creative copyright copyright + options for creative practitioners elliott bledsoe
Creative Commons for the Non-Profit Sector - Connecting Up 2009
May 15, 2015
Copyright is one of the many legal complexities non-profits encourter in their day to day operation. Knowing what you can and can't do with the content you use and create is confusing, but is a necessary evil. Creative Commons is one tool available to non-profits to help make sense of this area of law. At the core of the Creative Commons project is a suite of standardised copyright licences, freely avaialble to creators, that foster sharing and collaboration. Creative Commons builds upon the all rights reserved of traditional copyright to create a voluntary some rights reserved system. There is a whole range of content out there that is available on more flexible terms than traditional copyright. Elliott aims to give you the information you need to gain access to these resources and manage your own copyrighted works more efficiently.
Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 11 May 2009 at the Connecting Up 2009 conference.
Delivered by Elliott Bledsoe, Project Officer, Creative Commons Australia on Monday, 11 May 2009 at the Connecting Up 2009 conference.
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Transcript
creative copyright
copyright + options for creative practitioners
elliott bledsoe
copyright
a right
to copy
copyright
creator’s rights
right to access
original works
original worksliterary works
original works
dramatic works
literary works
literary worksdramatic
works
original works
musical works
literary worksdramatic
worksmusical works
original works
artistic works
other subject matter
other subject matter
sound recordings
sound recordings
other subject matter
films
sound recordings
films
other subject matter
tv broadcasts
sound recordings
filmstv broadcasts
other subject matter
sound broadcasts
sound recordings
filmstv broadcastssound
broadcasts
other subject matter
published editions
copyright
all rights reserved
bundle of rights
5 rights
the right to
the right to
copy
the right to
adapt
copy
copyadapt
the right to
publish
the right to
perform
the right to
publish
copyadapt
publish
copyadaptpublishperform
the right to
broadcast
copyadaptpublishperform
the right to
broadcast
can’ttouchthis
ask permission
ask permission
each time
ask permission
each use
permission culture
3 stories
james joyce
james joyce
public performance
public performance
derivative work
no readings
dean gray - american edit
dean gray - american edit
derivative work
derivative work
communication
pulled the album
robert greenwald
robert greenwald
outfoxed
copied footage
copied footage
refusing to license
“as a practical matter the high costs of litigation
force most filmmakers to simply remove the
material in question.”
permission in advance
opt in
flexible
facilitates sharing
easy to understand
apply worldwide
general permission granted
nonexclusive permission granted
worldwide permission granted
4 elements
attribution:acknowledge the authorBY
attribution:acknowledge the creatorBY
noncommerical:no commercial use
NC
noncommercial:no commercial use
NC
no derivatives:no changes to the workND
no derivatives:no changes to the workND
share alike:remix my work, yours must be remixable too
SA
share alike:remix my work, yours must be remixable too
SA
6 licences
BY-NC
6 licences
BY-ND
BY-NC-ND
BY-SA
BY-NC-SA
BY
contact
elliott bledsoeproject officercreative commons australia
+61 7 3138 [email protected]://creativecommons.org.au
This presentation is available at http://creativecommons.org.au/cipp
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