Belle Cushing....28

Almost There by John Richmond.......................................59

Navigation by Luke Taylor..................................................66

Gauging the Invasion by John F. Buckley and Martin Ott....71

My Mother’s House by Tess Carroll......................................77

Your Cul-de-Sac at Night by Larry Narron...........................84

July Waxes by Sarah Bence...............................................88

the dahlias on the breakfast table by Sarah Bence...............89

One by Kevin Pires.............................................................94

Two by Kevin Pires.............................................................96

Confusing the Gods by Bill Wolak.......................................100

How Evil Enters the Body by Bill Wolak.............................101

The Unfaithful Wife by Bill Wolak....................................102

Io by Daniel King..............................................................104

The Siege of Träumen by Daniel King.............................106

Poem of Tribute by!"#$%&'&!()*+,-.$/&00000000000000000000000...109

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Claire Read...........................................i; v; 3-5; 16-17; 19-23

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Annika Finne.....................................................................58

Cole Hager....................................................................62-65

Maliya Travers-Crumb...................................................68-70

Maya Mason..................................................................74-76

Carol Kim.....................................................................82-83

Lucy Kissel...................................................................86-87

Eleanor Leonne Bennett............................91-93; 97-99;103

Nicolas Hen......................................................................108

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Sailing at Night under the Bridge

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After the Storm

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END

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Navigation

Luke Taylor

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A6

Gauging the Invasion

John F. Buckley and Martin Ott

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My Mother’s House

Tess Carroll

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B6

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Larry Narron

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Sarah Bence

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Sarah Bence

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it’s the hyacinths’ turn in the vase.

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One

Kevin Pires

! 6<4!'-+&>!>4K3!3-!+4!->!3<4!3.&#>!H&$<4$!+4!<4.!iPhone screen. Behind all the icons, the one that says ‘Mes-$&A4$E! &>?! 3<4! ->4! 3<&3! $&*$! d25-7/FE! '&$! &! =<-3-! -C! <4.F!blond and smiling and holding on to some guy. He must ,4!d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d'-+&>!->!3<4!3.&#>0E!!6<4!$&+4!'&*!3<&3!@=->!$#33#>A!?-'>!I!=@554?!-@3!&!=&7/43!-C!.4&?-#>A$!4+,5&)->4?!L^B"T0!I3E$!>-3!+*!C&@53!3<&3!3<4!=.#>3-4.$!C-.+&334?!3<4!7-G4.!5#/4!3<#$!,@3!IE+!>-3!7-+=5&#>#>A0!IE+!&>!IG*!J4&A@4!$3@?4>3!#3!$&*$F!>-3!N@$3!&!/#?!->!&!3.&#>0!"4!&55!/>-'!'4!<&G4!5#G4$!,4*->?!3<&3!+-+4>3!-C!3.&>$-=-.3F!3<&3!3<4!.4&$->!C-.!$#33#>A!3<4.4!>4K3!3-!4&7<!-3<4.!#$!3-!$4=&.&34!4G4>3@&55*!$-+4'<4.4!?#CC4.4>3!C.-+!'<4.4!'4!$3&.34?0!L@3!*43!'4!&55!$3#55!C445!3<4!>44?!3-!=.-G4!#30!IC!'4E.4!C445#>A!=&.3#7@5&.5*!#>$47@.4!&,-@3!3<#$!'4!$3&.3!7->G4.$&-3#->$!'#3<!3<4$4!$3.&>A4.$0!"4!7-++4>3!->!$-+4!$7.&=!-C!&!+-+4>3!3<&3!&55-'$!C-.!&!$<&.4?!5&@A<0!D!+-+4>3!3-!#>34.-

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Two

Kevin Pires

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̂ --$4G4530!S4!7<-$4!$#?4$!&>?!$&3!#>!=.#$->0!I!5--/4?!&3!3<4!'#>?-'!'<4.4!3<4!#+&A4!->74!$&3F!&!A5&$$!=@5=#3!C-.!&!$3@,,-.>!+&>0!6<4!$#A>!3<&3!$&#?!]4.74.#&!M5#34F!3<4!>&+4!-C!<#$!$3-.4F!'&$!3&/4>!?-'>!$-+4!3#+4!&A-0!L4C-.4!#3!'&$!.4+-G4?F!3<-@A<F!$-+4->4!.4=&#>34?!&.-@>?!the sign, and so in the right light you can still see the out-5#>4$!-C!4&7<!54334.0!6<4!D.3!Q47-!3*=4C&74!=4.74=3#,54!->5*!3-!3<-$4!5--/#>A!C-.!#3F!$#54>3!=.--C!#>!3<4!&,$4>74!-C!=<*$#-7&5!=.4$4>740

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Confusing the Gods

Bill Wolak

A Kurmi bridegroom#$!&5'&*$!34..#14?3<&3!3<4!A-?$!'#55!7@.$43<4!<&==#>4$$!-C!<#$!'4??#>A!?&*,47&@$4!-C!3<4!,.#?4E$!,4&@3*&>?!3<4!'#5?!&,&>?->-C!3<4!>@=3#&5!7454,.&3#->0(-!3-!7->C@$4!3<4!A-?$&>?!3<4.4,*!?4H4733<4#.!N4&5-@$*!&>?!4>G*Fin a solemn ceremony

<4!1.$3!+&..#4$!&!+&>A-!3.440

655

656

Bill Wolak

How Evil Enters the Body

The Berbers believethat evil doesn’t enter the bodythrough the eyes or ears,>-.!3<.-@A<!3<4!$4K@&5!-.A&>$Fnot even through the mouth or nostrils.6<4*!&.4!34..#14?!-C!4G#5!$=#.#3$4>34.#>A!3<4!,-?*!3<.-@A<!3<4!C4430(-!->!3<4#.!'4??#>A!>#A<3&>?!C-.!$4G4>!>#A<3$!3<4.4&C34.a'<4>!3<4*!,47-+4!+-$3!$@$74=3#,543-!+&54G-54>3!#>H@4>74$a3<4*!+&/4!5-G4!&>?!$544=#>!3<4#.!$5#==4.$0

Bill Wolak

The Unfaithful Wife

D+->A!3<4!B$3*&/$!-C!(#,4.#&F!&!<@$,&>?!-CC4.$!<#$!'#C4&!3@C3!-C!<&#.!=@554?!C.-+!&!C.4$<5*!/#554?!,4&.E$!=4530IC!$<4E$!?4G-34?!3-!<#+F!$<4!&774=3$!#3F3#4$!3<4!<&#.$!&.-@>?!&!?-G4E$!C4&3<4.F!&>?!'4&.$!#3!=.-@?5*?&>A5#>A!->!&!$3.#>A!,43'44>!<4.!,.4&$3$!&$!&!5-G4!3-/4>0IC!$<4!.4C@$4$!#3F!<4!/>-'$!3<&3!$<4E$!,44>!@>C&#3<C@50IC!$<4!&774=3$!#3!,@3!<&$!,44>!@>C&#3<C@5F,4C-.4!3<.44!*4&.$!3<4!3@C3!-C!<&#.a>-!+&334.!'<4.4#3E$!,44>!<#??4>!-.!,@.#4?!-.!,@.>4?a3.&>$C-.+$!#3$45C#>3-!&!,4&.F!1>?$!3<4!@>C&#3<C@5!'#C4F!&>?!4&3$!<4.0

654

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Io

Daniel King

65I

I!7&>>-3!$34=!#>3-!3<#$!$3.4&+!&A&#>FD>?!$-!+@$3!,#?!C&.4'455!3-!I>&7<@$F"<-!#$!C-.!4G4.!7<&>A#>A!&>*'&*0I!<&G4!,47-+4!&77@$3-+4?!3-!$@7<!7<&>A4FL@3!3-!,4!,@.?4>4?!'#3<!&!<4#C4.E$!C-.+!#$!@>C-.A#G&,540(@.45*!$-+4!&$=473!-C!+*!4$$4>74!<&$!.4+&#>4?Y(@.45*!$-+43<#>A!#$!-'4?!3-!?#A>#3*YIC!3<#$!#$!3<4!=.-3473#->!-C!+*!J-.?!t4@$F6<4>!S4.&!+@$3!,4!3<4!&=4#.->!#3$45CFD>?!I!+@$3!,4!&$!G#A#5&>3!&$!3<.4&34>4?!D.A@$RD!'&37<4.!-C!3<4!'#>?!&>?!-C!3<4!7.-$$:7@..4>3U!A hearer. . . .6<4!'-.?!.4G4&5$!$<4!<&$!&5.4&?*!#>153.&34?!+*!#?4>3#3*FD>?!I!+@$3!H440

6<4!I->#&>!(4&c6<4!?&./!>#A<3!75#CC$F!3<4!5#>4$!-C!'&G4$J#/4!$4>34>74$!#>!$-+4!+*$34.#-@$!7&55#A.&=<*FQ45#+#34?!,*!?#$3&>3!C@3@.4!I3&5*RD!'&>?4.4.!&33.&734?!3-!+*!$#5<-@4334!&3!$@>$43_6<4!$#5<-@4334!-C!+4!&$!I!'&$`]#A<3!,4!#>$=#.4?!3-!'.#34!&!=-4+D>?!=@3!&!3#>73@.4!-C!<#+$45Ca6<4!WIX!_4*4Y!&*4Y`a#>3-!#3FS#$! -@34.! ,4#>A! &55! 3<4! '<#54! ,4?47/4?! #>! ?&#5*! 5#G#>AE$!bovine garb.D>?!3<#$!4K=&>$4!-C!'&34.!A.&$=#>A!&$!#C!#>!&!1$3!3<4!-7<.4!

65J

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coast]#A<3!3<@$!,4!C-.!<#+!->5*!$-+43<#>A!,5@4!5#/4!#>/FD>?!3<4!+&??4>#>A!A&?H*FL5#$34.#>A!+*!<#?4!5#/4!,5&??4.'.&7/F6<4!#+=@5$4!4G4.!3-!7->3#>@4!3-!3<4!5#>4!,45-'FMG4.!3-!7&=3@.4!7<&>A4FI>!$-+43<#>A!>->43<454$$!434.>&50IC!$@7<!7->74.>$!&.4!&5$-!+#>4!3<4*!&.4!$@,+4.A4?!?44=FP-.!I!&+!C&.!+-.4!&'4?!,*!'#5?!O-$4#?->E$!7<#55!$=#3FGlistening on the shore,"<#7<!I!?4=&.3!&5+-$3!#>!$=#34!-C!+*!?4$#.40Already the benumbing line has reached my thighs,L@3!I!#A>-.4!3<4!/45=E$!7&.4$$F6<4!/>-334?!'&34.E$!#>?#CC4.4>3!.4$#$3&>74FD>?!C-7@$!->!3<4!&5A&5!=<-$=<-.4$74>74FO.434>?#>A!3<&3!4&7<!$=&./54!#$!&!$3&.D>?!I!&!$&3455#34!-C!3<4!+-$3!+&$$#G4!=5&>43FD!,5#$34.:=4&.5!#>!#3$!3#&.&0(@7<! .@+#>&3#->$! +&/4! +*! =&$$&A4! 3-! 3<4! C&.! MA*=3#&>!shore less daunting,MG4>!#C!,*!7-+=&.#$->!3<4*!+&/4!C-.43-5?!4G4>3$J#/4!+*!.4=.#$4!-C!<@+&>!C-.+F!3<4!$->!I!+@$3!7->74#G4F!]-.4!=.-$&#7UFor their transcendence leads me to believe_6<4!$#5G4.*!+4>#$7@$!$5#=$!-G4.!+4!>-'FD>?!I!#><&54!3<4!'-.5?E$!'&.+!,5--?`!6<&3!3<-@A<!I!7&>>-3!$34=!#>3-!3<4!$&+4!$3.4&+!3'#74F6<4!(&+4E$!&==.-K#+&34!.43@.>]&*!,4!C&7#5#3&34?!,*!$@,+#$$#->!3-!#3$!&,$-5@34!?4=&.3@.40

65@

The Siege of Träumen

Daniel King

6<4!D.A#G4$!#>!3<4!<4&.3!-C!6.-*0!(-!B?*$$4@$!<&?!3<-@A<3"#3<!4G4.*!$5&@A<34.:=&@$4!3-!$7&>!3<4!.&+=&.3$I>!-.?4.!3-!.4+4+,4.!4G4.*!-,N473!5&34.!$+&$<4?0D>?!*43!<4!+#$$4?!3<4!P-55*!-C!M55#=$4$6<&3!7&$3$!+&.-->!.4H473#->$!#>!3<4!#>/*!.#G4.FBecause he missed the river too.6@.>#>A!?-'>!3<4!'&5/:'&*$!-C!6.4*!<4!+&*!<&G4!7<&>74?!@=->!&!$-5#3&.*!3&G4.>L@3!C&#54?!3-!$44!&!?-)4>U[4=3!<#$!&334>3#->!->!3<4!5#A<3<-@$4!$54>?4.!&$!&!=4>!&>?!high as nightb43!>-3!=4.74#G4?!3<4!3.#=54!3-'4.$F!'&34.$=-@3$!-C!3-@.-+&5#>4F!#>!3#4.$!&,-G4!3<4!,5@CC$UQ.4&+4?F!#>!3<4!$3.443$!-C!6.u@F!-C!<#$!?4$3.-*#>AF!->4!,*!one, each dictionary-thick abutment,BC!&..-'#>A!3<4!.4$3!-C!O.#&+E$!.43#>@4FI>!&>!&334+=3!3-!A&#>!D7<&4&>!?-+#>&>74!,*!+&3<4+&3#-7&5!$@,3.&73#->aB>5*!3<4>!3-!?#$7-G4.!3<&3!&>!&..-'!?-+#>&34$!N@$3!->4!=-#>3"<4.4&$!&!5#+4$3->4!,&..#7&?4!=.-3473$!&>!#>1>#3*!-C!them;I>!#..#3&3#->!7->4?!<#$!<&>?$!&3!3<4!#><&,#3&>3$!3-!C-55-'!Odysseus,f>&'&.4!-C!4G-5G#>A!G-7&5!5-7#!&$!<4!>4&.4?!3<4!@>$44>!V@&*$FS#$!#+&A4!$=5#33#>A!#>3-!=5&>4$!-C!<&)4F

65A

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65G

Poem of Tribute

"#$%&'&!()*+,-.$/&!_pq8k:8lp8`

Clouds

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665

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even a stone seems like a brother,

someone you can trust,

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Poem of Tribute

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English and Drama.

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in Literary Arts.

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Biology.

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concentrating in Literary Arts.

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English.

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Cinema Studies.

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&.-@>?!3<4!'-.5?F!+-$3!.474>35*!Poetry Salzburg Review and

The London Magazine0!!S#$!3<.44:=-4+!$43!-C!<*+>$!3-!3<4!

6.#+@.3#!<&$!N@$3!,44>!&774=34?!,*!3<4!PN Review.

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American Studies and Literary Arts.

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Cinema Studies and History.

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Roma.

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Maliya Travers-Crumb is a senior at Oberlin College

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Maria Bennett. Mr. Wolak teaches Creative Writing at

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Emma Winsor Wood is a senior at Harvard College studying

Russian History and Literature.

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Editor: Lucy Kissel

Associate Editors: Michael Goodman

Carol Kim

Kevin Pires

Jordan Taylor

Sylvia Tomayko-Peters

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Design Editors: Lucy Kissel

Kevin Pires

Sylvia Tomayko-Peters

Webmaster: Sylvia Tomayko-Peters

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Sincerely,

The Editors

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