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Wunderkammer Objects and Meaning

Apr 14, 2018

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    Andrea Peach

    Stage 1

    Contextual & Critical Studies

    Wunderkammer:Objects and Meaning

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    Andreas Gursky99 Cents, 1999

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    Andreas GurskyAtlanta, 1996

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    Tracey EminMy Bed, 1998

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    Kath Kidson2001

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    7/35Tim HeadState of the Art, 1984

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    If individual objects

    are touchstones ofcurrent thinking in

    societies, what are they

    telling us?

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    If individual objects are

    touchstones of current

    thinking in societies, what arethey telling us?

    ratonara - Spanish rat trap

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    The Chapman Family CollectionJake and Dinos Chapman 2002

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    Redesign of Modern Movement ChairsAlessandro Mendini, 1978

    Wassily Chair

    Marcel Breuer, 1925

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    Original design:

    Charles R. Mackintoshs 1902Hill House 1 chair

    Maarten BaasSmoke furniture2004

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    MaartenBaas

    Smokefurniture2004

    Original design:Gerrit T. Rietvelds 1918

    Red and Blue chair

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    Maarten BaasHey Chair Be a Bookshelf

    http://www.maartenbaas.com/

    Surrounded by all kinds of objects,Baas created an assemblage, inwhich all objects gained a newfunction. A chair became abookshelf; a lampshadebecame a vase, a violin a coat rack.

    http://www.maartenbaas.com/http://www.maartenbaas.com/
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    For this design, Baas collaborateswith several second hand stores inthe region of Eindhoven, saving productsfrom the rubbish container which couldnot be sold in the shop. Since theproducts are always different, everyHey, chair be a bookshelf! is aunique piece.

    Maarten BaasHey Chair Be a Bookshelf

    http://www.maartenbaas.com/

    http://www.maartenbaas.com/http://www.maartenbaas.com/
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    Cornelia ParkerCold Dark Matter:An Exploded View1991

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    Q: When is a sheep not a sheep?A: When its a work of art.

    Damien Hirst, Away from the Flock, 1994

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    Toothpicks and LogosJohn Heskett

    Utility and Significance in Everyday Objects

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    Toothpicks and LogosJohn Heskett

    Even the smallest utilitarian objects are capable of

    embodying values

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    Roland BarthesMythologies 1957 (1993)

    Semiotics

    Objects as signs

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    Roland BarthesMythologies 1957 (1993)

    Semiotics

    Citron DS (Desse) - 1955

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    Roland BarthesMythologies 1957 (1993)

    Semiotics - the study ofsigns

    Signifier:

    its physical form(ie: a diamond ring)

    Signified:the mental concept itrefers to(ie: engagement)

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    Roland BarthesMythologies 1957 (1993)

    Every object in the world canpass from a closed, silent

    existence to an oral state

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    What are increasingly

    produced are notmaterial objects,

    butsigns

    Roland Barthes

    Perfume = signfier

    Physical Allure = signified

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    Roland BarthesMythologies 1957 (1993)

    a photograph will be a kind of

    speech for us in the same way as a

    newspaper article; even objects will

    become speech

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    Jeans = signfier

    Beauty

    = signified

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    What areincreasinglyproduced are notmaterial objects,but signs

    Roland Barthes

    Polo = signfier

    Strength = signified

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    Tamagotchi

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    TamagotchiBecoming familiar with something but in away that keeps changing.

    Whats it about?

    Is your understanding ofit ever fixed or does itchange as you change?

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    Tamagotchi analysis of items in box

    DECONSTRUCTAsk your objects questions.

    How do they relate to these topics?

    Physical Historical Psychological

    Actualline, volume mass

    Structure

    CulturalEvents, places artefacts

    Society

    EmotiveMemory,associations

    Personal

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    Tamagotchi analysis of items in box

    Do the ideas revealed have parallels elsewhere?Make connections

    How could you use the ideas found?Mirrored, Contrasted, Subverted, Emphasised

    RECONSTRUCT

    Create layers of meaning by referring to theabove physical and emotive characteristics when

    you decide on the structure of your final object

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    Henri Lefebvre (1901-1991)Why should the study of the banal itself be

    banal? Why wouldnt the concept of

    everydayness reveal the extraordinaryin the ordinary?

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    To launch an

    investigation into thetheoretical practices of

    those who attend to

    everyday life requiresattention to everyday

    life itself.

    David Shrigley

    Imagine the Green is Red, 1997

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    Object,

    Image,Meaning

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