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Workshop Guidelines for Writing Sarah Bay-Cheng Trebor Scholz Creative Commons Attribution-NonCommercial-ShareAlike 2.0 1
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Page 1: Writing Workshop

WorkshopGuidelines for Writing

Sarah Bay-ChengTrebor Scholz

Creative Commons Attribution-NonCommercial-ShareAlike 2.0

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http://tinyurl.com/33lwo6

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Recommended Books

A Pocket Style ManualDaine Hacker

On Writing WellWilliam K. Zinsser

The Elements of StyleWilliam Strunk and E.B. White

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download this presentation:

http://molodiez.org/rules_for_writing.pdf

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Who is writing?

Voice, Perspective

Artist, Social Scientist, Film Theorist, Anthropologist

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•Be clear. Clear writing comes from clear thinking.

• Avoid complicated words.

• Specificity will raise interest.

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What is at stake in your project?

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Know the rules of writing and learn when to break

them. Establish a schedule for writing and stick to it.

Write regularly. Practice, practice, practice.

Read good writers.

Q: What is a good time to write?

A: The same time.

How do I get better at writing?

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Writing Process

Plan

Rough Draft (Content)

Rewrite (Argument, Consistency)

Rewrite (Sentence Level)

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In your opening sentences, give readers some

background information about the issue you have

chosen to debate; as you do this, establish your own

credibility by showing that you are knowledgeable and

fair-minded.

At the end of your first paragraph, state your thesis—

your own stand on the debatable issue. Provide your

intellectual background.

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Build common ground with readers who may disagree

with your position on the issue.

Attempt to refute opposing arguments—or at least to

explain why they are less weighty than your own

arguments.

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• An argumentative paper will have a strong claim for which you can imagine an intelligent opposition.

• Define your central terms and stick to your definitions.

• You should support your claims with quotations from other texts. Take a stand on the issue and defend your position to a general audience of intelligent but skeptical readers. Evaluate a source carefully before deciding to use it. Anticipate objections to your thesis.

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Research

Literature ReviewEvaluating sources

online: author, dateonline vs. printpeer-reviewed

limit scopeCreate a bibliography

http://credibility.stanford.edu/resources.html

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Evaluating SourcesWeb search engines often amass vast results, from memos to scholarly documents. Many of the resulting items will be peripheral or useless for your research

Source. Author/producer is identifiable. Author/producer has expertise on the subject as indicated on a credentials page. You may need to trace back in the URL (Internet address) to view a page in a higher directory with background information sponsor/location of the site is appropriate to the material as shown in the URL.

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Content AccuracyDon't take the information presented at face valueLook for

point of viewevidence of bias

Source of the information should be clearly stated, whether original or borrowed from elsewhere

Prefer sources with named authors; do not rely heavily on unsigned articles or anonymous Web site material.

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Cut. Find the essence.Put it away for a day or two.Look it over and cut again.

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Pay equal attention to the first and last sentence.The perfect ending should take your readers slightly by surprise and yet seem right.

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http://tinyurl.com/yo3scl

People judge you based on your communication skills.

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Titles Every essay or report you ever write should have a

title, and that title should give prospective readers a sense not only of your topic, but also of your thesis. College-level papers are ideally essays that create

their own context, and not private correspondences between students and their professors. The title

should be centered on the first page.

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• Enforce a unity of pronoun (e.g., first person), unity of tense and mood.

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Quotation Marks vs. Apostrophes Never substitute an apostrophe, <’>, for a quotation mark, <”>, and never use a quotation mark unless

you’re really quoting. Students often use apostrophes when they are paraphrasing a

stereotypical view, or use apostrophes for what are often called “scare quotes”—an indication that one

is quoting an opinion which one does not really believe. Don’t make this mistake. The only time you

should use apostrophes to indicate a quotation is when you find yourself needing to present a

quotation within a quotation:

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Whom, Whose

With whom did Alan go out last night?

With whom do you think you’re speaking to?

Whom you know counts more than what you

know.

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The breakfast menu included ham and eggs, pancakes, omelets, and french toast.

Lists

an houran honorary degree

a hinta hospital, a hotel

Aspiration

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Avoid using passive constructions whenever possible. You all should know what a passive

construction looks like by now:

“A compositional error was committed”; as opposed to “Johnny committed several compositional

errors.” Passive constructions conceal questions of agency, precisely the questions with which critical

essays should be most concerned. Passive constructions most frequently appear when a writer

is generalizing.

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http://tinyurl.com/3adfmq

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Samantha went to the store. She forgot to buy milk.

OR

Samantha went to the store; she forgot to buy milk.

NOT

Samantha went to the store, she forgot to buy milk.

Semicolon

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i.e."I.e." stands simply for "that is""I.e." is used in place of "in other words," or "it/that is." It specifies or makes more clear.

e.g."E.g." means "for example."

It is used in expressions similar to "including," when you are not intending to list everything that is being discussed.

i.e. versus e.g.

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Respect the difference between hyphens, <->, and dashes, <-->. They mean very different things. When you wish to use a dash, type the hyphen key twice.

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He versus him Do not assume that humanity can be universally described by the male pronouns. If you feel you must use pronouns in the abstract (i.e., not for a

specific person), do not use “he” and “him” exclusively. There are a number of stylistic

substitutions you can use. You can use “him/her,” “s/he,” or, “him or her.” You may also alternate

pronouns from one usage to the next.

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HoweverFineThe roads were almost impassable. However, we at last succeeded in reaching the camp.

BetterThe roads were almost impassable. At last, however, we succeeded in reaching the camp.

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You should avoid presenting quotations as independent sentences, unless you are block

quoting. Introduce a quotation, and then set it off with a comma or a colon.

Ellipses, < . . . >, are unnecessary at the beginning or end of quotations—it is assumed that you are

excerpting when you quote. Use ellipses when you interrupt a quotation.

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The word “this” is not a pronoun: it cannot be used as the subject of a sentence without an

accompanying noun or noun-phrase. The only exception to this rule is when “this” is immediately followed by a verb of being. “This is a case in point.”

But, for your purposes, it is better to avoid the impulse altogether.

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The punctuating of quotations. Periods and commas, in American convention always go inside quotation marks; colons and semi-colons go outside

(if you use a book published in Britain you’ll find that different conventions pertain). Consider the

sentence below:In Eliot’s view, poetry cannot be written without a

sufficiently developed “historical sense,” a sense he finds “indispensable to any one who would

continue to be a poet beyond his twenty-fifth year” (Selected Essays, 4).

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Its and It’s.The possessive for a non-gendered object is “its.” For example, “When opening the peanut butter, I

lost its cap.” The contraction for “it is” is “it’s.”

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Online Research Tools

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http://www.bibme.org/52

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http://www.citationmachine.net/

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