I D E O L O G Y 2 : MODERNIS M and ITS CRITICISM

I D E O L O G Y 2 : MODERNISM and ITS CRITICISM

Industrial Revolution 1750-1850 Paxton J., Crystal Palace, (Fair) 1851

Barlow W.H., St. Pancreas Train Station, 1864

NEW MATERIALS

MASS-PRODUCTION

MIGRATION ……. URBANIZATION

EXHIBITIONS, FAIRS….

George Childs, “Dowlais Ironworks from the South,” 1840

William Morris, page fromThe Sea Stones and The Fall

(by John Ruskin), 1853

William Morris, fabric designs (left) and font design (right), 1890s

William Morris, furniture designs, 1870s

Philip Webb and William Morris, “The Red House,” Bexleyheath, ENGLAND, 1859

William Morris, “St Peter,” stained glass design, 1870s

Frank Lloyd Wright, stained glass window designs, 1902

M O D E R N I S M

An ideology that emerged around 1900that reacted to the political, social, economical

and technological changes in Europe

•Modernists prefer:•- simplicity over ornamentation

•- abstraction over realism•- “honesty” over “dishonesty”

•- the future over the past

M.H. Baillie Scott,“Side Table,” 1901

Charles Rennie Mackintosh,“Chair for Hill House,” 1904

Gruppo Toscano Architects, “Stazione S. Maria Novella,” Florence, ITALY, 1932

Giacomo Balla, “Abstract Speed + Sound ,” 1914

Filippo Marinetti,poem from Les mots en liberté, 1919

Antonio Sant’Elia, designs for “La Città Nuova” (The New City), 1914

front cover of the first issue of DE STYL magazine, 1917

Georges Vantongerloo,“Interrelation of Volumes,” 1919

Piet Mondrian,“Color Planes in Oval,” 1913-1914

Piet Mondrian,“Tableau 2,” 1922

Theo Van Doesburg, Sophie Taeuber & Jean Arp,“Cafe l’Aubette,” Strasbourg, FRANCE, 1926-28,

SCHRÖDER HOUSE, Gerrit Rietveld, Utrecht 1924

Walter Gropius, “The Bauhaus,” Dessau, GERMANY, 1925-26

Joost Schmidt,“Bauhaus Exhibition Poster,” 1923

Marianne Barndt, “Tea Pot,” 1924

Carl G. Jucker,“Lamp,” 1924

Marcel Breuer,“Nesting Tables,” 1925

Eileen Gray, furniture designs, 1920s

Glass Pavillion, Berlin 1914

Bruno Taut

Faculty of languages, history and geography, Ankara University, 1937

Izmir Fuar Pavillion, 1939

Q U E S T I O N I N G M O D E R N I S M

Richard Hamilton, “Just What is that

Makes Today’s Homes so

Different?,” 1956

Andy Warhol, “Marylin diptych,” 1962

Roy Lichtenstein,“M-Maybe,” 1963

Roy Lichtenstein,“Little Big Painting,” 1965

Cindy Sherman, “Untitled Film Stills,” 1970s

Shepard Fairey, “Saks Fifth Avenue Advertisement,” 2009

Alexander Rodchenko,“Books on Every Subject,” 1925

(poster against censorship of bookstores)

Tadashi Kawamata, “The Shortcut Chairs,” 1998

Damien Ortega, “Cosmic Thing,” 2002

“The Assembly Line”

Viktor and Rolf, “Uniforms for UtrechtCentraal Museum Guards,” 2001

Viktor and Rolf, “Evening Wear,” 2007

Philip Johnson,“AT&T Building,”

New York, 1978-84

Charles W. Moore, “Piazza d’Italia,”New Orleans, USA, 1976-79

Zaha Hadid, "Nordpark Cablecar Metro Station," Innsbruck, SWITZERLAND, 2007