Yale School of Music Sample MMA Entrance Exam Spring 2010 The MMA Entrance Exam is always comprised of the same four sections: (1) Listening and Score Identification, (2) History, (3) Tonal Analysis, and (4) 20th‐Century Analysis. One hour is allotted for applicants to complete each of the four sections, and a one‐hour lunch break is provided between sections 2 and 3. This PDF, which contains an actual exam that was administered at Yale, is distributed to MMA applicants for study purposes. Contents Part 1: Listening and Score Identification ............................................................................................ Page 2 Part 2: History .................................................................................................................................... Page 16 Part 3: Tonal Analysis ......................................................................................................................... Page 18 Part 4: 20th‐Century Analysis ............................................................................................................ Page 20 Page 1
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Yale School of Music
Sample MMA Entrance Exam
Spring 2010
The MMA Entrance Exam is always comprised of the same four sections: (1) Listening and Score
Identification, (2) History, (3) Tonal Analysis, and (4) 20th‐Century Analysis. One hour is allotted for
applicants to complete each of the four sections, and a one‐hour lunch break is provided between
sections 2 and 3.
This PDF, which contains an actual exam that was administered at Yale, is distributed to MMA applicants
for study purposes.
Contents
Part 1: Listening and Score Identification ............................................................................................ Page 2
Part 2: History .................................................................................................................................... Page 16
Part 3: Tonal Analysis ......................................................................................................................... Page 18
Part 4: 20th‐Century Analysis ............................................................................................................ Page 20
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