Transcript
~2~ROY G BIV
134
ROY G BIVFor Soprano and Chamber Orchestra
Text by Peter Goldsworthy
Score in C
Instrumentation:
Soprano
FluteOboeClarinet in B flat/Clarinet in ABassoonHorn in F
Percussion (Glockenspiel, Celeste, Marimba, Vibraphone, Bass Drum, Triangle, Wind Chimes, Tubular Bells, Suspended Cymbal, Tam-Tam,Tambourine, Bongos)
Harp
Violin 1Violin 2ViolaVioloncelloDouble Bass
Duration : 20’00”
Text by Peter Goldsworthy
Freely, With Much Expression q=75
Freely, With Much Expression q=75
SCORE IN C
ROY G BIV
Anne Cawrse
Soprano
Flute
Oboe
Clarinet in Bb
Bassoon
Horn in F
Percussion
Harp
Violin I
Violin II
Viola
Violoncello
Double Bass
molto espress.
mf
mf
p
3
pp
Tubular Bells
f
l.v. f
l.v.
fff
l.v. fff
l.v.
pizz.
ff
ff
con sord.
fpp
fpp
con sord.
fpp
fpp
ff
pizz. ff
ff
pizz.
ff
135
8
Fl.
Cl. in Bb
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
molto espress. mf
3
3
mf
mf
3
3
f
l.v. f
l.v. To sus. cymbal
l.v.
mp fff
l.v.
mp
3
fff
ff
ff
fpp
fpp
senza sord.
fpp
fpp
senza sord.
ff
ff
ff
ff
15
S.
Fl.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
mf
Ahh
p
mp
pp
pp
mp
Sus. Cymbal, sponge drumstick
ppp
p
gliss.
ROY G BIV136
A
A
19
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
ahh
mp
ahh
pp
p
3 3
mf
3
mf
3
mp
mf
3
p
mf
mf
pp
pp
3
p
p
pizz.
mp
arco
mf
3
pizz.
p
ROY G BIV 137
22
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
fp
ahh
mp
f
pp
f
mp
mf
mp
p
3
mf
mp
p
3
3
mf
p
pp
3
Tub. Bells
p
l.v.
ppSus. Cymbal- norm. sticks
f
mp
3
l.v.
ppl.v.
gliss.
f
p
p
f
p
mp
p
arco
f
p
mp
p
pp
f
mp
p
pp
3
arco
mp
p
pp
ROY G BIV138
27
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Ahh
fp
mp
mp
mp
mp
p
cresc.
l.v.
cresc.
mp
gliss.
5
5 5 5
p
cresc.
p
cresc.
p
cresc.
p
cresc.
pp
cresc.
ROY G BIV 139
29
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
f
ff
4:3
fff
5 5 5 56 6 6
f
f
f
f
f
ROY G BIV140
31 B
B
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
p
molto espress.
mp
f
p
f
pp
f
pp
pp
mp
Tub. Bells
p
l.v.
5 5 5 5 5 5 5 5
p
mp
pizz. arco
pp
pizz.
mp
arco
pp
mp
pizz. pp
arco
mp
pizz. arco
pp
mf
pp
34
Fl.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
p
3 56
3
To Triangle Tri.pp
l.v. To Vibraphone
ROY G BIV 141
38
C
C
Andante q=70
Andante q=70
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
sempre legato
p
RED
3
3
p
sempre legato
pp
pp
pp
Vibes Motor On
mp
p
pp
pp
pp
pp
p
pp
pp
44
Fl.
Ob.
Perc.
Hp.
Vla.
Vc.
Db.
mp
mp
ROY G BIV142
50
D
D
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Two
mp
poco espress.
col
ours-
are
e
nough
-
to map
the
world
for
fru
gal- tribes
mp
mp
pp
sempre legato
p
p
sempre legato
pizz. arco
pizz.
p
ROY G BIV 143
56
E
E
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Red
mppiù espress.
or not
p
mp
p
mp
p
mf p
mf p
mf
p
mf mp
mp
pp
p
Vibes Motor Onp
To Celesta
p
mp
p
p
p
sul pont. norm.
p
mp
p
pp
pizz.
mp
ROY G BIV144
62
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
hot
or cold
Col
our
- deaf
mf
to
all
the
shades
be tween
mp
-
be
cause
- un named
-
they
can't
be
mf
mf
mf
mp
mf
mp
p
mf
mf
pp
mf
pp
mf
pp
mf
pp
p
arco
mf
p
ROY G BIV 145
F
F
Andantino q=78
Andantino q=78
67
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
seen.
And
mf
names
would be
a waste
mp
mp
mp
mp
mp
p
Celesta
mp
p
mf
mp
3 3 3 3 3 3 3 3 3 3 3 3
mp
pizz.
mp
p
ROY G BIV146
71
S.
Fl.
Ob.
Cl. in Bb
Hn.
Perc.
Hp.
Vln. II
Vla.
Vc.
Db.
of use
ful- breath
which makes
me think
what I
must
mp
mf
3 3 3 3 3 3 3 3 3
ROY G BIV 147
74
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
miss
with
out
- the
words
to look
What
ff
mp
mf
3 3 3 3 3 3 3 3
3
ROY G BIV148
76
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
blo
ody
- ri
ot
- lies
be tween
- the
bars
of
più legato
sal
mon
- pink
and puce,
sal
mf
mon
molto legato
- pink and
puce
f
f
mp
f
mp
mp
f
p
f
p
3
f
p
f
f
solo
mf
3 3
f
p
mp
f
p
mp
f
p
mp
f
mp
ROY G BIV 149
81
Tempo primo q=70
Tempo primo q=70
rit.
rit.
S.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
of
mp
her
ring
- red
and
rouge?
pp
pp
p
p
To Marimba
p
mp
solo
mf
p
pp
3
3
p
p
pp
p
p
pp
p
p
pp
p
pp
ROY G BIV150
G
G
Allegro q=120
Allegro q=120
87
Ob.
Cl. in Bb
Cl. in A
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
ORANGE
mf
To Clarinet in A
mf
Marimba
f
f
mf
f
mf
mf
pizz.
f
pizz.
f
ROY G BIV 151
92
Fl.
Ob.
Cl. in A
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
mf
f
f
mf
mf
f
mf
mf
f
mp
mf
f
f
mf
f
mf
mf
ROY G BIV152
97H
H
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
O
mp
range
- is
al
so- things,
haz
zard
- lamps
that
hang
in
cit
rus- trees
mf
f
mf
f
p
p
mp
mp
mp
mp
arco
mf
mp
mp
ROY G BIV 153
102
I
I
S.
Ob.
Cl. in A
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Still glow
ing
-
still
mf
glow
ing
-
still glow
f
ing
- when
the
world's
gone grey
p
3 3
mf
f
p
f
p
f
p
mf
p
f
p
cresc.
f
p
cresc.
f p
cresc.
f
pizz.
p
cresc.
f
pizz.
p
cresc.
f
pizz.
pp
ROY G BIV154
107
S.
Fl.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
They
mpguide
our
pale
moth
p
mp
p To Tambourine
112
S.
Fl.
Ob.
Cl. in A
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
hands
through dusk
the
torch
mfof
a
va len
- ci- a
-
a
mp
smal
ler
-
p
mf
p
mf
mf
p
mp
mf
p
mf
p
mf
p
mf
p
mf
pp
ROY G BIV 155
117J
J
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
wat
tage-
tan
ger- ine
-
p
mp
p
p
mp
p
Tambourine
mp
p
ROY G BIV156
122
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
arco
mp
126
S.
Cl. in A
Bsn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
A
mp
na
vel-
like
a big
bed lamp
that hoards
hoards
mfthe light
mp
mp
mp
mp
mp
mp
pizz.
mp
pizz.
mp
ROY G BIV 157
132
K
K
S.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
and gives
it back
all night.
mf
mp
Tambourine
mf
mf
mp
mf
arco
mf
mf
ROY G BIV158
137
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
All
night
mf or 'till
we've
mf
mf
mp
mf
mp
mf
mf
mf
glis
s.
ROY G BIV 159
142
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
peeled
f the
last
thick
scabs
of or
ange- hide
and
mp
sucked
our
3
f
mp
f
mp
f
sub. mp
f
sub. mp
f
sub. p
f
sub. p
To Marimba & Suspended Cymbal
f
sub. p
f
sub. p
f
mp
f
mp
f
sub. p
pizz.
arco
arco
f
pizz.
sub. p
arco
ROY G BIV160
147
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
ju
cy
- lu mi
3
- ne
- scent
- fin
ger- tips
mf
fin
ger
- tips
mf
3
3 3
mf
3
3 3
mf
3 3
3
mf
mf
mf
3
3 3
mf
3 3
3
f
f
f
ROY G BIV 161
151
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
and
ff
cleaned
the
whi
ter
- rind
that's wedged
fp
ff
ff
ff
fp
ff
mp
ff
fp
mp
Marimba
ff
p
ff
fp
ff
fp
ff
fp
ff
fp
ff
fp
ROY G BIV162
158
S.
Bsn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
mp
be
tween- the
nail
p
163
Bsn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
f
f
f
f
f
ROY G BIV 163
L
L
Scherzando q=160
Scherzando q=160
168
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
High
mp
YELLOW
in
the sky
is
a big
yel
low- page
Ad
ffver
- tis
- ing- Sum
mer.-
ff
f
ff
mf
ff
mp
ff
p
f
ff
sub. p
ff
ff
p
f
ff
mf
ff
mp
ff
sub. p
ff
pizz.
f
ff
ROY G BIV164
175
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
A
lyricallymp
gol
den
3
-
yel
low
- sun
Hot
ter
- than
the moon
mp
mp
mp
mp
mp
Sus. Cymbal
mf l.v.
p
mp
pizz.
pizz.
mp
pizz.
mp
pizz.
p
p
pizz.
ROY G BIV 165
184
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
but
al
mfso- made
of cheese
Or
mp
mf
mp
p
mp
mf
mf
mf
mf
mp
mp
ROY G BIV166
195
M
M
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
mel
ted- but
ter.
-
f
ff
sub. p
f
ff
sub. p
f
ff sub. p
f
ff
f
ff
sub. mp
ff
Sus. Cymbal
mf
l.v.
f
arco
f
ff
arco
f
ff
arco
f
ff
sub. mp
arco
f
ff
f
ff
ROY G BIV 167
206
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
It
mp
sti
ngs
mf
- - - - - -
3 our
up
turned
-
mp
mp
mp
mp
mf
3
pizz.
mp
pizz.
mp
mp
pizz.
mp
3
mp
arco3
215
S.
Fl.
Ob.
Cl. in A
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
fa
ces
- - -
Rubs
mp
our
ski
-
p
p
p
mp
p
p
p
mf
mp
mf
mp
ROY G BIV168
223
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
n
- - - with
sul
phur
- mus
tard
-
'till
mp
p
p
p
p
Marimba
mp
p
Sus. Cymbal
pp
p
arco
p
arco
p
p
arco
p
p
mp
pizz. p
ROY G BIV 169
230
N
N
Con Brio q.=130
Con Brio q.=130
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
those
cresc.ten
der- bo
dy
- bags
hurt
like
hell
ff
GREEN
ff
ff
ff
ff
ff
ff
l.v. To Vibraphone
ff
ff
ff
ff
mp
3 3
ff
3
3
ff
ROY G BIV170
234
Hn.
Vln. I
Vla.
Db.
p
p
p
pizz.
p
238
Vln. I
Vln. II
Vc.
Db.
mp
mp
p
mp
242
Fl.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
p
p
mf
mp
mp
mf
pizz.
ROY G BIV 171
246
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
mp
mp
mf
mf
mp
mf
mp
mf
mp
mf
mp
mf
mf
arco
mf
ROY G BIV172
250
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
f
f
mf
mf
f
f
mf
f
f
254
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
mp
f
f
f
ROY G BIV 173
258 O
O
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
Green
mp
makes
me want
to eat
e
ven- when
those
greens
are grass
they still
look
mf
mf
mp
mp
mp
mp
p
Vibes
mp
mp
mp
mp
mp
p
p
ROY G BIV174
262
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
good
e nough
- to graze.
I like
them vined
mp
in lit
tle- balls
or bunched
in brit
tle-
mp
mp
mp
mp
mp
leggiero
pp
mp
pp
leggiero mp
pp
leggiero mp
mp
mp
ROY G BIV 175
266
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
clumps
I rip
a part
- and toss.
They
mp
legato
come
in
shapes
and si
zes
-
p
p
mp
To Bass Drum pp
B.D.
mp
p
mp
pp
mp
pp
mp
p
p
p
ROY G BIV176
271
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
all
part
of
great
- er green
a
cra
zy
- paved
mf mo
-
mp
p
mp
mf
mf
mf
p
mp
p
p
ROY G BIV 177
275 P
P
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
sa ic
-
cra
zy- paved
mo
mp
sa- ic
-
mf
mp
mp
mf
f To Bongos
mf
p
mf
mp
mf
fp
mf
mp
mf
fp
mf
fp
ROY G BIV178
279
Fl.
Ob.
Cl. in A
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
mp
mp
p
mf
pizz.
mf
pizz.
283
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
Pea
f
mf
mf
mf
mp
mp
Bongos
mf
mp
mf
f
ROY G BIV 179
287
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
leaf
and
o
live
- -
f
mf
f
mf
mf
f
mf
f
arco
f
ff
ROY G BIV180
291
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
Pea
leaf
and o
live
-
Goose
ff - - - -
ff
f
ff
f
f
f
ff
ff
ff
ff
ROY G BIV 181
295
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
ber
ry
-
and
lime
mf
mf
mp
mp
arco
mp
arco
mp
ROY G BIV182
299Lento - Freely q=55
Lento - Freely q=55
S.
Fl.
Ob.
Cl. in A
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
Where
p
ad lib.
e
ver- green
is worn,
pp
pp
pp To Clarinet in Bb
mp
pp
pp
p
To Triangle
pp
pp
pp
pp
ROY G BIV 183
304
Q
Q
Adagio q.=55 (e=e)
Adagio q.=55 (e=e)
S.
Fl.
Perc.
Hp.
Vln. II
Vla.
Vc.
Db.
I
write
it
out
in rhyme
BLUE
pp
pp
Tri. l.v. pp
p
p
pp
pizz.
309
A tempo q.=55
A tempo q.=55
poco rit.
poco rit.
S.
Perc.
Hp.
Vla.
Vc.
Db.
Blue
p
light
ad lib.
in
dai
ries
- gives
bet
ter- milk
which may
be
why
whom
so
e
- ver
- choo ses
- chose
blue
To Vibraphone & Wind Chimes
colla sop.
pp
colla sop.
p
pp
p
colla sop.
colla sop.
ROY G BIV184
313
S.
Cl. in Bb
Perc.
Hp.
Vln. I
Vln. II
Vc.
Db.
for his
or her
cei
ling- theme.
A
col
our
- scheme
thatmakes
us all
feel good
p
Vibes
pp
pp
con sord. p
con sord.
pp
p
ROY G BIV 185
318
R
R
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
or not
so
blue
I
mpre mem
- ber
-
my
first
set
of der
wents-
pp
mp
p
pp
mp
p
mp
mp
p
Chimes
delicato
l.v.
gliss.To Sus. Cymbal
mf
mp
senza sord.
p
mp
senza sord. pizz.
mp
mp
mp
mp
arco
ROY G BIV186
324
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
and
the sky
mf
and
sea
I
col
oured- in
sub.p
the blues
in
their
flat
tin
box
were
a
mf
pp
mf
pp
mf
p
mf
p
mp
sub.p
sub.mp
mf
sub.pp
arco
p
mf
p
mf
p
mf
p
ROY G BIV 187
330
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
rain bow
-
of
blue
mfthem selves.
-
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
f
mp
mf
p
mf
p
mf
p
mf
mp
mf
mp
ROY G BIV188
335
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Smalt
mf
and
mf
sky
co
mfbalt
-
mf
mf
mp
mf
mf
mp
mf
mf
mp
mp
mp
mp
mf
mf
mp
Sus. Cymbal
mp
mf
p
mf
mp mf
mp
mf
mf
mp
mf
mf
mp
mf
mf
mp
mf
mf
mp
pizz. arco
mf
pizz.mf
arco
mf
ROY G BIV 189
340S
S
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
and prus
p
sian
-
ff
sub. p
ff
ff
sub. p
ff
ff
ppp
f
l.v.To Triangle Tri.
p l.v.
mp
ff
ff
sub. pp
ff
sub. pp
ff
pp
ff
sub. p
f
sub. p
ROY G BIV190
346
accel.
accel.
S.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
There
mpwere
e
ven
- more
if
you
could
trust
Brit
tish- paints
or e
ven-
mp
mp
mp
p
To Vibraphone & Triangle
p
p
p
p
mp
pizz. pizz.
mp
ROY G BIV 191
T
T
poco stringendo q.=70
poco stringendo q.=70
351
S.
Fl.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Ro
mfgets
-
where
I
found
two sep
a
- rate- words
cresc.
mp
mf
mp
mp
mf
mp
mf
l.v.
l.v.
l.v.
mp
mp
mf
mf
arco
mf
ROY G BIV192
356
molto rit.
molto rit.
Adagio q.=55
Adagio q.=55
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
whose
pig
ments
- seemes
to
run
ff
to ge
- ther
-
Cy
p
a
- no
- tic-
hy
a-
-
ff
mf
mf
ff
mp
pp
ff
mp
pp
ff
mp
ff
mf
p
pp
Vibes
mf
Tri
p l.v.
ff
l.v.
mf
p
ff
mf
p
ff
mf
pizz.
arco
p
ff
mf
mp
ff
mf
p
ff
mp
p
ROY G BIV 193
361
rall.
rall.
U
U
Maestoso q=80
Maestoso q=80
S.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
cinth
my
mpad. lib.
fav
ou
- rite
col
our
-
INDIGO
p
p
p
pp
l.v.
To Bass Drum
p
p
p
p
ROY G BIV194
368V
V
S.
Fl.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. II
Vla.
Vc.
Db.
molto liquid
In
pdi
- -
mp
mf
p
mf
p
p
p
mf
p
p
p
mf
p
p
B. D. sponge drumstick
pp
pp
pp
p
3
p
mp
3
pp
mf
p
p
mf
p
pizz.
p
arco
pp
ROY G BIV 195
375
S.
Fl.
Cl. in Bb
Bsn.
Hn.
Vln. II
Vla.
Vc.
Db.
go
is
a
no
- ther- sound
that's
jus
tice
- to
it's sight
a noise
that looks
like
in
ky- dusks
p
mp
p
mp
p
mp
p
mp
p
p
mp
p
mp
p
p
ROY G BIV196
380
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. II
Vla.
Vc.
Db.
sil
ting
- up
the air
with
dark
fp
sil
mp
ting
- up
the air
with
p
mf
p
mf
p
p
mf
p
p
mf
p
p
mf
p
pp
B.D.
p
p
5
pp
mp
p
p
mf
p
p
mf
mf
pizz.
p
arco
ROY G BIV 197
385
W
W
A tempo q=80
A tempo q=80
poco rit.
poco rit.
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
dark
with
p
dark.
Each
mp
night
the
o
ther
- col
ours- leave
us
3
p
pp
p
pp
p
pp
p
pp
p
pp
pp
p
pp Tam-Tam
p l.v.
p
p
3
3
arco
mp
mp
mf
mp
mp
mp
mf
mp
p
pp
mp
mp
mf
mp
pizz.
arco
pp
mp
mp
mf
mp
pizz.
arco
pp
mf
ROY G BIV198
392
S.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
first
sucked
down
the
west
ern- plug
in or
der
- of
ap pea
- rance
-
p
p
mp
p
mp
mf
p
pp
pp
p
mp
mf
pp
p
mp
mf
pp
p
mp
mf
pp
p
mp
mf
pp
mp
mf pp
ROY G BIV 199
397
S.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
In
mp
di
- go
- re mains
mf - in
king
- in
it's xe
rox
- sil
hou
- ettes-
and
mp
mp
f
mp
cresc.
mp
mf
mp
mp
mp
mp
mp
mp
ROY G BIV200
402
poco rit.
poco rit.
X
X
A tempo q=80
A tempo q=80
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
knife
sempre ffedge
lu nar
-
cut
out shapes.
senza dim. The
p
last
to leave
ff
p
ff
p
ff
p
ff
p
ff
p
f l.v.
Celesta
pp
ff
ff
ff
ff
ff
pizz.
pp
ff
pizz.
pp
ROY G BIV 201
407
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
it's job
to
turn
the
lights
out
shut
the door
ff
shut
the
molto cresc.
f
f
molto cresc.
f
f
molto cresc.
ff
molto cresc.
ff
molto cresc.
f
Tam-tam
mp
f
mp ff
gliss.
p
molto cresc.
ff
p
molto cresc.
ff
pp
pizz.
arco
p
molto cresc.
ff
pp arco
mf
ff
arco
mf
ff
ROY G BIV202
412
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
door
shut
mf
the door
and
p
leave
no
chink
f
f
mp
mp
f
f
mp
mp
mp
mp
mp
mp
mp
mp
l.v.
mf To Vibraphone
& Triangle
mf
l.v.
3
p
p
p
p
p
p
p
p
mp
pizz. arco
mp
ROY G BIV 203
419
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
of
col
our
-
(no breath)
in
p
mp
mp
p
Vibes
mp
5 5 5 5 5 5 5 5
mf
mf
mf
p
mf
p
fp
p
ROY G BIV204
422poco rall.
poco rall.
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
the
night
pp
pp
p
3
p
3
p 3
pp
l.v.
pp
Tri.
pp
5 5 5 5 5 5
p
p
Y
Y
Freely; Adagio q=60
Freely; Adagio q=60
426
S.
Perc.
Vln. I
Vla.
More
p Ad lib., molto espress
VIOLET
cel lo
- col
oured
- than
vi o
- la
-
More
i
o
- dine-
than
vi
o- lin
-
3 3
To Glockenspiel
con sord.
pp
con sord.
pp
ROY G BIV 205
430
S.
Db.
Vio
pp
let
-
is
the bloom
of
the
dou
ble- bass
wave
length
pp
p
pp
Z
Z
Andante q=76
Andante q=76
435
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
p
mf
mp
mf
mp
mf
mp
mp
mf
mf
senza sord.
mp
mf
mp
mf
senza sord.
mp
mf
mp
pizz. arco
pizz.
arco
mf
mp
mf
mp
ROY G BIV206
442 AA
AA
Slightly Faster q=84
Slightly Faster q=84
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Vln. I
Vla.
Vc.
Db.
mp
p
p
mp
mp
p
mp
p
mp
p
mp
p
p
mp
p
mp
p
pizz.
p
mp
arco
449
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
p
f
mf
mp
mf
mf
mp
mf
p
mf
p
mf
mp
mf
mp
mf
mp
mf
p
mf
p
ROY G BIV 207
455
rall.
rall.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Vln. I
Vln. II
Vla.
Vc.
Db.
ff
mp
freely
ff
mf
f
mf
f
f
ff
Glock.
p
colla flt
mf
f
p
mf
f
p
mf
f
p
mf
f
p
mf
f
p
ROY G BIV208
464
BB
BB
Largo q=60
Largo q=60
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Light
p
at
lar
go
- pace
p
3
3
pp
pp
mp
pp
pp
p
legato
pp
l.v. l.v.
5
3
p
mp
p
p
p
p
ppp
p
ROY G BIV 209
470
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
ahh
ahh
ahh
p
(ahh)eyes
mp
set
at
3
p
p
pp
p
pp
p
l.v. l.v. l.v. (Prepare Bass Drum & Tam-tam)
mp
mp
mp
pizz.
arco
mp
mp
mp
ROY G BIV210
477
CC
CC
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
wi
dest- a
per
- ture
- so
wide
mf that
they are
real
ly- ears
ahh
p
mp
mf
mf
mf
mf
mp
mf
mf
l.v.
E#
sub. p
3
mf
sub. pp
f
sub. pp
f
sub. pp
mf
sub. pp
mf
sub. pp
ROY G BIV 211
483
rit.
rit.
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
ahh
mp
ahh
pp
mp
pp
mp
pp
mp
pp
p
mp
pp
p
mp
Glock.
p
colla voce
l.v.
l.v.
l.v.
3 3 3
p
mp
colla voce
mp
mp
mp
mp
ROY G BIV212
A tempo q=60
A tempo q=60
489
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
Be
mp
yond
- here
eve
ry- thing
is
ul
f-
f
sfzp
f
sfzp
f
sfzp
f
sfzp
f
B. D.
f
fpp
poco cresc.
f
Tam-tam
ff
ff
3
mp
mf
glis
s.
f
sfzp
f
sfzp
f
sfzp
f
sfzp
f
ROY G BIV 213
494
S.
Fl.
Ob.
Cl. in Bb
Bsn.
Hn.
Perc.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
tra
mf
mf
mf
f
mf
f
mf
Glock
f
mf
f
mf
mf
mf
mf
f
mf
f
mf
ROY G BIV214
~3~FourTune
216
FourTune
For Chamber Ensemble
Score in C
Instrumentation:
FluteClarinet in B flatPercussion (Marimba, Cymbals, Triangle, 3 Toms)PianoHarpViolaDouble Bass
Duration : 10’00”
Anne Cawrse
Con Anima q=100
Con Anima q=100
FourTuneSCORE IN C
Flute
Clarinet(actual pitch)*
Marimba
Piano
Harp
Viola
Double Bass
soft malletsp
p
*Clarinet in Bb
D#CBb EbFGA
p
pizz.
p
217
5
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
fp
mp
pizz.
9
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
p
mp
mp
mp
mp
FourTune218
13
A
A
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
ff
f
mf
ff subito p
ff
subito p
ff
subito p
arco
ff
ff
17
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
mf
mp
FourTune219
20
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
f
subito p
f
subito p
mp
f
mf
pizz.
mp
f
24
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
mf
FourTune220
27
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
f subito p
f
subito p
f
3
subito mp
mf
arco p
3
p
f
subito p
31
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
f
f
mf
mf
mf
mf
mf
FourTune221
34
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
ff
ff
mf
ff subito p
ff
subito p
ff
subito p
f
mp
f
subito p
38
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
ff
ff
f
f
f
f
f
FourTune222
41
B
B
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
ff
mf
ff
ff
3
ff
3
mp
subito p
mp
ff
gliss.
mp
ff
3
mp
ff
45
Mar.
Pno.
Hp.
Vla.
p
p
p
mp
pizz.
FourTune223
48
Mar.
Pno.
Hp.
Vla.
Db.
p
articulated
mf
arco
51
Mar.
Pno.
Hp.
Vla.
Db.
FourTune224
54
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
pp
pp
mf
pp
mp
57
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
FourTune225
60
C
C
Slower q=90
Slower q=90
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
mf
f
f
f
f
pizz.
f
63
Fl.
Cl.
Mar.
Hp.
Vla.
Db.
mf
mp
mp
pizz.
mp
pizz.
mp
FourTune226
67
Fl.
Cl.
Mar.
Hp.
Vla.
Db.
mf
mf
pp
71
D
D
Mar.
Pno.
Hp.
Vla.
Db.
mf
mp
f
mf
mf
mf
FourTune227
74
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
f
f
3 3 3
mf
f
f
3 3
3
f
cresc.
cresc.
cresc.
cresc.
FourTune228
77
E
E
Mysteriously q=70
Mysteriously q=70
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
ff
ff
ff
mp
ff
ff
mp
ff
ff
p
FourTune229
80
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mp
p
3 3 3
mp
p
mp
p
mp p mp
mp
arco
mp
mp
3
3 3
84
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mp
mf
fp
3
p mf
p mp
p mp
3
mp
mf
mp
mf
p
3
mf
p
3
FourTune230
87
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
mf
p
mf
mp
mf
mf
mp
l.v.
mf
mf
pizz.
arco
mf
mf
90
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
mf
3 3 3
mp
f
mp
l.v.
mf
mp
f
mf
3 3 3
f
mf
3 3 3
FourTune231
93
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
mp
mp
mp
p
3 3
p
mp
mf
mp
mf
p
3 3
l.v. l.v.
p
arco
pp
97
poco rit.
poco rit.
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
3
FourTune232
99
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
Prepare Cymbal
pp
3
p
pp
pizz.
p
F
F
Andante q=70
Andante q=70
101
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
p
Cymbal
mp l.v.
p
molto espress.
mp
pp
p
FourTune233
109poco accel.
poco accel.
G
G
q=80
q=80
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
pp
mp
mp
pp
mp
mp
l.v. p
mf
pp
sempre legato
p
mp
pp
mp
mp
arco
pp
116
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
mf
mp
mf
mp
pp
mp
p
p
mf
mp
mf
mp
arco
p
FourTune234
122
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
127
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
ff
ff
f l.v.
mf
f
ff
ff
f
FourTune235
132 poco rall.
poco rall.
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
f l.v.
136
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
p
p
p
pp
Triangle
p
mp
sim.
p
mp
p
FourTune236
molto rit.
molto rit.
141H
H
Sweetly q=80
Sweetly q=80
poco accel.
poco accel.
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
pp
pp
l.v.
pp
p
con pedal
p
150q=100
q=100
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
mf
mp
Prepare Toms
mp
pizz.
p
FourTune237
159
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
mf
mp
mp
3 Toms
passionately
mp
f
mf
f
arco
mf
166
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
f
f
Toms
p
mf
f
mp
mf
mp
f
mf
f
FourTune238
173
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
ff
ff
mp
f
Cymbal
l.v. 3
ff
mf
mp
181
I
I
Fl.
Cl.
Perc.
Pno.
Hp.
Vla.
Db.
mf
mp
Triangle
pp To Marimba
mp
p
mp
mp
pizz. p
FourTune239
188
Fl.
Cl.
Mar.
Hp.
Vla.
Db.
p
p
mp
p
pizz.
pp
pizz.
pp
194 J
J
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mp
mf
3 3
mf
3 3
mf
p
mf
mf
arco
mp
mf
mf
FourTune240
198
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
3
mf
3
arco
f
arco
f
202
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
3
f
3
3
f
f
FourTune241
205
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
mf
mf
K
K
208
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
ff
ff
f
f
f
ff
pizz.
f
FourTune242
211
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
f
mp
mp
mp
mf
mp
214
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
mf
f
FourTune243
217
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
ff
mp
mp
f
subito mp
ff
f
subito mp
220
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
f
FourTune244
223
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
225
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
f
FourTune245
228
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
L
L
230
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
ff
f
ff
f
f
f
f
ff
f
f
FourTune246
233
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
f
235
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
f
f
FourTune247
237
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
ff
ff
ff
sfz
sfz
ff gliss.
ff
ff
FourTune248
240
Fl.
Cl.
Mar.
Pno.
Hp.
Vla.
Db.
fff
fff
fff
sfz
sfz
sfz
fff
fff
fff
fff
FourTune249
~4~Musaic
252
Musaic
For Chamber Ensemble
Score in C
Instrumentation:
FluteOboeClarinet in B flatBassoonHorn in F3 Percussion (Bass Drum, Tubular Bells, Crotales,
Vibraphone, Triangle, Glockenspiel, Cymbals)Piano / CelesteHarpViolin 1Violin 2ViolaVioloncelloDouble Bass
Duration : 10’00”
Ominous q=60
Ominous q=60
Anne Cawrse
SCORE IN C
Musaic
A
A
Flute
Oboe
Clarinet(actual pitch)*
Bassoon
Horn(actual pitch)**
Bass Drum
Crotales
Tubular Bells
Vibraphone
Piano
Harp
Violin 1
Violin 2
Viola
Violoncello
Double Bass
f
ffp
f
ffp
f
ffp
fp
f
l.v.
bowed
p
l.v.
sfz
l.v. l.v.
sfz
l.v. p ppp
sfz
p
pp
gliss.
f
pizz.
sfz
arco
ppp
3
pizz.
sfz arco
ppp
3
f
ffp
f
ffp
* Clarinet in B flat** Horn in F
f
ffp
253
7
Crot.
Vib.
Pno.
Vln. 1
Vln. 2
Vla.
Vc.
p
ppp
p
ppp
p
ppp
p
ppp
p
ppp
p
mp
p
mp
Musaic254
B
B
15 C
C
Ob.
B. D.
Crot.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
molto espress.
3
p
norm.
p
p
p
mp
p
l.v.
p
mf
p
p
mf
p
p
mf
p
p
mf
p
p
mf
p
Musaic255
22
Fl.
Ob.
B. D.
Crot.
Glock.
Pno.
mf
3
mf
3
3
p
27
Fl.
Ob.
B. D.
Crot.
Glock.
Pno.
Hp.
3 3 3 3 3
3 3
3
3 3
p
mp
mp
3
3 3
Musaic256
D
D
30
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
53 3
mp
mp
5
3 3
p
mp
p
mp
mp
mf
3 3
pp
mf
p
p
p
p
mf
p
mf
p
mf
p
mf
Musaic257
33
Fl.
Ob.
Cl.
Bsn.
Hn.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
fp
fp
p
p
fp
mp
gliss.
3
mp
gliss.
pp
pp
pp
Musaic258
36poco accel.
poco accel.
Hn.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
f
pp
p
pp
p
p
mf
p
p
mf
p
pizz.
mp
Musaic259
E
E
q=80
q=80
39
Cl.
Bsn.
Hn.
B. D.
Cym.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
pp
p
p
pp
p
mf
p l.v.
mp
p
mp mf
mp mf
mp
3
p
mp
p
mp
mf
Musaic260
42
F
F
Mournfully
Mournfully
Cl.
Bsn.
Hn.
B. D.
Cym.
Tri.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
p
p l.v.
pp
pp
To celeste
mf
p
gliss.
pp
pp
p
p
mp
Musaic261
46
Cl.
Bsn.
Hn.
B. D.
Cym.
Tri.
Tub. B.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
f
3
p
mf
p
mf
p
pp
mf
l.v.
pp
mp l.v.
mp
mf
l.v.
p
mf
p
mf
mp
mf
mp
mf
mf
f
Musaic262
G
G
Brighter
Brighter
52
Ob.
Cl.
Bsn.
Hn.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mf
3
3
p
p
p
mp
p
mp
CELESTE
mp
mp
p
mp
p
mp
mp
pizz. mf
Musaic263
57
H
H
Ob.
Cl.
Bsn.
Hn.
Crot.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
f
mp
3 3 3
3
p
3
mf
p
3
mf
p
p
p
p
mf
To Piano
mf
p
p
mf
p
mf
mp
f
mp
arco
Musaic264
61
Più mosso
Più mosso
Fl.
Ob.
Cl.
Bsn.
Hn.
Crot.
Glock.
Vib.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mf
3
mf
3
mp
3 3 3 3 3
mp
3 3 3 3 3
mp
mp
mp
mp
mp
mp
mf
3
mp
mp
mf
mf
Musaic265
J
J
More Movement, Gently q=100
More Movement, Gently q=100
66
Fl.
Ob.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
p
mp
PIANO
p
p
pp
pp
pizzp
pizz
p
Musaic266
73
K
K
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mf
p
mp
p
mp
mf
p
mf
p
mp
p
mp
mf
mp
mf
mf
mp
mf
p
mp
p
mp
arco
mf
mp
pizz.
mf pizz.
mp
Musaic267
79
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Tub. B.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
f
ff
mf
ff
mf
ff
mf
ff
f
p
mf
p
f
p
mf
p
f
mf
mf
f
f
ff
f
f
f
arco
f
ff
arco
f
ff
Musaic268
84
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Crot.
Tub. B.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
pp
pp
pp
pp
p
l.v.
f
p
l.v.
f
f
mp l.v.
subito p
sempre legato
sfz
pp
sfz
pp
sfz
pp
Musaic269
L
L
90
Fl.
Ob.
Cl.
Bsn.
Hn.
Pno.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
p
pp
pp
p
p
p
pizz.
mp
mp
pizz. p
pizz.
p
Musaic270
96
Cl.
Bsn.
Hn.
Crot.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
mp
l.v. p
p
p
arco
arco
Musaic271
102
Crot.
Glock.
Vib.
Pno.
Hp.
Db.
p
poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
poco a poco dim.
arco
pp
Musaic272
108
M
M
Moderato q=108
Moderato q=108
Ob.
Cl.
Tri.
Crot.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
pp
pp
p
l.v.
p
l.v.
pp
l.v.
l.v.
pp
pp
l.v.
l.v.
p
p
mp
pizz.
p
arco
mp
pizz.
Musaic273
115N
N
Fl.
Ob.
Cl.
Bsn.
Hn.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
p
mp
p
pp
pp
p
molto legato e leggiero
p
pp
mp
3
mp
3
arco
Musaic274
121
Fl.
Cl.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
mp
mf
3
33
mf
3
mf
3
pizz.
mf
pizz.
mf
Musaic275
125 O
O
Ob.
Cl.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
sempre legato
mp
mp
f
3
f
pp
pp
3 3
3
arco
pp
pp
subito p
Musaic276
129
Ob.
Cl.
Bsn.
Hn.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
p
mp
mp 3
3
mp
mp
3
3
pp
pp
pp
p
mp
pp
pp
pp
p
mp
arco
mp
arco
Musaic277
134
e=e
e=e
Fl.
Ob.
Cl.
Bsn.
Hn.
Cym.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
ff
3 3
f
f
f
f
f
pp
f
l.v.
f
f
f
ff
3 3
3 3
ff
3
3
3
ff
3
ff
ff
Musaic278
137e=e
e=e
P
P
Fl.
Ob.
Cl.
Bsn.
Hn.
Cym.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mf
mp
mp
mp
mp
mp
l.v. l.v.
p
p
To Celeste
p
p
p
Musaic279
140
Fl.
Ob.
Cl.
Bsn.
Hn.
Tub. B.
Glock.
Vib.
Pno.
Vln. 1
Vln. 2
Vla.
Vc.
p
3
p
3
p
3
p
p
p
pp
pp
CELESTE
mp
p
pp
pp
p
p
p
p
Musaic280
143
Q
Q
Andante q.=60
Andante q.=60
Fl.
Ob.
Cl.
B. D.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
3
mp
3
p
pp
p
To Piano
PIANO
p
p
p
3
pp
pp
pp
pizz.
p
pp
mp
Musaic281
148
Fl.
Ob.
Cl.
Bsn.
Hn.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
p
p
p
p pp
p pp
p pp
p pp
p pp
p
pp
p
pp
p pp
p pp
Musaic282
154
R
R
Fl.
Ob.
Cl.
Bsn.
Hn.
Crot.
Glock.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mf
p
mp
mf
p
mf
p
mf
p
mf
mp
p mp
mp
33
mp
pp
mp
p
mp
pp
p
pp
p
pp
p
pp
p
p pp
p pp
p pp
p
mp
p
pp
p
pp
mp
arco
mp
Musaic283
159
Fl.
Ob.
Cl.
Hn.
Crot.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
mf
mf
mp
p mp
p mp
p
mp
p
3 33 3
p
mp
p
p
p
p
mp p
mp
Musaic284
162
Ob.
Cl.
Bsn.
Hn.
Crot.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mf
mf
p
mp
mp
mp
p mp
mp
p
mp
3 3 3 3 3 3
mp p
mp
p
mp
p
mp
Musaic285
165
Fl.
Ob.
Cl.
Bsn.
Hn.
Crot.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mf
mf
mf
mp
mf
mp
mp
p mp
p mp
p
mp
p
3 3 3
p
mp p
p
p
p
mp
p
mp
Musaic286
168
S
S
Fl.
Ob.
Cl.
Bsn.
Hn.
Tri.
Crot.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
p
p
p
p
p
mp
33 3
p
mp
p
p
pizz.
pizz.
p
mp
p
pizz.
pizz.
p
pizz.
p
Musaic287
171
Fl.
Ob.
Cl.
Bsn.
Tri.
Vib.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
mp
mp
pp
l.v.
Musaic288
175
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Tri.
Vib.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
pp
cresc.
pp
l.v.
p
mf
Musaic289
178
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
p
mp
f
mf
mp
mf
mp
arco
p
mp
arcop
Musaic290
T
T
181
Fl.
Ob.
Cl.
Bsn.
B. D.
Cym.
Tub. B.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
f
f
f
f
f
f l.v.
f
f
mf
f
mf
arco
f
arco
f
arco
f
ff
ff
Musaic291
184
Fl.
Ob.
Cl.
Bsn.
Cym.
Tub. B.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
2
2
2
p
f
f
mf
f
mf
Musaic292
188
Fl.
Ob.
Cl.
Bsn.
Hn.
Cym.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
ff
ff
ff
ff
p
f l.v.
f
ff
Musaic293
192Meno mosso
Meno mosso
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
f
fp
f
fp
f
fp
f
fp
fp
pp
pp
p l.v.
p
p
l.v.
p
l.v.
fp
pp
fp
pp
fp
pp
fp
pp
fp
pp
Musaic294
U
U
Serenely q=45
Serenely q=45
198
Hn.
B. D.
Cym.
Tri.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
pp
p
l.v. p
l.v.
p l.v.
p l.v.
p l.v.
3 3
p
l.v. 3
p
3 3 3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
pp
pp
pp
pp
pizz.
p
3
Musaic295
201
Cl.
Bsn.
Hn.
B. D.
Tri.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
mp
3
pp
pp
pp
p
l.v. p
p l.v. 3
p
l.v. p
l.v.3 3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
arco
pp
pizz.
p
arco
pp
3
Musaic296
204
Ob.
Cl.
Hn.
B. D.
Tri.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
3
3
3 3
pp
pp
pp
l.v. p
l.v.
p l.v.
p l.v.
3 3
p
l.v. 3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
pizz.
p
arco
pp
pizz.
p
3 3
Musaic297
207
Fl.
Ob.
Cl.
Bsn.
Hn.
B. D.
Cym.
Tri.
Tub. B.
Glock.
Pno.
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
Db.
mp
pp
pp
3
pp
pp
pp
pp
pp
pp
pp
p
l.v.
scrape with triangle beater pp l.v.
p l.v.
pp l.v.
3
p
l.v. pp
l.v.3
pp
3 3 3
pp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
pp
pp
pp
pp
pp
arco
pp
pizz.
p
pp
3
Musaic298
top related