Page 1 I D E O L O G Y 2 : MODERNISM and ITS CRITICISM
Page 2 Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851
Barlow W.H., St. Pancreas Train Station, 1864
NEW MATERIALS
MASS-PRODUCTION
MIGRATION ……. URBANIZATION
EXHIBITIONS, FAIRS….
Page 3 George Childs, “Dowlais Ironworks from the South,” 1840
Page 4 William Morris, page fromThe Sea Stones and The Fall
(by John Ruskin), 1853
Page 5 William Morris, fabric designs (left) and font design (right), 1890s
Page 6 William Morris, furniture designs, 1870s
Page 7 Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859
Page 8 William Morris, “St Peter,” stained glass design, 1870s
Page 9 Frank Lloyd Wright, stained glass window designs, 1902
Page 10 M O D E R N I S M
An ideology that emerged around 1900that reacted to the political, social, economical
and technological changes in Europe
•Modernists prefer:•- simplicity over ornamentation
•- abstraction over realism•- “honesty” over “dishonesty”
•- the future over the past
Page 11 M.H. Baillie Scott,“Side Table,” 1901
Charles Rennie Mackintosh,“Chair for Hill House,” 1904
Page 12 Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932
Page 13 Giacomo Balla, “Abstract Speed + Sound ,” 1914
Page 14 Filippo Marinetti,poem from Les mots en liberté, 1919
Page 15 Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914
Page 16 front cover of the first issue of DE STYL magazine, 1917
Georges Vantongerloo,“Interrelation of Volumes,” 1919
Page 17 Piet Mondrian,“Color Planes in Oval,” 1913-1914
Piet Mondrian,“Tableau 2,” 1922
Page 18 Theo Van Doesburg, Sophie Taeuber & Jean Arp,“Cafe l’Aubette,” Strasbourg, FRANCE, 1926-28,
Page 19 SCHRÖDER HOUSE, Gerrit Rietveld, Utrecht 1924
Page 20 Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26
Page 21 Joost Schmidt,“Bauhaus Exhibition Poster,” 1923
Page 22 Marianne Barndt, “Tea Pot,” 1924
Carl G. Jucker,“Lamp,” 1924
Marcel Breuer,“Nesting Tables,” 1925
Page 23 Eileen Gray, furniture designs, 1920s
Page 24 Glass Pavillion, Berlin 1914
Bruno Taut
Faculty of languages, history and geography, Ankara University, 1937
Izmir Fuar Pavillion, 1939
Page 25 Q U E S T I O N I N G M O D E R N I S M
Page 26 Richard Hamilton, “Just What is that
Makes Today’s Homes so
Different?,” 1956
Page 27 Andy Warhol, “Marylin diptych,” 1962
Page 28 Roy Lichtenstein,“M-Maybe,” 1963
Roy Lichtenstein,“Little Big Painting,” 1965
Page 29 Cindy Sherman, “Untitled Film Stills,” 1970s
Page 30 Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009
Alexander Rodchenko,“Books on Every Subject,” 1925
(poster against censorship of bookstores)
Page 31 Tadashi Kawamata, “The Shortcut Chairs,” 1998
Page 32 Damien Ortega, “Cosmic Thing,” 2002
“The Assembly Line”
Page 33 Viktor and Rolf, “Uniforms for UtrechtCentraal Museum Guards,” 2001
Viktor and Rolf, “Evening Wear,” 2007
Page 34 Philip Johnson,“AT&T Building,”
New York, 1978-84
Charles W. Moore, “Piazza d’Italia,”New Orleans, USA, 1976-79
Page 35 Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007