INTRODUCTION Gustav Mahler was early recognized as one of the greatest conductors of his time. Yet he was highly controversial as a composer, both during his life and in…

Slide 1Case study 5: all interval series Results due to Simonis, Puget & Regin Slide 2 All interval series Prob007 at www.csplib.orgwww.csplib.org Comes from musical…

Slide 1Inaudible Music, Invisible Conducting Some Sociological Reflections Slide 2 Slide 3 Heard melodies are sweet … … but those unheard Are sweeter; therefore, ye soft…

1. ALBERT EINSTEIN 2. Literature of 19 thcentury in Germany The early decades of the 19th century were dominated by romanticism, which inherited the qualities ofSturm and…

1. MODERN ART & MUSICAND MOVIES & RADIO(1918-1939) Eastview High School – AP European History McKay et al, 8 thed. – Ch28, The Age of Anxiety 2. Essential Questions…

NICHOLAS BARAGWANATH Á FIN-DE-SIECLE WAGNER: PARSIFAL ANALYSED THROUGH BERG'S PROGRAMME TO MAHLER'S NINTH SYMPHONY I On 22 June 1912, four days before the posthumous…

Volume 13, Number 1, March 2009 Copyright © 2009 Society for Music Theory Stephanie Lind* John Roeder* TransformationaI Distance and Form in Berg's "SchIafend…

Catálogo Bibliográfico 2009 Biblioteca Musical Batuta ORQUESTA SINFÃNICA C at ál og o Bi bl io gr áfi co - O rq ue st a Si nf ón ic a ORQUESTA SINFÃNICA…

5 Tonality and the Series: Berg CRAIG AYREY ORIENTATION From the standpoint of the historical evolution of style the topic 'Tonality and the Series' implies an…

Slide 1 Cubism and Abstract Art Erik Satie, “Prestidigiteur Chinois” from “Parade” (1917) Performed by the New London Orchestra Writers and Editors Gertrude Stein…