Creative Commons for the Non-Profit Sector - Connecting Up 2009

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Copyright is one of the many legal complexities non-profits encourter in their day to day operation. Knowing what you can and can't do with the content you use and create is confusing, but is a necessary evil. Creative Commons is one tool available to non-profits to help make sense of this area of law. At the core of the Creative Commons project is a suite of standardised copyright licences, freely avaialble to creators, that foster sharing and collaboration. Creative Commons builds upon the all rights reserved of traditional copyright to create a voluntary some rights reserved system. There is a whole range of content out there that is available on more flexible terms than traditional copyright. Elliott aims to give you the information you need to gain access to these resources and manage your own copyrighted works more efficiently. Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 11 May 2009 at the Connecting Up 2009 conference.

Transcript

creative copyright

copyright + options for creative practitioners

elliott bledsoe

copyright

a right

to copy

copyright

creator’s rights

right to access

original works

original worksliterary works

original works

dramatic works

literary works

literary worksdramatic

works

original works

musical works

literary worksdramatic

worksmusical works

original works

artistic works

other subject matter

other subject matter

sound recordings

sound recordings

other subject matter

films

sound recordings

films

other subject matter

tv broadcasts

sound recordings

filmstv broadcasts

other subject matter

sound broadcasts

sound recordings

filmstv broadcastssound

broadcasts

other subject matter

published editions

copyright

all rights reserved

bundle of rights

5 rights

the right to

the right to

copy

the right to

adapt

copy

copyadapt

the right to

publish

the right to

perform

the right to

publish

copyadapt

publish

copyadaptpublishperform

the right to

broadcast

copyadaptpublishperform

the right to

broadcast

can’ttouchthis

ask permission

ask permission

each time

ask permission

each use

permission culture

3 stories

james joyce

james joyce

public performance

public performance

derivative work

no readings

dean gray - american edit

dean gray - american edit

derivative work

derivative work

communication

pulled the album

robert greenwald

robert greenwald

outfoxed

copied footage

copied footage

refusing to license

“as a practical matter the high costs of litigation

force most filmmakers to simply remove the

material in question.”

permission in advance

opt in

flexible

facilitates sharing

easy to understand

apply worldwide

general permission granted

nonexclusive permission granted

worldwide permission granted

4 elements

attribution:acknowledge the authorBY

attribution:acknowledge the creatorBY

noncommerical:no commercial use

NC

noncommercial:no commercial use

NC

no derivatives:no changes to the workND

no derivatives:no changes to the workND

share alike:remix my work, yours must be remixable too

SA

share alike:remix my work, yours must be remixable too

SA

6 licences

BY-NC

6 licences

BY-ND

BY-NC-ND

BY-SA

BY-NC-SA

BY

contact

elliott bledsoeproject officercreative commons australia

+61 7 3138 95970405059367elliott@creativecommons.org.auhttp://creativecommons.org.au

This presentation is available at http://creativecommons.org.au/cipp

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