16th Note Timing - Columbians Drum Corps€¦ · 16th Note Grid SnareScience.com - Universal Snare R l r l R l r l R R L L L L R R R R L L L L R R L L R R L L R R L L R R L L R Purpose:

16th Note Timing

R-hand L-hand timing

SnareLine

L R L R L R L R R R R R L R L R L R L L L L L R L R L R L R L R R R R

R L R L R L R L L L L L R L R L R R R L R L L L R L R L R R R L R L L L R

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≈ œ œ ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ ≈œ œ ≈œ œ œ œ œ œ œ œ œ œ œ œ ≈œ œ œ œ œ œ œ œ œ œ œ œ ≈œ œ œ Œ Ó

16 on a hand

SnareLine

R... L... R

Play Parts With:

- Alternative sticking

("8 on a hand" )

("8,8,16")

(Off The Left)

- Listening eights

(Accelerando, Deccelerando)

- Different Tempos

(One Tempo Throughout)

- Alternative Dynamics (two bar phrase)

(one bar Decresendo, next bar Crecendo ="down up" ) or

(one bar Crecendo, next bar Decresendo = "up down" ) or

(Two Bars Forte, Two Bars Decresendo, Two Bars Piano, and Two Bars Cresendo)

- All at one height

4" = mp

6" = mf

9" = f

12" = ff

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó

16th Note GridSnareScience.com - Universal

Snare R l r l R

l r l R

Purpose: As with most grid exercises, this exercise presents some tricky accent pattern / pulse relationships. The pattern that usually presents

the most difficulty is when the accent is on the 'e'. The key to this excercise is MARKING TIME! Once you have this

exercise mastered, you should know exactly how your feet (i.e. the pulse) line up with the accents. Some things to think about:

1) Stick motion: Do your sticks move exactly the same way for every tap? How about for every accent?

2) Sound Quality: Does every tap stroke sound the same? How about from left to right hand? Make sure you play every tap with the same

exact volume. The same goes for all of the accents. Some common mistakes:

a) Playing the first tap on a hand after an accent at too low of a height. You need to control the rebound of the stick so that

it comes up to the correct tap height.

b) Pounding every accent. Don't squeeze the stick into the head. The accented stroke should be identical to an eight on a

hand stroke. After the note has been played, control the rebound to the correct hand with RELAXED (not clenched) fingers.

c) Pounding the very last note of the exercise.

d) Playing the right hand accents louder and higher than the left... don't be the guy with the weak left!

3) Rhythm and Timing: How perfect is your sixteenth note rhythm? Some common areas where mistakes occur:

a) First two notes of the exercise: The first note defines the exercise starting point and the second note defines the tempo.

You must internalize the tempo before you start so that these two notes are 'perfect'.

b) Underlying sixteenth note pulse: Don't let the accents affect the rhythm!

4) Variations to this exercise:

a) Play one hand on drum and one hand on rim to check for stroke and quality of sound consistency on each individual hand.

b) Play quarter notes on one hand to keep the pulse, while playing the accents only with the other hand. --- independence!!!

Full Score

Hugga Dugga Burr

SnareLine

L R L RR LL RR LL...

This exercise should be played "as is" or with an "add-on"

The word "Tag" at the end of the exercise indicates the "add-on"

The add-on is simply an extra bar of eighth note diddles BUT,

the exercise loops back to the Biginning (w/out a tapoff), Repeats, and is played with an additional bar

of eighth note diddles (Two bars of "Tag" this time),

continuously repeating while continuously "adding on" one extra Tag every repetition.

œ œ œ œæœ

æœ œ œ œ œ

æœ œ œ œ œ œ œ œ œ

œ œ œ œæœ

æœ œ œ œ œ

æœ œ œ œ œ œ œ œ œ

œ Œ Ó

SnareLine

R R R R R R R R R L L L L L L L L L L R R R R R L L L L L R R R R R L L L L L

R R R R R R R R R R L L L L L L L L L L R R R R R L L L L L R R R R R L L L L L

œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ œ œ œ ≈ œ œ

œ Œ Ó

Fill in #2

Fill in #1

Fill in #3

SnareLine

r R r R r R r L l L l L l L l R... L... R

q = 100-136

l r R l r R l r R l r L r l L r l L r l L r l R l r R l r R l r R l r L r l L r l L r l L r l R

r l R r l R r l R r L l r L l r L l r L l R r l R r l R r l R r L l r L l r L l r L l R

l r l R l r l R l r l R l r L r l r L r l r L r l r L r l R l r l R l r l R l r l R l r L r l r L r l r L r l r L r l R

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

™™

SnareLine

Double Beat

R R R R R R R R R R R R R R R R L L L L L L L L

q.= 120-146A

™™

L L L L L L L L R R R R R R R R L L L L L L L L R R R R R R R R

L L L L L L L L RR R R R LL L L L RR R R R LL L L L

R L R R L R L R L L R L R L R R L R L R L L R L R

œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ

œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ

œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ™ Œ ™ Œ ™ Œ ™

Five stroke rolls

(16th notes)

SnareLine

R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L

R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R

œ œ œ œ œ œ œ œæœ

æœ œ

æœ œ œ œ œ œ œ œ œ œ

æœ œ

æœ œ œ œ œ œ œ œ œ œ œ

æœ œ

œœœœœœœœæœœœ

æœæœœ

æœæœ

æœœ

æœ œ

æœæœœ

æœ ‹

œæœ

æœ œ

æœ œœ

æœœ

æœ œ Œ Ó

Flam Accent Breakdown

SnareLine

R r r r R r r r R r r r R r r r lR r r r lR r r r lR r r r lR r r r

lR r rL r lR r rL r lR r rL r lR r rL r lR l r rL r lR l r rL r lR l r rL r lR l r rL r

lR l r rL r l lR l r rL r l lR l r rL r l lR l r rL r

L l l l L l l l L l l l L l l l rL l l l rL l l l rL l l l rL l l l

rL l lR l rL l lR l rL l lR l rL l lR l rL r l lR l rL r l lR l rL r l lR l rL r l lR l

rL r l lR l r rL r l lR l r rL r l lR l r rL r l lR l R

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3

3 3 3 3 3 3 3 3

3 3 3 3 3 3 3

‰ œ œ œ ‰ œ

‰ œ œ œ ‰œ

‰ œ œ œ ‰

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰

œ œœ

œ œ œ

œ ‰

‰ œ œ œ ‰ œ

‰ œ œ œ ‰œ

‰ œ œ œ ‰

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

‰ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰œ

œ œ œ

œ ‰

œ œœ

œ œ œ

œ ‰ œ

Gallop

SnareLine

R L R R L R R L R R L R L L R L L R L L R L L R R L R R L R L L R L L R R L R R L R L L R L L

R R L R L L R R L R L L R R L R L L R R L R L L R R L L R R L L R R L L R R L L R R L L R R L L R R L L R R L L R

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œœœ œ œœœœœ œ œœ œœœ œ œœœœœ œ œœ œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ œ Œ Ó

Hug-a-dig

SnareLine

r r R r r R r r R r r L l l L l l L l l L l l

R... L... R

R r R r R r R r R r r L l L l L l L l L l l...

R r R r R r R r R r r L l L l L l L l L l l... R

Paradiddle Breakdown

SnareLine

r l R r l R r l R r l R l r l R l r l R l r l R l r l

q=126A

R r l R r l R r l R r l R r r l R r r l R r r l R r r l

R r l R r l R r l R r l R l r r l R l r r l R l r r l R l r r l

R r l R r l R r l R r l R r r l l R r r l l R r r l l R r r l l

R r l R r l R r l R r l R l r r l l R l r r l l R l r r l l R l r r l l R

l r L l r L l r L l r L r l r L r l r L r l r L r l r

L l r L l r L l r L l r L l l r L l l r L l l r L l l r

L l r L l r L l r L l r L r l l r L r l l r L r l l r L r l l r

L l r L l r L l r L l r L l l r r L l l r r L l l r r L l l r r

L l r L l r L l r L l r L r l l r r L r l l r r L r l l r r L r l l r r L

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ

œ œ œ œ

œ œ œ

œ œ œ œ œ œ

Paradiddle-diddle Breakdown

(Sextuplet)

SnareLine

R r R r R r R r R r r R r r R r r R r r R l r r R l r r R l r r R l r r R l r r l l R l r r l l R l r r l l R l r r l l R

L l L l L l L l L l l L l l L l l L l l L r l l L r l l L r l l L r l l L r l l r r L r l l r r L r l l r r L r l l r r L

3 3 3 3 3 3 3 3 6 6 6 6

œ œ œ

œ œ œ œ

œ œ œ œ œ œ

œ œ œ

œ œ œ œ

œ œ œ œ œ œ

Three Note Bucks

SnareLine

r r R r r R r r R r r L l l L l l L l l L l l

R r r R r r R r r R r r L l l L l l L l l L l l

œ œ œ

Three note rolls

(16th note sevens)

Composer

Eliud Ayala Jr.

SnareLine

L R L R L R L RR L R L RRR L R L R L R L R L R L RR L R L R L R L

R L R L R L R L RR L R L RRR L R L R L R L R L R L R LL R L RR LL R L R

œ œ œ œ œ œ œ œæœ

æœ œ

œ œ œ œ œ œ œ œæœ œ

æœ œ

æœ œ Œ Ó

Three note timing

(16th notes)

SnareLine

L R L R L R L R L R R L R R L R L R L R L R L L R L L

R L R L R L R L R R L R R L R L R L R L R L L R L L R L R

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ≈ œ œ œ ≈ œ œ œ œ Œ Ó

Triplet RollsComposer

Eliud Ayala Jr.

SnareLine

L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L

q.=136

R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L R L

R L R L R L R L R L R L R L R L R L R L R L R L

œ œ œ œ œ œæœ

æœ œ œ œ œ œ œ

æœ œ œ œ œ œ œ œ œ œ œ œ œ

æœ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ

™ Œ ™ Œ ™ Œ ™

Triplet-

Seven Stroke Rolls

SnareLine

l r L r l R l r L r l r l r L r l r l r L r l R l r L r l R l r L r l

q.=156

R l r l r l R l r l r l R l r L r l R l r L r l r l r l r l r l r l r l R

œ œ œ

œ œæœ

æœ œ

œ œæœ

æœ œ

œ œ œ

œ œæœ

æœ œ

œ œæœ

æœ œ

œ œ œ

œ œæœ

æœ œ

™ Œ ™ Œ ™ Œ ™

™™

Triplet Timing

R-hand L-hand timing

SnareLine

l r L r l R l r L r l R r r R r r R l r L r l R l r L r l

q. = 156

™™

l L l l L l R l r L r l R r r

R l r L r l l L l R l r L r l R r r R l r L r l l L l

Play Triplet Timing All Up at ff 12"

Play Triplet Timing As Written

œ œ œ

‰ œ ‰ œ

‰ œ

‰ œ ‰ œ

‰ œ

œ œ œ

‰ œ

‰ œ ‰ œ

‰ œ

‰ œ œ

œ œ œ

‰ œ ‰ œ

œ œ œ

œ œ ‰ œ

‰ œ

‰ œ œ

œ œ œ

‰ œ ‰ œ

‰ œ

œ œ œ

œ œ ‰ œ

‰ œ

™ Œ ™ Œ ™ Œ ™

Triplet Timing

two note

SnareLine

r l r l r l r l r l r l r l l r r l l r r l r l r l r l r l r l

q. = 144A

l r r l l r r l r l r l r l r l r l r l r r l l r r l l

™™

r l r l r l r l l r r l r l r l l r r l r l r l r l r r l l

r l r l r r l r r l r l r l l r l r l r r l r r l r l r l l r

œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ

‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ

œ œ œ œ œ œ œ œ ‰ œ œ ‰ œ œ œ œ œ œ ‰ œ œ ‰ œ œ œ œ œ œ œ œ œ ‰ œ œ ‰ œ

œ œ œ œ œ ‰ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ ™ Œ ™ Œ ™ Œ ™

SnareScience.com - UniversalTriplet Grid

Snare R l r L

Purpose: As with most grid exercises, this exercise presents some tricky accent pattern / pulse relationships. The pattern that usually presents

the most difficulty is the accent on the 2nd partial of the triplet. The key to this excercise is MARKING TIME! Once you have this

exercise mastered, you should know exactly how your feet (i.e. the pulse) line up with the accents. Some things to think about:

1) Stick motion: Do your sticks move exactly the same way for every tap? How about for every accent?

2) Sound Quality: Does every tap stroke sound the same? How about from left to right hand? Make sure you play every tap with the same

exact volume. The same goes for all of the accents. Some common mistakes:

a) Playing the first tap on a hand after an accent at too low of a height. You need to control the rebound of the stick so that

it comes up to the correct tap height.

b) Pounding every accent. Don't squeeze the stick into the head. The accented stroke should be identical to an eight on a

hand stroke. After the note has been played, control the rebound to the correct hand with RELAXED (not clenched) fingers.

c) Pounding the very last note of the exercise.

d) Playing the right hand accents louder and higher than the left... don't be the guy with the weak left!

3) Rhythm and Timing: How perfect is your eighth note rhythm? Some common areas where mistakes occur:

a) First two notes of the exercise: The first note defines the exercise starting point and the second note defines the tempo.

You must internalize the tempo before you start so that these two notes are 'perfect'.

b) Underlying eighth note pulse: Don't let the accents affect the rhythm! This is especially true when there are two accents

in a row. Don't close down the space between two accents!!!

4) Variations to this exercise:

a) Play one hand on drum and one hand on rim to check for stroke and quality of sound consistency on each individual hand.

b) Play dotted eights on one hand to keep the pulse, while playing the accents only with the other hand. --- independence!!!

Interp

triplet diddle

SnareLine

l r L r l R l r L r l R l L r R l L r R l r L r l R l r L r l R l L r R l L r

R l r L r l R l r L r l R l l L r r R l l L r r R l r L r l R l r L r l R l l L r r R l l L r r

R l r L r l R l r L r l R l r L r l R l r L r l R l r L r l R l r L r l R l r L r l R l r L r l

3 3 3 3 3 3 3 3

3 3 3 33 3 3 3

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

œ œ œ

æœ œ œ

œ œ œ

æœ œ œ

æœ œ

œ œ œ

æœ œ

œ œ œ

æœ œ

16th Note Timing - Columbians Drum Corps€¦ · 16th Note Grid SnareScience.com - Universal Snare R l r l R l r l R R L L L L R R R R L L L L R R L L R R L L R R L L R R L L R Purpose:

Documents

PHE-L PHE-R AKE-L AKE-R PKF-L PKF-R

R R R R R R R R R L L L L L L L L L R R R R L L L L R ·...

s PLL (R' IJ2 R IJ2) (L U' R' U) (L' U L U') (R U L') (L U'....

B O N N E V I L L E P O W E R A D M I N I S T R A T I O N...

Analyst Presentation l 16th March 2021 2020 Full Year ...

NJ~WSLETTE R...

I MO N IO UN T R DIA PA L W L A O I R D L N D O H M R O I N....

R E S U L T - NEST · R E S U L T NEST-SENIOR-I-2017 ......

89 3 3 3 3 20 8 8 8 2 0 R L L R R R L L R C R C C fix L L...

L R Quick Start Guide · Quick Start Guide L R L R (EU)...

Step 4 PPT L Arts May May 16th to May 20th

Graphics in EG and R HRP223 – 2009 November 16th, 2009

Sea Island Cottages Map 2015 3 - Sea Island Properties ........

(MIN)5manual.kenwood.com/files/B64-2565-00.pdf25 2 34 L A A....

UMass Cadence 2020 · 2020-05-12 · R R L R R L R L R L r....

Drum Solo Dedicated to Joe Sorace Paradiddle Johnnie R R...