Music in the Round Spring 2013

Sp

rin

g C

once

rts

20

13

Cru

cibl

e S

tud

io T

hea

tre

w

ww

.mu

sici

nth

erou

nd

.co.

uk

Presented in association with Sheffield Theatres,the home of Music in the Round

Box Office 0114 249 6000

Sheffield ConcertsSpring2013

Resident with Music in the Round, Ensemble 360 brings together eleven world-class musicians to form one versatile group; five string players, five wind players and a pianist.

Claudia Ajmone-Marsan VIOLIN / Naomi Atherton HORN / Juliette Bausor FLUTE / Judith Busbridge VIOLA / Laurène Durantel DOUBLE BASS / Amy Harman BASSOON / Tim Horton PIANO / Matthew Hunt CLARINET / Benjamin Nabarro VIOLIN / Gemma Rosefield CELLO / Adrian Wilson OBOE

Welcome to the Music in the Round Spring Series 2013, a series of concerts designed to bring a warm glow that will counteract any winter chills outside the Crucible Studio Theatre.

We are looking forward to hosting some outstanding musicians who will be performing for us for the first time. The brilliant lutenist Elizabeth Kenny has designed a special programme for her ensemble, Theatre of the Ayre, celebrating the 450th anniversary of the birth of John Dowland, arguably this country’s greatest ever singer-songwriter! They are joined by the supremely talented countertenor, Robin Blaze, a singer of international renown who is returning to his Yorkshire roots. And from the USA we feature the dynamic Brentano String Quartet, resident quartet at Princeton University, in their 21st birthday season.

We have two keyboard recitals that both promise to be electrifying occasions. Tim Horton reaches the fourth instalment of his compelling Beethoven piano sonatas

series and Trevor Pinnock will be making an eagerly-anticipated return to the Studio for an all-Bach programme.

Our other guests are old favourites – the Kungsbacka Trio – who will be helping Ensemble 360 present our Exploring Mozart mini-festival, the successor to last year’s absorbing Beethoven event. With a packed weekend of concerts and activities we are confident this will be a perfect antidote to any mid-winter blues.

Artistic DirectorWelcome!2.

Ensemble 360 Music in the Round, 4th Floor, Sheffield Central Library, Surrey Street, Sheffield S1 1XZ Tel: 0114 281 4660 Fax: 0114 281 [email protected]

All details are correct at time of going to press. Music in the Round reserves the right to make alterations to the programme or artists if necessary.

Registered Charity No. 326811

Design by Susannah Swift Ltd 01306 640477 [email protected]

Printed by Axis Printing 01484 722 732

Ensemble 360 photography by Benjamin Ealovega 020 7610 9349

Are you new to chamber music?If you’re interested in attending one of our concerts, but are unsure which one to choose then help is at hand!

As you look through the brochure you will see concerts with beside them. Turn to page 24 to find out more information about why Friends of Music in the Round are especially looking forward to hearing them.

You can also listen to music featured in our concert programmes via Spotify. It’s free to use and although it’s no substitute to hearing the music live, it does provide a useful introduction to the music in our series. Links to the music can be found on the concert event pages on our website: www.musicintheround.co.uk

Ticket Offers£5 Tickets for First Time Bookers If you’ve never been to one of our concerts before then you can enjoy your first performance for just £5. A maximum of two tickets can be purchased per household. Offer only available in person or by phone through the Sheffield Theatres box office. Please note that £5 tickets are not available for the Sheffield Jazz Stan Tracey Octet or Mark Lockheart concerts.

£5 Tickets for Under 35s If you’re under 35 then you can apply for a FREE U35 card, which gives you the opportunity to see Music in the Round concerts for £5. Visit www.musicintheround.co.uk/u35 for more details.

Please note that £5 tickets are not available for the Sheffield Jazz Stan Tracey Octet or Mark Lockheart concerts. Family Tickets Family groups of four (to include at least two under 18s) can save 10% on tickets. In advance only.

Subscription Offers Save money with a 5, 6 or 7 concert subscription or an Exploring Mozart Concert Pass.

Please note that all tickets within a subscription must be purchased in one transaction and you must state which concerts you wish to attend. Subscriptions cannot include more than one ticket for each concert.

Studio Concert Subscription7 concerts: £77 / £56 Disabled & Unemployed (a saving of up to £28 / £14)6 concerts: £72 / £51 Disabled & Unemployed (a saving of up to £18 / £9)5 concerts: £65 / £45 Disabled & Unemployed(a saving of up to £10 / £5)

Subscriptions can include both lunchtime and evening concerts. Please note that subscriptions cannot include the Sheffield Jazz Stan Tracey Octet or Mark Lockheart concerts.

Exploring Mozart Concert Pass See all five concerts for £50 / £35 Disabled & Unemployed / £10 Students(a saving of £15 / £9 / £5)

Please note that the Symposium and Lecture-Recital are not included and must be bought separately.

4.


Thursday 24 January, 7.45pmTheatre of the AyreDowland: Anniversary Collection Elizabeth Kenny LUTERobin Blaze COUNTERTENORPamela Thorby RECORDERAlison McMillivray VIOLS Elizabeth Kenny, widely regarded as one of the finest lutenists on the world stage, has a longstanding love of English seventeenth-century song. Here she is joined by some of today’s most outstanding interpreters of this music to form Theatre of the Ayre, an innovative ensemble which reinvents seventeenth-century pieces in the spirit of improvisation and entertainment. In the year of the 450th anniversary of John Dowland’s birth, the group performs some of the composer’s most personal and direct songs, each of them a masterpiece of style and beauty; a musical snapshot of late-Elizabethan England. Not simply rooted in the past, the concert also features Rachel Stott’s Songs and Dances from the Lords’ Masque, described by The Independent as “mesmerising” following its premiere at Wigmore Hall. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students

www.musicintheround.co.uk

The true stars here are the band, led by Elizabeth Kenny, which extemporises and pushes

tempos to giddy extremes.BBC Music Magazine

6.

Talk Talk

Q&A Q&AWith members of the ensembleSee page 22

Friday 25 January, 7.45pmStan Tracey Octet Stan Tracey PIANOMark Armstrong TRUMPETMark Nightingale TROMBONESam Mayne SAXOPHONESimon Allen SAXOPHONEMornington Lockett SAXOPHONEAndy Cleyndert BASSClark Tracey DRUMS Stan Tracey is an outstanding figure in the jazz world. His career, spanning five decades, has had a huge influence on both his peers and successive generations. As the house pianist at Ronnie Scott’s in the 1960s he played with all the visiting American jazz greats. Sonny Rollins said of Stan, “does anybody here know how good he really is?”. His piano-playing combines the percussive melody of Monk with the robust lyricism of Ellington, resulting in a brilliantly idiosyncratic style. For tonight’s concert, a fantastic octet comprising the cream of British jazz talent perform compositions from their 2009 CD, The Later Works, including material from the The Amandla Suite and The Hong Kong Suite. Tickets: £15 / £12 Senior Citizens, Unemployed & Students / £3 Under 16s

A Sheffield Jazz concert


Photographer: Richard Haughton

See page 24

Saturday 26 January10.15am, 11.30am & 1pmMusic Box Workshops For 3 – 6 year-olds Workshop leader Polly Ives, Ensemble 360 horn player Naomi Atherton and Manchester Camerata trumpeter Helen Quayle lead a forty-five-minute session of percussion games, movement and songs including Fanfare Freeze, The Rhythm of the River and a cave chant. Join in with a musical version of the well-loved book We’re Going on a Bear Hunt by Michael Rosen composed by John Webb. “Swishy, Swoshy! Splash, Splosh! Squelch, Squerch! We’re not scared!”

Spaces are limited so book early to avoid disappointment. To book contact Music in the Round on 0114 281 4660 or [email protected]

Tickets: Participating Children £6 / Accompanying Adults Free

With funding from Mayfield Valley Arts Trust and the Andrew McEwan Fund

www.musicintheround.co.ukwww.musicintheround.co.uk

Saturday 26 January, 7.45pmTim Horton BEETHOVENPiano Sonata in G Op.31 No.1Piano Sonata in E flat Op.31 No.3 Piano Sonata in D minor Op.31 No.2 TempestPiano Sonata in E flat Op.81a Les Adieux Tim continues his Beethoven piano sonata cycle with stunning pieces written at moments of personal and political crisis.

At the time of writing Op.31, Beethoven wanted to “strike out along a new path”, despite his encroaching deafness. The first and last pieces are full of energy and comic character, whilst No.2, nicknamed Tempest because of Beethoven’s evocation of Shakespeare’s play, is a turbulent and dramatic piece.

Les Adieux commemorates Beethoven’s friend Archduke Rudolf’s enforced departure from Vienna before the advance of Napoleon’s troops. Each movement of this, his only programmatic sonata, depicts part of the story: “farewell”, “absence” and “return”. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students

8.

Photographer: David Shapiro


10.

Exploring Mozart Friday 1 - Sunday 3 March There is a good chance that any sentence with the word “Mozart” will also contain the word “genius”. But what is it that marks this one composer out from so many and how do we explain his brilliance? These questions and more will be considered during this weekend from varying perspectives, with a sequence of wonderful concerts performed by Ensemble 360 and the Kungsbacka Trio, a pre-concert talk, a lecture-recital and a symposium that will examine musicological, historical and psycho-musicological evidence. We invite you to join in the discussion, or simply sit back and wallow in a glorious musical experience!

Artistic Director

Friday 1 March, 7.45pmKungsbacka Piano Trio MOZARTTrio in B flat K502Trio in E K542 Trio in G K564 Trio in C K548 We are delighted to welcome back the ever-dynamic Kungsbacka Piano Trio to open our Exploring Mozart weekend.

Mozart’s final piano trios see the composer at the height of his powers. The Trio in E is considered by many to be the finest of his trios, with an abundance of memorable tunes. The Trio in G features a captivating set of variations which gives way to a remarkable finale, charging to a jovial close. The Trio in C is truly celebratory; the opening features a call to attention and bravura passages, the slow movement is a heartfelt aria, and the finale is teasing and flirtatious.

This promises to be an evening of infectious and joyous music-making. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students

Malin Broman VIOLINJesper Svedberg CELLOSimon Crawford-Philips PIANO

Talk Talk

Q&A Q&A

With historian Professor Derek Beales See page 22

Weekend Concert PassSee all five concerts for £50 / £35 Disabled & Unemployed / £10 Students(a saving of £15 / £9 / £5)Please note that tickets for the Symposium and Lecture-Recital must be bought separately. The String Quartet Masterclass is not included but is free to attend.

12.

Lively, enthusiastic and passionate about what they do.

Saturday 2 March, 10amString Quartet Masterclass Adelphi Room Talented young musicians from Sheffield have been selected to perform movements from Mozart’s string quartets and gain encouragement and feedback from Ensemble 360 musicians Judith and Claudia.

Come and listen! Support these young musicians and gain an insight into how professional string quartets rehearse and perform the music of Mozart. Audience tickets are free.

Saturday 2 March, 12 noonEnsemble 360 MOZARTSonata for Violin and Piano in C K303 Sonata for Bassoon and Cello in B flat K292 Piano Trio in G K496 Mozart’s Sonata for Bassoon and Cello is something of a mystery. Thought to be written for the same person who commissioned his bassoon concerto, nobleman and amateur bassoonist, Baron Thaddäus von Dürnitz, its autograph manuscript is lost. It is a charming piece which shows off the bassoon to great effect.

The Piano Trio in G opens with a sparkling piano solo, before the violin takes the melody, showing the greater prominence it was starting to receive in Mozart’s chamber music. The cello is also given some independence, starting to break free from the bass line. Music scholar John N Bruk said of the piece, “[This music leaves] the listener with the feeling that this style, intimate, subject to the fleck of fancy, is the ideal way for chamber music.” Tickets: £10 / £7 Disabled & Unemployed / £5 Under 18s & Students



Saturday 2 March, 4.30pmLecture-Recital Tim Horton PIANO Matthew Hunt CLARINET In this forty-five-minute lecture-recital, Ensemble 360’s pianist Tim Horton and clarinetist Matthew Hunt explore Stefan Jäger’s arrangement of Mozart’s celebrated Violin Sonata K454, a wonderfully light-hearted and effervescent piece.

The audience will experience first-hand how musicians set about achieving an understanding of a masterpiece and how they convey this in performance. As well as an insight into the transformation that takes place when a work is arranged for alternative instruments, the lecture-recital will reveal something of the crucial relationship between composers and performers. Tickets: £5 / £3 Under 18s & Students

Saturday 2 March, 2pmSymposiumAdelphi Room “There is a strange kind of human being in whom there is an eternal struggle between body and soul, animal and god, for dominance. In all great men this mixture is striking, and in none more so than in Wolfgang Amadeus Mozart.”Alfred Einstein

Chaired by Ensemble 360 oboist Adrian Wilson, this two-hour symposium and open discussion examines personal perspectives on Mozart, with historian Professor Derek Beales from the University of Cambridge, and The University of Sheffield’s music psychologist Dr Renee Timmers and musicologist Professor Simon Keefe, whose book Mozart’s Requiem was published in September. Tickets: : £5 / £3 Under 18s & Students

Please note numbers are limited for this event so book early to avoid disappointment.

Saturday 2 March, 7.45pmEnsemble 360

MOZARTQuartet for Flute and Strings in A K298 String Quartet in D minor K421 Adagio for Cor Anglais and Strings in C K580a Quartet for Piano and Strings in E flat K493 Mozart’s first Flute Quartet is one of joyful parody, with playful settings of popular tunes of the day. Mozart was playful too in his direction: “Fairly fast and gracefully, but not too quickly, however not too slowly”. His String Quartet in D minor immediately captures the listener’s attention with its poignant, plaintive opening. Part of a set dedicated to Haydn, it is a dramatic yet solemn piece. The Adagio is a beautifully tender piece with the same melody from Mozart’s famous Ave Verum Corpus. It is thought it may have originally been written for basset horns, intended for Masonic ceremonies. His Piano Quartet in E flat opens dramatically but soon becomes high-spirited, warm and witty. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students


14.

Highly imaginative programming and virtuoso performances. We are so lucky to have them in Shef f ield.

Sunday 3 March, 3pmEnsemble 360 MOZARTQuartet for Oboe and Strings in F K370 Quintet for Piano and Wind in E flat K452 Quintet for Clarinet and Strings in A K581 The Oboe Quartet opens in a joyful fashion, followed by a sorrowful aria-like central movement, perfectly suited to the lyrical, lamenting tone of the oboe, which in turn gives way to an exhilarating finale with an infectious melody and sparkling virtuosity. Mozart’s Quintet for Piano and Wind is one of the most loved pieces in all of chamber music, and Mozart himself thought it was his best work to date. Another favourite in chamber music repertoire, the Clarinet Quintet has a sense of golden warmth tinged with sadness, but the piece concludes in the highest of spirits. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students

16.

Sunday 3 March, 12 noonEnsemble 360 MOZARTSonata for Violin and Piano in G K301 Duo for Violin and Viola in B flat K424Trio for Clarinet, Viola and Piano in E flat K498 Kegelstatt Mozart’s Duos are among the least known but most charming of his chamber music. This Duo in B flat is an elegantly virtuosic piece, with the violin and viola in perfect partnership. It is thought that the Kegelstatt Trio is so nicknamed because it was composed during a game of skittles (“Kegelstatt” meaning “skittle alley”). Mozart wrote it for his friend Anton Stadler, who also inspired his clarinet quintet and concerto, and pianist Franziska von Jacquin, as well as himself. In this warm and personal piece, full of wonderful interplay, there is a great sense of music-loving friends playing together. Tickets: £10 / £7 Disabled & Unemployed / £5 Under 18s & Students


See page 24 See page 24

Friday 8 March, 7.45pmMark Lockheart’s Ellington in Anticipation Mark Lockheart SAXOPHONESSeb Rochford DRUMSLiam Noble PIANOTom Herbert BASSEmma Smith VIOLINFinn Peters ALTO SAXOPHONE James Allsop CLARINETS This brand new project inspired by the music of Duke Ellington takes the great musician’s most revered compositions and deconstructs and arranges them into a fascinating set of new music. Rich in orchestration and concept and entirely respectful to the beauty of Ellington’s original creations, these pieces combine the old with the new. Ellington in Anticipation will be released on Subtone Records in February 2013. This all-star seven-piece group features some of the most exciting and original musicians in the UK, including Parliamentary Jazz Musician of the Year 2010 Mark Lockheart, from groups Loose Tubes and Polar Bear. Tickets: £15 / £12 Senior Citizens, Unemployed & Students / £3 Under 16s

Being in the round I almost feel like I am one of the

musicians in the sense that I can almost sense what they

are trying to achieve.

18.

Wednesday 6 March, 7.45pmTrevor Pinnock BACHConcerto in D, after Vivaldi’s Violin Concerto in D Op.3 No.9Toccata in E minorFrench Suite No.6 in E Partita No.4 in D Trevor Pinnock is renowned across the globe as a pioneer of the modern revival of early music, and has recorded numerous discs, including much of the great music of Bach, some of which he recorded here in Sheffield. This season Trevor will conduct, among others, Hong Kong Academy of Performing Arts Orchestra, Mozarteum Orchester Salzburg and Rotterdam Philharmonic, and will give recitals across the UK and Europe. Here he performs a varied programme of music written and arranged by Bach, opening with an arrangement of a violin concerto by Vivaldi, who greatly inspired the younger composer. The concert concludes with the Partita in D, which includes an extraordinary movement entitled Allemande, featuring a long, fluid melody which ebbs and flows like a meditative improvisation, more and more expressive as it continues. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students

Ph

otog

rap

her

: Pee

r L

ind

gre

en

A Sheffield Jazz concert


www.musicintheround.co.ukwww.musicintheround.co.uk

20.

So stylish are O Duo's performances, so kaleidoscopic

the colours and so invigorating the rhythms

The Daily Telegraph

O Duo: Crash! Bang! Wallop!Schools’ Concert: Wednesday 13 March, 1.30pmFamily Concert: Wednesday 13 March, 6.30pm See percussionists O Duo whizz around the stage as you’ve never seen before! With a marimba, vibraphone, glockenspiel, drum kit, African and Brazilian drums and a multitude of handheld percussion, the pair performs music by Bach, Phillip Glass and Chopin among others, including a special superhero medley written by O Duo and British composer Andrew Cottee.

These virtuoso performers are much in demand for their performances for children and adults alike. As well as giving recitals at the BBC Proms, Wigmore Hall, and the Cheltenham, City of London and Edinburgh festivals, they have worked at Abbey Road and Sony studios on television and film scores and have been broadcast on BBC Radio 2 and 3, Classic FM, Channel 4 and BBC television. Visit www.oduo.co.uk to get a sneak preview. Schools Concert: Tickets: £3 / Accompanying Teachers Free

Family Concert: Tickets: £10 / £5 Under 18s & Students

Tickets for schools are subsidised by local trusts and foundations to whom we are extremely grateful.


O Duo is also performing in Sheffield junior schools. For more information on performances in your school, contact Music in the Round on 0114 281 4660 or [email protected]

10%discountfor families

See page 4


Thursday 14 March, 7.45pmBrentano Quartet

PURCELL Four Fantasias BEETHOVEN String Quartet in G Op.18 No.2BRAHMS String Quartet in A minor Op.51 No.2 The US-based Brentano Quartet celebrated its 20th anniversary last year, and those twenty years have been full of performances across the globe, including at Wigmore Hall, Carnegie Hall and Sydney Opera House.

“A greater musical genius England never had,” wrote a contemporary of Henry Purcell. The composer was obsessed with counterpoint, and his Fantasias, a cornerstone of early string repertoire, are the result of this passion.

Brahms felt very much in the shadow of Beethoven and it was not until 1873, under pressure from his publisher and encouragement from his friends Clara Schumann and Joseph Joachim, that he allowed his Op.51 quartets to be published. They are contrasting pieces, the tenderness of the second, played here, juxtaposed with the ruggedness of the first. Tickets: £15 / £10 Disabled & Unemployed / £5 Under 18s & Students


Mark Steinberg VIOLINSerena Canin VIOLIN

Misha Amory VIOLANina Lee CELLO

Talks and Q&AsAll pre-concert talks and post-concert Q&As are free to concert ticket holders but please request a separate ticket for talks at the box office. A separate ticket is not required for post-concert Q&As.

Thursday 24 JanuaryPost-concert Q&AYour chance to ask questions and hear more from the musicians in Theatre of the Ayre.

Friday 1 March, 6.45pmPre-concert Talk: Mozart’s Imperial PatronTo launch our Mozart weekend, Professor Derek Beales from the University of Cambridge asks how much Emperor Joseph II knew and cared about music, and examines the impact he had on Mozart’s career.

22.


This year we take a lead from the Greek scientist and mathematician Archimedes and celebrate some extraordinary ‘Eureka’ moments in music history. There are occasions when the introduction of a single new idea – sometimes simple, sometimes grand – has changed the whole direction of musical development through the ages. The works in these concerts are full of such instances.

Our expert guides are the members of Ensemble 360 and a fabulous array of guest artists who, as well as offering their individual insights into pieces that stand as turning points in musical development, will share with us their own personal experiences of revelation and inspiration.

Artistic Director

2.

RecommendationsWe asked the Friends of Music in the Round to vote for the pieces in the Spring Series that they were most looking forward to hearing and to give a reason why. The three pieces that received the most votes are:

DOWLAND Anniversary Collection

"The wonder of Dowland's melodies is their simplicity, which makes his vocal music very accessible. But its magic is that even across four centuries it can move me to tears." see page 6 for concert details

MOZART Trio for Clarinet, Viola and Piano in E flat K498 Kegelstatt

"I just love the way that Matt and Tim play together and this is such a joyous work. A wonderful introduction to chamber-music for anyone new to the form." see page 16 for concert details

MOZART Quintet for Clarinet and Strings in A K581

"Francis Spufford said listening to the Mozart Clarinet Quintet made him believe in God. I would say listening to the Mozart Clarinet Quintet makes me trust in music and the human spirit." see page 16 for concert details

To read other comments made about these and other pieces in the Spring series visit the concert pages on our website: www.musicintheround.co.uk

Crucible Studio Theatre 55 Norfolk Street, Sheffield, S1 1DASeating Areas: All seats are unreserved, but please specify which area you wish to sit in when booking, i.e. stage level, tier one or tier two.

Drinks: You may take drinks purchased from the Crucible bars into our concerts in plastic glasses which can be provided by Sheffield Theatres staff.

Access: The Crucible Studio offers easy access for wheelchair users although spaces are limited; please inform the box office at the time of booking if you require a wheelchair space. For blue badge holders, spaces are available in the Q-Park, NCP car park, and outside the theatre on Surrey Street and Norfolk Street.

Parking: There is a 24-hour Q-Park car park on Charles Street, which offers discounted parking for theatre-goers. Please ask a member of the Sheffield Theatres team for a voucher to get your first hour free.

Public Transport: The nearest bus stops are on Arundel Gate (50m) and High Street (300m). There are two Supertram stops in close proximity to the theatres: Castle Square and Cathedral (400m).

Latecomers: The auditorium will open 30 minutes before the advertised start time (15 minutes for pre-concert talks). Please note that latecomers will not be admitted until a suitable break in the performance.

Booking Your Tickets0114 249 6000 | sheffieldtheatres.co.ukIn person at Sheffield Theatres box officeOpening Hours: Monday – Saturday, 10am – 8pmOn non-performance days the box office closes at 6pm.

Booking Fees: All bookings made at the box office excluding cash are subject to a £1.50 booking fee.Bookings made online are subject to a £1.50 fee.

Booking Dates: Booking for Friends opens on Saturday 27 October.During this period please use the Friends booking form.Tickets at this time are limited to two per Friend per event / four per event for Joint Friends. General booking opens on Saturday 3 November.

Concessions: Concessions are available upon proof of status for people with disabilities, those registered unemployed, students and under 18s. Prices are indicated on each concert page.

Re-Sales: If the event is sold out Sheffield Theatres will endeavour to re-sell your tickets on your behalf at a charge of £1 per ticket.

Venue and Booking Information

24.

Friends make an enormous contribution to the success of Music in the Round and without their commitment, loyalty and support we could not achieve our aims, develop as an organisation or present such a wide range of high quality concerts.

There’s a great sense of community between Friends at concerts which adds to the warmth and spirit of every event. Friends have grown to be part of the extended family of Music in the Round, enjoying each other’s company and the opportunity to be part of a successful and pioneering musical organisation.

New! Online Friends

You can become an Online Friend by donating a minimum of £25 per year. Online Friends receive:

£ A welcome pack via email£ Advance booking for concerts in Sheffield£ Advance brochure mailing via email£ Friends’ Newsletter three times per year via email and on our website£ Exclusive Friends’ email updates£ Acknowledgement on our website and in our May Festival souvenir programme (if desired)

Friends

You can become a Friend by donating at least £60 per year, or £75 for joint givers (two givers at the same address). Friends receive:

£ A welcome pack £ Advance booking for concerts in Sheffield£ Advance brochures by post£ Friends’ Newsletter three times per year by post or on our website£ Exclusive Friends’ email updates£ Friends’ discount card (including 10% off at Sheffield Theatres bars)£ Invitations to exclusive social events, including drinks receptions, dinners and trips (joint givers receive two invitations)£ Invitations to open rehearsals (joint members receive two invitations)£ Acknowledgement on our website and in our May Festival souvenir programme (if desired)

For more information visit the Support Us section of www.musicintheround.co.uk, pick up a leaflet at a concert or contact us on 0114 281 4660 or [email protected].

Make Friends with Music in the Round...

www.musicintheround.co.uk A Sheffield Theatres Production

Book and Lyrics by Alan Jay Lerner. Music by Frederick LoeweAdapted from George Bernard Shaw’s Play and Gabrial Pascal’s motion picture ‘PYGMALION’Original production directed by Moss Hart

Wed 12 December 2012 - Sat 26 January 2013

The perfect treat for all the family, My Fair Lady is one of the greatest musicals of all time and is directed by Sheffield Theatres’ Artistic Director, Daniel Evans.

Tickets £17.00 - £30.00Box Office 0114 249 6000sheffieldtheatres.co.uk

Carly Bawden Dominic West

DiaryThursday 24 January, 7.45pm Theatre of the Ayre Page 6Friday 25 January, 7.45pm Stan Tracey Octet (Sheffield Jazz) Page 6Saturday 26 January 10.15am, 11.30am & 1pm Music Box Workshops Page 7Saturday 26 January, 7.45pm Tim Horton Page 8Friday 1 March, 7.45pm Kungsbacka Piano Trio Page 10Saturday 2 March, 10am String Quartet Masterclass Page 12Saturday 2 March, 12 noon Ensemble 360 Page 12Saturday 2 March, 2pm Symposium Page 13Saturday 2 March, 4.30pm Lecture-Recital Page 13Saturday 2 March, 7.45pm Ensemble 360 Page 14Sunday 3 March, 12 noon Ensemble 360 Page 16Sunday 3 March, 3pm Ensemble 360 Page 16Wednesday 6 March, 7.45pm Trevor Pinnock Page 17Friday 8 March, 7.45pm Mark Lockheart’s Ellington in Anticipation (Sheffield Jazz) Page 18Wednesday 13 March, 1.30pm & 6.30pm O Duo: Crash! Bang! Wallop! Page 19Thursday 14 March, 7.45pm Brentano Quartet Page 21

Music in the Round is enormously grateful to all its funders, sponsors, supporters and Friends, without whom our programme of activity would not be possible.

Funders: Arts Council EnglandMayfield Valley Arts TrustSheffield City CouncilThe Lindsay FoundationChurch Burgesses Educational FoundationMoorwood’s Charitable TrustSheffield Town TrustFoyle FoundationThe Andrew McEwan FundJG Graves Charitable TrustSheffield Grammar School Exhibition Trust

Lifelong Patrons: John Cowling | Kate DugdaleDavid Megginson & Vivien Whitaker | Alan & Ellen ReidMaurice & Sheila Millward


Talk Talk

Q&A Q&A

Talk Talk

Q&A Q&A

Music in the Round Spring 2013

Documents

home of music

friends of music

series of concerts

round spring series

spring concerts

crucible studio theatre

sheffield s1

sheffield theatres