World -Radio. Registered at the G.P.O. as a Newspaper APRIL 19, 1935. VOL. XX, NO. 508. World -Radio 2 THE BBC FOREIGN PROGRAMME JOURNAL *EVERY FRIDAY D WITH PULL INFORMATION FOR THE LISTENER AND TELEVIEWER Ambrose on Europe's Dance Music Stations in order of Wavelengths : Long, Medium, and Short "Aida" from La Scala, Milan, 9 o'clock Wednesday AMBROSE
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World -Radio. Registered at the G.P.O. as a Newspaper APRIL 19, 1935. VOL. XX, NO. 508.
World -Radio2THE BBC FOREIGN PROGRAMME JOURNAL *EVERY FRIDAY D
WITH PULL INFORMATION FOR THE LISTENER AND TELEVIEWER
Ambrose on Europe's
Dance Music
Stations in order of
Wavelengths : Long,
Medium, and Short
"Aida" from La Scala,
Milan, 9 o'clock
Wednesday
AMBROSE
WORLD -RADIO APRIL 19, 1935
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APRIL 191935 WORLD -RADIO VOL. XX
NO. 508
Radio at the Brussels Exhibition
H.M. the King of the Belgians at the microphone
THE official inauguration of the BrusselsInternational Exhibition, 1935, and the speechof H.M. the King of the Belgians will be'broadcast at approximately 1o.5o a.m. on theopening day, April 27. The king's speech willbe recorded and will be broadcast again at9 o'clock that night. Running commentarieswill also be broadcast on April 29 at 8.5o p.m. ;on May 1, during a tour entitled " Through theExhibition " ; and again on May 4, when theQueen will open the Swedish section of theexhibition.
Visitors to the Brussels Exhibition of 1935will find some interesting wireless and broad-casting exhibits in the Alberteum, or Palaceof Science. (The name of the Palace com-memorates the late King Albert's keen interestin scientific research.) The purpose of thebuilding is to show the latest scientific develop-ments, and radio and the cinema will occupy aparticularly important position, for as a meansof communication, education, and entertainment,they constitute two important pillars of modernlife. It is impossible nowadays to conceive theworld without the services of these two arts ;and their power for cultural and populareducation, as well as for the advancementof commerce and industry, will be strikinglyshown by the exhibits in this hall.
A Tribute to the Late KingThe Alberteum does not seek to make aprofit, but any which may accrue will be devotedto the library which is to be erected in memoryof King Albert as a tribute to his services toScience and Industry.
The late King, on many occasions in hisspeeches to the Belgian people, emphasisedthe co-operation between the scientific researchlaboratories of the Universities and thelaboratories maintained by industrial concerns ;and created a tangible link by instituting theNational Fund for Scientific Research. Amongnotable achievements of the fund are the twoascents into the stratosphere by ProfessorPiccard.
The I.N.R. pavilion is close to the CongoPavilion. It has been designed by M. Diongre(the architect to whom has been entrusted
(From our Brussels Correspondent)
the erection of the new Belgian broadcastinghouse), and will consist principally of a vastauditorium. The Pavilion will be rectangularin shape and will cover an area of 600 sq. metres.In this auditorium the I.N.R. orchestras willbe heard daily. Visitors to the Pavilion willbe able to see the performances given by theSymphony Orchestra of the I.N.R., the member-ship of which has just been extended to include
sixty musicians. A number offeature programmes will begiven in the Pavilion andrelayed : one of the first willbe L'Arle'sienne, by Bizet. In
\\I\addition, sports events andKermesses (popular festivalswhich are to take place eitherin the Heysel Stadium or inthe " Old Brussels " section)will also be broadcast.
There will he a broadcastingstudio around which the public
will be able to move freely : itswalls will be made of glass, so thatvisitors will be able to see everythingthat goes on inside. This studio willbe employed for interviews and
for programmes of chamber music.A miniature wireless station will be shown
in full operation, and the public will be able toobserve all the phases through which theelectrical energy passes, from the time it leavesthe electrical distribution mains until it isradiated in the form of Hertzian waves andintercepted by receiving sets in the home.
Elsewhere will be shown the various sound -recording systems in present use, anddioramas, models, working models, and auto-matons will illustrate in an interesting andpopular manner the latest offerings of scienceto industry.Am ongthese will bethe workingmodel of the" Marine Sound-ing Device "which was oneof the attractionsof the Century ofProgress Exhibi-tion at Chicago.
In the cine-matograph sec-tion provisionhas been madefor a studio,where the public'will be able towitness the pro-duction of a filmin all its stages,while the wholeseries of techni-cal operationswhich go to thepreparation of afilm will also be illustrated, from the manu-facture of the celluloid strip up to the momentof its showing as a cinematograph film.
A fine entertainment hall will form the rightwing of the Palace of Science, and will bedesigned on novel architectural lines. Lectures,scientific experiments, and artistic entertain-ments of a striking character will take place onthis stage. Stars of the radio and of the cinema
will appear before the public, and the entertain-ment they provide will also be broadcast.
By the diversity of its attractions and by itscompleteness, the Palace of Science will un-doubtedly be one of the most interesting and mostinstructive sections of the Brussels InternationalExhibition of 1935. It will be a centre wheremen of science and men of business, as well asthe enquiring visitor, will find a mass ofvaluable material.
Scientific DemonstrationsAmong the many other scientific exhibitsthose connected with electrical oscillations willinterest students of broadcasting.
For example, the influence of the Kennelly -Heaviside layer on the propagation of electro-magnetic waves is well known : two strikingexperiments, one with ultra -short waves of25 cm. wavelength, and the other an analogousexperiment with sound waves, .will demonstratewhat takes place, and will explain how the, heightof this layer is determined. Again, it is -alwaysinteresting to see the result of the transformationof energy in the form of sound into electricalenergy by means of a microphone : the publicwill be able to see the form of the electric currentpassing through the microphone, under theinfluence of speech. A few experiments on thegeneration of electrical oscillation by meansof three -electrode valves will complete thisgroup of exhibits.
Among the scientific apparatus of interest notonly to students must be mentioned theplanetarium, which it is hoped will help topopularise astronomy.
The creation of this Palace of Science wouldhave presented insuperable difficulties but forthe aid of the Belgian Government, as well as
The Palace of Science in course of construction
the support of .the city of Brussels and of theExhibition Company.
In active collaboration with the propagandaoffice for the Brussels International Exhibition,1935, the I.N.R. will issue, from Saturday,April 27, onwards, in the Saturday broadcastsof its French (7.30 p.m.) Journal-Parld, a regularnews bulletin covering the past, current, andcoming events connected with the Exhibition
4 WORLD -RADIO APRIL 19, 193 5
AMBROSEand
discuhissses
Dance Musicthe Continental Listener
To prophesy in Print future _developments inthe art of rhythmic music is to convict oneselfof temerity. I have had years of music -making, but I certainly do not care to commitmyself to any dogmatic fo'recast of the stagethat Europe's dance music will have reached,say, ten years hence. Part of the attraction ofdance music, perhaps, is its capacity for theunexpected-those whom it entertains find .apleasurable " what -will -happen -next " qualityabout it.
And so, what I have to say here about thefuture of dance music in the programmes ofEuropean broadcasting is in no way a prophecyit is a statement of what, in my opinion, wemight reasonably expect if present conditionspersist.
Music in the modern rhythmic idiom, incommon with every other art, is not somethingpeculiar to, and appreciated by, only one nation.That the United States planted the originalseed, and that the tending of the plant has beeneffected principally in that country and overhere, have, surely, only that significanceattached to the Italian reputation for opera, orthe German reputation for producing creators ofgreat music. The rest of the world, havingacknowledged the sower of the seed, rightlytakes its share in enjoyment of the fruit. Butthough the Continent no less than this countryor the U.S.A.-or anywhere else, for thatmatter-has shown a decided appetite for thisnew fruit, they have not yet, generally speaking,as generous a dish to dip into as have we in thiscountry and, still more, listeners in the States.In other words, though their palate has beentickled, they have not the means of repletion.
In saying which I make no reflection on thebands whose.music you can hear fromContinental studios. There are many devotingenthusiastic energy to tilling the ground, andtilling it well. But it must be remembered thatthe principal exponents of modern_ rhythmicmusic, both creative and executive, are found inthe United States and in this country. Theyare the men who set the standard of this music,and as the student of orthodox music goes toGermany or Italy in order that he may learnat the source, so the rhythmic music studentfroth across the Channel must seek masterseither here or across the Atlantic. At present,however, the would-be dance musician waitsuntil a leader from England or the U.S.A.makes a Continental tour, and thUs offersopportunity for study of his technique. TheEuropean dance musician, therefore, must drawhis knowledge from other sources-broad-casting, gramophone records, print-none ofwhich, valuable to him though they are, can beas helpful as " the personal touch." My ownexperiences on the Continent, and the enthusi-astic interest aroused among dance musicians,there by the visits of my band, dictate thatopinion.
In present circumstances, such tours of theContinent are not frequent, and for variousreasons their frequency is not likely, in myopinion, to increase during the next few years.And so I think that, until those circumstanceshave altered, the rhythmic music that we shallhear from European stations is likely to vary littlefrom that which we now tune in.
But there is another aspect of the questionthat is a happy augury for the future of dancemusic as an art in Europe-the reaction ofContinental audiences and dancers to themusic's proper interpretation. Most of youknow-although you may not always rememberit !-that when providing entertainment, how-ever good the material, for an audience that
is apathetic it is exceedingly difficult toavoid giving an apathetic performance. Thereaction of those whom one is trying to entertaincommunicates itself to the artist-if can beeither a stimulant or a sedative. There is no" either-or " in Europe : the audiences there-listeners and dancers-respond so readily tocompetent presentation of rhythm, their en-thusiasm is so keen, that a band can hardly helpgiving of its best. It is a delight to play forsuch ; their appreciation is so pleasant a reward.And when, as I believe it is, that appreciation istempered withdiscrimination,it becomesdoubly valu-able.
Dance musicis by no meansonly a businessof providing atempo to whicha couple canfoxtrot orwaltz. There isroom for tone -colour in it ; arhythmic num-ber can be in-terpreted in away that bringsout all thebeauty of itsharmonies,melody, a n drhythm ; it canbe made some-thing worth while for itself. That is why Iintroduce into my broadcast programmes suchworks as Gershwin's Rhapsody in Blue, de Falla'sFire Dance, works by Reginald Forsythe andDuke Ellington. I believe that such works aretrue expressions of rhythmic music as music.But-my arrangements of them always have afundamental beat that provides a tempo fordancing.
It is a policy that has met with a mixed recep-tion among British listeners. The Britishlistener is representative of his race-he likesto give long and careful consideratiOn ,to whatis new to him ; he enjoys " Home, James, andDon't Spare the Horses " because the humourof it is humour with which he is familiar ; heis not so sure about a rhythmic interpretationof a semi -classic. I am not going to say thathe hasn't rhythm in his blood : judging by someof the splendid dancing I've seen in suburbanand provincial dance -halls, I think he has. Buthe quells it, refuses to yield to any instantaneousreaction.
On the Continent, the listener makes obvioushis reaction to rhythm. He loves it, and hesees no reason for concealing the fact. Theresult is that he gives close, attention to it, anddiscovers many little sources of enjoyment thathis equally enthusiastic, but more reserved,brother in Great Britain is apt to overlook.That is why those bands and instrumentalvirtuosi who go across the Channel return withstimulating memories of rousing receptions inHolland, Denmark, France, and-yes-Ger-many ; receptions reflecting the appreciationof all classes' of the population.
Europe's Own Dance MusicVarious European countries, of course, havea dance music peculiar to themselves. To me,to think of the tango, for instance, is to thinkof France and Spain-it is music with a rhythmin which may be found a reflection of a people.
Similarly with the rumba and the Viennesewaltz. These, as it were, are national idioms,and nowhere else can be interpreted withsuch spontaneous naturalness. But they areunique forms of dance music, allied to modernrhythmic music .only by reason of their rhythm,and with their conventions already established.
It has been interesting to visualise the type ofprogramme that I should prepare were myorchestra and I to broadcast over a Europeannetwork. I should try, first of all, to obtainthe services of an outstanding vocalist, capable of
Ambrose and his broadcasting orchestra. Sam Browne and Elsie Carlisle, the principalvocalists, are on the left, and the Rhythm Sisters on the right
singing in the languages of at least some of thecountries taking part in such an internationalrelay, the lyrics of appropriate popular numbersbeing translated for the purpose. He wouldbe used for occasional announcements in thenecessary languages, and the farewell " an-nouncement would certainly be in the tonguesof all the countries which had heard theprogramme.
Then, it would be an interesting experimentin humour to see whether a descriptive comedynumber such as " A Scene from Cruel LondonLife " could be made to entertain a French orGerman listener.
Tangos and rumbas, obviously, "must berepresented in my programme. In fact, itwould be a programme as truly representativeof the international character of the broadcastas I could make it-one acceptable to Conti-nental and British temperaments alike, and one,too, that would serve to indicate to Europeandance musicians my own opinions, as a bandleader, of the way in which contemporary tunescould be interpreted.
I believe that there is talent in Europe, awaitingdiscovery, that will one day be a challenge torhythmic music makers everywhere. You wholisten to programmes from Continental stationsshould have excellent opportunities of beingamong the first to, discover it, and thatsuggestion can well be my personal message toWORLD -RADIO readers.
" SHORT-WAVE BANDS"
is the title of the next contriloJtion to this
series. It will review some of the dance
orchestras that listeners to short - wave
programmes from the U.S.A. can hear.
APRIL I 1935 WORLD -RADIO 5
(Above)-Gigli making up for thepart of " Rodolfo " in La Bohemeat the Rome Opera House
(Right)-A cup and saucer photo-graphed only by heat radiation fromtwo electric flat -irons
[By courtesy of ileum Ilford, Ltd.
M. Jean Mistier,
who has been
appointed Presi-
dent of the French
Committee ofCo-ordination of
Broadcasting for
the year 1935
[E.N. A.
BROADCASTING IN THE U.S.S.R.Photographs exclusive to WORLD -RADIO
(Above)-Looking up the centre ofthe mast of the Schabolovka station,Moscow. (Left)-A study in con-trasts : A Tajik family of RussianCentral Asia listening in their tentto news from Moscow, and thetransmission by telegraph fromTashkent of a picture for reproduc-tion in a Moscow newspaper.(Right)-Another contrast : Mlle.Remisova, an announcer and theonly woman member of the NationalRadio Committee (top) and aKurdish peasant listener in Ekwart,an Armenian village
(Left)-Dr. Sven Hedin,the famous Swedish ex-
plorer, photographed at a
Berlin railway station
when he arrived in thatcity a few days ago
WORLD -RADIO APRIL 19, 1935
LETTERS TO THE EDITORSETS. AND MAINS CURRENT
SIR,-Replying to the letter of the correspon-dent who states that the question of the supplyof incorrect voltages is purely that of a breach ofcontract, I would point out that it is also abreach of the Board of Trade regulations.
The point in my previous letter, however, wasthat if an unauthorised extension were fitted, theelectrical supply authorities make a practice ofdeclaring the contract to be void thereby, sothat the question of a breach cannot arise.
I have made it clear that I do not consider theattachment of a wireless set to be an extensionwhich must be notified to the electricity suppliers,but my advice was this-and it still holds-thatif a listener advises his suppliers that he hasattached a wireless'set to the mains, the suppliersconcerned are precluded from stating that theyare not liable on the grounds that they were notadvised of that extension.
Yours faithfully,ALFRED T. FLEMING,
Secretary, The Wireless League.12, Grosvenor Crescent, S.W.I, April lz.
TELEVISION TERMS
SIR,-The names WORLD -RADIO and " TheRadio Times " indicate the general use of theword " radio " for wireless. The componentsof the future radio set, as " Radio User " putsit, will probably be radiophone, radioscope, andradiogram.
. " Arcady " will no doubt think it a quibble tosay radioscope is not in the Shorter OxfordDictionary as it gives radioscopy (1898) an earlyX-ray term. I think I am right in saying thatthe word " radioscopy " is no longer used inconnexion with X-rays. The terms now usedAre Radiography and Radiology (see " ScienceAbstracts " Index). It seems_ therefore that
Arcady " will agree with the suggestion thatthe ideal name for a television set is RADIO-scoPE.
Yours faithfully,
Gerrard's Cross, Bucks, April 12.
"CELLULAR OSCILLATIONS",SIR,-The notes on Thought Transference
by " Neutron " in your issue of April 5 recall thepioneer work and the theories of H. Lahkovskyof Paris on " cellular oscillations " and the useof oscillating circuits for the cure of disease,including cancer.
Lahkovsky advances the theory that certainportions of the human cells resemble, in theirformation, inductances and capacities, and thatit is these which pick up radiation of all sorts,including the cosmic rays. Going a step farther,he suggests that the homing instinct in birds anddirectional instincts in insects, animals, etc.,may in reality be explained by the fact thatevery person and every animal, bird, etc., is ableto receive and transmit' wives of very shortlength.
Lahkovsky deserves every credit for theexperimental work which he is doing.
Yours faithfully,E. S. HODGSON.
North Shields, April 12.
H. S.
AN INTRUSIVE TIME SIGNAL
Explanation WantedS1R,-I read with interest the letter from
H. J. Poole, which was published in the issueof WORLD -RADIO, dated April 5. To -day, whilelistening for Big Ben at 12.3o on the Droitvvichwavelength, I distinctly heard the British timesignal just before Big Ben struck. On the last
pip, Big Ben struck. Is it possible to offer anyexplanation ?
Yours faithfully,ARTHUR LESLIE STATHER.
Caterham, Surrey, April 14.
CRYSTAL SET RECEPTION
SIR,-I have been greatly interested in crystalreception since the days of the Mark 2, usedduring the War, and one of these bulky, butvery efficient, receivers is still in my possession.
Situated exactly twenty miles from MoorsideEdge, I use this along with a horn -type loud-speaker for reception of the two transmissionsfrom this station, and I find that sitting quietlyin my den, nothing further is necessary, as I canhear every word of speech fifteen feet away.
On Sunday evenings after the B.B.C. stationshave closed down, foreign stations come in oneafter the other as the tuning knob is slowlyturned. One often hears that a crystal set is notselective, but I have never had the slightestdifficulty in separating the two Moorside Edgetransmissions, andI might also add that my aerialis one of the highest and longest in the district,which is all against selectivity.
Any readers in the district will be welcomed tohear it' by appointment.
Yours faithfully,!` RADIDEA."
Manchester, April 6.
From S. Australia to N.Z.SIR,-When resident a short time ago in
Auckland, New Zealand, I received the followingAustralian stations on numerous occasions withan ordinary crystal set using headphones :2FC (5 kW) and 2BL (5 kW), Sydney ; 3AR(5 kW) and 3L0 (5 kW), Melbourne; 7ZL(3 kW), Hobart. The most distant stationreceived was 5CK (7.5 kW), Crystal Brook,South Australia, over 2,000 miles from Auck-land
Yours faithfully,D. M. CASTLE.
Ipswich, April 14.
Long -Distance ResultsSIR,-With reference to Mr. M. Geddes's
letter in to -day's issue of WORLD -RADIO regard-ing long -wave results on a crystal set, if thecoil " consisted of about thirty-five turns of wireon a 2 -inch former " he would only be able totune up to about 35o metres. Does he meanlong-distance results, and not long -wave ?
Yours faithfully,F. E. MORRIS.
Kilburn, N.W.6, April 12.[The reference should have been to " long-
distance," not " long -wave," results.-ED.].
THE GREATEST TENOR ?SIR,-There are, unfortunately, still 'a number
of people for whom exuberance and top notesconstitute the main attributes of singing. Forsuch people the possession of brains and thesublety that comes from their use mean nothing.
Kiepura, for whom there seems to be anexcessive admiration, is unquestionably a vastlyimproved singer to the man who made such adisastrous London debut at the Royal AlbertHall some years ago ; but to say he is yet in thefront rank is to accord him a distinction towhich he is not -entitled.
It has been my privilege (or should I saymy misfortune ?) to be associated with musicall my life, and I have heard all the tenors(real and alleged) who have appeared duringthe past thirty years. From the point of viewof musicianship and accomplishment Kiepurawould have to be placed very far down in a
list which includes Caruso-without any shadowof doubt the greatest tenor voice of this orany other age ; Gigli, his only legitimatesuccessor in the domain of opera ; McCormack,most perfect of concert artists ; Tamagno, deLucia, Martinelli, Schipa, and Tauber at hisbest.
Yours faithfully,JOHN H. RICHARDSON.
Hanover Square, W.', April 5.
POINTS FROM LETTERSWhat about Tauber?
Why did not one correspondent mention themost versatile of all singers-namely, RichardTauber ? Effortless fluency, passionate intensity,or soft tones are his at will. Tauber not onlysings opera arias such as those from Don Gio-vanni, but also he can give new interpretationsof our own English ballads which no othersinger can equal. Perhaps he is not mentionedbecause he deigns to sing in operetta and musicalcomedy as well as opera.-J. M. (Walsall).
Cortis-Pistor-VOlker-PolzerIt appears to me that the opinions of most
of your correspondents have been based ongramophone records-a very misleading sourceon which to form a judgment, as anyone con-versant with modern recording will agree. Theonly really satisfactory way of making com-parisons is to hear the respective singers in theopera houses.
Gigli is undoubtedly the best of the, present-day Italian tenors, but for lyrical beauty ofvoice neither he nor Jan Kiepura is comparable -with Antonio Cortis, and I should recommendthose Gigli enthusiasts who have been ravingabout his " Che gelida marline," to hear Cortissing it. As to the Lauritz Melchior " fans,"much as. I admire the Siegfried of this greattenor, his Tristan and his Parsifal are quitebelow that of Gotthelf Pistor, and his Siegmunddoes not possess the essential lyrical quality dis-played by Franz Volker. Even his Siegfried isnow practically equalled by Julius POlzer, whoseperformances each year at the Munich Festivalare well worth hearing.-A. B. (London, S.E.9).
Caruso-by Modern Recording !If Caruso could have been recorded elec-
trically . by the most modern methods onewonders what they would have been like, whenhis " reconditioned " records are so beautiful.I possess a famous aria recorded by him and ,Gigli which is a special favourite of a friend notvery keen on music, but the first time I put onthe one by Gigli she at once remarked " That'snot Caruso-it's too hard." Beautifuras it is,you cannot mistake them.-M. H. L.-6. (Ted -din gton).
A Spanish Second to CarusoI heard a Spanish tenor in an opera from one
of the Spanish opera houses, about two monthsago, Andre Cortez, who sounded nearer toCaruso in his middle voice than any I have lis-tened to- recently, and his voice was'beautifullyrich ail through.
Miguel Fleta (another Spaniard, I believe)is' one of the most artistically perfect tenorsof our day, I should imagine by his records.-E. V. (Cardiff).
Letters should be addressed to the Editor, " WORLD -RADIO," Broadcasting House, London, W.I. Lettersintended for publication should be as brief as possible,and should always be accompanied b3 the full nameand address of the writer, though not nxessarily for
publication.
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APRIL 19, 1935 WORLD -RADIO 7
How Telerision WorksPart 3-The Present System used by the B.B.C.
In the preceding two parts of this series, whichappeared on March 22 and April 5, the under-lying principles of television were described,and the reasons why the technique of televisiontransmission possesses certain marked differencesfrom that of sound broadcasting, were indicated.It will be of interest, therefore, to see how theseprinciples are applied in practice, and this weeka brief non -technical description is given of theBaird apparatus which is at present employedby the B.B.C. to transmit studio scenes from theLondon National transmitter.
THE picture to be transmitted by the presentsystem used by the B.B.C. is scanned in thirtyvertical strips, and each scan is repeated 12;1,
times per second. As has been stated, it issnore efficient to keep the scene either in dark-ness or, at the most, under a small degree ofgeneral illumination, and to illuminate fullyonly one element at a time, rather than to illumi-nate the whole subject continuously-and toallow the light from each element successivelyto actuate a photo cell. Accordingly, in thissystem a bright spot of light is cast on to thescene. This spot is square, having the areaof one element, that is to say, 1 /2 too part of thearea of the whole scene. At the beginning of ascan the spot is projected on to the lowerright-hand corner of the scene, and is movedupwards at a constant speed until it reaches thetop right-hand corner. It then disappears, toreappear its own width to the left of its startingpoint, and is moved up again to the top of thescene, thus tracing out a path or line lyingadjacent to its previous path. This process isrepeated, the spot tracing out in this waythirty of these adjacent paths or lines, the wholecycle of operations so far forming a completescan. The meaning of the expression " thirty -line television " will now be clear.
The scan is now successively repeated, thespeed being arranged to be such that after onesecond 122 scans have been made. Since thearea of the scene is that of 2,100 elements,and there are thirty lines, the area traced outduring the scanning of one line is that of seventyelements, and since the elements are square,the length of a line, which is, of course, the heightof the picture, is seventy times the length of thespot. The width of the picture is the width ofthirty lines, and is, therefore, thirty times thewidth of the spot. The picture in this systemis consequently taller than its width, this shapehaving been found to be the most practical forthe scenes of limited definition which can betransmitted on the broadcast channel.
It is not proposed to describe here other than
fig. 1 -The mirror drum used in the Baird 30 -line systememployed at the present lima by the B.B.C;
briefly the technical means by which the spotis generated. For a full description the reader isreferred to the issue of WORLD -RADIO forMarch 23, 1934. A special projector containsan arc as the source of light, an aperture todefine the area of the spot, the necessary opticalarrangements to ensure a cleanly focused spot,and a mirror drum rotated by a motor.
The Mirror DrumThe mirror drum deserves a few words toitself, as it is probably one of the most effectivescanning mechanisms known so far as mechanicalmethods are concerned. It consists of a metalcylinder upon the surface of which are fixedmirrors as shown in Fig. 1. Only one of themirrors is parallel to the axis of the drum,all the others making, in order, progressivelyincreasing angles with the axis. The numberof mirrors is made the same, as the number oflines, each mirror being responsible for thescanning of one line.
The action of the, drum may be more fullyunderstood by reference to Fig. 2. A spot oflight coming in the direction SM1 strikes themirror M1, and is reflected on to the scene atA. When the drum is revolved in the directionindicated by the arrow, the spot on the screenmust move from A to B, and on arriving at Bit is cut off by the mask G. At this point themirror M2, comes into action and causes thespot to reappear at the point C, the beginningof the second line. The continued rotation ofthe drum causes this spot to trace out the pathCD. By proper adjustment of the angle at whichthe mirror M2 is fixed, the second line CDcan be arranged to lie exactly alongside the firstline AB, the mirror M2 consequently having avery slight cant. Succeeding mirrors M,,M4, etc.; have each a progressively increasingcant, and thus thirty mutually adjoining lightpaths or lines are traced on the scene.
A number of photo cells are situated so thatthey pick up the various degrees of reflectedlight from the screen and give a current repre-sentative of these variations. After passingthrough the amplifiers, mixers, and other appara-tus necessary for the practical handling of atransmission, the current is passed by the usualmeans to the London National transmitter.
Receiver RequirementsWe can now transfer our attention to thereceiver in order to see what means may beemployed to build up a picture according to theprinciples we have laid down. First of all wemust have, as for sound reception, the necessaryamplifying and detecting circuits to give us avision -frequency current of adequate strengthequivalent to the sound -frequency current thatnormally would emerge from a sound receiver.It is evident, however, that the circuits of ourtelevision receiver will be somewhat differentfrom those used for sound reception. We haveestablished that television takes us farther intothe extreme bass and treble regions of thegamut of frequencies, and that our circuits musttherefore show an improvement in these respects.For instance, it is essential to preserve the repro-duction of the higher frequencies by means ofthe use of such methods as band-pass high -frequency circuits, and the employment of well -designed resistance -coupled low -frequencyamplifiers. Also, the use of the latter will gofar to ensure that adequate reproduction of theextreme bass frequencies is secured. It is not,however, proposed to deal with technical detailssuch as these in the present series, but to passon to that part of the receiver which affectsthe reconstitution or building up of the picture.
We must have at the receiver a similar travel-ling spot of light, the intensity of which may be.varied in accordance with the changes in thecurrent at the output of our receiver. Theproblem divides itself into two distinct parts,the distribution of the light spot, i.e., the pro-duction of the lines, and the modulation of thespot intensity. Since a mirror drum is satis-factory for the generation of the lines at thetransmitter, we can employ it at the receiver inconjunction with a source of light and a suitableoptical system to throw a spot on a screen, theshape of which must be arranged to be the sameas that of the transmitted scene. The modula-tion or variation of the intensity of the spot maybe produced in two ways. Either a light sourcecan be provided which is modulated, or even
G
4'
*s
Fig. 2 -Illustrating the action of the mirror drum. Light
from S is reflected by the mirror M1 along the line AB,and as the drum revolves, mirror M2 comes into action
and the line CD is traced out
directly lighted, by the current at the output ofthe receiver, or we may use a light source of fixedintensity, the strength of the light being modu-lated after it has left the source.
In light sources of the directly -modulatedtype, use is made of the fact that when a currentis passed between two wires situated in a glassbulb containing a small amount of a rare gas,such as neon or helium, a light is produced, theintensity of which under certain conditions isproportional to the current flowing. By con-necting such a lamp to the output of our receiver,and by distributing its light over a screen bymeans of a mirror drum, we have a simpletelevision receiver which will build up a pictureon the screen. The lamp is specially designedso that the light it produces is concentrated inthe form of a small spot, and is known as a" crater neon lamp." In this type of receiverit is very difficult to obtain white light and thepicture is therefore usually coloured ; also onsystems employing anything but the lowestdefinition, the lamp would not respond to thehigh frequencies involved.
(To be continued)
Television Meeting at NiceThe Committee for the. Study of Problems connectedwith Television met at Nice on April 4 and 5, underthe auspices of. the International Institute ofEducational Cinematography, Rome, with thecollaboration of the International BroadcastingUnion. Representatives of scientific, technical, andcommercial interests also attended. Discussionstool: place on the various problems arising out ofrecent technical developments in television. Futuredevelopments were also considered. The StudyCommittee, recognising the value of internationalco-operation between the various organisationsinterested in the development of television, proposedto the International Institute of EducationalCinematography and to the International Broad-casting Union that they should maintain closecontact with a view to following the progress oftelevision and, as far as possible, contributing to itsdevelopment.
8 WORLD -RADIO APRIL I 9 , 1935
IT is a curious coincidence that in last week'sissue of WORLD -RADIO there should haveappeared both my note mentioning that nowriter on the subject of a freak crystal -setreception seemed to have recalled the ten -year -old feat of picking up KDKA direct and a letterfrom a Welling correspondent who recordedreception of WTIC with an unaided crystal inDecember, 1933. Though there be those whoare inclined to take every case of long-distancecrystal reception with a grain of salt, I am notin the least sceptical myself about these andother reports of the immense ranges received,for I have on many occasions had experience ofphenomenal signal strength from distant stations.A classical instance is WIOD, the i-kW stationat Miami, Florida, which has been receivednight after night in this country at excellentstrength on quite small sets.
If WIOD, using i kW and working on1,30o kc/s, can be heard with a small valve set,I see nothing out of the way in the reception ofthe 50 -kW WTIC on x ,o6o kc/s with a crystalat a tie when conditions were particularlyfavourable.
If Turin Fails to SatisfyNot a few long-distance enthusiasts whom I meethad failed to realise, until I gave them the hint,that if one particularly wants to hear opera fromTurin, and cannot obtain satisfactory directreception through interference of one kind oranother, there is no need to give up in despair.Turin is relayed by Milan r, Genoa, Florence,and Trieste, and of these both Milan r andFlorence are usually very well received. If,therefore, you find Turin on 263.2 metresjammed, turn first of all to 268.6 metres forMilan 1, and should this station by any chancenot be coming in too well, move up to 491.8metres, where you are almost sure of goodreception from Florence.
Help for the Unselective SetA knowledge of the alternative sources fromwhich important foreign programmes can bereceived is particularly useful to those whopossess rather unselective receivers, or live closeto high-powered home stations. Turin, forinstance, may be quite unreceivable by thosewho are within short range of the London,North, or West Nationals, and Milan 1 maybe unobtainable by dwellers near the WestRegional. Florence, however, is well removedfrom the wavelength of any of the home stationsand should be picked up without much trouble.In many districts Bratislava is overshadowedby the Midland Regional, but the Czechoslovakprogrammes from Prague are receivable in mostplaces. If yoti live near the North Regional andfind Cologne difficult to receive, look throughthe programmes in WORLD -RADIO to see whetherit is not relaying or being relayed by Leipzig orsome other German station.
Worn -Out ValvesMany people have the idea that until a valveburns out, blows up, or otherwise meets aviolent end it is in perfectly good condition forreception purposes. Actually, valves are designedfor a working life in the, neighbourhood ofr,000 hours, and though many will give muchlonger service than that, it is always as well tosuspect them and have them tested when theyhave been in use for a year or so. Valves that,though really worn out, still work in some kindof way are responsible for a great deal of thepoor reception of which some listeners complain.
SEECLTE.
NEWS FROM ABROAD(From our Correspondents)
Ravag's New HomeIn an interview with WORLD -RADIO'S Viennacorrespondent, Herr Paul Bellak; ProgrammeDirector of Ravag, the Austrian broadcastingservice, said that the new Vienna BroadcastingHouse, which is about to be erected in part ofthe grounds of the Theresianum College, nearthe centre of Vienna, will be finished in, thespring of next year, and will cost about a quarterof a million sterling. " It is hoped," he con-tinued, " to make it the most modern andup-to-date in Europe. The largest of the manystudios will be constructed in such a way thatit can be . used as an actual theatre. Thecomplete headquarters will take the form oftwo large buildings, one of which will containall offices and administrative departments, andthe other the mechanical plant and the studios.Minor buildings will accommodate the technicaldepartments. About a third of the site pur-chased will not be built upon yet."
WOMEN TELEVISION ANNOUNCERS.-Fraulein Patzsche(left) and FrSulein Beck in the Berlin television studio
Illegal Listening in AustriaUnder a new Austrian law, owners of receivingsets are obliged to take great care in allowingpersons who are not members of their ownfamilies to listen. If they allow them to listento any broadcast from abroad, or even from anypoint in Austria which may be considered" hostile " to Austria, they are liable to heavyfines, up to nearly Limo, or to imprisonment upto three months. The owner and his familymay listen to any programme, but " hostile."broadcasts must be inaudible to other persons.
Representative Plays from FranceArrangements have been made with the directorsof the French State subsidised theatres for thetransmission of eighty performances per annum.M. Georges Mandel, the Minister for P.T.T.,has also requested M. Charles Dullin, directorof the Theatre de l'Atelier, to organise twelvedramatic performances for broadcasting, amongwhich will appear the following, representativeof various styles of theatres : Greek Theatre :Agamemnon (/Eschylus) ; French ClassicalTheatre : Cinna (Corneille) and Britannicus(Racine) ; Spanish Theatre : Le Medecin et sonhonneur (Calderon)'; English Theatre : Volpone(Ben Jonson) ; Modern French Theatre :Voulez vous jouer avec moi? (Marcel Achard).These performances will take place at fort-nightly intervals.
Listeners' Elections PostponedIn deference to complaints made in severalquarters, the election of listeners' representativesto the Boards of Administration of the Statestations has been postponed until May pa'next.
Eiffel Tower's RangeReports received by the French authoritiesindicate that the range of the Eiffel Tower hasbeen considerably reduced, and many placeswhere it was formerly heard well either do notreceive it at all or receive it only feebly.
The President's Home DescribedA radio -reporter has been permitted to make atour of the Elysee Palace with his microphone,and a record has been made of the descriptionof the home of the French President, the broad-casting of which was arranged to take place onApril 15. It is hoped to make a similar record ofthe Matignon Hotel, now the home of FrenchPrime Ministers.
Papal Benediction to be BroadcastAll Italian stations are to broadcast the ApostolicBenediction which his Holiness the Pope is topronounce on Easter Sunday from the balconyof the Basilica of Saint Peter. In order thatthe listening public may witness the ceremony,and also be informed of the exact time ofthe Benediction, the Pontifical Mass, whichwill precede it, is also to be broadcast.
Romanian Officials' " HourA series of broadcasts consisting of instructionsand lessons in public administration has beeninitiated by the Romanian Minister of InternalAffairs, M. Inculetz. The broadcasts, whichoccupy an hour each Saturday evening, beganon April 6, when the King of Romania spoketo the administrative personnel of the country.He greeted the prefects of the counties andtowns and other officials, and expressed hisrecognition of their work. The Minister, in histalk, referred to the equipment of the prefecturesand municipal offices with good receiving sets.The administration personnel in all villages andtowns are expected to assemble to listen to theMinisterial communications made during thebroadcasts.
" Relayed from Cluj "Up to the present, the Bucharest broadcastingstation has not transmitted programmes fromother Romanian cities, owing to the absence ofthe necessary connexions. In view of the fact,however, that there are several big cities-Jassy, Braila, Constanza, Craiova, Cluj,Timisoara, Oradea-which could occasionallysupply interesting material for listeners, themanagement of the Radio Corporation hasresolved to link these cities with special lines.The first city to receive attention is Cluj; thecapital of Transylvania, which will also beequipped with a special studio, a disused theatrehaving been hired for the purpose. Theauthorities hope to complete their " networkby September next.
South American Co-operationIt is reported that Chile's delegation to a forth-coming International Radio Congress, which willbe held in Buenos Aires, will urge completeagreement among Latin-American Republicson broadcasting. Different wavelengths willbe proposed for stations that cause interference,and uniform methods and other technicaldetails will be studied with the object of bringingSouth America's broadcasting up to date.Statements of any description that might provedetrimental in international relations would bebarred under the Chilean programme.
APRIL I 9 , 1935
ViA EtherThe Prince of Wales's Appeal.His ROYAL HIGHNESS'S appeal last Fridaynight on behalf of his Jubilee Trust Fund willundoubtedly take a high place among themany notable messages of the kind whichhave been broadcast. It was delivered in thePrince's always effective manner, and will, Ifeel confident, have an enormous response.The speech was, of course, relayed throughoutthe world ; and I am glad to hear that recep-tion, so far as it has been reported, was mostsatisfactory.
Outstanding Transmissions from ItalyOn Easter SUNDAY all Italian stations are tobroadcast the Apostolic Blessing which hisHoliness the Pope is to pronounce from thebalcony of the Basilica of Saint Peter in Rome,as well as the Pontifical Mass whichprecedes it. I find that two more out-standing broadcasts are announced in theItalian programmes for next week. Bothare relays from La Scala, Milan, and one ofthem-WEDNESDAY'S gala performance of Ada-will be relayed by what I believe is thegreatest number of European stations withinmy recollection. The performance will beconducted by Gino Marinuzzi, and theprincipal parts are taken- by Gina Cigna,Gianna Pederzini, Giacomo Lauri-Volpi, andEttore Nava. A new production of Bellini'sLa Straniera is the other relay from La Scala.This will take place on Easter MONDAY, andit will be taken by the North Italian and Berlinstations. Marinuzzi is again the conductor,Cigna and Pederzini are to take the principalfeminine parts, and Francesco Merli is thetenor.
* *
The Brussels ExhibitionThe official opening of the Brussels Inter-national Exhibition by H.M. King Leopold,which takes place at 10.5o a.m. on SATURDAY,April 27, will be broadcast by the Belgianstations. In the evening both Brussels stationsare to relay the first concert from the Exhibi-tion Pavilion.
*The Kentucky DerbyThe Kentucky Derby is an event which iseagerly looked forward to-not only in America.It arouses considerable interest in this country.In connexion with this spring's event it isreported that the officials have set k5,000 asthe price they demand for the privilege ofbroadcasting the proceedings from ChurchillDowns. It is a matter of some doubt whetherthat sum, added to the usual expenses of sucha broadcast, will make it possible to bringthe annual race to listeners. Formerly, somebroadcasting stations have been able to securecommercial sponsors for the Derby pro-gramme, but the cost involved this year maymake a broadcast prohibitive either for broad-casting stations or sponsors. In that case,countless listeners will suffer keen disappoint-ment. ETHERVIATOR.
WAVELENGTH DEVIATIONSThe following list shows the deviations of stations as measuredat the Tatsfleld Checking Station during the past week :-
In addition to the free service of " Which StationWas That ? " printed in these columns, replies tostation identification queries can be obtained withinforty-eight hours of receipt of details on payment of6d. per query, in stamps or P.O., 'accompanied bystamped addressed envelope (marked in left-handtop corner " Postal Query Service "), and couponas per conditions for " Free Queries."CURIOUS (Giffnock) : (a) WIBWA, Taunton /Mass.);W2AMM. Schenectady (N.Y.) ; W2AND, Bohemia (N.Y.);W2KR, Flushing, Long Island (N.Y.); W2M13. Clifton (N.J.);W2GSH, Nutley (N.J.); W3AC, Montague, Sussex County(NJ.); W3BBO, Washington (NJ.); W2HFS, Mount Vernon(N.Y.); W9DAS. Marble Rock Ind.);( (b) G2JC, Gorton,Manchester; G2AD, Woolwich ; G2NQ, Wednesbury (Staffs)G2XU, Bristol ; G2XV, Cambridge ; G2XO, London, W.9G2QM, Bradford ; 0511K, Sheffield ; G5KG, Mansfield (Notts)GSGA, Canterbury ; G6YU, Coventry ; G6DL, Yardley, Bir-mingham ; G6XR, Coventry ; G6PL, Heckmondwike (Yorks) ;G5PP, Coventry ; G2QU, Glasgow ; G2MV, Old Coulsdon,Surrey; (c) apparently CTIGO, Lisbon (48.4 m.) ; (d) sixthharmonic (48.1 m.) of Rennes -Bretagne, on 288.6 m., relayingParis PTT at the time ; (e) FXB, Beyrouth Khalde (FrenchLevant), 22.61 m. ; FXC is on 37.57 m. ; WKL, Rocky Point(N.Y.), 33.56 m. ; possibly you received an harmonic of thelatter. P.W.X. (Doncaster) VK3LR, Lyndhurst (Victoria),31.32 m. ; apparently a special transmission. BEZIERS (Worth-ing) : The geographical position of Beziers is : 03° 13' 00" E. ;43° 21' 00 N. ; times of transmission (G.M.T.) : 7.15 p.m..8.30 p.m. (Sun.); 11.30 a.m.-12.30 p.m., 7 p.m. -9 p.m. (Mon.,Tues., Thurs., Fri., and Sat.) ; 12 noon -1.30 p.m., 6 p.m. -10 p.m.(Wed.) ; other transmission heard was a " break through " ofBrighton police transmission, GTN (149.7 m.). R.M.C.B.(Glasgow) ; GILLS OF WINE (Greenock) : WTIC, HartfordJUBILEEWCAU, Phila-delphia (Pa.), 256.4 m. ; (2) WTAM, Cleveland (Ohio), 280.2 m.CORK (I.F.S.) : Madrid, EAJ7 ; selection from " Mignon "(Thomas). ONDES COURTES (Malta) 1-1J4GA, Medellin(Col.), 25.61 m. DAR-DIT (Wallasey) : GKTS, s.s. " Dun -robin." HOPELESS DX'ER (Llandaff) : GGB, South BishopLighthouse, 942 m. ; GGG, Round Island Lighthouse, 1,019m. ; GGC, Mull of Cantyre Lighthouse, 1,008 m. ; GGJ, LundyIsland Lighthouse, 942 m. ; GSM, Start Point Lighthouse,960 m. ; MMF. North Foreland Lighthouse, 1,008 m. , GFM,Mountbatten Aeradio. WOGGIE (Berkhamsted) : (1) PAODK,Bergen -op -Zoom (Holland) ; (2) GSHB, Durkal, Nr. Wakefield(Yorks) ; G5NW, -Broughty Ferry, Dundee ; G2RF, Liverpool ;G2IL, Bassett, Southampton ; G2IP, Bristol ; G6LL, Clanton,E.6 ; G6PY, Barnsley, Yorks. YENDA (Birmingham) . LR6,La Nacion; Hurlingham (Buenos Aires), 344.8 m. MAYBIRD(Wantage) : WBZ and WBZA; Boston (Mass.), 302.8 m. ANDY(N.17) : If wavelength correct, WOAI, San Antonio (Texas),50 kW, 252.1 m., but more likely to have been WCAU, Phila-delphia (Pa.), 50 kW, 256.4 m. SANDGROUNDER (South.port) : MMC, Cromer Lighthouse, 1,029 m. ; MMF, NorthForeland Lighthouse, 1,008 m. KNOBBIE (Colchester) :Amateur station G5NW, Broughty Ferry, Dundee, Scotland ;CJA3 and CJA4, Drummondville (Que.), on 31.15 m. and 28.52m. respectively ; Canadian Marconi Co.,Drummondville, Quebec(Ont.). FLOP (Mitcham) : Regret, cannot trace aeroplanesworking with Croydon ; yes, airports (for home traffic) work on862 m. BAND SPREADER (Blandford) : (I) regret, cannottrace ; (2) apparently HP5E, Panama, on 6,030 kc/s ; (3) LKJI,Jeloy (Norway), 31.34 m. BANTAM (Bexhill -on -Sea) : Sixthharmonic (48.1 m.) of Rennes -Bretagne, on 288.6 m. QUERIST(Ilford) : (1) no, COC, Havana, 49.92 m. ; (2) details too vagueto trace ; (3) CTIGO, Lisbon, 24.2 m. DIGGER (Leicester) :Yes, VK2ME, Sydney, received direct on 31.28 in. REGULARREADER (Leeds 11) : WJZ, New York, 394.5 m. SPY (BexleyHeath) : VE9GW, Bowmanville (Ont.), 49.26 m., relayingmedium -wave station CRCT, Toronto ; many thanks for infor-mation re Schenectady ; (10) CTIGO, Radio Club Portugues,Videnda Zenda, Parede, Portugal ; HAS3 and HAT4, Posta-kiserleti Allomas, IX Gyali ut 22, Budapest, Hungary; (I I)PMN, Bandoeng (Java). 29.24 m. ; FYR, Lyon T.S.F., France,25.75 m. ; (12) FXB, Beyrouth Khalde (French Levant), 22.61m. ; FZR2, Saigon (French Indo-China), 31.19 m. ; FZR3, alsoSaigon, is on 18.5 m. SEARCHER (Leeds 10) : No languagestated ; if Spanish, COC, Havana, 49.92 in. I.B. (MansfieldBuildings) : Madrid EAJ7 ; relay from theatre. Proprietarynames must not be used as noms-de-plume. B.R.S. 1700 (Bourne-mouth) : (I) apparently 11J4ABF, Medellin (Col.), on 6,600kc/s ; (2) HJ4GA, Medellin (Col.), 25.61 m. (3) tallies withHJ4ABE, Medellin (Col.), on 50.85 m., relays HJ4ABK (broad -
IDENTIFICATION COUPON (No. 323)This coupon is valid for ONE QUESTIONonly, and should be cut out and attached to aseparate sheet, upon which the following ques-tions should be answered in the order shown.A copy of the answers should be enclosed withFREE queries. No coupon more than onemonth old is valid. A coupon is not required fromreaders living in countries outside Europe whodesire identification of transmissions.1. Time and date of reception.2. Approximate frequency in kilocycles per sec.
(or wavelength in metres).3. Nearest known stations, above and below.4. Call or interval signal, if heard.5. Language.6. Type of receiver in use and strength of signals.7. Details of programme or signal received.8. Name and address.9. Nom de plume. (Proprietary names must not
be used.)
cast band) ; morse signal " M " stands for Medellin ; address :Cia Radiodifusora de Medellin, Medellin, Colombia ; (4) HJ4AB BRadio Manizales, Caixa Postal 175, Manizales, Colombia ;1-1J4ABN, Caixa Postal 50, Manizales, Colombia. M. CLARKE(Lochee, Dundee) ; ISIT (W. Hartlepool) : KDKA, East Pitts-burgh (Pa.), 305.9 m. UPSURLANDER (Birmingham) : Yes,Aberdeen. BOGEY (Halifax) : Apparently one of the Drum-mondville (Quebec) commercial transmitters, but cannot traceon 30 m. ; are you sure of wavelength ? BRS. 1646 (Southamp-ton) : Frequencies required are as follows : Nauen DGY,17,880 kcis ; DFA, 19,240 kc/s ; DFC, 12,985 kcis ; DFM,19,460 kc,/s ; DFQ, 18,700 kc/s ; DFW, 23.08 kc/s ; BandoengPLN, 11,600 kc/s ; PLP, 11,000 kc/s ; PLQ, 10,670 lec/s ; PLU,9,850 kcis ; Nagoya : JNC, 17,960 kc/s ; JNF, 15,720 kc/s ;Kootwijk : PCQ, 18,070 kcis
' PCX, 18,710 kc/s ; PDP, 9,235
and 9,240 kc/s ; PDR, 10,700 Icc/s ; PDW, 5,920 kc/s ; Scheve-ningen : PCF, 249 kc/s. CANTAB (Norbiry) : Can trace onlythe following : G5AX, Scarborough, Yorks ; G6LD, Dundee,Scotland ;-FXD, Beyrouth Khaide (French Levant). 18.66 m. ;for details regarding Italian stations write : Associazione Radio-tecnica Italiana, Viale Bianca Maria 24, Milan ; OXR, Skamlc-back (Denmark), 23.24 m. ; WQL, New Brunswick (N.J.),20.25 m. ; PFG, believe Kootwijk (Holland). NIGHT OWL(Bognor) : Special relay by Columbia Broadcasting System.not broadcast in England ; apparently you heard this throughW2XE, Wayne (N.J.), on 19.64 m. DISCOVERY (Burnley)(I) VK2ME, Sydney, direct on 31.28 m. ; (2) see reply to NIGHTOWL (Bognor). JOHN WINGROVE (Banstead) : (6) wouldappear to be station testing for calibration of wavelength only ;Croydon Aerodrome, 862 m. SHORTIST (S.W.17) PRAg,Pernambuco (Brazil). 6,060 kc/s : time in Brazil is three hoursbehind G.M.T. SHORT WAVER (Portsmouth) :.(1) apparentlyfourth harmonic (approx. 56.6 m.) of the German common wave(225.6 m.) ; (2) HJ I ABG, Barranquilla (Col.),49.65 m. QUERIST(Crewe) : VE9DN, Canadian Marconi Co., Drummondville(P.Q.); WIXAL, Crosley Radio Corporation, Mason, Ohio;CJRO no longer given in latest lists ; if CJRC, Royal AlexandraHotel, Winnipeg, Manitoba. H.F. (S.W.1) : (1) HJ2ABA,Tunja (Col.), 48.23 m.; (2) no, would appear to be W1XAL,Boston (Mass.), 49.67 m. NIGHT -HAWK (Galston) : (1) wouldtally with LTI, Rosario (Argentine), 348.6 m. ; geographicalposition : 32° 59' 00" S. ; 60° 39' 00" W. ; (2) Rennes -Bretagne,which sometimes relays Poste Colonial, FYA. EXPERIMEN-TER (Tottenham) : (I) COH, Havana, 31.8 m. ; (2) HJ4GA,Medellin (Col.), 25.61 m. ; (3) cannot trace on that wavelength ;(4) apparently fourth harmonic (approx. 56.6 m.) of the Germancommon wave (225.6 m.).
AMATEUR TRANSMITTERSThe identity of amateur transmitters may be found in the "RadioAmateur Call Book," the Spring Edition of which can now beobtained, price 6s. 6d., post free, from the Radio Society ofGreat Britain, 53, Victoria St., London, S.W.1. Copies of theRadio Amateur Handbook (12th Edition), price 5s. post free,may also be obtained from the Society's offices.
STATION IDENTIFICATION PANEL
BRUSSELS (No. 1-FRENCH)
FREQUENCY : 62o kc /s ; WAVELENGTH : 483.9 M.POWER (COPENHAGEN) : 15 kW.DISTANCE AND BEARING FROM LONDON : 200
miles ; 102°.CALL : " Ici Brnielles I.N.R. ! " or " Emission de
la Radio Catholique Beige I " or " Emissionde la Resef ! " or " Emission de la Solidra ! "etc., repeated between items.
INTERVAL SIGNAL : First bars of Belgian popularsong, " 06 peut on etre mieux qu'au reinde sa famine ? " by. Gretry, are given onchimes :-
i44 J rMan announcer.Annoqncements are made. only in French.After an orchestral programme, the station closes
down with the National Anthem " LaBrabanconne " '
- rAprils des tie -Iles d'es-ela-va ge, le -ge
Esperanto TransmissionsSunday-Lille PTT Nord, 9.30 a.m., Course. Informoj. Lyons -
la -Dons. 9.45 a.m., Course. Monday-Rome and relays, 6.30p.m.,IKomuniko pri la 27-a Universals Esperanto-Kongreso.Tuesday-Huizen (1,875 m.), 6.20 p.m.,Course. Radio -Lyons,6.45 p.m., Course. Wednesday-Sottens, 6.30 p.m., Course.Vienna, 10.45 p.m., W. Mudrak : Allstrio katolika Itato.Kozlevflar : Anima vizago de Johan Cankar. Thursday-Warsaw, 11.30 p.m., Tad. Hodakowski: Interparolo kunaaskultantoj en Esperanto. Friday-Rome, 6.30 p.m., Vidulundan anoncon. Nice-Juan-les-Pins, 7.30 p.m., G. AvrilAnekdotojkurso por progresantoj. Saturday-Eiffel Tower(206 m.), 4.30 p.m., Le Bacon : La Roche Posay. Hilversum(301 m.), 7.10 p.m., Pr. P. Kryt : Esperantistoj en Kongreso.Lyons -la -Doug, 8.10 p.m., Informoj.
I 0 WORLD -RADIO
Waves Other Than WirelessIt is a well-known fact that light waves andwireless waves are of the same essential natureand differ from each other only as regards theirwavelength. There are other " electromagneticradiations," as these waves are called, someshorter and some longer than light waves, but atpresent we know of none longer than wirelesswaves. The real nature of the waves is stilla matter of controversy, but it is possible toreview their properties, and the applications ofthose waves which have any, without discussingfundamental theories.
If a beam of sunlight is passed through a glassprism, the band of rainbow colours which isobtained-called the spectrum of sunlight-contains the colours between violet at one endand red at the other. The difference betweenthese colours is one of wavelength ; the violetrays have a wavelength of about 4,000 ang-strom (approximately 0.0004 millimetre) and thered rays about twice this. The angstrom is theunit of wavelength for all electromagneticwaves, with the exception of wireless,and it is equivalent to one ten -millionthpart of a millimetre.
Infra -Red RaysJust beyond the deep -red end of thespectrum of sunlight, after the colourhas appeared to fade into darkness, is aregion of rays known as the " infra -red."These are heat rays, and their wavelengthextends from about 7,600 angstrom toabout 50,000,000 angstrom. This latterlimit is equivalent to one millimetre,which is a wavelength approaching thatof short-wave radio and which, in fact, issaid to have been used in ultra -short waveradio experiments.
Specially sensitised photographic platesand films afford a means of exploringthe region of the infra -red, but atpresent we are limited to a narrow fringewhich lies near visible light in wave-length. In spite of this,. infra -red
,:photography has made rapid stridesduring recent years, and many remark-able photographs have been taken, as,for example, a. photograph of an objectin a dark room using no source ofillumination other than an electric iron ;but such photos need, of course, an extremelylong exposure.
By using infra -red sensitive plates, it ispossible to overcome the difficulty of photO-graphy in a misty atmosphere and, in fact, anobject may be photographed quite clearly infog even though it is invisible to the eye. Thereason for this is that radiations of short wave-length are more easily scattered than those oflonger wavelength. Ultra -violet and blue light,for instance, are scattered more easily thanorange and red, while infra -red rays are scat-tered least. It is necessary in such cases to usea deep red filter -glass over the camera lens inorder to cut off the short visible radiations whichare scattered by the mist particles, and whichwould appear on the photo as haze. The inten-sity of illumination is consequently very low,but this can be compensated for by increase ofexposure time.
Some wonderful long-distance photographshave been obtained on infra -red plates by reasonof the extremely high view points which can beobtained ; the enormous amount of mist anddust particles between the camera and the earthprecluding the use of ordinary plates. From aheight of 20,000 feet A.W. Stevens photographedthe Andes at a distance of 295 miles from hiscamera-the first photo to show definitely thecurvature of the earth's surface ; while another
photo by the same photographer showedMt. Shasta, a Californian mountain, at a dis-tance of 335 miles, the world's record in long-distance photography.
Ultra -Violet RaysAt the other end of the sun's spectrum, justbeyond the visible violet, is a region known asthe " ultra -violet," with a wavelength of from5,000 to 3,900 angstrom. These rays arepresent in sunlight and are responsible for theburning of our skin when it is exposed to thesun's rays. The usual method of producingultra -violet rays is by means of a mercury vapourlamp which consists essentially of a quartz tubecontaining two electrodes and a quantity ofmercury. (Ordinary glass is not permeable toultra -violet rays). When the lamp is switchedon, the mercury momentarily short-circuitsthe electrodes and itself becomes vaporised.The mercury vapour is a conductor, and thepassage of current maintains it in the state ofincandescent vapour which emits a greenish
X-rays were used to test the gondola of Professor Piccard's balloonbefore his second ascent to investigate cosmic rays
visible light in addition to the invisible ultra-violet radiation. The ordinary electric arc pro-duces a small percentage of ultra -violet rays ;and by using electrodes of tungsten in place ofcarbon, the amount becomes appreciable andthese lamps are often used for small artificialsunlight outfits.
Mercury vapour lamps have recently beenused for illuminating purposes. By surroundingthe lamp with a vacuum jacket which conservesthe heat and permits the pressure of the mercuryvapour to be very high, a very efficient lightsource is obtained. The light emitted is of ashort wavelength and is what is sometimes calleda " hard" light, but once one has becomeaccustomed to its peculiar greenish colour it isnot at all unpleasant, and for road lighting,the floodlighting of buildings, and even forfactory illumination, it is finding increasingfavour. There is, of course, no intention ofutilising the ultra -violet rays from these lamps;and in any case, they would be almost com-pletely cut off by the glass bulbs which' are used.
X -RaysThe simplest method of producing X-rays,which are even shorter in wavelength thanultra -violet rays, is to apply a potential of about50,000 volts between two electrodes in anevacuated tube. Modern apparatus is, however,
APRIL 19, 1935much more elaborate. The tube is evacuated toan extremely high vacuum, and one of theelectrodes, the cathode, consists of an electrically -heated filament. The purpose of this filamentis to supply electrons, which in the simplestX-ray tube described above, is furnished by theresidual air in the tube. The filament is placedin a metal cup which serves to focus the electronson to the other electrode, known as the target.The voltage employed is usually between 50,000and roo,000 volts, rectified alternating current,and by controlling this voltage the rays emanatingfrom the tube can be made more or less pene-trating.
Certain substances fluoresce-that is, emit apeculiar glow-when acted upon by X-rays,and if the hand is interposed between an X-raytube and a screen painted with a fluorescentmaterial, the bones will stand out as shadowson the screen, because the X-rays penetrate theflesh more readily than the denser material ofthe bones. Photographic plates are alio affectedby X-rays in a similar manner to ordinary light,and the photograph is, in fact, the usual way ofworking with X-ray apparatus.
Another application of X-rays which has beenextensively investigated is therapy. Prolpnged
exposure to X-rays kills abnormal tissuesuch as malignant growths, but, unfortu-nately, it also kills normal tissue (ordinaryflesh) and it is often necessary to use somemethod of subjecting the abnormal growthto more intense rays than those whichpass through the surrounding tissue. Inaddition to medical diagnosis and therapy,X-rays have important industrial applica-tions, and many manufactured articlesare given an X-ray examination beforebeing passed for sale.
Radium RaysRadio -active substances, the chief of
which is .radium, emit electromagneticrays known as gamma -rays which areof shorter wavelength than X-rays andpossess great penetrating power, beingcapable of penetrating one foot of iron.Their wavelength varies from about 0.005to about 0.4 angstrom, and in order toproduce the hardest gamma -rays (i.e., therays of shortest wavelength) by meansof an X-ray tube it would be necessary tooperate the tube at 2,460,000 volts.
Radium liberates an enormous amountof energy in the form of gamma -rays andtwo other kinds of radiation. The latter
consists not of electromagnetic waves but ofelectrically -charged particles, and if a glass tubecontaining a radium compound is hung iri abeaker of water, the temperature of the waterwill slowly rise. One gramme of radium' willraise the temperature of a pint of water approxi-mately a quarter of a degree Centigrade in anhour, and will continue to liberate this energyfor hundreds of years.
Cosmic Rays
Comparatively little is known about cosmicrays, but it seems certain that they have theirorigin somewhere outside the earth in the fardepths of space, and we know that they are avery penetrating form of radiation and, conse-quently, are of an exceedingly short wavelength.The question of wavelength is not settled,although it appears to lie somewhere between0.00038 angstrom and 0.000053 angstrom.In some scientific quarters the view is heldthat the rays consist of streams of electrifiedparticles and are not really waves at all. Amongrecent investigations in connexion with cosmicrays, which aroused considerable interest, werethose of Professor Piccard, who ascended in aballoon to the stratosphere in an attempt todetermine the direction of the rays.
R. C. M.
APRIL 19, 1935 WORLD -RADIO II
A WIRELESS ALPHABETBy " Decibel "
Optimum Load.-The value of resistance con-nected in the anode circuit of a valve so that thepower supplied to this resistance by the valve is amaximum for a specified value of distortion. Theterm is usually applied to the output stage of areceiver where maximum power is required to besupplied to the loudspeaker without audible dis-tortion. A transformer is often employed to trans-form the effective resistance of a loudspeaker to asuitable value in the anode circuit of the valve.Oscillation Constant.-The product of inductanceand capacity in a circuit. This quantity determinesthe natural frequency of the circuit, and the individualvalues of inductance and capacity can be variedwithout altering this frequency, provided theproduct remains constant.Oscillations.-The high -frequency alternating cur-rents flowing in a circuit are often referred to aselectrical oscillations. They may be produced byan outside source or, for example, by suitableconnexions of an electrical circuit to a valve. (SeeDamped Oscillations and Negative Resistance.)Oscillatory Circuit.-A circuit containing induc-tance and capacity in which oscillations are pro-duced. (See Natural Frequency.)Oscillograph.-Apparatus used for examining thewaveform of electrical oscillations. (See CathodeRay Oscillograph.) +Output Choke. - Thechoke (usually iron -cored)connected in the anodecircuit of the output stageof a receiver to preventthe direct current suppliedto the anode passingthrough the loudspeaker.Output Transformer.-A transformer connectedin the output circuit ofa receiver or amplifier to
CHOKED.C.
FE/LOCKINGCONDENSER
OUTPUT
match the impedance of the loudspeaker to that ofthe valve. (See Matched Impedance.)Outside Broadcast (O.B.).-A broadcast itemwhich originates at a place outside the studiopremises.Overlap.-(See Backlash.)Oxide -coated Filament.-Filaments or cathodesof wireless valves are often coated with oxides ofbarium, strontium, or calcium, to increase theemission of electrons so that adequate electronemission is obtained at low temperatures, thuseconomising in heating current.
Packing.-When the carbon granules in a carbonmicrophone settle into a more or less compactmass, packing is said to occur and the microphonebecomes less sensitive. To prevent packing themicrophone is shaken periodically.Pancake Coil.-An inductance coil wound in theform of a slab or flat spiral.Paper Condenser.-A fixed condenser having adielectric composed of waxed paper.Parallel Connexion.-When two or more piecesof apparatus are connected across a common voltagesupply, they are said tobe in parallel. The totalcurrent supplied to thecombination is equal tothe sum of the currentsflowing through theindividual pieces ofapparatus. Batteries of the same voltage can beconnected in parallel to supply a current equal tothe sum of the currents supplied by individualbatteries. (See Condensers in Series and Parallel.)Parallel Feed.-A method of connecting a trans-former or other electrical apparatus, for ,example,a loudspeaker, in parallel with the external anode
ei
circuit of the valve. A condenser is connected inseries with the transformer, etc., to prevent thepassage of direct current whilst permitting thepassage of the alternating signal currents. Thisarrangement prevents the performance of thetransformer, etc., from being interfered with by thesteady anode current. (See Output Choke.)Paraphase.-A form of push-pull amplification inwhich centre -tapped transformers are dispensedwith and a second input voltage, i8o degrees out ofphase with the normal one, is obtained by using aparaphasing valve whose grid is connected to apoint in the anode circuit of the valve preceding thepush-pull stage.Parasites.-Another term for atmospherics.P. D.-Abbreviation for potential difference orvoltage.Peak Value.-The maximum value of an alter-nating quantity. Components used in an electricalcircuit have to be capable of withstanding the peakvoltage and not merely the average value. Similarly,valves must be capable of handling peak values ofvoltage, or distortion will be produced.Peanut Valve.-An early type of dull -emitter valveof small dimensions.Pentode. --A thermionic valve having 5 electrodes.A screening grid is interposed between the usualcontrol grid and anode toprevent feed -back betweenthe anode and grid circuitsas in the 4 -electrodescreened -grid valve. Athird grid, which is usuallyconnected to the cathode,is interposed between thescreening grid and theanode to prevent the screening grid having an effecton the anode current, when the anode voltage momen-tarily becomes comparable with the screening -gridvoltage when signals are being received. A pentodehas a high amplification factor and can handlerelatively large outputs, and is therefore largelyemployed in the output stage of a receiver. Recently,high -frequency pentodes have been developed foruse in high -frequency circuits in place of 4 -electrodescreened -grid valves whose output is limited by theabsence of the third, or suppressor, grid.
ANODE
SUPPRESSORGRID
SCREENINGGRID
CONTROLGRID
Space and MatterBy "NEUTRON"
Beating the Book by RadioTHE applications of radio are many and varied.The latest, which was reported in the daily Pressrecently, was stopped by the Sydney police oninformation from wireless officials. Severalmen were arrested on a racecourse, and one ofthem had a miniature morse-transmitting setconcealed in his clothing. A receiving set wasalso confiscated outside the course, and appar-ently the men on the course had been trans-mitting the results of races to accomplicesoutside.
An Electronic OrganIn the issue of WORLD -RADIO dated March 29I gave a brief description of an electronic organwhich has been developed in Philadelphia. Areader now informs me that he heard the radiodebut of this instrument from the CBS networkon Saturday, April 6, at 15.15 p.m., through theshort-wave station W3XAU on 49 and 31metres.
Pigeons and WirelessIn Maurice Maeterlinck's latest book, Pigeonsand Spiders, it is stated that the directional senseof pigeons is noticeably affected in the neighbour-hood of a broadcasting station. This veryremarkable statement is borne out by the resultof some experiments carried out recently inFrance in connexion with the pigeon flyingservices of the Army. Two hundred pigeonswere released close to a 200 kW naval wirelessstation. Some were released prior to a trans-mission and flew homewards in a normalmanner. Others were released during a trans-
mission, and flew round and round the mastsand did not make for home until the transmissionhad ceased. This result is reported to have beenvery definite, although contrary to the results ofexperiments carried out some time ago by thelate General Ferrie at the Eiffel Tower. Hereis a chance for pigeon fanciers to carry outsimilar experiments to see if further light canbe thrown on the mysterious homing instinctpossessed by pigeons. I shall be glad to hear ofany such experiments. It seems likely that theeffect of the transmitter will depend on thewavelength as well as on the power.
Death of Long -Distance Telephony PioneerProfessor Michael Pupin, of Columbia Univer-sity, who died last month in New York, at theage of seventy-six, was the inventor of a methodof extending the range of telephone communica-tion along lines. He inserted inductance coils atintervals along the line, and these " Pupincoils " have been almost universally adoptedand have been largely responsible for the rapiddevelopment of long-distance telephony. Hisfirst paper on the subject was published in 1899.
Novel Test for Wireless ReceiverIt is reported from Hanover that the purchaserof a wireless set on the instalment system failedto continue the payments after the first one.The dealer called to ask for the return of theset, whereupon the wife of the purchaserthrew it out of the window, remarking that ifthey were not to be allowed to keep the setnobody else should have it. A court casefollowed, but the wife got off on payment of asmall fine, on the grounds that the set hadsustained no damage, and in spite of its fallworked as well as ever. It is rumoured thatthe case was exploited to show how well thereceiver was built to be capable of withstandingsuch rough treatment.
JOYAll-WORLDSHORT -
on your present setThis Short Wave Convertor, produced by themakers of the famous Unirad All -wave Receivers,enables you to hear the fascinating short-wavebroadcasts of America and the world. Use incombination with your present receiver of 4valves or more. Make your present WirelessSet receive the amusing American programmesduring the long summer evenings. Reception ofShort Waves 13-20 is daylight reception. Getthis new thrill. A.C. Mains model only. Range
13-55 metres. 3 valve.Single knob control
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Complete ALL -WAVERECEIVER-PRICE £29.
It rite immediately, etatitly make and type of receiver owned toUNION RADIO CO. LTD.,
CAMPBELL ROAD, CROYDON.
12 WORLD -RADIO APRIL I9, 1935
WIRELESS TOPICS by "ION"TELLURIUM -LEAD ACCUMULATORS
I HEAR from Messrs. Oldham and Son, Ltd., ofHyde Road, Denton, Manchester, that tellurium -
'lead is going to play a big part in future accu-mulator production. They state that it isdefinitely one of the most important discoveriesthat have been made in battery research duringthe past twenty years. It appears that hithertovery little research has been carried out on theactual composition of the lead used in castingthe ,grids. It was generally conceded that anti-monial lead-which has been used for manyyears-was unsatisfactory. It was thought thatany future progress in accumulator efficiencywould come-not from the composition of themetal used for casting the grids-but ratherfrom improved formulx for the active material.Metallurgists, however, have recently discoveredthat the addition of tellurium to lead gives itvery remarkable properties. In fact, the makersstate, it is no exaggeration to say that whentellurium is added to lead the structure of themetal is radically changed. In much the sameway, for example, as when a small amount ofcarbon is added to iron, steel is produced.
When this discovery was brought to theattention of Messrs. Oldham and Son, theirresearch chemists, immediately realising itsimportance, set about the task of developing itfor radio use. As the result of two years' intensivework, they are now able to prove conclusivelythat tellurium -lead possesses, among others, thefollowing important advantages : (x) It resistscorrosion effects of strong acid. (2) It resistsfatigue. (3) It produces remarkably fine anduniform grain. (4) It can be permanently work -hardened.
During the tests of the properties of tellurium -lead, a bullet weighing 11.75 grammes was castfrom these metals and was heated to the boilingpoint in too c.c. of 98 per cent. sulphuric acid.This tellurium -lead bullet withstood. 17 minutesin boiling acid before being dissolved. A bulletof the same weight cast from ordinary leadwas completely dissolved before the acid boiled.
In order to demonstrate the enormouslyincreased strength of tellurium -lead, two pipesof equal bore and wall thickness (tin: internaldiameter, Ain. wall) were filled with water andsealed. These pipes were then alternatelyfrozen and thawed. After three freezings theordinary pipe burst. It had expanded only 23per cent. The tellurium -lead pipe, on the otherhand, withstood no less than seven freezingswith an expansion of 63 per cent. before bursting.This proves unmistakably the greater ductilityand the increased tensile strength of tellurium -lead.
Two tin. strips of tellurium -lead and ordinarylead were subjected to a number of hammerblows concentrated at one spot. These twostrips were then pulled out in a tensile machine.The ordinary lead, as may be expected, fracturedat the spot where it had been subjected tohammering. The tellurium -lead, on the otherhand, showed considerably greater tensileresistance and, in fact, did not fracture at thespot where it had been hammered.
From the point of view of the application oftellurium -lead to radio accumulator work, it isobvious that such a combination, because it ismuch stronger and tougher than ordinary lead,will largely eliminate faults due to buckled plates.Every battery user must be familiar with theaccumulator which is rendered useless throughbuckled or distorted plates. This buckling isdue, in most cases, to the softness of the leadplate, and its inability to resist those abnormalstresses which are set up through short-circuitingand other similar causes. In addition to buckling,
other faults may occur in the case of ordinarylead. Minute cracks-due to fatigue-mayappear in the plates. These cracks-althoughalmost invisible at first-can soon become seriousdefects owing to the corrosive action of theelectrolyte. Ultimately the active material ispermitted to fall away through such structuralweaknesses, and the accumulator loses capacity.In other words, it fails to hold its charge.
The makers state that tellurium -lead will over-come most of these defects. The accumulatorfitted with tellurium -lead plates will be muchless subject t owear and tear-itwill withstand farmore abuse-andit will hold itscharge longer.
Another featureof the new Old-ham accumulatorsis the capacityclock. This is adevice producedto tell in a reliablemanner the " time -to recharge." Itis well known thatthe specific gravityof the acid in anyaccumulator, islowered as theaccumulator b e -comes graduallydischarged in use.The Oldhamcapacity clockmakes use of thisscientific fact. Itconsists of a shaped arm, one end of which ispivoted. At the free end is a buoyant air cham-ber free to rise or fall according to the specificgravity of the electrolyte. This gives an infal-lible indication of the state of charge of theaccumulator.
Oldham accumulator withcapacity clock
PHILCO CAR RADIOI have received from the Philco Radio andTelevision Corporation of Great Britain, Ltd.,Aintree Road, Perivale, Middlesex, particularsof their car -radio installation. This is known
as the Philco Transitone Model 11 which isstated to be a powerful and extremely compactsingle unit superheterodyne receiver. Thereceiver, the loudspeaker and the new full -wavePhilco vibrator are all housed in a single shieldedcontainer designed for quick installation on thedashboard of the motor -car. The arrangementis particularly adaptable for small cars and forcars already equipped with a heater. A power-ful electrodynamic loudspeaker is mounted inthe bottom of the housing. All valves used arethe latest Philco high -efficiency valves, designedspecially for motor -car work. An automaticvolume control is used to give a smooth elasticcontrol which counteracts fading while drivingalong, and prevents " blasting " of local stations.
The receiver is all -electric, operating entirelyfrom the- car accumulator. The whole thing isbuilt securely into the car completely out ofsight and out of the way. Nothing is visibleexcept, on the steering column or the dashboard,a neat switch dial, tuning knob and volumecontrol. The aerial is invisibly fitted betweenthe inner and outer roof coverings or, in the caseof open cars, in the hood. The installation issupplied complete with suppressors that cutout every trace of interference, whether theengine is idling or turning over at a high speed.Low tension is drawn from the accumulator.
and high-tension current is stepped up by thefull -wave Philco vibrator and rectifier.
The price for Philco car -radio is 16 guineas.Installation is quite a nominal cost dependentupon the type of the car. The average cost isbetween £z and £4 including the aerial. Thefollowing cars have aerials installed and offerPhilco car -radio equipment optionally : Chrysler,Citroen, Dodge, Hillman, Humber, M.G.,Packard, Rolls-Royce, S.S., Standard,. Talbotand Vauxhall.
1,000 RECEIVERS ON A SINGLE AERIALMessrs. Kolster-Brandes, Ltd., of Sidcup, Kent,have developed a system of community aerialswhich enable a number of receivers to workindependently from a single aerial wire. Thesystem comprises the " Rejectostat " unit placedbetween the aerial and a shielded lead-in wireand " Rejectostat " amplifiers. A single ampli-fier enables an aerial to feed from to to t 00receivers, and with ten amplifiers it is' possibleto work as many.as r,000 receivers from a singleaerial wire.
The makers recommend the incorporation ofthe " community listening aerial system "during the building process, of, say, a largeblock of flats, so that the necessary transmissionlines may be run in conduit or ducts in the walls.Where the building already exists; the trans-mission lines may consist of lead -covered cables'and; as these are small in size, they need be nomore obtrusive than the internal wiring of theG.P.O. telephone service.
Messrs. Kolster-Brandes inform me that theK.B. 395 " Rejectostat " amplifier utilises anentirely new circuit, whereby the voltagesgenerated in the common aerial are amplifiedand fed at their original frequencies to thevarious receiver points through the screenedtransmission lines. By connecting his receiverto any of the line termination units, a user willbe unaware that he has not a full-size inter-ference -free aerial system for his sole use, andthis irrespective of the number of receiversactually in use at the time and of the transmissionbeing received. The patented principle em-ployed in the K.B. 395 " Rejectostat " amplifierrenders the amplification substantially constant'over the two wavebands. The amplifier can be'supplied to special order with circuits forattenuating or weakening the signals of the localtransmitters; This is desirable where there'would be risk of overloading the receivers ifthese signals were amplified as highly as those ofmore distant transmitters.
The amplifiers are designed for operationfrom alternating current at a frequency between4o and Too cycles per second. Two modelsare available for pressure ranges from too to 130volts and from zoo to 25o volts respectively.Special models for non-standard voltages andfrequencies are built to order at extra cost.Full particulars from the makers.
A NEW EDISWAN POWER VALVEMessrs. Edison Swan Electric Co., Ltd.,announce the release of a new 6o -watt poweramplifying valve designed for large outputs.The filament is of thoriated tungsten, andthe anode is of pure graphite. This latter enablesa high dissipation of heat to be radiated froma comparatively small bulb. The anode, it isstated, never attains red heat, as is the case withmetal anodes. Also absence of warping in useassures constancy of performance. Thecharacteristics are as follows : Filament volts, 6.Filament current, 4 amps. (approx.). Anodevolts, 75o. Amplification Factor, 3. Impedance.1,200 ohms. The price is 45 los.
APRIL I 9,1935 WORLD -RADIO
WORLD RADIO RESEARCH LEAGUE : SECRETARY'S ANNUAL REPORT
Organisation of Echo TestsLAST week I outlined the facts in connexionwith the discovery of echoes of long delay. Imentioned a number of papers written on thesubject, and now I am wondering how many ofmy readers have taken the trouble to obtainthese papers and study them. Those of youwho wish to work on the problem of echoes oflong delay, and desire to offer intelligentco-operation, should realise right now, that itis no good just playing with the idea, and whenfurther tests take place just listening to a lotof background noises and trying to guess ifsome of them are echoes. Much more thanthat is required.
In the first place, one must study the subjectseriously. The first step in any research is tofind out what has been done up to date andhow it was done. In the second place, sincein our echo tests we are dealing mostly withmorse signals, it means that one has to gain alot of experience before one can recognise anecho when it occurs.
Maximum Sunspot ActivityIt was with this idea of training the membersof the W.R.R.L. for the work in hand that Istarted tests last May. We cannot hope tohear echoes of long delay in any number worthmentioning till about 1939-1940, when wecome to the next maximum of sunspot activity.This means that we have some four years infront of us to get used to the signals we haveto study. Of course, the maximum of solaractivity does not set in overnight, it is a gradualprocess spread over a number of years.
I am sure that echoes of long delay will beheard well before 1939. At the moment we arenear the minimum and have started our workunder the worst possible conditions. But, itshould be realised, that in an investigation ofthis type negative results are just as importantas positive results. We want to know just asmuch of the periods when echoes do not occuras when they do take place. It would not bea scientific procedure to say : " Well, sinceechoes will not occur in any numbers till 1939we shall wait till then and see what happens."Well, let me assure you that with an attitudeof this kind nothing. will happen, becauseduring that period there will be no experienceand no organisation, and the whole thing willonce more be left to a few isolated scientistswho will know what happens in their immediateneighbourhood, but will be left absolutely inthe dark as to the rest of the earth's surface.
It is a big problem and a highly importantproblem. It can only be solved by such anorganisation as the W.R.R.L., carefully guidedby a number of live scientists, and carefullytrained. It is, therefore, obvious that the usualtype of radio enthusiast who can keep his en-thusiasm going for about a fortnight and thenloses all interest as soon as he meets the firstobstacle, is of no earthly use to us. It is thislack of stability that results in so many radiosocieties being formed on paper and promptlyfizzling out at the end of a few months.
I am building something much more solidand stable. I want people who are interestedin science, who are constantly studying, whoare prepared to do reasonable work, and whowill not be bowled over by the first difficulty.Scientists as a class in the past were not veryfond of the so-called amateur co-operation.They have been so badly let down by unreliablereports. I am determined to cut out everyelement of doubt in our work. By now we havepretty well assessed the degree of intelligenceand reliability of every member we have.The reports we receive are being classified
accordingly. And the member whose reportscannot be relied upon is bluntly told to devotehis energies elsewhere.
Member's Reports of EchoesYou will have noticed in the past that in myreports I have reported echoes of long delayas being heard by various members on a numberof occasions. I have done so, after frequentwarnings, that I am merely repeating whatour members report, and that such reportscannot be taken seriously till a scientific verdictis given. The reason for this procedure istwo -fold. In the first place, in order to makethe whole thing fool -proof, the scientificobservers are working independently of theW.R.R.L., so that we do not know what theyare doing and how they are checking our work.My job is to supply reports to the scientists.It is their duty to tell us if we are right or wrong.The number of scientists watching us, owingto the international character of the W.R.R.L.,
Mr. Leslie W. Orton,President of the Anglo-American Radioand Television Society and Hon. LiaisonOfficer of the W.R.R.L. for New Zealand
is very large and, therefore, it is impossible forme to send each of them a copy of the analysisof reports after every test. The only way I cando this quickly is by publishing such resultsweekly in my reports. Thus, from week toweek every scientist knows what our membersare doing. (The foreign official organs translateand publish these reports regularly.) If we aregoing off the rails we soon know, because I getletters putting me on the right track.
Now, during the period of training, if membersdid report that on certain occasions they heardechoes, there was no harm done if they weremistaken, as we have a complete check inpractically every locality where the massobservers are stiffened by scientifically trainedand experienced observers. Such reportinghas served a very useful purpose. It has shownin a very definite manner the progress madeby individual members. Reports of echoeswere numerous at the beginning of the tests,when everybody lacked experience. Whenmembers became accustomed to listening tomorse signals, reports of echoes dwindled topractically nothing. The reliability has increasedtremendously. The training told.
At the present moment we have a large numberof people who will know an echo when theycome across one. They know what to expectfrom the background noises while listening. Atime will come when a number of members willreport simultaneously an echo of long delay thatwill be confirmed from scientific quarters,
13
and then we shall know that we have obtainedour first reliable result. From then onwardswe shall take the problem in our stride withina short time, as we have done in the case ofinteraction of radio waves.
But in the meantime, please gather as muchexperience as you possibly can. Listen to asmany short-wave stations at long distances aspossible and watch for echoes-repetitions ofthe same signal. Do not get disheartened bylack of positive results. If you are constantlyreporting the absence of echoes you are merelyconfirming Professor Stormer's theory, becausethis is what he has to say :-
" I warned you as far back as last April,before your tests started, that the results maybe negative, as we are a few years away from.the maximum of sunspot activity which willoccur about 1939-1940. I emphasise the factthat the echoes heard by Hals, van der Pol,Appleton, the French expedition in Indo-China and myself occurred in 1928-1929 duringmaximum sunspot 'activity.
I draw your attention to my letter toNature, dated January 5,1929, in which amongstother things I stated the following :-
' Echoes constitute a very rare phenomenonand owe their occurrence to a series of favourablecoincident circumstances. The wavelength mustbe the most favourable one, and the emissionmust be sent out in the right direction and withsufficiently great energy. (A transmitting stationin the tropics would probably be better than astation in Holland). The Kennelly -Heavisidelayer must be penetrable by the outgoing andreturning waves, and must also be favourable forthe hearing of both signals and echoes, and thereceiving apparatus must be sufficiently sensitiveand exactly adjusted. Further, there must begood conditions for hearing without too manyatmospheric disturbances and, last but not least,the emission of electrons from the sun must takeplace in such a way that reflecting surfaces inspace outside the orbit of the moon may beformed and may have the most favourable shapefor good reflection of the waves.' "
Results ObtainedOur results up to date show that no scien-tifically confirmed echoes occurred betweenMay zo, 1934 and the present time. Thus,Professor Stermer proved to be right so far.
In his latest letter to me, Professor Stormersays : " It is of great scientific interest tocontinue the tests of echoes of long delay rightinto the years of maximum solar -spot activity,making all the necessary arrangements to haveechoes, when they occur, recorded scientificallyby as many observatories as possible, and notto rely entirely on more or less subjective reportsfrom amateurs. The latter may be right, butwithout a scientific record it is impossible tocheck them. Thus, I should strongly recom-mend that further tests should be made in orderto clear up the nature of this puzzling phe-nomenon." As you see, the nature of ourorganisation just meets Professor Stormer'spoints, as from the very beginning we have hadrigid scientific check on all reports and shallcontinue to do so in future.
NOTE.-I am greatly indebted to the Councilof the Chicago Short Wave Club for the signalhonour of electing me an honorary member ofthe club. I consider this as a complimentpaid to the W.R.R.L. as a body, and I beg toexpress the gratitude and the best wishes ofall the members of the W.R.R.L.
RALPH STRANGER.
Next week I shall deal with the echo testtransmissions.
Member R.S.G.B. Hon. Member LigueUniverselle de Recherches Radio-Electriques(Belgium). Hon. Member International Dx'ersAlliance (U.S.A.). Hon. Member Anglo-American Radio and Television Society. Hon.Member Chicago Short Wave Club (U.S.A.).
14 WORLD -RADIO APRIL 19, 1935
Foreign LansuasesFRENCH
Tuesdays, 6.50-7.20 p.m. (National Programme).A. Remarks on Pronunciation.The French vowel u (Vowel No. 9) as in du, plume,venu, cloture, etc., is often used as a consonant ;it is then called a semi -vowel. The vowel u becomesa semi -vowel when it is pronounced excessively short,and is followed immediately by another vowel:Ex. lui, la pluie, un parapluie, it fait nuit, j'en aihuit, la cuisine, elle est muette, etc. . . .
If you can make the French vowel u correctly, thesemi -vowel, as we find it in the above examples,should not present any difficulty. The followingmethod of practice will help you :
Start by saying the vowel u several times ; then,take a word like huit and say it in two syllables, u -it,u -it ; now quicken up your delivery so as to say theword in one syllable with the stress falling on the iand not on the u. Repeat the same exercise withlui, pluie, nuit, muette, etc.
N.B.-There are two more semi -vowels in French :(a) the short i as in hier, Pierre, bien, chien, and (b)the short ou as in mouette, Louis, bois, toi, fouet,etc. . . . However, these two semi -vowels presentno difficulty to English students of French, sincewe use them continually in English in such wordsas : (a) yes, yard, onion, Daniel, etc. . .
(b) Well, wall, water, wool, etc. . . .
B. Key to Exercise B. P. 79, Nelson's First FrenchCourse.
(1) Nous attendons notre autobus. (2) II y a unreverbere pres du kiosque. (3) Je vais prendre letramway qui va a Saint-Cloud. (4) La bonne tientla main du petit garcon. (La bonne tient le petitgarcon par la main.) (5) Quel tramway prenez-vous ?-Je ne prends pas le tramway, je prends l'autobus.(6) Hier, j'ai pris le tramway. Aujourd'hui, je vaisprendre l'autobus. (7) L'eglise que nous voyons atrois portes. (8) La jeune fille qui traverse la ruenous regarde.C. Key to Exercise C.
Specimen Answers to the Questions.(r) ai achete des journaux et des livres. (2)
La voila sur le trottoir, pres de l'agent. (3) Non, ellene porte pas de souliers noirs, elle porte des souliersjaunes. (4) Oui, il est sur le trottoir (il y est). (5)J'attends ma sceur et ses amies. (6) Non, monsieur,je ne vais pas prendre l'autobus, je vais prendre letramway. (7) Oui, it y a beaucoup de magasins danscette rue ; on en trouve a chaque pas. (8) Oui, je lavois ; elle est entre le tramway et l'autobus.D. Key to Exercise A. P. 135, Course.
(r) Avez-vous perdu la plume que je vous aidonnee hier. (2) Sa sceur a pris les livres que vouscherchez. (3) J'aime la casquette que vous portez.Oil l'avez-vous achetee ? (4) Voila la paysanne quivend des ceufs au marche. (5)' Ma mere n'est pas a Iamaison (. . . n'est pas chez elk). Elle est sortie atrois heures et demie. (6) Prenez le tramway quis'arrete en face de 1' ecole. (7) Ses amis viennentgaiter chez nous cette apres-midi. (8) Pretez-moivotre parapluie. Je vais sortir pour acheter unjournal.E. Specimen Answers to the Questions. P. 82,Course.
(s) La voici a gauche, sous la tente. (2) Il est enface de la porte, entre les tables. Il a une assiettea la main. (3) Non, madame, elle n'en porte pas ;elle a les mains nues. (4) Le voici sur le trottoir,devant le chien ; it tient un fouet a la main. IIregarde l'agent. (5) Non, elle ne porte pas une jupecourte, elle porte une jupe longue. (6) Il est aubord du trottoir, pres de la jeune paysanne. Non, ilne porte pas de casquette ; it porte un kepi. (7)Je vais prendre l'autobus. (8) Voila le wattmannsur le tramway numero vingt-six. Je ne vois pasle receveur ; il est a l'interieur du tramway.
E. M. STEPHAN.
GERMANThursdays, 6.50-7.2o p.m. (National Programme).Translation of Poem, Pamphlet, p. 15, Talk III.That is the thrush that is warbling,'tis Spring that stirs my heart ;I feel the spirits, that prove themselves gracious,
rise out of the earth.
Life flows like a dream -I feel* like flower, leaf or tree.
* Mir ist- Es ist mir, it is to me (as if I were . . .)
Key to Lesson 26, p. 128. Translation (contd.)Fusswege (or Fussteige) filhren zum Gipfel, und
fast an jeder Ecke findet man eine Bank oder einRestaurant es ist verboten, die Blumen zu pflUcken,die im Walde wachsen. Trotzdem ist HeidelbergeM schones Stadtchen, wo man mehrere interessanteWochen verbringen kann. Der Tourist kann Ausfkigenach habschen Dorfern machen, auf dem Flussrudern, im Fluss baden und Tennis spielen. Esgibt viele Hotels, und die. Preise sind niedrig. DerRhein ist nur fiinfzehn Meilen entfernt. In denVororten der Stadt sind Villen, wo die reicherenLeute wohnen.
Test on the Genitive of the relative pronouns. Therelative pronoun agrees in gender and number withits antecedent, see Part I, Grammar, Section 189.
1. The man whose son (has) passed the examina-tion (to pass an examination, eine Prfifung bestehen).2. The man whose daughter (has) passed the exam-ination. 3. The man whose children (have) passedthe examination. 4. The woman whose son wants(use wollen) to become a cloaca-. 5. The womanwhose daughter wants to become a doctor. 6. Thewoman whose children have fallen ill (to fall ill, krankwerden). 7. The child whose father is an artist. 8.The child whose mother is an artist. 9. The childwhose parents are artists. ro. The people whosegarden is (gardens are) very pretty. 1 r. Thepeople whose cat has (cats have) run away. 12.The people whose house has heen sold.Key to Lesson 27, p. 132 (for advanced study).
A. 1. Die Polizisten sahen dem Wagen nach, derurn eine Ecke verschwand. Dann hielten sie einenWagen an, der gerade vorbeifuhr und stiegen ein.Das Auto, das einem reichen Herm gehorte, fuhr sehrschnell. Aber das Auto, das von den Polizisten ver-folgt wurde, fuhr noch schneller. 2. Die Bucher,die am meisten gelesen werden, sind nicht immer diebesten. Viele Bucher, die fast ganz vergessen sind,sind wertvoller. 3. Der Garten, der von der Strassedurch eine Hecke getrennt war, war sehr gross. EinBeet, das mit Astern bepflanzt war, war besondersschen. Die Sonne, die hinter dem Berg unterging,spiegelte sich in den Fenstern des Hauses.
B. r. Die von den Lampen beleuchteten Strassensind hell. 2. Der aus zehn Wagen bestehende Zugfuhr schnell. 3. Der von einem Englander erfundeneApparat hat eine Zukunft. 4. Wo sind die vonuns reservierten Platze ? 5. Der gerade Ober demWalde aufgehende Mond schien in den Garten.
Note. -The construction with the relative clauseis to be preferred.Translation (Use the following as a reading textand for translating into English.)
A. r. Die Hecke, die den Garten umgibt (orDie den Garten umgebende Hecke) ist dick. 2." Baden verboten." Or.Das Baden ist hier verboten.3. Man kann das Schmelzen des Schnees in derSonne nicht verhindern. Or Man kann nicht ver-hindern, dass der Schnee in der Sonne schmilzt.4. Sie hone auf zu singen. 5. Ich mag mit meinemBruder nicht (gem) verglichen werden. Or Ichhabe es nicht gem, dass man mich mit meinem Brudervergleicht. 6. Sprechen Sie nicht von Ihrer Abreise7. Er vermied die Schwierigkeit, or Er ging derSchwierigkeit aus dem Wege, indem er aus demZimmer ging (or indem er das Zimmer verliess).8. Wer hat Ihnen von der Trennung der beidenFreunde erzahlt ? 9. Wir konnten am Welken derBlumen erkennen, dass der Winter nahe war.so. Er, achtete nicht auf das Klingeln (or auf dasLeuten der Glocke). r r. Nachdem er den Briefgelesen hatte, sprach er fiber das Geschaft. 12. Mansollte vor dem Zubettgehen (or vor dem Schlafen-gehen) nicht zuviel essen. Or Man sollte nichtzuviel essen, ehe man zu Bett geht (or ehe manschlafen geht). r 3. Er nahm das Geld, ohne ein Wortzu sahen. 14. Anstatt sich zu amilsieren, studierte er.15. Sie gefallt mir (or Ich habe sie gem), weil sie sofleissig ist. 16. Man lernt viel von der Unterhal-tung mit interessanten Leuten. Or Man lemt viel,wenn man sich mit interessanten Leuten unterhalt.
MAX KROEMER.
ITALIAN(For English listeners to Italian stations, 6.4o p.m.
Wednesdays and Fridays)Notes on Relative Pronouns
CHE (applying to persons and things) is alwaysused in nominative (subject) and accusative (object)cases (see dictation, Par r).=-
QUALE (quali, plural ; for fem. and mas. alike)should be used in the other uses, i.e. genitive,dative, ablative, especially in writing, and always,requires the definite article (dictation, Par. 2).=
CUI (invariable) a very useful relative pronoun,is often used instead of quale (never in thenominative case) but the article is omitted (dictation,Par. 3).=
CUI, in the dative case, is used withoutpreposition : II portiere CUI (al quale) ho domandatole informazioni di viaggio (the porter to whomI applied for information on travel). CUI, in thegenitive case, is used without preposition when thenoun requires an article : Maria e una donna LA(di) (CUI generosita e grande (Mary is a woman whosegenerosity is great). (In other words, WHOSE istranslated by IL CUI or LA CUI, the articleagreeing in gender and number with the object).Dictation given on April 12 :
I. II cane CHE ha abbaiato (The dog whichbarked). Quale e la cameriera "CHE ha spazzato itnostro salotto ? (Which is the maid who swept oursitting -room ?). Questo e it giornale CHE mi interessa(This is the newspaper which interests me). Dovesono le signore CHE abbiamo incontrate stamani ?(Where are the ladies (whom) we met this morning ?).Ecco i guanti CHE ho fatto tingere (Here are thegloves which I have had dyed).
(N.B.-CHE is used for " than " in comparativesentences : preferisco camminare CHE prendere untaxi (I prefer to walk than to take a taxi).
2. Lo scaffale SUL QUALE (su it quale) hotrovato it libro e a sinistra della porta (The shelf onwhich I found the book is on the left of the door).Il treno COL QUALE (con il quale) e arrivato miopadre a lit migliore (The train with which my fatherarrived is the best). Le persone ALLE QUALI(a le quali) ho scritto (The person to whom I wrote).
3. La signora A CUI (alla quale) parlo e pillvecchia di me (The lady to whom I am speaking isolder than I am). Ho un autista DI CUI (del quale)sono molto soddisfatto (I have a driver with whomI am satisfied).
PER CUI means " for this reason " and isgenerally used instead of " per questa ragione " :II treno a partito pill presto, PER CUI sono venutain automobile (The train left earlier for which reasonI have come by motor car). In using the expression
per quests ragione " the conjunction E (and)is required, whereas PER CUI should merely bepreceded by a comma.Exercise (see English text in WORLD -RADIO, April 12)
Quale e it libro tie Lei preferisce leggere Ianotte ? Chi 6 quella signora ? Che libro e questo ?Quale treno devo prendere ? Questa e la donnaalla quale ho dato it vestito. (Sentence No. 5should have read : This is the woman to whomI gave the dress.) Il quadro che ho comprato eracaro. Il treno con il quale Loro sono partiti ieriera un buon treno. Mi dispiace, ma non credo cheanderb fuori oggi. La sus camera e molto fredda,6 la phi fredda della casa. Dante 6 il pia grandepoeta italiano. Roma a pits cars di Firenze. Questoe il migliore albergo della citta. E questo it pitsbel quadro nella galleria ? Quando paste da Romait migliore treno per Parigi ? (note construction ofsentence : when leaves from Rome the best train forParis ?). Abbiamo comprato i nostri biglietti perl'Opera, e non erano molto can. Vorrei compraredelle fotografie, per favore. A che ora comincial'opera ? Quale e it cambio oggi ? Posso andarefuori adesso ? Posso leggere questo libro ? Iltempo non e buono oggi, che peccato Dovremorestare a casa.
CHI, used for persons in interrogative andimperative sentences, may be replaced by theliterary form : COLUI CHE, COLE! CHE : Chirompe, paga (He who breaks, pays). Chi tardi arriva,male alloggia (He who arrives late is badly housed).Chi si contenta, gode (He who who is content (lit.satisfies himself); enjoys life). (The foregoingsentences are proverbs and the literary form is neverused.) II poeta e COLUI CHE strive versi (Thepoet is he who writes verse). Mia madre e COLE!CHE traversa la strada (My mother is she who iscrossing the street). Beati sono COLORO CHE cre-dono in Dio (Blessed are they who believe in God).
LISA SERGIO.(For Esperanto Transmtssions see page 9)
APRIL 19,1935THE SHORT WAVES
WORLD -RADIO 15
The Short Waves RevisitedWERE Mr. Micawber alive at the present day,his capacity for waiting for something to turnup would commend him as an ideal short-wavelistener. By " ideal " I do not mean the manwho is happy with regular programmes from oneor two reliable stations, but the enthusiast whodreams of wandering round the world in anevening and serving up an entertainment ascosmopolitan as a great circus. These aspiringshowmen are never really satisfied, and the bestof them refuse to accept disillusionment.Others, like myself, sometimes fall out of therace, until a chance word or experience brings usback, penitent and full of faith. We cannotresist the music of an unfamiliar call -sign. Anews -reel picture of Australians surf -ridingwhile Britain shivers is enough to rekindle theold enthusiasm for distant places.
Receiver DesignReturning to short-wave listening after adesertion of eighteen months, I do not find thatprogress in receiver design during this period hasplaced me at any serious disadvantage. I feel nodiffidence in admitting to the ownership of ano-v-s , since so many other sets of the type arein service, and even still being constructed.Perhaps a screened -grid valve is used in thedetector stage, but, otherwise, modern interpre-tations of the circuit differ only in detail fromthat of my own three -year -old. And I thinkthat this tendency to limit the number of valveswill persist among home -constructors, not onlyfor economic reasons, or to minimise noise level,but because there is a fascination in seeingwhat results can be obtained with the simplestequipment.
Meanwhile, of course, ample progress hasbeen made in the direction of providing thosewho must use the short waves or go withoutwireless entertainment altogether, with realshort-wave broadcast receivers, as distinct fromthe sometimes sketchy compromises of theexperimenter. The superheterodyne set hasestablished itself on the high frequencies as thecircuit which goes as far as is possible towardscombating the vagaries to which they are heir.
Curiously enough, this type of reception isfavoured by two widely different classes ofshort-wave listeners. On the one hand it appealsto the dweller in remote places ; on the other,through the medium of converters, it hasintroduced the pleasures of long-distancelistening to many owners of medium -wavebroadcast sets.
There is great encouragement for those whohave always .maintained that the short wavescan be a source of genuine listening pleasure, inthe fact that a certain number of stations nowpublish their programmes in advance. To -dayit is possible to plan much of one's short-wavelistening beforehand and, even if this is not done,the published programmes prove a boon whenit comes to identifying stations and calibratingnew receivers.
Improved TransmissionsAs to the sources from which programmes arenow available, the most satisfactory recentdevelopment is the adoption, by the moreimportant stations, of several wavelengths fordifferent times of the day. Although the variouswavelengths used may be associated withdirectional aerials, it frequently happens thatthey do, in fact, provide an all -day service forthe individual listener. Daventry, Pittsburgh,and Zeesen are cases in point. Many listenersin this country must have enjoyed their firstshort-wave loudspeaker reception from Zeesen,and its present ubiquity will be popular despite
occasional interence with other stations. Jelay,which shares a wavelength with DJN, is naturallythe chief sufferer, although this station isvaluable to those who catch it in the earlymornings, before its companion starts work. Itis luxury to lie in bed on. Sundays and hear itdispense gymnastic and linguistic instruction tothe matutinal Scandinavians.
Rome has now moved down from her proudif sometimes problematical isolation on 8o metresto occupy two regular frequencies and a thirdfor tests in a lower range. But it seems a pitythat this station does not give a more extensiveservice. Further transmissions in the daylighthours would help to earn for the short wavesthe goodwill of the listening public in general,for at this period they are often the only satis-factory link with the Continent.
The omni-directional aerial of the Zeesen short-wavestation
Going further afield, there are many to whomI shall sound a heretic when I remark that BoundBrook and Pittsburgh are probably more familiarnames to newcomers to the short waves than isSchenectady. But it can hardly be denied thatW2XAD has declined from its old form, andthat its single hour of transmission daily is ameagre allowance. W2KAF is elusive, andby not starting up until 11.30 p.m. for mostof the week, perpetuates the idea that listeningto America is a " small hour " diversion.
I received the most pleasant surprise I havehad for some time when, all unexpectedly, Ifirst tuned in that remarkably consistent andpowerful transmission from Rio de Janeiro,PRF5. South America appears to be capturinga leading place among trans -Atlantic broad-casters, and with this appearance of a newcountry among those furnishing reliable pro-grammes, one begins to wonder about the stillconspicuous absentees.
As the most distant point we can hope toreach, as well as for its Imperial associations,I am sure that New Zealand would be welcomedon the short-wave list. The signals whichsometimes come over from the telephonestation at Wellington justify optimism as to the
success with which an adequately -poweredstation, possibly using a directional aerial, wouldbe heard in this country. Canada, of course, isrepresented ; but one feels that more pro-grammes from this source would be popular inthe home country. Unfortunately, moderneconomic conditions do not encourage expendi-ture on the provision of other than essentialbroadcast facilities, but it is to be hoped thatwhen more prosperous times return the short-wave listener will not be overlooked simplybecause he has for so long cheerfully madethe best of a sometimes scanty service.
B. K. C.
Below 100 MetresBy "METROPOLITAN"
(April 8-14)CONDITIONS during the week under review havebeen rather poor owing, in the main, to the verylow ionisation levels that have prevailed. Whilstreception of the North American stations haspresented some difficulty, particularly those on19 metres, the South Americans have still continuedto provide good signals. Monday, April 8, wasapparently the best day of the week. WIXK(31.35 m.) was heard as early as 6.4o p.m., a verysteady R6 signal. W2XAD at 8.o p.m. was thebest 19 -metre signal at that time, its strength varyingfrom R5-7. Later in the evening W8XK (25.27 rn.)was R7 on peaks, but suffered from spasmsof deepfading. W8XK (48.86 m.), however, was a goodR8 signal, but was marred by the return of RKK.
Tuesday saw a big falling -off in conditions. Inthe early evening no trace could be found of W8XK(19.72 m.) and only the carrier of W2XAD couldbe heard, this disappearing by 8.o p.m. The onlystations worthy of mention after II.o p.m. werePRF5, who closed down at 11.15 p.m. with a " VeryGood Night " in English, and WzXAF, which wasquite an intelligible signal at this time. The onlystations of note on the 49 -metre band were theS. Americans ; PRA8 (49.67 m.) being exceptionallystrong, but of poor quality owing to modulation hum.
Wednesday saw a slight improvement on the19 -metre band, for at 5.o p.m. both W8XK andWzXE were intelligible signals, W2XE being some-what weaker with a high noise level. After midnight -W2XAF was the only U.S. transmission of note,having a maximum strength of R7. Bad conditionsstill prevailed on the 19 -metre band on Thursday.Only the carrier of W8XK could be heard, whileW2XAD was unintelligible.
There was very little to be heard on Friday,except for the " locals." After r I.° p.m. the besttransmissions were, of course, the S. Americans,YV5RMO (51.28 m.) being one of the strongestsignals. Although W3XAL (16.87 m.) could notbe found during its scheduled transmission onSaturday afternoon, it was heard at 4.45 p.m. whenit was being used for a special transmission. VK2MEwas heard at 3.4o p.m on Sunday-although onlyof moderate strength-and at 8.3o p.m. W2XAD andW8XK (19.72 m.) were heard at moderate strength.
GUAYAQUIL (ECUADOR)
Call -Sign :
Wavelength :frequencyPower :Opening Call
HC2RL,
45.13 m.6,668 kc/s.
0.2 kW."Hello America."Anthem of Ecuador.
Interval Signal : "Hello America."Closing Announcement : Anthem of Ecuador.
Announcer : Man.
Language used for announcements : Englishand Spanish.
Postal Address : Short -Wave StationHC2RL, Quinta Piedad,Guayaquil, Ecuador, SouthAmerica,P.O. Box 759, CalleTomas artinez No. 307.
(Reception reports are invited)
16
m.
84.67
75
7370.2 .
67.11
58.3152.751.2850.42
50.26
50.16
50
49.96
49.92
49.85
49.83
49.75
49.67
49.59
49.5
49.4
49.33
49.3
49.26
49.2
49.18
49.1
49.08
49.0248.9448.92
48.86
48.78
48.4
47.547.0546.6946.52
46.1546.145.3845.3145
WORLD -RADIO APRIL 19. 1935
SHORT-WAVE BROADCASTING STATIONSkc/s
3543
4000
41 TO
42734470
5145569258505950
5969
5980
kW0.15
0.05
0.520
I
0.5
0.05
10
0.2
6000 20( 41 1.6
6o10 0.5
6005
6018
6020
6030
6040
6050
6o6o
0.09
5
0.I
5
15100.5
I
0.5
6072 0.25
608o
6085
6090
6097
6,00
6110
6112
6120
61286132
6,40
615o
6198
63,6637564256447
6500650866ro66206667
f 0.51.
20
0.I
0.5
515
I0
150.5
0.5
0.25
402
0.5
0.35
i80.3
0.10.5I0
0.2
In response to numerous requests this List will be included as frequently as possible.
Station Dial ReadingMozambique (East Africa) CR7AA. MoN.,
SOMETHING unusual was promised when, at 10.50p.m. on Sunday, April 7, I found LSX BuenosAires (28.98 m.) retransmitting the programme ofEAQ, with frequent interruptions for the operatorto inquire anxiously, " 'Allo, 'allo, Madrid ? " MadridEAQ, apparently unconscious of being so urgentlysought, announces in English, " The next item willbe a paso doblo." This, however, is not to theliking of our friend in Buenos Aires, who immediatelyshuts off the retransmission but continues hisurgent appeal to Madrid, his voice registering inquick succession impatience, eagerness, and -ascontact is made -exultation. A series of staccatosentences from each end was followed by the EAQannouncer informing listeners to Radio Belgrano,Buenos Aires, that they were to hear a specialtransmission from Madrid, and giving a shortrésumé of the programme. Thereafter the LSXoperator, relenting, brought the. EAQ programmeon the air again, enabling me to listen for an hourto a typically Spanish " fete musicale," whilsttaking notes on reception from both sides of theAtlantic. Strength from each station was R8, butquality on LSX deteriorated later.
Stromness, Orkney. J. D. M.
Cavalcade of Farm and HomeIn response to numerous invitations during theprevious week, I duly tuned in to W8XK (19.72m.) at 5.3o p.m. on Monday, April 8, to hear the2,000th National Farm and Home Hour. A specialanniversary programme had been prepared, and,after the familiar signature march and an overtureby the Home Setters, the announcer introducedthe " Cavalcade of the Farm and Home."
The first person to speak was the first musicaldirector, who had directed the orchestra of onlyfive members on October 2, 1927. The originaltheme song was then played by the present orchestraof twenty-five. A list of the important functionsvisited by the Farm and Home microphone wasread, followed by messages from the presidents ofthe organisations to which certain days of the monthare devoted -such as the National Grange and theAmerican Farm Bureau. As an intermission theHome Setters played Ferde Grofe's " Mardi Gras," ,which was followed by the theme songs of thespecial monthly " hours," some of which werecompositions of Walter Blaususs, the present director.The Songfellows singing the " Rangers Song "introduced the popular Forest Rangers, who areheard each Friday, and then the staff of the " Farmand Home Bugle," the only unpublished newspaper,were introduced.
The microphone switched to Washington, wheremembers of the Department of Agriculture greetedthe Farm and Home. Back again to Chicago for" Manhattan Masquerade," a piano solo, and finallyto New York, where the first director of the dailyprogramme, Frank Mullen, spoke, to be followedby Mr. Richard Patterson, Vice -President of theN.B.C., both of whom thanked the Farm and Homefor what it had done, and for what they hoped itwould continue to do. A familiar quotation ofAbraham Lincoln's, a stirring march, and " lots ofgood luck, everybody," concluded a memorable hour.
Builth Wells, Wales. R. M. J.
" Popular Trains "At 11.40 p.m. on Friday, April 12, a talk wasgiven from Rome (49.3 m.) by H. E. AntonioStefano Benni, Italian Minister of Transport, on" Popular Trains." The " Popular Trains " werefirst organised in August, 1931, and in the firstyear there were 460,00o travellers who were carrieda total of 113,000 train miles. Last year the numberof travellers had increased to 1,300,000. Thetrains travel to all parts of the Italian Peninsula.Many trips are organised from Milan to Venice,Turin, Genoa, Rome and the various lakes. Occa-sionally they are run to such interesting places asPompeii. With the co-operation of the steamshipcompanies, trips are now being run from Rome toSardinia. These " Popular Trains " are composedentirely of third-class carriages and, owing to thefares being very low, they are always crowded.They enable people of limited means to travelwidely " like the English and French." Anotherimportant factor about these trains is that they
always arrive at their destination on time. Thespeaker closed with the remark : " The peopleappreciate what the Duce is doing for them."
Keighley. H. B.
Finding New TalentThis morning (April t), at t a.m., I heard a novelentertainment from W2XAF. It was an hoursponsored by Chase and Sanborn to give new talenta chance -anybody could come to the " mike." Ifthey were liked they were applauded and, if not, agong sounded and ended their hopes of Radio fame.The New York listeners were invited to " vote " bytelephone. In fifteen minutes, zoo telephone callswere received.
The programmes consisted of hill -billies, dancetunes, piano and violin solos. Two Irishmen fromBelfast played a selection on the bagpipes and wereloudly applauded. Then a Dr. Davenport and alady of the ripe old age of Ito years came on. Shetold her life story and said she was born in 1824, andhad a son aged ninety-three years living in Madeira.She then played a piano solo. She was followed bya lumber -jack, who sang the Ranger's song fromRio Rita, and then four little negro boys -whoseages ranged from ten to fifteen years -sang a negroditty. The whole entertainment was brought to aclose with the presentation to Mayor Bowe, thecompere, of the medal for distinguished service toradio. These entertainments are broadcast everySunday at 8 p.m. E.S.T. or 1 a.m. G.M.T.
Cork, I.F.S. J. F. O'D.
We invite contributions describing interesting eventsor items broadcast on the short waves. Contributionsshould not exceed 25o words ; they should be clearlymarked "Short -Wave News Reel," ani must reachus by first post each Monday. Payment of los. 6d.will be made for each contribution published.
Short -Wave ReportsSLR, -The following report of Central and South
American stations logged on April 7 may be ofinterest to other readers: -12.33 a.m. TIGP3 (51.55 in.) R6/FR/X. Call and orchestra.12.37 a.m. YV5RMO (51.28 m.) R5/FR/X. Talk.12.53 a.m. HJIABB (46.52 in.) R6/FS/X. Woman singing, notes
on a gong, and call.12.55 a.m. YV4RC (47.05 m.) R4/FFR/XX. Man singing.12.57 a.m. HJ4ABB (42.02 m.) R5/FR/XX. Woman singing.12.59 a.m. 1-1.15ABD (46.15 m.) R4/FFR/XX. Man talking.1.5 a.m. COH (31.8 m.) R4/FFR/X. National anthem, call, and
tango.1.36 a.m. YV3RC (48.78 m.) R5/FR/X. Bugle call and gong.1.39 a.m. YV6RV (46.1 m.) R8/FS/X. Orchestra and call.1.41 a.m. 1-113ABH (50.17 m.) R8/FSS/X. Talk.1.52 a.m. OAK4D (51.87 m.) R5/FS/X. Selection from " A
Waltz Dream."2.10 a.m. HP5B (49.75 m.) R6/FR/X. Call in English and
orchestra.
Receiver used was SG -v-1 with 'phones andoutdoor aerial.
Yours faithfully,Coulsdon, Surrey. L. C. B.
* *SIR, --I wish to submit extracts from my log of
April 6, showing reception of North Americanstations only, which I hope will be of interest tofellow readers.12.50 a.m. W2XAF (31.48 m.) R9/N/N. Lady Betty Bread
advert. Call.3.30 a.m. W3XAU (49.5 m.) R6/S/N. Serenade to a Wealthy
Widow.4.0 a.m. W8XK (48.86 m.) R9/N/N. Hank Keene and His Gang.4.45 a.m. W8XAL (49.59 ni.) R7/SS/X. Mell Snider and his
orchestra.6.0 a.m. W9XF (49.18 m.) R5,'N/XX. Call, dance music.2.0 p.m. W8XK (19.72 m.) R7-8/SS/N. Breakfast Club.4.50 p.m. W2XE (19.64 m.) R8/SS/N. Cal] in English and Spanish ;
choir.5.20 p.m. W3XAL (16.87 m.) R8/S/N. Violoncello and soprano.5.30 p.m. W8XK (19.72 m.) R9/S/N. U.S.A. Marine Band.9.30 p.m. WI XK (31.35 tn.) R7/N/XXX. Through the
studios ; call.10.30 p.m. W I XAL (Testing, 11,740 kc/s) R9/N/X. Asking for
reports ; call.
My receiver is C SH4, home -built, with 4oft.outdoor aerial. All reception on loudspeaker.
Yours faithfully,Preston, Lancs. J. G. R.
In response to numerous requests the Short -
Wave List on page 16 will be published as
frequently as possible.
17
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18 WORLD -RADIO APRIL 19, 1935
Short -Wave ProgrammesDaventryDaventryDaventryDaventryDaventryDaventryDaventryBombay (India)
OPERAS3.o Sottens : " Faust " (Gounod).6.5 Munich : " The Mastersingers."8.o Cologne : " The Seraglio " (Mozart).
9.o Rome : " La Boheme " (Puccini) fromTeatro Reale.
t.o Brussels 2 : " Tannha user," Act 1,records.
CHAMBER MUSIC5.3o National : John Ireland programme.7.o Berlin : " Trout " Quintet (Schubert).7.15 Vienna : Beethoven Septet.8.15 Eiffel Tower : Old music.
4.30 -For the Children.4.50-" The Third Day." A Narrative
Drama of Easter by Mona Swann.Cast includes : Ion Swinley, NormanShelley, John Garside, HaroldScott, Richard Ainley, BarbaraPalmer, Doreen Morton.
5.15 -Easter Day in Jerusalem. Adescriptive Talk by the Rev. M. L.Maxwell, Incumbent of ChristChurch, Old City, Jerusalem.
5.30 -John Ireland Chamber MusicAntonio Brosa (Violin) ; AntoniSala ('Cello) ; John Ireland (Piano-forte) ; Alfred Read (Baritone).
6.45 -From the Four Comers -4.7.15 -Percy Fleming (Baritone) ;
Thelma Reiss ('Cello).7.55 -Service from Winchester Cathe-
dral.8.45 (Droitwich)-Appeal on behalf of
the Home for Training CrippledBoys. The Bishop of Kensington.
8.45 (London, West, North) -Appealon behalf of the Notting HillNursery School.
8.45 (Scottish) -Scottish Regional.8.50-" The News."9.0 -Albert Sandler and the Park
Lane Hotel Orchestra. ThelmaTuson (Soprano) ; Orchestra :Overture, Don Juan (Mozart) ;Take all my heart (Ramon) ; Paradeof a Toy Soldier (Ewing). ThelmaTuson : Ah ! fors' e lui (LaTraviata) (Verdi) ; Easter Flowers(Sanderson). Albert Sandler : Ro-manian Air and Gipsy Dance(Sammons) ; Dance of the Come-dians (Smetana). Thelma Tuson :Love, I give you my all (Besly) ;Lonely Star (Palmer) ; Song in theNight (Loughborough). Orchestra :Selection of Grieg's Music (arr.Urbach).
Sextet. Elsie Griffin (Soprano).6.45 (except N. Ireland) - " Spring
Comes to Europe." A Tone Picture.Written and spoken by BertheGrossbard. Music devised andarranged by Mark Lubbock andStanford Robinson. Nora Gruhn(Soprano); Jan van der Gucht(Tenor). Wireless Chorus; TheatreOrchestra. Conductor, StanfordRobinson.
6.55 (N. Ireland) -Service.7.55 (Regional, Scottish, N. Ireland)-
FRANKFURT, 6.35 -8.15 -See Ham-burg. 8.15 -Time Weather.8.20-" Jauchzet Gott in alienLanden "-Cantata (Bach), by RiaGinster (Soprano) and the StationOrchestra (on Records). 8.45-Wind Instrument Music.
HAMBURG, (.35-8.15- HarbourConcert. 8.15 -Time ; News.8.30 -Gym. 8.45 -Old Music by aWind Instrument Quintet.
HUIZEN, -8.40-Protestant Pro-gramme for Young People. Kroon(Organ).
9.22 -Cookery Notes. 9.30-" Chimes "-Concert on Records.9.50 -Records of Chaliapin andLily Pons.
PARIS (PTT), 9.0 -Pierre Revel(Organ). Pastoral Prelude (Boell-mann). Prelude and Fugue in Cminor (Bach). Piece en forme decanon (Dupont). Fantasia (Revel).9.30 -For Children. 9.55 -SacredMusic.
PARIS (Radio -Paris), 9.0 -Italian.PRAGUE, 9.0 -See Brno.ROME, 9.40 -Announcements.STRASBOURG, 9.30 -Pontifical High
Mass from the Cathedral.STUTTGART, 9.0 -See Frankfurt.TURIN, 9.15 -Announcements. 9.25
-Bible Reading. 9.40 -News.VIENNA, 9.0 -Pontifical Mass from
the Cathedral.WARSAW, 9.0 -Records. 9.25 -
Announcements. 9.30 -Service.
10 a.m.BERLIN, 10.0 -Cathedral Chimes.
10.5 -Weather.BEROMONSTER, 10.0 -Protestant
Service. 10.45 -Easter in Literatureand Music.
BRATISLAVA, 10.0 -CatholicService. 10.15 -Station Orchestra.Conductor: Dyk.
BUCHAREST, 11.0 -Sacred Music.Domnitza Balacha Church Choir.Conductor : Chirescu. 11.30 -Records of Famous Singers.
BUDAPEST, (No. 1), 11.0 -Mass.11.30 -Protestant Service.
COLOGNE, 11.0 -Concert. Can-tata for Soprano, Contralto, TwoFlutes, Oboe, 'Cello, and Harpsi-chord, Ersehnter Freudentag (Bach).Suite in F minor for Harpsichord(Handel). Concerto in F minorfor Harpsichord, Two Violins,Viola, and Continuo (Bach).
FRANKFURT, 11.0 -Cassel ChoralSociety. Conductor : Moser.Songs (Lernacher) : (a) Morgen-lied, (b) Der Lieblingsbaum. Andie Sonne (Jochum). Jetzt woll'mer (Haas). Grossmutter will tan-zen (Jochum). Wie sch5n blithtuns der Maien (Ramrath). Lieddes Volkes (Erdlen) Vespergesang(arr. Kiimpf). Madchen mit denblauen Augen (arr. Reger). DasLieben bring( gross Freud (arr.Othegraven). 11.30 -Old andNew Easter Songs, by Paul Losse(Baritone) and Adolf Radtke (Piano-forte). Der Herr ist erstanden(Franck). Was bringet Jesus ausdem Grabe (Bohm). Kommtwieder aus der finstern Gruft (Bach).Jesus lebt, mit ihni auch ich (PhilippE. Bach). Ist der Tag so frith andgran (Lang). Der Herr ist wahrhaftauferstanden (Same). Nun freuedich, o Christenheit (Geilsdorf).Willkommen sei die frohlich Zeit(Wetz).
HAMBURG, 11.10 -Talk : Birds.11.40 -Talk : Easter Hares andEggs in German Folk Customs.
HILVERSUM, 11.0 -Jong (Organ).11.10 -Talk. 11.25-V. A.R.A. Or-chestra. Conductor : de Groot.Krol (Pianoforte and 'Cello).
HUIZEN, 11.0 -High Mass (contd.front 10.45).
KALUNDBORG, 11.0 - Service(contd. from 10.0). 11.30 -Weather ;News.
KONIGSBERG, 11.0-" The Resur-rection " (Schutz). 11.30 -Reading(Kolbenheyer).
LEIPZIG, 11.40 -Programme An-nouncements.
MONTE CENERI, 11.30 -Announce-ments ; Religious Address.
MOSCOW (No. 1), 11.0 -Choir(contd. from 10.15).
MUNICH, 11.0 -Chamber Music(contd. from 10.40). 11.15-" Petrarca "-Sequence (Walther-Hellmessen). 11.45 -GustavSchoedel (Organ). Heut triutn-phieret Gottes Sohn (Bach). Fan-tasia on " Alleluja " (Renner).
PARIS (Poste Parisien), 11.0 -Or-chestra (contd. from 10.35).. 11.20-Report of the Paris -RoubaixCycle Race. 11.33 -Records.
tic ELM Ri5NIGSBERG
TIIERESURRECTION
Heinrich SchutzEvalotte Hellgardt, ContraltoReinhold Pliquett, TenorHorst SchrOder, BaritoneMarg. Schuchmann,
HarpsichordAdolf Schutz, OrganThe Station Choir andOrchestra. Conductor,Prof. Paul Firchow
PARIS (PTT), 11.0 -Sacred Music.11.30-S po rts. 11.45 -Records.
PARIS (Radio -Paris), 11.0 -Records.Aria (Gluck). Offrande (Hahn).Serenade (Pierne). Aria (Bach).11.15 -Martha Bracquemond(Organ). from the Salle CavailleColl. Fantasia aad Fugue in Gminor (Bach). Two Chorals (Bach).The Ascension (Meissian). LeCheminr de Croix (Dupre). 11.45 -Religious Address by the Rev.Father Parte.
BRESLAU, 12.0 -Concert. Walden-burg " Bergkapelle." Conductor :Kaden. Arthur Preil (Humorist).March, Lustig sein is heat' Parole
(Siede). Lachen ist gesund (Mes-trum). Overture, Lachendes Leber(Rust). Frikassiertes Trompeter -ragout (Schiller). Kakao. FreutEuch des Lebens (Lincke). March,Die Lustige Dorfschmiede (Fueik).Guten Appetit 1 Waltz, Wine,Woman and Song (Strauss). TwoPieces for Accordion (Niegsch).A Family Idyll. March, VivatGermania (Schicke). Obligations.Song and Czardas (Grothe). TwoQuartets (Schrammel). Advertise-ment Posters. March, Weidmanns-heil (Reckling). Meister Petz amHofe Meiers (Petscy). The Clock.Polka, Sugar and Coffee (Millocker).Humoresque, Im Automatensalon(Vollstedt). The Lift -man. Gallop,Int D -Zug (Blon). Waltz, In chambreseparee (Heuberger). The Boxer.March, Das Lied der Arbeit (Orth).March, Gruss an die Lausitz(Milarch).
BRUSSELS (No. 1), 12.0 -Records.Cloches en volee. Alleluia (Handel).Toccata and Fugue in D minor(Bach). Et resurresit (Bach). Pieceheroique (Cesar Franck). Sanctus(Boezi). 12.30 -Orchestra. Con-ductor : Walpot. Overture, " DieFelsenmithle ' (Reissiger). Lavoix des cloches (Luigini). SpringSong (Mendelssohn). Liebeslieder-walzer (Moszkowski). To Spring(Grieg).
BRUSSELS (No. 2), 12.0 -Records.Gloria from the Mass in E minor(Bruckner). Symphonic Rhapsody(Coates). Magnificat and Anthem(Mitterer). Angels' Serenade(Braga).Victimae Paschali !nudes (Mignan).Benedictus from the Missa PapaeMarcelli (Palestrina). Maestosoand Finale from the Third Sym-phony (Saint -Satins). 12.30 -Carillon Recital by Jef Denijn,relayed from Malines. Les rameaux(Faure). Two Folk Songs. Melody(Mendelssohn). M'n zoet lief kind(Marinus-Brandt-Buys). ReginaCoeli laetare. Incertum. In theInterval: Report of the Paris -Roubaix Cycle Race.
BUCHAREST, 12.0 -Station Orches-tra. In the Interval at 12.45 --Water Level ; Amusement Guide.
HUIZEN, 12.0 -High Mass (contd.from 10.45). 12.40 -Records.12.55-K.R.O. Orchestra. Con-ductor : van 't Woud. Overture," The Secret Marriage " (Cimarosa).Ballet Suite (Gretry-Mottl). Selec-tion, " Armide " (Gluck). Entr'-acte, " Les Erynnies " (Massenet).Selection, " Le Cid " (Massenet).
KALUNDBORG, 12.0 -Time ;Chimes. 12.2-Hansens Instru-mentalEnsemble. 0verture," Agrip-pina " (Handel). Largo from theClarinet Quintet (Mozart). Selec-tion, " Orpheus and Eurydice "(Gluck). Gavotte (Martini). Ada-gio from the Violin Concerto in E(Bach). Minuet (Beethoven). An-dante cantabile, with variations(Beethoven). Chamber Sonatafor Two Violins and Pianoforte(Corelli). Ave Verum (Mozart).Scherzo (Schubert). Friihlings-glaube (Schubert). Excerpts, Letombeau de Couperin (Ravel).Adagio funebre (Carsen). Selec-tion, " The Barber of Seville "(Roasini). In the Interval at 12.50:Reading (Ibsen).
SUNDAY April 2i
KONIGSBERG, 12.0 -See Breslau.LEIPZIG, 12.0 -Military Band from
Dresden. Conductor : Warwas.March, Kampf bereit (Stelzner .Overture, " Nakiris Hochzeit "(Lincke). Die Himmel rtihmen desEwigen Ehre (Beethoven). Selec-tion, " Der Trompeter von Sal-kingen " (Nessler). Waltz -Inter-mezzo, Gefalligkeiten (Warwas).Eine kleine Geschichte (Dorniok).March, Soldatenblut (von 131on).March, In alter Frische (Steinbeck).
MONTE CENERI, 12.0-BellinzonaMandoline and Guitar Club. Con-ductor : Gargano. 12.30 -Weather.12.35 -Radio Orchestra. Conductor :Herschel. 12.55 -News.
BRUSSELS (No. 1), 1.0 - News ;Report of the Doullens Stage, Paris -Roubaix Cycle Race. 1.10 -Records.1.40 -Symphonic -Excerpts, " Par-sifal " (Wagner) on Records.
BRUSSELS (No. 2), 1.0 - News.
221 WORLD -RADIO [APRIL 19. 1935
SUNDAY April Z1
1 p.m. (contd.)1.10 -Orchestra. Conductor : Wal-pot. Serenade for Violin, 'Cello,Double Bass, Clarinet and Piano-forte (Saint -Satins). Pieta (KarelAlbert). Canon (Schumann). PanisAngelicus (Franck). Aurore (Lee -mans). 1.30 -Records. Die Musikkommt (Oscar Straus). Vittoria,Vittoria (Carissimi). Le rossimol(Blessiane). Love's Old Sweet Song(Bingham). The Chinese Story -Teller (Dreyer). Van Jesus en SintJanneken. Serenade badine(Gabriel -Marie). Intermezzo, Daserste Herzklopfen (Eilenberg). Inthe Garden of Roses (Bayer). In theInterval : Report of the Paris -Roubaix Cycle Race.
BUCHAREST, 1.0 -Orchestra. Inthe Interval at 1.15 : News.
BUDAPEST (No. 1), 1.0 -Orchestra(contd. from 12.45).
DEUTSCHLANDSENDER, 2.0 -" Das verhexte Hasenkind " -Easter Fairy Tale with Songs (Bar-ker) : Emini Goedel ; Children'sChoir. 2.30 -Records.
FRANKFURT, 2.0 - Easter Pro-gramme for Children.
HAMBURG, 2.0-" Das verzauberteHasenkind "-Easter Fairy Talewith Songs (B8rker).
HILVERSUM, 2.0 -Reading. 2.10 -Sonata in A minor, (Grieg),by Carel van Leeuwen Boomkamp('Cello) and Henrietta Bosmans(Pianoforte). 2.40 -Talk : EasterBooks.
HUIZEN, 2.0-K.R.O. Orchestra.Conductor : van 't Woud. Over-ture, " Czar and Carpenter "(Lortzing). Accelerationen-Walzer(Strauss). Fantasia (Eberle). PolishDances (Scharwenka). PizzicatoPolka (Strauss). Gallop (Strauss).2.40-" The New Light "-EasterCantata.
MUNICH, 2.0 -Talk : An OldBavarian Peasant Meal. 2.20 -Request Records.
3.0 P.M. KALUNDBORG
CLASSICSThe Radio Orchestra, Con-
ductor, Fritz MahlerGood Friday Music (Parsifal),
WagnerOverture, Coriolan, BeethovenBallet Music (Orfeo), GluckHaydn Variations, BrahmsConcerto grosso, VivaldiDivertimento No. r r, MozartOverture, A MidsummerNight's Dream, Mendelssohn
PARIS (Eiffel Tower), 2.0-lbosOrchestra ; Sorbier (Songs).
PARIS (Poste Parisien), 2.0 --RequestProgramme.
PARIS (PTT), 2.0 -Dramatic Pro-gramme by Artists of the Comedic-Francaise with M. Roger Monteaux" Toi et moi " (Geraldy). " Les Lise-rons " (Franc-Nohain). " Le lacLowers" (Cacol). A Fable (La Fon-taine). " Deux histoires de Patachou"(Dereme). " Cantique du Vin"(Ponchon). " Eux " (Donnay).
PARIS (Radio -Paris), 2.0-Bilboquetas Cleaner. 2.15-" Colin -Mail -
dart "-Play in One Act in Verse(Gentil).
ROME, 2.0 -Records. 2.15 -3.5 -Pro-gramme for the Mediterranean.District. 2.15 -Time ; Announce-ments. 2.25 -Symphony Concert.Overture, "Don Giovanni"(Mozart.) Lefontane di Roma(Respighi). Selection, "The ThievingMagpie" (Rossini) 2.55 -ProgrammeAnnouncements.
HAMBURG, 3.0 -Erwin ZillingerSong Recital from Kiel. The Kiela-capella Choir. Conductor : TheComposer (Pianoforte). ErnaPertain (Contralto). Der Wind.Wald im Fruhlingssturm. Con-tralto : (a) Holsteinische Landschaft,(b) Am Roten Kliff. Die graue Stadtam Meer. Contralto : Ostern amDeich. Meeresstrand. 3.30-" Spring." Station Dance Band.Conductor : Heinemann.
HILVERSUM, 3.0 -Talk (contd. from2.40) 3.10-" Faust in Music."Groningen Orchestra. Conductor :Miller. Eine Faust Ouverture (Wag.ner) Excerpts, " The Damnation ofFaust " (Berlioz). Overture, Faust(Schumann). Excerpts, "Faust"(Gounod). In the Interval: Read-ings by Leo Straus from Goethe's" Faust."
OSLO, 3.30 - N.B.C. Programmefrom New York. Norwegian EasterProgramme. Address by Dr.Aasgard. St. Olaf Choir, Minnesota.Male Voice 'Choirs. MagnhildFjeldheim (Soprano). Peter Berge(Announcer).
PARIS (PTT), 3.0 -Dramatic Pro-gramme (contd. from 2.0). Afterthe Dramatic Programme. Reporton the Paris -Roubaix Cycle Race.3.30 (approx.)-The Locatelli Or-chestra. Petite Piece d'Antan(Fevrier). Berceuse (Leuntjens).Humoresque (Leuntjens). TwelveEpigrams (Rosemberg). Habaneranocsurne (Cadou). Moorish Seren-ade (Chapi). Sous to fenetre(Chaminade). Spanish Serenade(Chaminade). Canzonetta (d'Am-brosio). Noveletta (Durand).Schubert Potpourri (Foulds). Suite,Portraits (Closset). Scherzo (Dvof-ak). Waltz, Amoureuse (Berger).Lied maritime (d'Indy). Pitresnapolitaines (d'Indy).
PARIS (Radio -Paris), 3.0 -RunningCommentary on the Race for thePresidents Cup, relayed from theAuteuil Race Course. -
RADIO NORMANDIE, 3.0 -Servicefrom Rouen Cathedral.
nouncements. 3.10-Book Review.3.35 -Talk : The Achensee.
WARSAW, 3.0 -Popular Programme.3.30 -Dance Music.
4 p.m.BARCELONA, 4.0 -For Hospitals.BERLIN, 4.0 - Concert. Military
Band. Conductor : Berdian. Accor-dion Band. The Berlin MozartChildren's Choir. Conductor :Calliesz. Festouverture (Lortzing).Waltz, Vive la dance (Waldteufel).Swabian Rhapsody ,(Karnpfert).March, Williareof Nassau (Gravert).Accordion Band : (a) March, ImSturm voran (Lange), (b) Roman-tischer Walzer (Heinecke), (c)Drunt in der Lobau (Strecker), (d)Mein Walzer aus Wien (Jungherr),(e) Accordeana (Gruber). Choir :(a) Alter deutscher Tanz (Hassler),(b) Die Henna (Scandellus), (c)Folk Song, Waldvoglein, (d) FolkSong, Horch, was kommt vondraussen rein. Accordion Band :(a) An der Waterkant (Jungherr),(b) Ahoi, ahoi (Geisler), (c) Tango,Ich bin allein mit meiner Liebe(Bochmann), (d) Polka, Hokus-Pokus (Porschmartn), (e) Intermezzo(Jungherr). Choir : Five FolkSongs. Accordion Band : (a) Waltz,Mia bella (Sommerfeld), (b) Waswillst du blosz in Spanien (Alex),(c) Eine Seefahrt, die ist lustig(Bordes), (d) March, Florida (Ort-leb). March, Evviva Verdi (Marsh).Overture, " Maritana " (Wallace).Intermezzo and Spanish Dance," L'Arlesienne " (Bizet). SwedishWedding Procession (Brase). Selec-tion, " The Geisha " (Jones). March,Sachsentreue (Schmidt),
BEROMUNSTER, 4.0--"'s Glickmit dr Latarne gfunde "-AlsatianDialect Singspiel (Schmidt). 4.40 -Old Italian Music. Radio Orchestra.Copductor : Gilbert.
BRUSSELS (No. 1), 5.0 -Duets forStrings--Costy and Arias (Violins),Courte (Viola). Sonata for TwoViolins (Hotteterre). Andante convariazioni (Haydn). Duet in Aminor (Bach). Sonate dans le goat
OSLO, 5.0 -Reading (Krag). 5.25 -Elegiac Trio (Rachmaninov). BlomNorheim (Violin). Kurt Muller('Cello) and Oystein Larsen (Piano-forte).
PARIS (Poste Parisien), 5.0 -Orches-tra. 5.15 -Variety.
PARIS (PTT), 5.0 - One ActComedies : (a) " Les mdprisesde )'amour " (Vilteroy), (b) Linefemme survint " (Villeroy), (c)" Crews Vagabond " (Ldry-d'Al-zac).
PARIS (Radio -Paris), 5.0 -PopularConcert. Conductor : Kartun.Overture, " The Secret Marriage "(Cimarosa). Andante (Grieg).Canzonetta (Mendelssohn). TwoNorwegian. Dances (Grieg). Rhap-sody in Blue (Gershwin). Marchedes petits sotdats de plomb (Pierne).Marriage in the Stable (Stone). ThePig and the Fly (Burt). The TalkingDoll (Infante). You are my Heart'sDelight, " The Land of Smiles "(Lehar). Scenes napolitaines (Mas-senet). Caprice viennois (Kreisler).Espana (Waldteufel). March (At-kins).
(contd. from 3.0). 5.30 -Carillonfrom Rouen Cathedral.
ROME, 5.0 -Concert or Relay of anOpera.
SOTTENS, 5.0-" Faust (Gounod)(contd. from 3.0).
STOCKHOLM, 5.5 -For Children.5.45-" Cenedoxus "-Play.
BRUSSELS (No. I), 6.5 -Reading.6.I5 -Brandenburg Concerto No. 4(Bach), conducted by Cortot (Re-cords). 6.30-" Children "-Or-chestra. Conductor : Walpot.Musiqua pour Guignol (Gabriel -Marie). Jeux d'enfants (Bizet).Nursery Suite (Inghelbrecht). Chil-dren's Song Suite.
BRUSSELS (No. 2), 6.0 -For Chil-dren. 6.15 -Choral Music. Boerin-nenjeugd (De Boeck). Choral toWords of Gertrud von le Fort.De zangers in het woud (De Boeck).Groet aan Vlaanderen (Van Passen).
BUCHAREST, 6.0 -Weekly Review.6.15 -Dance Records.
BUDAPEST (No. 1), 6.0 -Talk -6.10 -Military Band. Conductor :Figedy-Fichtner.
BUDAPEST (No. 2), 6.0-WeidingerOrchestra. 6.15 -Talk : WeddingCustoms.
COLOGNE, 6.0 -Talk in Dialect:Tae Easter Hare. 6.15 -Sonata inD for Violin and Pianoforte (Beet -It wen), by Isabella Schmitz andErich Rummel. 6.40 -Talk : Free-dom and the Fatherland.
DEUTSCHLANDSENDER, 6.0 --" The Parents' Journey "-Sequence(Triebel). 6.30 -Records : NewSound Film Music. In the Interval :Report of the International FilmCongress at Berlin.
FRANKFURT, 6.0 - Easter Pro-gramme for Young People. 6.30 -Franz Hauck's Band.
HILVERSUM, 6.0-Pruis and Mlle.Stella Seemer (contd. from 5.40).6.10 -Talk : Football. 6.25 -Re-cords. 6.30 -Sports Notes. 6.40 -Mlle. To. van den Sluys (Songs)and Van den Horst (Organ). Organ :Three Choral Variations on "0Lamm Gottes unschuldig " (Bach).Song : Passionslied (Ph. E. Bach).Three Songs (Bach) : (a) Auf, aufmein Herz mit Freuden, (b) AnOstern, (c) Jesus unser Trost undLeben. Organ : Air (Bach). Voiceand Organ : (a) Stein der fiber alleSchatze (Bach), (b) Mein Jesuswill es Lund (Bach). Organ Preludeand Fugue in D (Bach). In theInterval : Recitation by Van Dal -sum.
HUIZEN, 6.0 -Service (contd. from5.40).
KALUNDBORG. 6.0 - Service(contd. from 5.0). 6.20 -Talk :Mental Homes. 6.50 -Weather.
(Schubert), by Wolfgang Borries(Pianoforte), Siegfried Borries(Violin), Carl Spannagel (Viola),Hans Metzler ('cello) and HermannMentzel (Double Bass). 7.40 -Sports.
BUDAPEST (No. 1), 7.0 -MilitaryBand (contd. from 6.10). 7.15-" Ohne Musik kann ich nichtleben " -- Comedy (ZsigrnondMorica).
BUDAPEST (No. 2), 7.10 -BudapestConcert Orchestra. Conductor:Komor. Overture," Der Opernbal I "(Heuberger). Indian Suite (Luling).
OldFavouritesThe Franz Hauck Band
Moonlight on the Alster,Tetras
Serenade HevkensStephanie Gavotte CzebulkaBirthday Serenade LinckeWaltz, Over the Waves RosasBrownies' Parade Noack
6.30 P.M. FRANKFURT
Espana (Waldteufel). Parade of theTin Soldiers (Pierna). Harem inMorocco (Nagypal). Ballet Suite," Pas des Fleurs" (Delibes).
COLOGNE, 7.0 -Records : SerenadeNo. 10 in B flat (Mozart). Serenadein C (Tchaikovsky).. 7.40-AFlying Visit. 7.55 -Sports.
123
SUNDAY April2t I
DEUTSCHLANDSENDER, 7.0 -"Easter in Folk Songs" -Sequence(Berten). Station Chamber Choirand Orchestra ; German OratorioChoir. Conductor : Vack. Hilde-gard Erdman (Soprano), HelmutMelchert (Tenor), Hans Hartwig(Baritone).
FRANKFURT, 7.0 - " Das Apostel-spiel " - Play (Max Mell). 7.50 -Sports.
HAMBURG, 7.0 -Mark Twain
Bilboquet, who contributes regu-larly to the mirthful side ofRadio -Paris programmes (to -day
at 7.0 p.m.)
(contd. from 6.45). 7.15 -OskarDeffner (Organ) and Erich Harnisch(Viola) from St. Nicholas Church,Kiel. Praambulum (Schildt).Christ ist erstanden (Scheidt).Largo from the Viola Sonata(Eccles). Variations (Mursch-hauser). Adagio and Allegro fromthe Viola Sonata No. 2 (Tartini).Canzone (Drischner). 7.50 -Weather.
HILVERSUM, 7.0 -Songs andOrgan (contd. from 6.40). 7.40 -Van den Horst (Organ). ThreePieces (Couperin) : (a) Angus Dei,(b), Qui tollis peccata mundi, (c)Deo Gratias. Fantasia in C(Franck). In the Interval : ReligiousAddress.
HUIZEN, 7.0 -Service (contd. front5.40) ; Records.
JUAN - LES - PINS (Radio Coted'Azur), 7.15 -Overture, Easter(Rimsky-Korsakov), by the StationOrchestra. 7.30 -Roman Catho-lic Service.
KALUNDBORG, 7.0 - Time ;News ; Sports. 7.30 -Talk : TheProtection of Nature in Greenland.
KONIGSBERG, 7.5 -Talk : EastPrussia. 7.30 -Hans Eggert(Baritone) and Kurt Sachs ('Cello).Three Pieces (Schumann). GellertSongs (Beethoven): (a) Bitten,(6) Die Liebe des Nachsten, (c)Vom Tode, (d) Die Ehre Gottesaus der Natur, (e) Gottes Machtund Vorsehung, (f) Busslied.
PARIS (Eiffel Tower), 7.0 - Talk.7.15 - Weather. 7.25 -Racing ;Time. 7.30 -Topical Talks. 7.45-" Au Son de la Cloche " (Berthed'Yd) by Berthe d'Yd and PaulCastan.
BRUSSELS (No. 2), 8.0 -SymphonyOrchestra. Conductor : Andre.Overture in C (Beethoven). Suite inFive Parts (Peeters). Easter, Ex-cerpt from the Triptych (Blockx).8.45 -Roman Catholic Review.
BUCHAREST, 8.0 -Dramatic Pro-gramme.
BUDAPEST (No. 1), 8.0-" OhneMusik kann ich nicht leben "-Comedy (contd. from 7.15).
THE SERAGLIOCOMIC OPERA, MOZARTSelim-Kurt Ehrhardt Belmonte-Peter AndersKonstanze-Lilly Trautmann Pedrillo-Werner AlsenBlonde -H. Neumann -Knapp Osmin-Wilhelm StrienzConductor -Dr. Buschkotter Place -Turkey in the 16th century
8.0 P.M. COLOGNE
PARIS (PTT), 7.40 -Talk. 7.45 -Yvette Guilbert (Songs).
PARIS (Radio -Paris), 7.0 - Bilbo-quet's Circus. 7.30 -Variety.
SOTTENS; 7.0 - Roman CatholicAddress. 7.30 -Pianoforte Sonatain E (Beethoven) by Arthur Schnabel(Records). 7.50 -Sports.
STOCKHOLM, 7.0 - Cenedoxus "-Play (contd. from 5.45). 7.15 -News. 7.30 -Ellen Lundin(Songs) and Algot Haquinius(Pianoforte). Songs: (a) leggiver mit Dikt til Vaaren (Sjogren),(b) Og jeg vil drage fra SydensBlommer (Sjogren), (c) Song(Rangstrom), (d) Maj (Rangstrom),(e) Under haggarna (Jonsson).Pianoforte : (a) Scherzo a capriccio(Mendel ssohn), (b) Nocturne (Grieg)(c) To Spring (Grieg). Songs :(a) aar (Melanin), (b) Envaarmelodi (Kilpinen), (c) Vaarvisa(Jordan), (d) Nu dr stunden rikast(Jordan), (e) Spring Waters (Rach-maninov). In the Interval : PoetryReading.
STRASBOURG, 7.0 -Orchestra(contd. from 6.30). 7.30 -News.7.45 -Records.
STUTTGART, 7.0 - See Frankfurt.7.50 - Sports Report.
,KALUNDBORG, 8.0 -Time ;Chimes. 8.1 -Easter Music fromCopenhagen Cathedral. Raasted(Organ) and Walter (Tenor). Organ :Prelude and Fugue in E (Buxte-hude). Cantata for Tenor, Stringsand Organ (Bruhns). Fantasia onChrist ist erstanden (Bach). Ichweiss rims meiner Erloser lebt-Cantata for Tenor with Violin Ob-bligato and Continuo (Bach). Pre-lude and Fugue in E flat (Bach).
KONIGSBERG, 8.0 -Baritone and'Cello (contd. from 7.30). 8.15 -Sports Notes. 8.30 -InternationalConcert from the Kurhaus, Zoppot.Danzig Theatre Orchestra. Con-ductor: Kallipke. The Berlin Piano-forte Trio. Miliza Korjus (Colora-tura -Soprano), of the Berlin Opera.Georg Czaplicki (Baritone) of theWarsaw Opera, and Signe vonRappe (Soprano) of Stockholm.
Overture, " The Barber of Bagdad "(Cornelius). Concerto No. 7 in Ffor Three Pianofortes (Mozart).Coloratura -Soprano : Aria, " Ariad-ne auf Naxos " (Strauss). Baritone :Aria, "Othello "(Verdi). Soprano :Two Songs (Alfven). Pianoforte.Trio : Gavotte Caprice (Bort-kiewicz). Baritone : Aria, " TheBarber of Seville " (Rossini). Colora-tura -Soprano : Goodbye (Tosti).Soprano : Song (Melanin). Piano-forte Trio : Waltz, Man lebt nureinmal (Strauss-Porzky). Baritone :Polonaise, " Verbum Nobile "(Moniuszko). Coloratura -Soprano :Waltz, Frilhlingsstimmen (Strauss).
LAHTI, 8.0 -Orchestra (contd. from7.45). In the Interval at 8.5 : Talk.
MADRID (EAJ7), 8.0 -Dance Music.MONTE CENERI, 8.0- Modern
Music. Radio Orchestra. Con-ductor : Leopolchi Casella. Pas-toral Suite (Atterberg). Concertogrosso for Strings and Pianoforte(Bloch). 8.45 -Humorous Com-petition.
MOSCOW (No. 1), 8.0 -DramaticProgramme.
MUNICH, 8.0-" The Mastersingers "(contd. from 6.5). 8.40 -Time ;News
PARIS (PTT), 8.0 -Yvette Guilbert(Songs). 8.15 -Sports Notes. 8.30-Plays : (a) " Le Quatrieme "-Comedy in One Act (Piechaud), (b)"Le Voile de Bonhetir "-Play inOne Act (Clemanceau), (c) "Le Cul-tivateur de Chicago "-Play in TwoActs (Timmory, after Mark Twain).
PARIS (Radio -Paris), 8.0 -EasterConcert. National Orchestra andRaugel Choir. Conductor : Inghel-brecht. Mme. Doniau-Blanc,Cathelat and Singher. EasterCantata (Bach). Choir and Soloists :Easter Scene, ` Scemo " (Bachelet).Easter Overture (Rimsky-Korsakov).In the Interval at 8.30 : NewsWeather.
PRAGUE, 8.0 -Band. 8.30 -Talk :Fidlovacka, an Old Prague Festival.
Violin Concerto in A minor (Viotti).Pianoforte Sonata in D (Beethoven).Adagio in D (Brahms). HungarianDance (Brahms). Cradle Song(Juon). Tambourin chinois (Kreis-ler).
(Songs) and Algot Haquinius(Pianoforte) (contd. from 7.30). 8.25-Sixth Symphony in F -the Pas-toral (Beethoven) from the ConcertHouse. Conductor : Ansermet.
STRASBOURG, 8.0 -News (in Ger-man) Records. 8.30 -See Paris(PTT)..
VIENNA, 8.5 -Motto. 8.10-" DasWeld aus der Vorstadt "-Play inThree Acts (Nestroy).
WARSAW, 8.0 -Operetta Music. Sta-tion Orchestra and Soloists. Con-ductor : Garzynski. Selection," The Land of Smiles " (Lehdr), and" The Flower of Hawaii " (Abra-ham). 8.55 -Talk : Life and Workin Poland.
9 p.m.ATHLONE, 9.0 -Commemoration
Concert (contd. from 8.30). 9.30--Variety.
BARCELONA, 9.0 -Dance Music.BERLIN, 9.0 -Orchestra (contd. from
8.0).BEROMUNSTER, 9.0 -News. 9.10
--Morel (Organ) : Bopp (Flute),from the Zwinglihaus.
BORDEAUX-LAFAYETTE, 9.0-" Mort Ami Teddy "-Comedy(contd. from 8.30).
BRATISLAVA, 9.0 -Folklore.BRESLAU, 9.0 -See 8.0 Frankfurt.BRUSSELS (No. 1), 9.0 -Talk by
Mgr. Picard : Easter in Rome.9.15 -French Music. Andre.
BRUSSELS (No. 2), 9.0 -Radio Or-chestra. Conductor : Douliez.Prelude for Violins (Bach). Nonet(De Jong). Recitation Procession(De Boeck). Triumphal Hymn from
ROME, 8.30 -Time ; News ; Re-cords ; Talk : The Anti -Tuber-culosis Campaign in Italy.
SOTTENS, 8.0 -Alexandre Borov-sky (Pianoforte) and Zoltan Szekely(Violin). Sarabande and Gavottefrom the English Suite in G minor(Bach). Chromatic Fantasia andFugue (Bach). First Movement,
HUIZEN 10.0 -Orchestra (contd.,,,c, '" m 9.55). 10.15 -Bach CantataArias. Annie Woud (Contralto).Aria, " Vergnu"gte Ruh, beliebteSeelenlust." Ana, Wohl Euch, 1hrAuserwahlten Seelen. 10.25-" BelCanto" a -Cappella Choir of Amster-dam. Conductor : Vranken. Yves,vous n'estes qu'un villain (Debussy).Trois beaux oiseaux du paradis(Ravel). Easter Song (Diepenbroek).10.40-K.R.O. Symphony Orches-tra. Conductor : van Goudoever.
AL AL ALA, ILIkAkAllh.
Lure, " The Italian Girl in Algiers "(Rossini). Pee r G y n t SuiteNo. 1 (Grieg). Waltz, " Faust "(Gounod). Ballet Suite (Popy).Overture, " Flotte Bursche "(Suppe). Scenes pittoresques (Mas-senet). Liebesserenade (Lohr).Romance (Lahr). Waltz, Bei uns zuHaus (Strauss). Two Pieces (Mur-zilli). Selection, "Der Bette!-student " (Millocker). Dem Lenzentgegen (Blankenburg).
TOULOUSE (Radio -Toulouse), 10.0-" Au caveau de dix heures "-Fan-tasy. 10.10 -Selection, "The MerryWidow "-Operetta (Lehar). 10.15-North African News. 10.30-" Mon coeur "-Fantasy.
TURIN, 10.0 -Comedy (contd. from9.45).
VIENNA, 10.0-" Das Made' sus derVorstadt " (contd. from 8.10). 10.10
1
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POST COUPON FOR FREE PASSPORTTo R.A.P. Ltd., Ferry Works, Thames Ditton, Surrey.
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26] WORLD -RADIO
MONDAY April 22PRINCIPAL EVENTSSYMPHONY CONCERTSP.M.9.o Warsaw : Orchestra, pianoforte.LIGHT CONCERTS12.15 Warsaw : Grieg programme.3.o Kalundborg : Danish music.4.o Radio -Paris : Light music.5.o Brussels 2 : Orchestra,5.5o Leipzig : Easter music.7.o Berlin : Spring music.7.o Breslau : Orchestra, song, dance band.7.0 Deutschlandsender : Serenade.7.45 Regional: Orchestra, Dr. Boult.7.45 Sottens : French orchestral music.8.o Brussels J : Radio orchestra.8.o Brussels 2 : Conductor, Meulemans.
E), conducted by Frank Bridge.Mary Jarred (Contralto). Or-chestra : Variations on a themeof Tchaikovsky (Arensky). MaryJarred and Orchestra : Where artthou? (Rodelinda) (Handel).Orchestra : Cherry Ripe, Sallyin Our Alley (Bridge). MaryJarred : All things have speech(Wolff) ; The Dahlia (Strauss)Faint-hearted (Reichard). Or-chestra : Serenade for Strings(Dvoi-ak).
11.15-12.0 (Droitwich)-Dance Music :The Casani Club Orchestra.
11.15-12.0 (London) -Television.
[APRIL 19, 1935
REGIONALTime Signals : Big Ben. -10.15 a.m.,
5.15 p.m., 6.30 p.m., 12 midnight.Greenwich. -10.30 a.m., 2.0 p.m.,6.0 p.m., before the Second News(normally 70.0), 11.30 p.m.
10.15-10.45 a.m. (except Midland)-Droitwich.
10.45 -Cinema Organ (Tom Jenkins).11.15-B.B.C. Northern Orchestra.
Noble Haigh (Violoncello).12.30 p.m. -Haydn Heard's Band.1.30 -Dance Records.2.0 -Arthur Salisbury and his Or-
chestra.3.0 -Belfast Wireless Orchestra.4.0 -The Hungaria Gipsy Band.4.45 -Red Marley Open Hill Climb
for Motor Cycles. Running Com-mentary by Graham Walker.
5.15 -The Children's Hour.6.0-" The First News."6.30 (except Western and Scottish) -
Cinema Organ (Reginald Dixon).6.30 (Western) -Studio Orchestra.6.30 (Scottish) -Studio Orchestra.7.0 -The Trial for the Dunmow Flitch
by a Jury of Six Maids and SixBachelors. Relayed from FoakesMemorial Hall, Dunmow.
7.45 (Regional, Scottish, N. Ireland)-B.B.C. Orchestra (Section La).Conductor, Adrian Boult. JohnBrownlee (Baritone).
7.45 (Midland) -Band of the RoyalAir Force College, Cranwell.Arthur Cranmer (Baritone).
7.45 (Northern) -Variety from theNew Manchester Hippodrome.
7.45 (Western) -Singing Festival.8.15 (Northern) -The Larks of Dean.
BRATISLAVA, 5.30 - Excerpts," Herod and Herodias "-DramaticPoem (Hviezdoslays). 5.55 -Hun-garian Transmission : Easter Pro-gramme ; Cigany Band and Eolo-ists.
-Cabaret (Hintz). Music byGUnther Neumann. 6.45 -Reportof the Karlshorst Easter GrandPrix Races.
BEROMUNSTER, 6.0 -Reading. 6.15-Talk with Records : MexicanSongs.
BRATISLAVA,6.0-Hungarian Trans-mission (contd. from 5.55). 6.40 -Talk.
BRESLAU, 6.0-" April, the. GardenMonth "-Sequence with Music(Elisabeth Darge). 6.30 -Sports.
BRUSSELS (No. 1), 6.0 -Records :Rapsodie espagnole (Ravel). 6.15 -Talk : Flemish Literature. 6.30-" Animals in Music "-Mme. VanHoudt-Volckaert (Songs), Mme.Lykoudi-Passet (Pianoforte). Laberceuse des elephants (Debussy).Le petit fine (Ihert). Le paon (Ravel).La complainte du petit cheval blanc(Saeys). Les canards, les cygnes, lesoies (Stravinsky). La poule(Rameau). Le coucou (Dacquin).Les petits tines (Rasse). La pie(Stravinsky). Le corbeau (Stra-vinsky). Its etaient trois petits chatshlancs (Pierne). Le chien (Sanguet).Le pore (Sanguet).
BRUSSELS (No. 2), 6.0 -For children.6.30 -Operetta Records. " Deuxcravatefi (Spoliansky). " Giuditta "(Lehar). " Les Soeurs Hortensias "(Moretti). " Sissy " (Kreisler)." Florestan ler, Prince de Monaco "(Heymann).
BUCHAREST, 0.& -News. 6.15 -Light Music. Station Orchestra.
BUDAPEST (No. 1), 6.0 -Corn -
A commentary
on the
Monaco
Grand Prix
is to bebroadcast from
Deutschlandsender
at 2 p.m.
mentary (contd. from 5.45). 6.45-Koncz (Violin).
BUDAPEST (No. 2), 6.0 -BudapestZither Club.
COLOGNE, 6.0-" Magicians andBooks of Magic " (Fells Timmer -mans). 6.15-" Spring "-ElisabethDelseit (Soprano), Lotte Hellwig-Josten (Violin) and Karl Delseit(Pianoforte). Aria with ViolinObbligato, Schorr lacht der holdeFriffiling (Mozart). Fantasia in Cfor Violin and Pianoforte (Schubert).Songs : (a) Geheimnis (Brahms),(b) Friihlingstrost (Brahms), (c)Zitronenfalter in) April (Wolf), (d)Er ist's (Wolf).
DEUTSCHLANDSENDER, 6.0 -AnEaster Trip (contd. from 5.0).
MUNICH, 6.0 - Chamber Music(contd. from 5.45). 6.20-" DerTatzelwurm "-Folk Play in FourActs (von Schmid Neubert) Musicby Emilius Erhardt.
OSLO, 6.0 -Report from the School-boys' Mountain Trip. 6.45 -Sacred Songs.
PARIS (Poste Parisien), 6.25 -Ex-change. 6.30 -Circus and MusicHall Review. 6.37 -Mme. Laghosdu Chastain g (Violin). 6.57 -Divertissement dans le style LouisXV (Tailleferre) (Records).
Orchestra. Conductor : Steiner.0 Beautiful Spring (Lincke). Elfen-reigen (Hellmesberger). To Spring(Grieg). Suite (Juel-FrederiksenTanz unter der Dorflinde (Reinecke).Waltz, Le premier bouquet (Wald-teufel). March, Ins bliffiende Land(Schmidt -Hagen). 7.45 -SportsNotes.
BEROMI)NSTER, 7.0 -Sports. 7.15-Variety, with Mary and ErnstFrey-Bemhardsgriitter, and Furrer(Alpine Horn).
BRATISLAVA, 7.5 -Records. 7.10 -Talk.
BRESLAU, 7.0-" Easter Eggs "-Revue by the Station Orchestra,the Station Dance Band, the EngelsBand and Solo voices.
BRUSSELS (No. 1), 7.0 -Records.'Cello Concerto in A minor (Schu-mann). Erlkonig (Schubert). 7.30 -Tourist Report ; Film Review.
HILVERSUM, 7.0 -Light Music(contd. from 6.55). 7.40 -HumorousTalk.
HUIZEN, 7.0 -Amsterdam VocalEnsemble. 7.40 -Concert from the" Groote Kerk," The Hague.Isterdael ('Cello), Engels (Organ).Christ ist erstanden (Bach). Suite(Marais). Chaconne in E minor(Buxtehude). Lento (Schumann).Song without Words (Mendelssohn).Prelude and Fugue in E fiat minor(Saint-Saens). Jardin lunaire (Scior-tino). Berceuse (Guillaume). Pieceheroique (Franck).
KONIGSBERG, 7.0 -Dialect Pro-gramme. 7.15 - Joachim Stein(Tenor) and Rudolf Winkler(Pianoforte). Songs: (a) Der
28] WORLD -RADIO !APRIL 19, 1935
MONDAY April 22
7 p.m. (contd.)Rattenfanger (Wolf), Du bistwie eine Blume (Liszt), (c) DerTauber (L8ns), (d) Der Kuckuck(Lints). Waldszenen (Schumann).Songs : (a) Die Lotusblume (Schu-mann), (b) Spatz un Spatzin (Hil-dach), (c) Wenn Du zu den Blumengehst (Wolf), (d) Hund and Katze(Meyer-Helmund), (e) Heidenros-kin (Schubert), (f) Das Huhn andder Karpfen (Mattiesen).
MUNICH, 7.0 -Folk Play (contd.from 6.20). 7.30 -Report of theMonaco Grand Prix Motor Races(on Records).
OSLO, 7.0 -Sacred Songs. 7.15 -News. 7.30 -Talk.
PARIS (Poste Parisian), 7.5 -SportsNotes. 7.15 --News ; Records.7.35-" At the Theatre "-Records.7.50 -Records of Michel Simon.
PARIS (PTT), 7.35 -Foreign PressReview. 7.45 -Aviation.
PARIS (Radio -Paris), 7.0 -VarietyConcert. Jean Sorbier and Mlle.Masa (Songs) and Amalia Cuencaand Manuel Sarrablo (Guitars).Ronde d'amour (Chaminade), Si tole veux (Koechlin), Little Grey Homein the West (Lohr), Bird Songs atEventide (Coates), Sais-tu (Fonten-allies). Soleares Gitanes (Cuenca),Impromptu (Sarrablo), Alegrias(Cuenca), Granadinas (Sarrablo),Tangos flamencos (Cuenca), Jotas(Puneada-Rasueada-Falla). L'autre(Lenoir), Pluie (Zimmer-Lenoir),'Unefemme dans chaque port (Desty-Lenoir), Tu m'as dit d'oublier(Claude -Lenoir)'
PRAGUE, 7.0 -News. 7.5 -Record.7.10 -To be announced. 7.25 -Talk on the following Relay. 7.30-
" The Jacobin "-Opera in Three Acts (Dvofak).
RADIO-NORMANDIE, 7.0 -Re-quest Music.
ROME, 7.0 -News in Foreign Lan-guages. 7.40 -News Service inEnglish. 7.55 -Talk in FrenchTravel in Italy.
SOTTENS, 7.0 -Suite in Old Style(Reger). Achille Delfiasse (Violin)and Mme. Delfiasse (Pianoforte).7.20 -Talk : French Weeklies. 7.45-French Music. Radio Suisse-Romande Orchestra. Conductor :Echenard. Appia (Violin) and Mlle.Schneider (Harp). Overture, " LaFarce du Cuvier " (Dupont). Rap-sodie sur des airs du Pays d'Oc(Lacombe). Violin : Prelude, " LeDeluge " (Saint -Satins). Slav Dance," Le roi malgre lui " (Chabrier).Suite, Dolly (Faura). Harp andOrchestra : Danse sacree and Danseprofane (Debussy). Two Escales(Ibert).
STOCKHOLM, 7.0 -Service (contd.from 6.0). 7.15 -News. 7.30 -Talk.
HUIZEN; 8.0 -Concert (contd. from7.40). 8.40 -News. 8.45-N.C.R.V.Orchestra. Conductor : van derHurk. To v. d. Sluys (Soprano) ;Annie Woud (Contralto). Sym-phony and Choral from the EasterCantata (Bach). Wenn Sorgen aufmuch dringen (Bach). Air from theSuite in D (Bach). 0 Friede, reich anHeil des Herrn (Handel). Sinfoniaconcertante in A (Bach). Symphonyin D (Haydn). Ariana a Naxos(Haydn). Excerpt, " Les Petitsriens " (Mozart). Aria, " II re pas -tore "(Mozart). Minuet (Beethoven)Rondino in E flat (Beethoven).
Orchestra. Conductor : Weber.Rose Stein (Harp). Overture," Agrippina " (Handel). Harp Con-certo (Handel). Symphony in C(Mozart). Harp and Orchestra :Danse sacree and Danse profane(Debussy). Ballet, " Les Indesgalantes " (Rameau). Introductionand Allegro for Harp, String Quar-tet, Flute and Clarinet (Ravel).
MONTE CENERI, 8.0 -See Vienna.MOSCOW (No. I), 8.0 -Concert
Version, " The Merry Wives ofWindsor " (Nicolai). Radio Choirand Orchestra. Conductor: Orlov,with Mouratova, Lewtchenko andAmatova.
PARIS (PTT), 8.0 -Records. OldDances. 8.30-" Le Manoir dePictordu "-Operetta in Three Acts(Serpette).
PARIS (Radio -Paris), 8.0 -HumorousSketches with Madeleine Guitty.(a) Les Tribunaux comiques,"(Moineaux). (b) " L'Attaque noc-turne " (de Lorde), (c) " Le Client
de Province " (Timmory), (d) " LesMines de Ganeffontein " (de Bassan).In the Interval at 8.20: Press Review.
PR UE, 8.0-" The Jacobin "-era (Dvorak) (contd. from 7.30).
RADIO -NORMANDIE, 8.0 -SoundFilm Music. 8.15-Rosina's Aria," The Barber of Seville " (Rossini).8.30 -Talk. 8.45 -Light Music.
VIENNA, 8.0-" Fiir jeden etwas ! "- Radio Potpourri (Lothar Rie-dinger). The Vienna SymphonyOrchestra, a Mixed Choir, PepiWichart's Quartet, Gustav Vogel -hut's Jazz Band, and Soloists.Conductor : Holzer.
WARSAW, 8.0 -Easter Suite (Sy-gietynski). Station Orchestra andSoloists. 8.45 -News. 8.55 -Talk :Life and Work in Poland.
Voice Choir.7.30 (Scottish) -Variety (Edinburgh).8.0 (Regional, Western, N. Irelhnd)-
" Old Wine in New Bottles."8.0 (Midland) -Talk : John Howell.8.0 (Northern) -News Review.8.15 (Regional) -Fred Hartley Quintet.8.15 (Midland) -Records.8.15 (Scottish)-" The Message of
Easter " in speech and song.8.15 (Western) -Yeoman's English.8.15 (N. Ireland) -Wagner Concert.8.20 (Northern) -Folk Songs.8.40 (Western) .- Hubert Pengelly
B.B.C. Orchestra (Section E).9.0 (Western)-" The Committee --
a comedy by D. T. Davies.9.10 (Northern)-Northem Orchestra.9.30 (Western)-Organ .Recital.9.30 (N. Ireland) -Variety (Belfast).10.0 -News Summary.10.10 (Scottish from 10.20) -Lew Stone
and his Band.10.10 (Scottish) -News Bulletin.11.0 -Dance Records.11.15-12.10 (ex. Midland) -Lew Stone
T U E S D A Y April 23 1
PRINCIPAL EVENTSYMPHONY CONCERTSP.M.8.2o Poste Parisien : Cologne Concert.9.15 Brussels I : 2nd Symphony (Beethoven),
etc.LIGHT CONCERTS1.40 Huizen : The K.R.O. Boys.3.45 Warsaw : Light orchestra.4.0 Hamburg : Orchestra, songs.5.o Cologne : Music of Finland.6.2o Breslau : Polish choral music.6.3o Strasbourg : Alsatian composers.7.0 Breslau : Community singing.7.0 Frankfurt : Light orchestral.7.15 Regional: Wireless Military Band.7.45 Stockholm : Scandinavian programme.8.o Brussels 1 : Mandoline orchestra.8.o Brussels 2 : Orchestras " The Ladies."8.2o Kalundborg : Opera music.8.3o French PTT Stations, ex. Radio -Paris:
French programme.8.45 Budapest r : Orchestra, pfte., soprano.8.45 Frankfurt : Johann Strauss.8.45 Huizen : Variety concert.8.45 Konigsberg : Station orchestra.8.45 Leipzig : Band concert.8.5o l3eromtinster : Puccini, Mendelssohn.9.o Radio-Normandie : Arthur Marye's
CHAMBER MUSICP.M.4.0 Frankfurt : Violin and pianoforte.7.0 Berlin : Pianoforte and winds.8.o National: Violin, pfte. (Brahms,
Goossens).8.45 Radio -Paris : Quartet (Kreisler), songs.10.40 Konigsberg : Pfte. quintet (Brahms), etc.RECITALS4.55 Huizen : Pianoforte, songs, recitation.5.15 Warsaw : Two pianofortes (Brahms).6.3o Brussels I : Pfte., Debussy, Ravel, Jongen.8.45 Hamburg : Old German choral music.
8,45Rome: 'Cello.
' 10.20viemaAlexaAlexander Sved (Baritone).11.0 Frankfurt : "Hits " old and new.PLAYS8.45 Breslau : " The Primadonna's Battle."9.40 BeromOnster : " Der Hochzeitsmorgen
TALKS(Schnitzler).
2.15 National : Shakespeare Birthday speeches.7.3o Stockholm, Budapest 1, Prague, Vienna :
Prince Gustaf Adolf : " Scouting "-(English).
LANGUAGE LESSONS5.3o Prague : German ; 6.o, Stuttgart :
French ; 6.15, Kalundborg : German ;6.2o, Vienna : French ; 6.5o, National :French ; 7.o, Athlone : German ;7.20, Beromlinster : French ; 8.10,Hilversum : English.
the Organ Concerto in F (Handel -Wolff). Thirty -Two Variations inC minor (Beethoven). Impromptuin G sharp (Schubert). Impromptuin E flat (Schubert). 5.55 -Talk :Marco d'Aviano and Capistrano.
WARSAW, 5.0 -Letter -Box. 5.15 -Sonata in F minor for Two Piano-fortes
Brahms5.50 -Talk.
6 p.m.ATHLONE, 6.0 -For Children. 6.45
-News.BERLIN, 6.0 -Opera Programmes
for the Coming Week. 6.30 -ForGardeners. 6.40 -Talk.
BEROMUNSTER, 6.0 -Records. 6.30-Talk.
BRATISLAVA, 6.0 - HungarianTransmission. 6.40 -Medical Talk.
BRESLAU,. 6.0 -Reading from " DerOberschlesier." 6.20 -Polish FolkSongs by the Danasanger Choir.6.40 -Talk : National Recovery.6.50 -For Fanners.
BRUSSELS (No. 1), 6.0 -Spanishand Russian Folk Songs. 6.15 -Talk : The French Language outsideFrance. 6.30-Marthe de Vos(Pianoforte). Pieces (Debussy) :(a) Reflets dans l'eau, (b) El Puertodel vino, (c) Poissons d'or. Sonatina(Ravel). Airs de fete (Jongen).
LAHTI, 6.15 - Station Orchestra.Conductor : Linko. Overture," Preciosa " (Weber). Selection," Tiefland " (d'Albert). Moment
musical (Schubert). Waltz (Strauss),6.50 -Talk.
LEIPZIG, 6.0 - Light OrchestralMusic. 6.30 -Discussion betweena Worker and a Student. .6.50 --Talk : The Military Training ofYouth among Germany's Neigh-bours.
LYONS (La Doua), 6.0 -See Paris(Radio -Paris). 6.30 -News.
MORAVSKA-OSTRAVA, 6.5 -LocalNews. 6.10 -Records. 6.15 -German Transmission : For Far-mers ; Medical Talk ; Recor .
SOTTENS, 6.0 -For Children. 6.30-Esperanto. 6.40 -Songs. 6.50 -Talk : The Indian Ocean.
STOCKHOLM, 6.0 -Records. 6.45-Legal Review.
STRASBOURG, 6.0 -Legal Talk inGerman. 6.15 -Topical Talk. 6.30-Music by Alsatian Composers.Conductor : De Villers. Symphony(Boellmann). Melodies (Husson-morel) : A la recherche de la bien-aimee. Song with String Quartet,Effet de couchant. Song withHarp Accompaniment, Nuit sombre.Two Songs : (a) La Madone; (b)Au clair de la Tune. Berceuse forFour Voices with String QuartetAccompaniment.
WARSAW, 6.0 -Songs by Boguckiand Zabczyriski. 6.15 -DramaticProgramme. 6.30 -Announcements.6.45 -Operetta and Jazz Records.
7 p.m.ATHLONE, 7.0 -German. 7.15 -
Talk in Irish by D. O'Briain. 7.30 -Station Orchestra.
BgRLIN, 7.0 -Pianoforte and WindQuintet. Stimmungsbilder forPianoforte (Strauss). Sextet in Aflat for Pianoforte and WindInstruments (Schmalstich). 7.40 -Evening Echoes.
BEROMONSTER, 7.0 -Announce-ments. 7.5 -Interviews with Mem-bers of the Unemployment Com-mission. 7.20 -French. 7.50 -Women's Choir. Conductor :Hug. Radio Orchestra. Conductor :Gilbert.
BRATISLAVA, 7,10 -Talk. 7.30 -See Stockholm. 7.45 -Records.7.50-Bjornstjerne Bjornson Anni-versary.."
BRESLA, 7.0 -Community Singing.7.50 -Talk : The Industrial Revival.
BRNO, 7.10 -Records. 7.15 -French.7.30 -See Stockholm.. 7.45-" Spring "-Broadcasting Poem(Durdik ; Music by Ambros).
BRUSSELS (No. 1), 7.0 -Jane Vanier(Songs). Au ,bard -de )'eau (Faure).Chanson de printemps (Gounod).Largo (Handel). Villanelle despetits canards (Chabrier). Les troispetits, ctiseaux - (Pierne).Recitations by Lepage, with Piano-forte accompaniment by Marthe
BRUSSELS (No. 2). 7.0 -EconomicReview. 7.15-" Op voor het Planvan den Arbeid "-Song (Woronov)to Words of Verougstrate, sung byJan Bard. 7.30 -For Women.
BUCHAREST, 7.0 -Talk. 7.5-" Parsifal "
-Opera in Three Acts (Wagner),from the Romanian Opera. In theIntervals : Ness.
BUDAPEST (No. 1), 7.0 -Records.7.30 -See Stockholm. 7.50 -JosefVidak's Cigany Band.
BUDAPEST (No. 2), 7.0 -ForFarmers. 7.45 -Talk.
COLOGNE, 7.0 -Songs by Boys.7.30 -Records. 7.50 -Snapshots.
DEUTSCHLANDSENDER, 7.0 -Variety (on Records).
FRANKFURT, 7.0 -Orchestra. Con-ductor : Schmidt. March, LeierundSchvve rt (Seybold). Waltz, Dorfsch-wa I ben aus Oester reich(Jos. Strauss).Overture, "Anne Boleyn" (Doni-zetti). Intermezzo, Die kleinsteTruppe (Lahr). Manchurian Suite(Glan . Spanish Legend (Rust).Dutch Windmi I Is (Heykens).M a rch ,Finer frir viele (Blankenburg).
JUAN-LES-PINS (Radio Cote d'Azur),7.15 -Station Orchestra. Selection," Le roi de Lahore " (Massenet).How many times a Day? (Diaz).Selection, "La Boheme " (Puccini).7.30 -Topical Talk. 7.40 -ForFarmers. 7.50 -English.
KALUNDBORG, 7.0 -News. 7.30-See Stockholm. 7.50 -Talk :The People and the Church.
STOCKHOLM, 7.0 -Legal Review(contd. from 6.45). 7.15 -News.7.30 -
Prince Gustaf Adolfaddresses the Scouts of the World inEnglish and Swedish. 7.45 -Scan-dinavian Programme. Conductor :Wiklund. Bjorling (Songs). Excerptsfrom the Suite, Bohmerwald(Neruda). Song Cycle, En spelmansjordafard (Larsson). TwoMovementsfrom the Symphony in C minor(Braluns). Rhapsody No. 2 (Al fven ).
Frankfurt. 8.45-" Der Tanz urndie Sonne "-Sequence in Song andVerse (Lebrecht). Music by Knauer.Station Orchestra, Choir and Solo-ists. Conductor ; The Composer.
BEROMIJNSTER, 8.0 -Choir andOrchestra (contd. from 7.50). 8.30 -Talk : Gold -digging in. East Africa..8.50 -Radio Orchestra. Conductor :Gilbert. Selection, "The Girl of theGolden West" (Puccini-Tavan).Overture, To the Story of the lovelyMelusina (Mendelssohn). Nocturne"A Midsummer Night's Dream"(Mendelssohn). - -
BRATISLAVA, 8.50 -Talk : Remini-scences of BjOrnson.
BRESLAU, 8.0 -Topical Talk. 8.15 -See Frankfurt. 8.45-" Der Prima-donnenkrieg "-Musical Play (Hey-drich).
BRNO, " 8.0 - " Spring " - Poem(contd. from 7.45). 8.10 -Music.8.30 -Girl's Verse -Speaking Choir.Conductor : -Mozna.
BRUSSELS (No. 1), 8.0 -MandolineOrchestra. Overture, " La Vil-lanelle. rapita " (Mozart). Selection,"Lucia di Lammermoor" (Demi-zeal). 'Cello-: Feuilles d'automne(Gervasio). Ballet Music, " Cop-pelia " (Delibes). Russian Dance(Berruti). By the Blue HawaiianWaters (Ketelbey).
BRUSSELS (No. 2), 8.0-" TheLadies " - Symphony Orchestra.Conductor : Andre. 8.45-" Aboardthe Radio Train "-Sketch for .
Women {Suits).BUCHAREST, 8.0-" Parsifal " -
Opera(Wagner) (contd. from 7.5).BUDAPEST (No. 1), 8.0 - Jozsef
Vidak's Ciginy Band. 8.45 -Buda-pest Concert Orchestra, from theAcademy of Music. Conductor :Victor Vaszy. Maria Basilidea(Songs), Hegyi and K6sa (Piano-forte). Concerto grosso in G minor(Handel). Job (KOsa). Suite(Vincze). Pianoforte Concerto in A(Liszt). Scherzo, " L'apprenti sof-cier " (Dukes).
FRANKFURT, 8.0 -News. 8.15 -"The Peasant and the Reich "-Historical Radio Picture. 8.45 -
Johann StraussStation Orchestra. Conductor
WORLD -RADIO {31APRIL 19, I
8 p.m. (contd.) Composer. Ballet, "The Queen ofSheba" (Hugon), conducted by the
MUNICH, 8.0 -News. 8.15 -SeeFrankfurt. 8.45 -Bavarian Folk
STUTTGART, 8.0 -News. 8.15-See Frankfurt. A"T__TUESDAY il 23
Rosbaud. Festival Polonaise. Composer. Prelude and Scherzo Music. TOULOUSE (Radio -Toulouse), 8.0 -Coronation March. Coronation (Niverd), conducted by the Corn- OSLO, 8.0 -Foreign Press Review. Light Music. 8.15 -Film Music.Songs. Polka. Im Pawlowskwalde. poser. Five Soprano Songs (Mar- 8.15 -Contemporary Norwegian 8.30 -Cinema Organ. . Music by Paulsen. A Children's
. Romance for 'Cello and Harp. guerite Canal) : (a) Un grand som- Music. Station Orchestra. Con- TURIN, 8.5 -News ; Weather ; Re- Choir, The Station Choir and Or -Quadrille on a Theme from Verdi's .
meil noir, (b) Romance, (c) Jane, ductor : Kramm. Symphonic Poem, cords. 8.30 -Time ; Announce- chestra. Conductor : Seeker.Masked Ball." Studentenpolka. (d) Musique, (e) Douceur du soir. Lotusland (Kleven). Music to Ane ments ; Talk. 8.45 -Programme by HILVERSUM, 9.0 -Revue. 9.55 -Fantasy, Im russischen Dorfe.
Pauernpolka. Mazurka on Russian- paa Torp (Olsen). First Movement,
(Andersen). Suite, Queen for aDay " (Bull). 8.15-" Das Gespenst auf der
Bastei "-One-Act Musical Comedy8A5). In the Interval at 9A0 ;Humorous Talk : Films.Abschied von St. Petersburg. PARIS (Eiffel Tower), 8.0 -Topical after Meisl (Metzl-Andreas). JUAN - LES - PINS (Radio CateHAMBURG, 8.0 -News. 8.15 -See Talks. 830 -See Lille. WARSAW, 8.0-0Id Songs. 8A5- Station c.0 - News. 9.15 -Frankfurt. 8A5 -Old German
Songs by the Kiel Bach Choir andDaring (Pianoforte).
,:'PARIS (Poste Parisien), 8.5 -Inter-
lode. 8.10 -Exchange. 8.20-News. 8.55 -Talk : Life and Workin Boland.
naise, " Eugene Onegin (Tchai- -See Bratislava. Music by Greg. MOSCOW (No. 1), 9.0 - Germankovsky). Waltz, " Der Rosen- Prince Gustaf Adolf, whose broad- RADIO - NORMANDIE, 8.0 - The BRESLAU, 9.0 -- " Der Prima- Programme : (a) For Countrykavalier " (Strauss). Ara, "ThePearl Fishers " (Bizet,. Overture, cast in English to the world's Scouts
Unfinished. Symphony No. 8, in Bminor (Schubert). 8.30 -Topical
donnenkrieg " - Musical Play(Heydrich) (contd. from 8.45).
People, (b) Letter -box.MUNICH, 9.0 -Bavarian Folk Music.
" Si le,ais roi " (Adam). is relayed by several stations from Talk. 8.45-Chansonnettes. BRUSSELS (No. 1), 9.0 -Records. 9.40 -Talk : The German EastKONIGSBERG, 8.0 -News. 8.15 - Stockholm 7.30 ROME, 8.5 -News Sports Notes ; 9.15 -Symphony Orchestra. Con- African Expedition 1934-35.
-OSLO,See Frankfurt. 8A5 -Station Or- at p.m. Records. 8.30 -Time ; Announce- ductor : Andre. Second Sym- 9.0 --Contemporary Norwegianchestra. Conductor : Wilcken. ments ; Talk. 8.45-Ippolito Alber- phony (Beethoven). Petite Suite Music (contd. from 8.15). 9.15-
telli ('Cello) and Rodolfo Baruti (Debussy). Marche de fete (Busser). Reading. 9.40 -Weather. 9.45-LAHTI, 11 0 -Orchestra (contd. from "Sainte Germaine de Pibrac," for (Pianoforte). Aria (Porpora). Seven BRUSSELS (No. 2), 9.0 -Records. News.7.50). 8.45 -News. Choirs and Soloists (Gaujac), con- Variations on a Theme from BUCHAREST, 9.0 -" Parsifal " - PARIS (Eiffel Tower), 9.0 -SeeLEIPZIG, 8.0 -News. 8.15 -See ducted by the Composer. Soirs Mozart's "Magic Flute" (Beet- Opera (Wagner) (contd. from 7.5). 8.30 Lille.Frankfurt. 8.45 -Military Band. d'Afrique (Bousquet), conducted by hoven). Sonata in G (Brevet). Can- BUDAPEST (No. 1), 9.0 -Orchestra PARIS (Poste Parisien), 9.0-Co-LILLE (Radio PTT Nord), 8.0 -Re- the Composer. ' zone (Veretti). Melody in F (Rubin- (contd. from 8.45). 9.50 -News. tonne Concert (contd. from 8.20).coeds. 8.30- LYONS (La Doua), 8.0 -Fantasies. stein). Moment musical (Schubert). BUDAPEST (No. 2). 9.0 -Bertha PARIS (PTT), 9.0 - See 8.3n Lille.8.10 -Medical Talk. 8.30 -See Danse des Sylphides (Popper). In Orchestra. 9.15 -News. 9:40- PARIS (Radio -Paris), 9.0 -Quartet ;French MUSIC Lille. the Interval ; Talk. Csorba Cigany Band. Songs ; Recitations (contu. from
Radio Orchestra, a Ladies' and a Chil- MONTE CENERI, 8.0 -To be an- SOTTENS, 8.0 -Trio for Flute, Bas- COLOGNE, 9.0 - See 8.45 Berlin. 8.45). In the Interval at 9.15:dren's Choir. Mme. Masurel and nounced. soon and Pianoforte (Beethoven). DEUTSCHLANDSENDER, 9.0- Sports.Jane Robillard-Voide (Sopranos), MORAVSKA - OSTRAVA, 8.30- 8.15 -Lecture Recital : The History Otto Kermbach's Orchestra. PRAGUE, 9.0 -To be announced.Mme. Ramon (Mezzo - Soprano), Reading. 8.45- Records. 8.50- of the Symphony -Schumann. 8.55 FRANKFURT, 9.0 -Johann Strauss RADIO-NORMANDIE, 9.0 - Con-Capoulade (Violin) and Coppenolle "L a n d e r k en n i n g "-Ca n t a t a -News. (contd. from 8.45). cert. Part I. Arthur Marye's Music.(Oboe). Allegro Symphonique (Grieg), Text by Bjornson. Station STOCKHOLM, 8.0 -Orchestra and HAMBURG, ' 9.0 --Old German Part II. Classical Music and(Gallois), conducted by the Corn- Orchestra. Conductor : Hradil. Songs (contd. from 7.45). Choral Songs (contd. from 8.45). Variety.poser. Rustique for Oboe and Or- Sokol Choral Society. Bednar STRASBOURG, 8.0 -News (Ger- 9.10-" Die Linden Late sind er- REYKJAVIK, 9.0 -Light Music.chestra (Lamy), conducted by the (Baritone), man). 8.30 -See Lille. wacht "-Operetta (Zimmermann), 9.50 -Announcements.
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321 WORLD -RADIO [APRIL 19, 1935
TUESDAY April 23 BORDEAUX-LAFAYETTE, 10.0-See 8.30 Lille ; Amusement Gude ;
Ion (Strauss). Selection, "The BUDAPEST (No. 1), 10.0 -Orchestra To be announced. Dance Music. BARCELONA, 12.0 -Records.Bird Fancier " (Zeller). Waltz,Donauwellen avanovici). Suitebreve (Dubois). Pochade (Mena-bour). In the Interval at 9.30:
(contd. from 8.45).BUDAPEST (No. 2), 10.07-Csorba
Cigany Band.COLOGNE, 10.0 -News. 10.20-
PARIS (Eiffel Tower), 10.0 -See8.30 Lille.
PARIS (Poste Parisien), 10.0-ColonneConcert (contd. from 8.20).
FRANKFURT 11.0-" SongHits"-FranzOld and New Hauck's
Band, the Dietrich SchrammelQuartet, and Soloists.
BERLIN, 12.0 -Lew Stone's DanceLondon.12.5-News.
BUDAPESTBand from o
DEUTSCHLANDSENDER, 12.0 -Weekly Review. Film Review. PARIS (PI 1), 10.0 -See 8.30 Lille.
REYKJAVIK, 11.0 -Music to Shakes -peare's Plays , Dance Music.
ROME, 11.0 -News.
-" Au caveau de minuit "-Fan-Easy. 12.15 -News. 12.25-12.30-Band.
VIENNA, 12.0 -Orchestra (contd.from 11.25).
1 a.m. Wednesday)Weather ; For Seamen. 10.5-Variety. 10.55-Records. Chamber Music Arioso (Handel). Nel cor piu non mi
(Paisiello). Vittoria, vittoria (Cans-STRASBOURG, 11.0 -Press Review.STUTTGART, 11.0 -See 10.40 Ber- BARCELONA, L w O-Ne s -
BERLIN, 10.0 -News. 10.20- Karl Ninke Quintet, the Opera simi). Der Wanderer (Schubert). lin. 11.40 -Waltz Records. MADRID (EAJ7), 1.0 -Theatre Re -Talk : Sport and Character. 10.40 Wind Instrument Quintet, Schutz Zueignung (Strauss). Aria, " Resur- TOULOUSE (Radio -Toulouse), 11.0 lay (contd. from 11.15)." Schwabinger Klange "-Sequence (Organ), and Gertrud v. Borzestow- rection " (Alfano). Ideate (Tosti). -Sound Film Music. 11.15- FRANKFURT, 1.0 -Records (contd.for Ernst von Wolzogen's Eightieth ski (Contralto). Pianoforte Quintet Cavatina, " The Barber of Seville " Russian Songs. 11.35 -Orchestra. from 12.0).Birthday (Nebauer). in F minor (Brahms). Three Songs (Rossini). Overture, " Idomeneo " (Mozart). RADIO-NORMANDIE, 1.0 -News.
BEROMUNSTER, 10.0-10.15-" The for Contralto and Organ (Kaminski). WARSAW, 10.0 -Revue. 10.30- Hungarian Dance (Brahms). Hun- 1.10 -Dance Music.Wedding Morn "-Play (Schnitzler)ir,rnel f..r.rn 0 401
Quintet in E minor for WindInctrmrinte trinrirhl
Reading. 10.45 -Light Music andDance Music.
garian Rhapsody (Liszt). 11.45-Choir.
STUTTGART, 1.0 -See 12.0 Frank-fu rt.
I WE D NES DA YA p r 24
PRINCIPAL EVENTSSYMPHONY CONCERTSP.M.3.15 National : Bournemouth, Betty Humby
koko ' (Eichhorn).9.o Strasbourg : " The Mountebanks."CHAMBER MUSICP.M.3.15 Frankfurt : Clarinet Trio (Mozart).4.4o Huizen : Trios (Beethoven, Brahms).7.15 Konigsberg : Handel programme.RECITALS3.40 Huizen : Songs.4.0 Frankfurt : Pianoforte (Handel, Bach).5.o Brussels z : Flor Peeters' music.5.15 Warsaw : Soprano songs, viola.6.2o Breslau : Bach, C minor 'cello suite.7.2o Berlin :'Cornelis Bronsgeest (songs).9.o Brussels 2: Pfte. sonatas (Beethoven).9.o Regional : G. D. Cunningham (organ).PLAYS7.3o National : " Yellow Sands."8.o Prague : " The Makropulos Affair "
(Oapek).8.45 Eiffel Tower : " Moliere's Death " (Ro-
stand).9.o Paris (PTT) : " Henry III " (Dumas
pere).TALK7.o Deutschlandsender : Otto Reutter re-
miniscences.LANGUAGE LESSONS6.15 Kalundborg : French ; 6.45, Stockholm :
German ; 7.o, Athlone : Irish ; 7.40,Rome, Turin : Italian for English be-ginners.
DANCE MUSIC5.o Brussels 1 ; ro.ro, Brussels I ; 10.15,
Regional ; 10.30, Munich, Radio -Paris ;10.45, National ; i r.o, Kalundborg ; 12.0,Radio-Normandie.
MISCELLANEOUS8.3o Brussels I : Revue.9.o Stockholm : Cabaret.
NATIONALFor Time Signals, see Monday
10.15 a.m. (Droitwich)-Service.10.30 (Droitwich)-Weather forecast.10.45-" Snake Gourds in Ceylon."
F. A. E. Price.11.0 -Records.11.45 -Cinema Organ.12.30 p.m. -Charles Manning and his
Orchestra. March, Florentine(Falk). Selection, You're in love(Friml). Home Again (Wayne).Two Songs without words (Mendels-sohn). Suite, Summer Days (Coates).Little Hands and little Mouth(Stone). Selection, The Golden Toy(Schumann -Griffiths). Overture,Stradella (Ftotow).
1.30 -Organ (Guy Weitz). Fantaisiein A (Franck). Finale (Sonata on the94th Psalm) (Reubke). Prelude inB (Saint-Saans). Sicilienne, StellaMaris (Toccata from the Organ.Symphony) (Weitz).
Studio Orchestra.6.55 (Northern)-" Out and About."7.5 (Scottish) -Talk to Young Scots.7.5 (N. Ireland) -Mary King (Pfte.).7.15 (Regional, Midland, Northern)-
Wingates Temperance Band.7.15 (Scottish) -Motherwell and Wi-
shaw Town Band. Horace Wilson(Tenor).
7.15 (Western) -Records.7.15 (N. Ireland)=" April Showers "-
a nonsense revue.8.0 (Regional, Scottish, N. Ireland)-
B.B.C. Orchestra (Section C), con-ducted by John Ansell. Derek Old-ham (Tenor).
BEROMUNSTER, 4.0-01d VienneseWaltzes and Operetta Music. RadioOrchestra. Conductor : Neppach.4.40 -"-Youthful Works of FamousComposers "-Vocal and Instru-mental.
HAMBURG, 5.0 -See 4.0 Konigs-berg. 5.30 -Sequence of Old FolkSongs in Dialect (Dieckelmann). ASchool Children's Choir. the StationVocal Quartet and Soloists.
HAMBURG, 6.5 -Talk : The " Ed-da:' 6.25 -Sonata in C (Bach) byMicksche and Schulze (Violins),Kupfer ('Cello) and Kruttge (Harp-sichord). 6.40 -Talk.: The FruitIndustry. 6.50 -Weather ; Ship-ping.
BEROMONSTER, 7.0 - Markets.7.15 -Popular Old Songs by WernerHuber. 7.25 -Talk : Andersen'sFairy Tales and the ScandinavianRomantics. 7.50 -Radio Orchestra.Conductor : Hofmann. Steingrube(Organ).
BRATISLAVA, 7.25 -Talk on thefollowing Transmission. 7.30 -Opera from the Slovak NationalTheatre.
BRESLAU, 7.0 -The Rohricht FidelioQuartet ; Station Dance Band.
BRUSSELS (Na. I), 7.0 -Records.Overture, " Alfonso and Estrella "(Schubert). Saint Francois de Paulema reheat sur les (lots (Liszt).Concerto No. 1 (Paganini). 7.30 -Medical and Civil Service Notes.
BRUSSELS (No. 2), 7.0 -BookReview. 7.15 -Records. 7.30 -Talk for Ex -Servicemen.
KONIGSBERG, 7.0 -Topical Report7.15 -Handel. Eleonore Gedeke-Gleim (Contralto), Schultz (Flute).Schutz (Harpsichord) and Ehrich('Cello). Flute and Harpsichord :Sonata in E minor. Contralto,'Cello and Harpsichord : Cantata.Flute and Harpsichord : Sonata inG minor.
PARIS (PTT), 8.0 -Variety. 8.10 -Italian Opera Records. Arias, " LaTraviata " (Verdi), " The Barber ofSeville" (Rossini), "La Sonnam-hula " (Bellini), " Andre Chenier "(Giordano). 8.30 - IntroductoryTalk to the 9.0 Relay.
PARIS (Radio -Paris), 8.0 -ConcertOrchestral Suite in Old Style (Mag-nard). Operetta Songs (Melrack) :(a) " Jalousies," (b) La rosiere deSaint -Flour," (c) " Le manage dePhyrne." Poems (Despax andPeguy). Two Poems (Richepin).Excerpt, La fore; (Chantrier). Reci-tations : (a) Poeme heroique (Ros-tend), (b) Poem (de Musset). Airs,(a) " Au temps des merveilleuses(Richepin-Christine), (b) " Beau soirde Venise " (Richepin). Songs(a) Quand je dense avec lui (Eb-linger), (b) Pedro (Gey), (c) Levieux phonographe (Richepin). Se-lection, " La -haul " (Yvain). Itemsby Paul Colline. In the Intervalat 8.30: News.
PRAGUE, 8.0-" The MakropulosAffair "-Play (Capek).
RADIO-NORMANDIE, 8.0 -RobertBurnier and Claude Pingault (Duets).8.30 -Records.
ROME, 8.0 -Records. 8.5 -News Sports Notes ; Records. 8.30-1Time ; Announcements ; Talk bySenator Danzati. 8.45 - Band.Conductor : Marchesini. Caffarelli(Trumpet). Toccata and Fugue 'inD Minor (Bach). Symphonic Poem,Macbeth (Strauss). Torre di caccia(Respighi). Prelude and Finale,Part II, La resurrezione di Cristo "-(Perosi). Pastoral Legend (Som-me). Trumpet Solo : Caprice(Pima); Symphonic March (Mar-chesini).
SOTTENS, 8.0 -Symphony Concert.Radio Suisse Romande Orchestra.Conductor : Hans Haug. Symphonyin G (Haydn). Concerto for Fluteand Harp (Mozart). PianoforteConcerto No. 2 (Beethoven). Over-ture, Rosamunde (Schubert).
STOCKHOLM, 8.0 - CommunitySinging. 8.30 -Reading (Hall -strain).
STRASBOURG, 8.0 -For YoungPeople. 8.15 -News in German.8.30 -Report on the StrasbourgHygiene Exhibition, from the Hos-pital.
STUTTGART, 8.0 -News. 8.15 -SeeCologne. 8.45 -Talk on the 9.0Transmission.
TOULOUSE (Radio -Toulouse). 8.0 -Talk. 8.15 -Opera Music. Ex-cerpts, " William Tell " (Rossini)," I Pagliacci " (Leoncavallo), " Me-fistofele " (Boho), " Le roi d'Ys "(Lalo). 8,30-" Faust "-Opera inFive Acts (Gounod).
Kabasta. Busch(Violin). Variations on a Themeof Haydn (Brahms). Violin Con-certo in D (Beethoven). SymphonyNo. 5 in E minor (Tchaikovsky).
WARSAW, 8.0 -Records : VienneseWaltzes. 8.45 -Talk on the 9.0Transmission.
9 p.m.ATHLONE 9.0 -Vocal Duets by
Mr. and Mrs. P. J. Duffy. 9.30 -Variety.
BERLIN, 9.0 -Orchestra (contd. from8.45).
BEROMONSTER, 9.0 -News. 9.20 -Literary Talk. 9.40 -Swiss Com-posers. Radio Orchestra. Con-ductor : Hofmann. Suite (Geiser).Four Humoresques (Lauber).
BORDEAUX-LAFAYETTE, 9.0 -Orchestra and Songs (contd. from8.30).
BRATISLAVA, 9.0 -Opera (contd.from 7.30).
BRESLAU, 9.0 -See Turin.BRUSSELS (No. 1), 9.0 -Sketch with
Music (contd. from 8.30). 9.30 -Records : Light Music.
BRUSSELS (No. 2), 9.0 -Beethoven.Jean du Chastain (Pianoforte).Sonata in C. Sonata in F minor -the " Appassionata." Sonata in Aflat.
BUCHAREST, 9.0 -Requiem (Ber-lioz) (contd. from 8.0) ; News.
BUDAPEST (No . I), 9.0-" Faust "-Opera (contd. from 7.30).
BUDAPEST (No. 2), 9.5 -News.9.25 -Bachmann Quintet.
COLOGNE, 9.0 -Schubert Concertfrom the Town Hall, Miinster.The Augmented Municipal Orches-tra and a Male Voice Choir. Con-ductor : Pabst. Hymn. TheUnfinished Symphony.
PARIS (Radio -Paris), 9.0 -Concert BRATISLAVA, 10.15 -News in Hun- Tsarist Colony, (b) " The Cauca- " L'home que no sabia esser ric " -" Faust " - Opera (Gounod)(contd. from 8.0). In the Interval at garian. 10.30 -Records. 10.35- sus "-Sequence with Music. -Farce in Three Acts in Catalan (contd. from 8.30). 11.50 -Request9.15 : News ; Review by Paul Talk in English . Astronomers at (Luis Capdevila). Music.Reboux.
RADIO-NORMANDIE, 9.0 -Soundthe Court of Rudolph II. 10.50-Records.
BUDAPEST (No. 1), 11.10 -GyulaHorvath's Ciginy Band.
COLOGNE, 11.0 -See 9.0 Turin.In the Interval at 11.41 : VerdiAnecdotes.
(Italian andVIENNA, 11.0 -Orchestra
Spanish).(contd.
from 10.20). 11.20 -Talk in Es-peranto : Industrial Reconstructionin Austria. 11.30 -Announcements.
9.50 -Announcements. bert and his little Lambs. Talkies and Shows. 10.45- DEUTSCHLANDSENDER, 11.0- 11 45 -Dance Records.ROME, 9.0 -Band (contd. from 8.45). BRUSSELS (No. 2), 10.0 -News. Records. Records. WARSAW, 11.0 -See 9.0 Turin.
In the Intervals : Talk ; Announce- 10.10 -Records. PARIS (PTT), 10.0-" Henri III " FRANKFURT, ILO -See 9.0 Turin.ments.SOTTENS, 9.0 -Symphony Concert BUDAPEST (No. 1), 10.0-" Faust "
-Opera (contd. from 7.30).-Play (Dumas, Pare) (contd.from 9.0). In the Interval : News.
HAMBURG, 11.0-Suppe. Con-doctor : von Sosen. Overture,
12 midnight(contd. from 8.0). 9.15 -News. PARIS (Radio -Paris), 10.0 -Concert " Der Gascogner." Selection, " Die BARCELONA, 12.0 -Farce (contd.9.25 -Programme by the Luca Nea-po litan Troupe. Song Potpourris
COLOGNE, 10.0 -News. 10.20-" Aida "-Opera (Verdi) (on Re- (contd. from 8.0). 10.30 -Dance,..nmsic.
Afrilcareise. G I 'a c k s w a I z e r.Triumph-Ouvertiire. Gelbe Rosen.
from 11.15).BERLIN, 12.0 -Records :Old Music.
Tarantellas ; Neapolitan Folk cords), with Introductory Talk. PRAGUE, 10.0 -News. 10.15- March, Ueber Berg und Tal. BRESLAU, 12.0 -12.40 -See 9.0 Turin.Music. . DEUTSCHLANDSENDER, 10.0 - Records. 10.30 -News in French. H IL V ER SUM, 11.0 -Orchestra BUDAPEST (No. 2), 12.5 -News.STOCKHOLM, 9.0 -Cabaret. 9.45- News. 10.45 -Weather.
Talk : StalinMUNICH, 11.0 -Dance Music.OSLO, 11.0 -Dance Records.
Fantasy ; News ; Band.TURIN, 12.0-" Aida " (Verdi) (contd.
from 9.0).ATHLONE, 10.0 -Variety. 10.30- corsaire (Berlioz)." Ballet Music ductor : Holzer. Auf, ins Griine PARIS (Poste Parisien), 11.2 -Ex- VIENNA, 12.0 -Dance Records.Time ; News. 10.40 -Harry Lee mer (Debussy). from
" " (Gebauer). Selection, "Aennchen change. WARSAW, 12.0 -See 9.0 Turin.and his Band in Ceilidhe Music. Le festin de Taraignee (Roussel). von Tharau " (Strecker). Nur ein PARIS (PIT), 11.0-" Henri III"BARCELONA, 10.0 - Chimes;
6.0-" The First News."6.25 -Interlude.6.30-" The Foundations of Music."
Bach Church Cantatas.6.50 -German : Max Kroemer.7.20 -Records.7.30 -Danubian Clues to European
Peace -1. " Historical Setting."Arnold Toynbee.
8.0-" Gallipoli." Programme com-piled from the works of Winston S.Churchill, Sir Ian Hamilton, JohnMasefield, Henry Nevinson, Comp-ton Mackenzie and the Official WarHistory. Produced by Val Gielgud.
9.30-" The Second News."10.0-A Short Mid -week Service, con-
ducted by the Rev. W. H. Elliott,relayed from St. Michael's, ChesterSquare.
10.I-13.B.C. Orchestra (Section B),conducted by Anton Webern.Symphony No. 8, in B minor (Un-finished) (Schubert). Ricercare a 6voci (The Musical Offering) (Bach-Webern). Five Orchestral Pieces,Op. 10, Passacaglia, Op. 1 (Webern),
11.15-12.0 (Droitwich)-Dance Music:Lou Preager and his Band.
REGIONALFor Time Signals, see Monday.
10.15-10.45 a.m. (except Midland)-Droitwich.
10.50 -Anzac Day CommemorationService, relayed from St. ClementDanes, Strand.
12.0 -Records.12.20 p.m. -Belfast Wireless Orchestra.1.20 -Organ (R. Tustin Baker).2.0 -The Western Studio Orchestra.3.0 (Scottish till 3.25) -Central Band
of H.M. Royal Air Force.3.30 (Scottish) -Mid -week Service.4.0-" April Showers." A Nonsense
Revue by Roger MacDougall.4.45 -Records : Light Entertainment.5.15 -The Children's Hour.6.0-" The First News."6.30 (Regional)-Vario Trio.6.30 (Midland) -Engineering Talk.6.30 (Northern)-" Outdoor Clothes."6.30 (Scottish) -For Farmers.6.30 (Western) -For Farmers.6.30 (N. Ireland) -Records.6.50 (Midland) -Margaret Ablethorpe
(Pianoforte).6.50 (Northern) -George Burl (One -
string Fiddler) ; Will Firth (One-man Band).
6.50 (Scottish) -Violet Davidson'sConcert Party.
6.50 (Western} -Records.7.0 (except Northern and Scottish)-
1.o Munich, etc.: Contemporary music.12.0 Hamburg, Berlin : Brahms.LIGHT CONCERTSP.M.12.55 Huizen : Light orchestral.2.45 Kalundborg : Radio orchestra.4.3o Breslau : Orchestra.5.o Cologne : Orchestra, choir.5.o Leipzig : Symphony orchestra.7.28 Poste Parisien : Light orchestral.8.o Brussels 1 : Massenet programme.8.o Vienna : Operetta Music.8.45 Hilversum : Orchestra, Borovski (pfte.).9.o Prague : Respighi Concert.9.o Radio-Normandie : Variety concert.9.o Warsaw : Orchestra, Bass songs.9.55 Hilversum : Opera music.to.° Radio -Paris : Orchestra, songs.10.10 Turin, Vienna : Folk music.10.20 Leipzig : German song records.11.20 Budapest I : Cigany Band.OPERASP.M.8.o Beromtinster : Verdi's " Macbeth."8.3o Strasbourg : " Joli Gilles " (Poise).CHAlVffiElt MUSICP.M.12.15 Radio -Paris : Haydn Quartet, Songs.6.15 Brussels 2 ; Ffte., 'cello (Pizzetti).
7.35 Warsaw : Trio (Faure).8.io Kalundborg : Second Quartet (Borodin).RECITALSP.M.4.305.30
Berlin : Pianoforte (Beethoven).Deutschlandsender : Newcomers to theMicrophone.
6.io Huizen : Organ.7.45 Stockholm : Pfte. (Schumann, Brahms).8.3o Paris (PTT) : Old French "Hits."10.0 Stockholm : TelmanyiPLAYSP.M.4.45 Radio -Paris : Scenes from Ponsard.8.o Brussels 2 : " The Conquest of Peru "
(with Douliez' music).8.15 Stockholm : " The Breadwinner
HILVERSUM, 2.0-Lismonde Or-chestra. 2.10--Agi Jambor (Piano-forte). Partita in B (Bach). Thirty-two Variations in C minor (Beet-hoven). 2.30 -Records. TheAeolian Orchestra.
BUDAPEST (No. 1), 5.0 -For Far-mers. 5.30-Jozef Nyary (Saxo-phone).
BUDAPEST (No. 2), 5.5 -Band. Con-ductor : Seregi.
COLOGNE, 5.0 -Small StationOrchestra. Conductor : Eysoldt.Cologne Young People's Choir.Conductor : Schmitz. Tetuner(Songs to the Lute).
DEUTSCHLANDSENDER, 5.0-" A Literary Zoo - HumorousProgramme of Verse and Music.5.30-" Newcomers to Deutsch-landsender Microphone "-VeraAmsinck-Sthamer (Soprano), EdithSeifert (Mezzo -Soprano), Mar-garete Hartmann (Contralto), Ger-I ach (Baritone), Weissenborn (Piano-forte). Scholz at the Pianoforte.
ROME, 7.0 -News in Foreign Lan-guages. 7.40 -Italian Lesson forAdvanced English Students.
SOTTFNS, 7.0 -'Cello. Sicilienne(Guillou). Suite (Gagnebin). 7.15-Music Review. 7.40 -WirelessNotes.
(PAoto: nwass ffirrizr.
A scene from The Breadwinner," which Stockholm broadcasts at8.15 p.m.
PERLIN, 7.0 -Talk by Dr. Berendt :The Competition for Wireless An-nouncers. 7.15 -The Haffner Sym-phony in D (Mozart), by the Phil-harmonic. Conductor : Toscanini(Records). 7.40 -Evening Echoes.
I EROIVIONSTER, 7.0 -Traffic Re-port. 7.5 -Light Music. RadioOrchestra. Conductor : Neppach.7.35 -Talk : Photography. 7.50 -Talk on the 8.0 Transmission.
BRATISLAVA, 7.30 -Jazz.BRESLAU, 7.0 -See Berlin. 7.15 -
Music by Young People, withSpeaking Choir.
BRNO, 7.30 -Variety.BRUSSELS (No. 1), 7.0 -For
Workers. 7.15 -Records. 7.30 -Art Review. For Women.
from 7.31). 8.30 -Talk by E.Bohane : The Spring Show. 8.45-Mrs. Galvin (Traditional Fiddle).
BERLIN, 8.0 -News ; Announce-ments. 8.10 -Variety from the Clou.Part I. A Humorous BroadcastingContest -Cologne v. Berlin. Starters:For Cologne : Willi Bolesco andF.gon Emmeri; For Berlin : MelillaKiefer, Carl Carel' and ErichKestin. Part II. Dance Music bythe Hilden-Arnold Band and theSmall Station Orchestra. Conductor :Steiner. Max Bing (Announcer).
BEROMUNSTER, 8.0-
" Macbeth " (Verdi)from the Municipal Theatre, Basle.Basle Orchestral Society. Con-ductor : Becker. In the Interval :News.
BORDEAUX-LAFAYETTE, 8.0 -Talk : Wine. 8.15News ; Re-quest Records. 8.30-" Apres('amour "-Comedy in Four Acts(Wolff-Duvernoir).
BRATISLAVA, 8.0 -Jazz. 8.15 -Talk. 8.30-Moyzes Choral Music.
BRESLAU, 8.0 -Announcements. 8.10-Beethoven-Brahms. Elly Ney(Pianoforte) with the Station Or-chestra. Conductor : Prade. Leon-ora Overture No. 2 (Beethoven).Pianoforte Concerto in E flat(Beethoven). Symphony in E minor(Brahms).
BRUSSELS (No. 2), 8.0-" TheConquest of Peru "-Play (Rom-bach). Freely adapted by Yvonnede Man. With Incidental Music byDouliez. Radio Orchestra. Con-ductor : The Composer.
BUCHAREST, 8.0 -Requiem (Verdi)from Tchernautzi.
BUDAPEST (No. 1), 8.0 -Variety(contd. from 7.50). 8.40 -News.
BUDAPEST (No. 2), 8.35-ErzsebetGalanffy-Hoar (Songs).
PARIS (Eiffel Tower), 8.0 -TopicalTalks. 8.30 -Records.
PARIS (Poste Parisian), 8.0 -Talk byGringoire. 8.10 -Exchange. 8.20--Review by Max Regnier. 8.25-" Lucie" -Play after de Musset(Matthieu and Laurent); withChopin Music. 8.40 -Interlude.;Exchange. 8.55-" Rouge "-Comedy in. Three Acts (Duvernois),from the Theatre Saint -Georges.
PARIS (PTT), 8.0 -Wireless Review.8.10 -Records. 8.30 -Old French"Hits) (arr. Andre Danerty).
PARIS (Radio -Paris), 8.0 -Reading(Pushkin). 8.30 -News. 8.45-" L'Enigme "-Comedy (Hervieu).In the Interval : News ; Fashions.
ROME, 8.5 -News ; Sports ; Re-cords. 8.30 -Announcements ; Talk.8.45 -Symphony Concert. Con-ductor : Romano. Schaufuss (Piano-forte). Overture, ".The SecretMarriage" (Cirnarosa). Sym-phony No. 2 in D (Beethoven).Pianoforte Concerto in B flat(Brahms). Symphonic Poem,1phigenia (Romano). Excerpts,
The Force of Destiny" (Verdi).SOTTENS, 8.0 -Geneva Radio Or-
chestra. Overture, " The LovelyGalathea " (Suppe). Melody in F(Rubinstein). Humoresque (Seas-sola). Scenes napolitaines (Mas-senet). 8.25 -Talk : The EnglishNovel in the Victorian Era. 8.50 -News.
STOCKHOLM, 8.0 -Pianoforte(contd. from 7.45). 8.15-
" The Breadwinner "-Comedy in Three Acts (SomersetMaugham).
STRASBOURG, 8.0 -News in Ger-man. 8.30 -Records. 8.45-" JoliGillis "-Comic Opera in TwoActs (Poise). Station Orchestraand Soloists. Conductor : DeVillers.
VIENNA, 8.0 -Viennese Operetta.Vienna Symphony Orchestra andMixed Choir. Conductor : Holzer.Margit Bokor (Soprano), Borsos(Tenor), Willenz (Tenor -buffo). Ex-cerpt, " Die Fledermaus " (Strauss).Overture and Duet, " The LovelyGalathea " (Suppe). Intermezzo," Das susse Mildel (Reinhardt).Song and Trio, " The Bird Fancier"(Zeller). Overture, " WienerFrauen " (Leber). Vilja Song," The Merry Widow" (Leber).Song, " Countess Maritza " (Kal-inin). Duet, " The Rose of Stam-boul (Fall). Waltz, " The Queen'sKerchief" (Strauss). Song," Bruder Straubinger " (Ysler).Duet, " Der Bettelstudent ' (Mil -locker). March, " Die Land-streicher " (Ziehrer). Couplet," Das Sperrsechserl " (Stolz). Song," A Waltz [Dream " (0. Straus).Song, " The Land of Smiles "(Lefler). Song, "Der Fremden-fiihrer " (Ziehrer).
WARSAW, 8.0 -Variety. 8.45 -News. 8.55 -Talk : Work inPoland.
THURSDAY April 25
9 p.m.ATHLONE, 9.0 -Relay from the
National Teachers' Reunion at theTeachers' Hall, Dublin. 9.30 -Variety.
BERLIN, 9.0 -Variety (contd. from8.10).
S
BEROMUNSTER, 9.0-" Macbeth"(Verdi) (contd. from 8.0).
BORDEAUX-LAFAYETTE, 9.0-" A pies l'amour "-Comedy (contd.from 8.30).
BRESLAU, 9.0 - Beethoven-Brahms(contd. from 8.10).
BRUSSELS (No. 1), 9.0 -Talk byDeputy Petit : Transport. 9.15=Ballet Suite (Glazunov), by theSymphony Orchestra. Conductor :Andre. 9.30 -Variety by the Re,naudins,
BRUSSELS (No. 2), 9.0-" The Con-quest of Peru "-Play (Rombach)with Music (Douliez) (contd. from8.0).
BUCHAREST, 9.0 -Requiem (Verdi) (contd. from 8.0).
BUDAPEST (No. 1), 9.10 -MusicalParodies. Orchestra (arr. and conducted by Kleinecke). Opera Or-chestra. Waltz, "Der Opernball."Variations on High C. Andante(Haydn). Sonata (Haydn). A'Summer Night's Dream in Buda-keszi. Pianoforte Music in variouskeys. German Songs in HungarianSettings. One, two, three -one,two. Tosca Czardas. Departure ofthe Guests from the Wartburg.
BUDAPEST (No. 2), 9.0 -Songs(contd. from 8.35). 9.15 -News.9.35-11niczky Jazz Band.
COLOGNE, 9.0 -Orchestra (contd.from 8.10).
DEUTSCHLANDSENDER, 9.0-" Johann Sebastian Bach "-Play(contd. from 8.40).
FRANKFURT, 9.0 -News ; Music(contd. from 8.15). 9.15-" Good -Fair -Poor ! "-Hum&ous Charac-ter Sketches (Schaaf).
-A.V.R.O. Orchestra. Conductor,van Raalte. Hansy Book-Liebmann(Soprano) and van Munster (Tenor).Overture, "La finta giardinera "(Mozart). Tenor and- SopranoArias, "The Magic Flute" (Mo-zart). Entr'acte Gavotte, " Manon "(Massenet). Duet, " The Barberof Bagdad " (Cornelius). Balletand Duet, "Czar and Carpenter "(Lortzing). Prelude and Duet," Carmen " (Bizet). Overture.,"Djamileh " (Bizet).
HUIZEN, 9.0 -Programme for theUnemployed (contd. from 8.45).
JUAN - LES - PINS (Radio Cate,d'Azur), 9.0 - News ; 9.15 -Music and Literature.
KALUNDBORG, 9.0 - Alt Wien(Schubert - Friedman) by IgnazFriedman (Pianoforte) on Records.9.10-Bellman's Stockholm Talkand Songs to the Lute by AlfGildsig. 9.50 -News.
KONIGSBERG, 9.0 - Dance Music(contd. from 8.15).
LAHTI, 9,0 - News (Swedish).LEIPZIG, 9.0 -See 8.10 Hamburg.LYONS (La Doua), 9.0 - See 8.30
Paris (PTT).MONTE CENERI, 9.0 - Italian
Music (contd. from 8.50). 9.30 -Dance Records.
MOSCOW (No. 1), 9.0 -GermanTalk : Youth and the Proletariat.
MUNICH, 9.0-" Glorious Days !"- Scenes from a Child's Life(Riemkasten).
HAMBURG, 10.0 -News. 10.25-" Dancing ! " (contd. from 8.10).
HILVERSUM, 10.0 -Opera Music(contd. from 9.55). 10.50 -Humor-ous Sketch (Keen).
HUIZEN, 10.0 -Programme for theUnemployed (contd. from 8.45).10.40 -News. 10.45 -Records.
KALUNDBORG, 10.5-Grieg, Svend-sen. Radio Symphony Orchestra.Conductor : Grondahl. NorwegianDances in A and in A minor (Grieg).Symphony in B flat (Svendsen).
KONIGSBERG, 10.0 -News ; Sports.10.20 -Wireless Talk : Tone Con-trol.
LEIPZIG, 10.0 -News ; Sports. 10.20-Records : German Songs. FranzVolker : Das Veilchen (Mozart).Sigrid Onegin : Das Lied imGI -0=n (Schubert). Gerhard Hiisch :Der Wanderer (Schubert). ElisabethSchumann : Ich schwebe (Strauss).Julius Patzak : 0 wiisst' ich doch denWeg zurIck (Brahms). Eva Leiben-berg : Von ewiger Liebe (Brahms).Domgraf-Fassbaender : Verschwie-gene Liebe (Wolf). MargaretheTeschemacher : Der Engel (Wag-ner). Leo Slezak : FreundlicheVision (Strauss). Lula Mysz-Gmeiner : Das Echo (Schithert).Heinrich Schlusnus : (a) Ich liebedich (Beethoven), (b) Heimweh(Wolf).
MUNICH, 11.0 -Transmission forall German Stations. Contem-porary Music. Station Orchestra.Conductor : Winter. Concerto forStrings, Flute and Clarinet (Fleis-cher). Three Orchestral Pieces afterGerman Folk Songs (Schafer).Music for Strings (Sachsse).
PARIS (Radio -Paris), 11.0 -National Orchestra (contd. from10.0).
IF R ID A le April 26PRINCIPAL EVENTSSYMPHONY CONCERTSP.M.8.5 Prague: The Philharmonic; Malko.8.15 Warsaw : Italian programme.8.3o Eiffel Tower : Bach, Saint-Satns, Mo-
zart.9.o Konigsberg : Dvoialt programme.9.o Leipzig : 8th Symphony (Bruckner).II .0 Berlin : Orchestra, violin.LIGHT CONCERTSP.M.12.15 Radio -Paris : Light orchestral.3.o Kalundborg : Radio orchestra.4.o Beromtinster : Orchestra, pianoforte.5.o Frankfurt : Orchestra, violin.6.15 Brussels 2 : Belgian music.7.3o Athlone : Orchestra, songs.7.30 Vienna : Robert Stolz programme.8.o Brussels I : Ex -Service Men's Hour.8.o Radio -Paris : " Chansonniers."8.o Sottens : Italian music.8.3o Athlone : Sligo Feis Ceoil.;8.45 Huizen : Band Concert.9.0 Brussels 2 : Light orchestral.9.o Munich : Marches.9.o Radio-Normandie : Variety concert.ixo.o Strasbourg : Orchestra.
r.o Cologne : Popular classics.11.20 Budapest x : Cigany Band.12.0 Stuttgart, Frankfurt : Orchestra, pfte.OPERAP.M.7.30 Budapest I : " La Traviata " (with Maria
Nemeth).OPERETTA9.o Frankfurt : " Figures of History in
Operetta."CHAMBER MUSIC5.3o Brussels I : Sax Quartet (Swert, Haydn).8.o Brussels 2 : Trios (Mozart, Beethoven).8.3o Strasbourg : Rabaud quartet, etc.
tra. Florence Hooton ('Cello).2.0 -Birmingham Theatre Royal Or-
chestra. March, Allegiance (Gor-don). Overture, The BronzeHorse (Auber). Selection, Whirledinto Happiness (Stolz). Waltz(Waldteufel). Suite, In a ToyShop (Engleman). Mars and Venus(Ganne). Moonlight Serenade(Marsden). Flowers of Spain(Marquina). Spring Night inthe Woods (Barbirolli). Selection,The Lady of the Rose (Gilbert).
3.0 -The Scottish Studio Orchestra.3.45 -Dance Records.4.15 -Hotel Metropole Orchestra.5.15 -The B.B.C. Dance Orchestra.6.0-" The First News."6.30 -Food for Health : " The Boy
and Girl at Boarding School."6.45-" In Your Garden." C. H.
Middleton.7.5-" The Foundations of Music."
Bach Church Cantatas.7.30-" Hit the Deck." (See Thurs-
certo in A minor (Bach). Recitativoet Finale (Kreisler). Rondino(Beethoven). Dance of the Goblins(Bazzini).
9.10-" Soft Lights and Sweet Music."9.30-" The Second News."10.0 -Conversations in the Train -
16.10.20 -Leslie Bridgewater Quintet.
Elena Danieli (Soprano). Quintet :Suite of Pieces (Couperin-Bridge-water). Elena Danieli and Quintet :Ave Maria(Bach-Gounod) ; Nymphsand Fauns (Bemberg). Quintet :Minuet (The Maid of Arles)(Bizet) ;On a theme by Salinas, Murciene(Nin) ; Melody (Dawes). ElenaDanieli: Ah, Love, but a day !(Beach) ; Apri le (Tosti) ; LovelySpring (Coenen). Quintet : Mina(Elgarl ; Sweet Discourse (Ryder) ;Love Waltz (Moszkowski).
11.15-12.0(Droitwich)-Dance Music :Harry Roy and his Band.
REGIONALFor Time Signals, see Monday.
10.15-10.45 a.m. (except Midland)-Droitwich.
10.45 -The Western Studio Orchestra.11.45 -Organ (Ernest W. Maynard).12.15 p.m. -Records.1.0 -Coventry Hippodrome Orchestra.2.0 -Miscellaneous Records.2.30 -Radio Novelty Quartet with Al
Shaw and Lola Shari.3.30-B.B.C. Midland Orchestra.
Emily Broughton (Soprano). Over-ture, The Italian in Algiers (Rossini) ;Toccata, Bouree and Gigue (Scar-latti-Caselli). Thou, oh Love,Happy moments, flown for ever(The Marriage of Figaro) (Mozart).Symphony No. 8, in B minor (Un-finished) (Schubert). Overture,Froissart (Elgar).
4.45 -Records.5.15 -The Children's Hour.6.0-" The First News."6.30 (Regional) -Orchestra (Section
E), conducted by Henry Amers.6.30 (Midland, N. Ireland) -Jack
Wilson and his Versatile Five.6.30 (Northern)-Northem Orchestra.6.30 (Scottish) -The Barra Players
in " Braid Air A'Bhraid."6.30 (Western) -Studio Orchestra.
Clifford Deri (Baritone).7.0 (Scottish)-" Next week you'll
hear. . ."7.10 (Scottish) -Topical Talk.7.20 (Scottish) -Talk by Regional
Director.7.30 (Regional, Midland; N. Ireland)
-" From the London Theatre."7.30 (Northern) -Act I " Carmen "
(Bizet).7.30 (Scottish) -New Light Orchestra.7.30 (Western) -Powell Duffryn Male
Choir. Walter Glynne (Tenor);7.50 (Re gi ona I) -Esther Coleman (Con-
tralto) ; Herbert Fryer (Pianoforte).7.50 (Midland) -Wireless Singers.
'Elsie Avril (Violin) and DorisAldridge.
7.50 (N. Ireland) -Records.8.15 (Western) -Workaday World -11.8.20 (Northern) -Queer Fish -2.8.20 (N. I re I and) -Earl Howe, C. B.E. :
A review of motor sport.8.40-" Yellow Sands " (See National,
3.5 (approx.)-Programme for theMediterranean District. 2.15 -Announcements ; Giovinezza(Blanc). 2.20 -Talk : The NationalArt Exhibition. 2.25 -Talk : TheDecline of Turkish Power in theMediterranean after the Battle ofLepanto. 2.35 -'Cello and Piano-forte. 2.45 -News ; Political,Economic and Sports Notes. 2.55 -Programme Announcements.
STOCKHOLM, 2.0 -Gym. 2.20-Margit Otto-Wennerstrand (Songs),and John Wennerstrand ('Cello).
STUTTGART, 2.0 -Orchestra (contd.from 1.15). 2.15 -For Es -Soldiers.
TURIN, 2.0 -Exchange ; Records.
KALUNDBORG, 3.0 -Radio Orches-tra. Conductor : Mahler. In theinterval at 3.40 (approx.) : Songsfrom " White Horse Inn " (Stolz-Benatzky), by Kay Abrahamsen.
KONIGSBERG, 3.0 -Exchange. 3.10-Handwork for Children. 3.40 -Talk.
LEIPZIG, 3.0 -3.10 -Reading. 3.45 -Exchange.
MUNICH, 3.0-" The Maid Servant "-Play (Weinberger) ; Music byKusche. Conductor : Geissler.3.40-Reger Reuss. Pauline Friess(Pianoforte).
PARIS (Poste Parisien), 3.15 -Ex-change. 3.45 -Exchange.
PARIS (Radio -Paris), 3.45 -Exchange.PRAGUE, 3.45 -Exchange. 3.55 -
FRANKFURT, 5.0 -Concert. Part I:Rirnsky Korsakov, Tchaikovsky.Station Orchestra. Conductor :Hess. Garvens (Violin). Part II:Pre -War Music by the Hauck Band.
HAMBURG, 5.0 -See 4.30 Breslau.5.30 -Literary Programme. 5.45 -At Karberg's Studio of GraphicArt.
PARIS (Poste Parisien), 6.25 -Ex-change. 6.30 -Theatre Review.6.37 -Overture," The Flying Dutch-man " (Wagner) on Records. 6.50 -Talk. 6.57 -Ballet, " EtienneMarcel" (Saint -Satins) on Records.
PARIS (PTT), 6.0 -Talk arranged bythe International Labour Bureau.6.10 -Talk. 6.30 -News.
PARIS (Radio -Paris), 6.0 - ForWomen. Talks ; Songs. 6.30 -Weather : For Farmers ; Exchange;Racing. 6.50 -Review of Music andMusic Books.
Technical Talk. 7.15 -Recitations(Baudelaire), by Mlle. Billen. Aune Malabaraise. La Beaute. Lageante. Recueillement. Le beaunavire. A une Madone. 7.30 -Legal and Literary Reviews.
PRAGUE, 7.0 -News. 7.10-Muzik Quartet. Waltz, "Ruedurn die Liebe" (Straus). FolkSongs (Maly). Aria, " The Secret "(Smetana).
RADIO-NORMANDIE, 7.0 - Re-quest Concert.
ROME, 7.0 - News in ForeignLanguages. 7.40 -News ; Servicein English ; Italian for EnglishBeginners.
SOTTENS, 7.0 -Sports and TouristNotes. 7.10-Violette Vuliamyand Maurice Perrin (Pianofortes).Suite breve (Aubert). Jeux de pleinair (Tailleferre). Rapsodie fran-caise (Florent Schmitt). Sonatinetransatlantique (Tansman). 7.40 -Talk.
STOCKHOLM, 7.0 -Oskar Sjogren(Violin). Siciliana (Handel). Minuet(Milandre-Press). Mazurka (Wien-iawski). Slav Dance in E minor(Dvraak-Kreisler). 7.15 -News.7.30 -Talk : A Sunday Visit to anArt Museum. 7.50 -Concert fromthe Gustavus Vasa Church. The RadioOrchestra. Conductor : Hellman.Otto Olsson (Organ). Concerto inD minor (Vivaldi). Prelude to theCantata, " Wir danken Dir, Gott,"with Organ Obbligato (Bach).Prelude to the Cantata, "Ich hatteveil Bekiimmernis," with OboeObbligato (Bach). Adagio religioso(Elgar). Symphonic Variations(Nicode). Meditation (SamuelRousseau). Organ Concerto inA minor (Bossi).
TURIN, 7.0 -News in ForeignLanguages. 7.40 -News Servicein English ; Italian for EnglishBeginners.
VIENNA, 7.0 -News ; Announce-ments. 7.30 -
StolzVienna Symphony Orchestra withRecords. Conductor : Holzer.Kamerad, wir sind die Jugend.Record of Tauber : Im Praterbliihn wieder die Baurne. AveMaria. Du liebes Wien. Recordof Jan Kiepura : My heart iscalling, Excerpts, " Servus, Servus."Record of Marcell Wittrisch :Waltz Song, " White Horse Inn "(Stolz-Benatzky). Pierrot, komm,tree mich nach Hause, " Eine
einzige Nacht." Midi. Record ofMartha Eggerth. Ich sing' meinLied heut' nur fiir dich. A klaneDrahrerei, " Das Sperrsechserl."Kleines Trompeterlein, griiss Gott,ade. Record of Tauber : Adieu,mein kleiner Garde-Offizier. Pot-pourri (Dostal).
STUTTGART, 8.0 -News. 8.15 -Transmission for all GermanStations : " Between Heaven andEarth "-Play about a Painter,an Author, an Artist and a FoundryWorker (Morgner).
TURIN, 8.0 -Records. 8.5 -News ;Talk. 8.45-" La tneinica "-Play(Niccodemi).
VIENNA, 8.0 -Stolz (contd. from7.30). 8.30-" Speech is Golden "-Comedy in Three Acts (Prochaska).
WARSAW, 8.0 -Talk : What to doon Sunday. 8.5 -Music Talk.8.15 -Italian Concert. PhilharmonicOrchestra. Conductor
FerreroConcerto gross° in D minor (Vivaldi).Burlesque (Scarlatti). Suite, OH-uc.celli (Respighi). Overture, " LaScala di Seta" (Rossini). Nenet eRintin (Masetti). Torch DanceRosselini). Toccata and Gigue(Petrassi). Excerpt, " Romeo andJuliet " (Zandonai). In the Interval :News. 8,55 -Talk : Work inPoland.
9 p.m.ATHLONE, 9.0-Feis Ceoil Concert
(contd. from 8.30). 9.30 -Variety.BERLIN, 9.0 -Treasures of German
Literature and Music.BEROMUNSTER, 9.0 -News. 9.10
Handel. Radio Orchestra. Con-ductor : Gilbert. 9.30 -BerneString Quartet, with Oboe andHarpsichord (Stotijn).
BORDEAUX-IAFAYETTE, 9.0 -Sec8.30 Paris (PTT).
BRESLAU, 9.0 -Quintet in C minor(Reger). by Ell}, Ney (Pianoforte)and the Bonn Beethoven Quartet.
BRUSSELS (No. r,1), 9.0 -For Ex -Servicemen (contd. from 8.0).9.25-" The One -Eyed Magpie "-One -Act Comedy (Benjamin).
BRUSSELS (No. 2), 9.0 -Orchestra.Conductor : Walpot. Segers (Ac-cordion) and Gilman (Piccolo).March, Hands across the Sea(Sousa). Waltz, A toi (Waldteufel).Overture, " Der Bettelstudent "(Millocker). Algerian Scene (Ketel-bey). Accordion Solo, Liebesfreud(Kreisler). Selection, " Good News"(de Sylva-Brown). Piccolo Solo,Le merle blanc (Damare) Pot-pourri (Noack).
BUDAPEST (No. I), 9.0 -News.9.10 - " La Traviata " - Opera(Verdi) (contd. from 7.30).
BUDAPEST (No. 2); 9.0 -Orchestra(contd. from 8.20). 9.20-3News.
PARIS (Eiffel Tower), 9.0 -Orchestraand Soloists (contd. from 8.30). Inthe Interval at 9.15 : News.
PARIS (Poste Parisien), 9.0 -Comedy(Amiel) (contd. from 8.25).
PARIS (PTT), 9.0 -Literary andDramatic Programme (contd. from8.30).
PARIS (Radio -Paris), 9.0 -Songs. Inthe Interval at 9.15 : NewsDietetics.
PRAGUE, 9.0 -Czech PhilharmonicOrchestra (contd. from 8.5).
RADIO-NORMANDIE, 9.0 -Variety.Choir and Soloists. Variety concert.
ROME, 9.0 -Chamber Music (contd.from 8.45). 9.30-" ChristopherColumbus "-One-Act Play (Di SanSecondo).
SOTTENS, 9.0 -Italian Music (contd.from 8.0). 9.25 -Sine NomineChoir, from the Conference Hall,Neuchatel. Four Songs for MixedChoir (Hindemith). Ladies Choir :(a) Amazones (Ferroud), (b) Avia-trices (Ferroud). (c) Ode to Music(Chabrier). Mixed Choir : Labataille de Marignan (Jannequin).
STOCKHOLM, 9.0 -Concert fromthe Gustavus Vasa Church (contd.from 7.50). 9.15 -Talk on Disarma-ment by the Norwegian Delegate.Dr. Lange, from the InternationalUnity Meeting. 9.45 -News.
STRASBOURG, 9.0 -String Quarto:and Pianoforte (contd. from 8.30).9.50 -News.
STUTTGART, 9.0 -Variety from Sig-maringen. Wende's Band, Anne-marie Banzhaf, Lammle,Nothelfer and Struve.
BRUSSELS (No. 1), 10.0 -News.10.10 -Request Records. 10.25-" Why not " Dance Orchestra.
BRUSSELS (No. 2), 10.0 -News.10.10 -Dance Music.
BUDAPEST (No. 1). 10.0-" LaTraviata"-Opera (contd.from 7.30).10.35 -Jena Farkas Cigany Bandfrom the Cafe Baross.
COLOGNE, 10.0 -News. 10.20 -Theatre Review.
DEUTSCHLANDSENDER, 10.0 -News ; Sports.
FRANKFURT, 10.0 -News ; Sports.10.15-Ba lak i rev and Li apunovSongs to Text of Lermontov andPushkin, by Anton Knoll (Tenor).Songs (Balakirev) : (a) A Dream,(b) Song, (c) Mysteriously the Visor.hid. Songs (Liapunov) : (a) TheStar, (b) The Statue of TsarskoeSelo, (c) Late Blossoms, (d) TheThree Fountains. 10.30 -SportsReview.
STRASBOURG, 10.0 -Orchestra.Conductor : Theodore. Waltz,Blumen der Liebe (Rust). BizetPotpourri (Side). Narzissemadel(Side). Viennese Potpourri, VonWien durch die Welt (Hruby).Russian Dance, Clair de lune (arr.Leopold).
STUTTGART, 10.0 -News ; Sports.10.30 -Dance Records.
VIENNA, 10.0 - News. 10.10 -Opus Quartet. Minuet (Pauspertl).German Dance (von Dittersdorf).Wenn der Walzer wieder klingt(Neuroth). Biedermeierwalzer (Rh -rich). Die kleine Marquise (Wacek).Schlafwandel (Ernst Stolz). GermanDances (Schubert). Frauenherz(Strauss). Folk Song (Komzak).Rebengeister (Tautenhayn).Lagunenwalzer (Strauss). Neuffinf-hauser-Marsch.
WARSAW, 10.0 -Italian Concert(contd. frbm 8.15). 10.30 -Recita-tions : Chopin in Poetry. 13.45 -Talk : The Psychology of Man andof Woman.
11 p.m.BARCELONA, 11.0 -News. 11.15-
Toldra Sextet.BERLIN, 11.0 -Station. Orchestra.
Conductor : Rohr. Hedwig Fass-baender (Violin). Symphony inD -The Clock (Haydn). ViolinConcerto in A minor (Peter Fass-baender). Overture, " Der Frei-schiltz " (Weber).
2.30 -The Cup Final. West BromwichAlbion v. Sheffield Wednesday.Commentary by George F. Allison,relayed from Wembley.
4.50 (Droitwich)-" Six Hours Back."A relay from America.
5.15 -Ambrose and his EmbassyClub Orchestra.
6.0-" The First News."6.25 -Interlude.6.30 -Sports Talk : " Cricket Bats
in the making." R. Woodrooffe.6.45 (Droitwich)-Welsh Interlude :
T. Gwynn Jones, M.A.6.45 (except Droitwich)--Winifred
Kennard (Soprano)7.0-" In Town To -night."7.30 -The Railway Clearing House
Male Choir. Megan Foster (So-prano). Ernest Butcher (Baritone).Ernest Lush (Pianoforte). Con-ductor, Stanford Robinson.
.30 -Music Hall : Aileen Stanley.Murray Ashford and Edgar Sawyer.The Four Harmony kings. JennyHoward. Variety Orchestra.
4.30-" The Second News."'0.0 -The Wireless Military Band.
Conductor, B. Walton O'Donnell.Tom Kinniburgh (Bass -Baritone).Band : March, H. M. Jollies (Al-ford) Overture, Ruy Blas (Men-delssohn). Tom Kinniburgh :The Song of Musterworth (Baynon) ;Ho, Jolly Jenkin (Sullivan). Band :Four Spanish Dances, Op. 21(Moszkowski). Tom KinniburghThe Last Call (Sanderson) ; Callao(Graham) ; The Coming Home(Hope). Band : Mock Morris(Grainger) ; Minuet, My LadyLavender (Peter) ; The GipsyRondo (Haydn).
11.0-12.0 (Droitwich)-Henry Hall'sGuest Night, with the B.B.C.Dance Orchestra.
REGIONALFor Time Signals, see Monday
10.15-10.45 a.m. (except Midland)-Droitwich.
10.45 -The Scottish Studio Orchestra.11.45 -Cinema Organ (Sidney Gus
BORDEAUX-LAFAYETTE, 12.0 -News ; Records. 12.15 -Orchestra.Conductor : Guitraud. Overture," Les Dragons de Villars " (Mail-lart). Overture, " Haydee (Auber-Tavan). Je suis comme ca (Gilbert).Waltz Suite, " Die geschiedeneFrau " (Fall). Menuet guilleret(Filipucci). Etoile polaire (Wald-teufel). Selection, " The Dance ofthe Dragonflies " (Lefler). Selection," L'eau a la bouche " (Pares andvan Parys). Lise et Lucas (Mouton).Petite Piece Louis XV (Lidiex).Valse en sourdine (Ackerman).Contes et fantaisies (Chavarri).
BRESLAU, 12.0 -Small Station Or-chestra. Conductor : Topitz.Kromer (Violin). March, DemLenz entgegen (Blankenburg). Over-ture, " Masaniello " (Auber). Selec-tion, " The Barber of Seville "(Rossini). Scenes gitanes (Bizet).
10.50 a.m. Brussels No. 1
THE EXHIBITIONA broadcast commentary of the Opening Ceremony,
by M. Th6.o Fleischman,
and Address by
H .M. THE KING11.0 a.m. Brussels No. 2. Commentary by
VIENNA, 12.0 -Weather. 12.5 -Records. Entrée des petits faunes(Pierne). Bolero (Ravel). La Capri-cieuse (Eiger). Chanson d'amour(Wertinsky). Russian Cradle Song.Hymn to the, Sun (Rimsky-Korsa-kov). Spanish Folk Song, Noquiero casarme. Tambourin chinois(Kreisler). Mazurka (Popper).Aria, " L'Africaine " (Meyer -beer). The Flight of the BumbleBee (Rimsky-Korsakov). ConcertArabesques on the Waltz, The BlueDanube (Strauss-Schulz-Euler).
Stock Report ; Records.BARCELONA, 1.0 -Chimes ; For
Women ; Records.BERLIN, 1.0 -Midday Echoes. 1.15
-Records : Emil Roosz Band ;Dietrich Schrammel Far-benspiele (Sleds). The Clock isplaying (Blaauw). March (Dietrich).Fideles Wien (Ketnzak). In aMonastery Garden (Ketelbey). Ina Persian Market (Ketelbey). Solang der alte Peter (Dietrich).Auf der Lahmgraub'n (Strecker).Salut d'amour (Elgar). Extase(Ganne). Landler. March, Alt -Wien (Dietrich).
BEROMVNSTER, 1.0 -Records ofDance and Sound Film Music.1.25 -Exchange. 1.30 -Parliamen-tary Review. 1.45 -Request Pro-gramme.
HILVERSUM, 1.0 -Light Music(contd. from 12.40). 1.25 -Records.1.40-V.A.R.A. Orchestra. Con-ductor : de Groot. Overture, "TheCrown Diamonds " (Auber). De-lirienwalzer (Strauss). Barcarollefrom " The Seasons " (Tchaikov-sky). Molly on the Shore (Grainger).Serenade (Gounod). Marche fun&bre d'une marionette (Gounod).Moorish Serenade (Chapi). TheLanguage of the Flowers (Cowen),
HUIZEN, 1.0 -Records. 1.10-K.R.O. Orchestra. Conductor :van 't Woud. San Lorenzo (daSilva). Overture, " Das Zauber-schloss " (Rust). Heinzelmann-chens Wachtparade (Noack). Pot-pourri (Dostal). Donausagen(Faik). The Rockies (Brumm).Records. Riverdale (Young). Jack -in -the -Box (Ellis). Mascarade (La -come). The King's Escort (Bosey).
JUAN-LES-PINS (Radio Cote d'Azur),1.0 -News. 1.15 -Station Orches-tra. Selections, " Lakme " '(De -Jibes), " Le Roi d'Ys " (Lalo),
"The Barber of Seville" (Ros-sini). Peer Gynt Suite (Grieg),Blumenlied (Lange), Blumengefliister(Blon). Potpourri (Zimmer). Song(Stolz). Song (Benatzky). Ex-cerpts, "Les Noces de Jeannette"(Masse).
LEIPZIG, 1.0 -News. 1.10 -RequestRecords. Overture, " Maritaria '(Wallace). Two Ballads (Lowe) :(a) Rom der Reimer, (b) Die Uhr.Fehrbelliner Reitertnarsch (Hen-rion). Song from "Der Evangeli-mann " (Kienzl). Song, In meinerHeimat (Hildach). March (Molten-dorf). Songs in Dialect : (a) Wenn'sFriihgahr kommt, (b) D'r alta Musi_kant. Der lustige Hamburger (Alex).Chromatic Polka.(Milck). MarchingSong, Ruckruck FuneralMarch of a Marionette (Gounod).Marche des petits soldats de plomb
, (Pierne).LYONS (La Doua), 1.0 -Records
(contd. from 12.15). 1.20 --News.1.35 -Records of Viennese OperettaMusic. Selection, " Frederica (Le-ber). Romance, " The Count of
5.50 P.M. BUDAPEST I
OPERAORCHESTRA
CONDUCTOR, FRIGYES FRIDL
Festival Overture, BuchnerRhapsody, LosoncziSerenade, VolkmannLittle Suite, Debussy -
"Playing at S oldier s,"Weiner
Luxembourg " (Leber). Selection." The Merry Widow " (Leber).Selection, " The Last Waltz"(Straus). Selection, "A WaltzDream" (Straus). Duet, " Fran -quite " (Lefler).
MONTE CENERI, 1.5 -Records.MUNICH, 1.0 -Records (contd. from
12.0). 1.15 -News. 1.25 -StationOrchestra. Conductor : Kloss.Praterbummel (P a c h er negg ).Marchenaugen (Kockert). Traumeder Liebe (Kelling). SymphonicPrelude (de Michell). Komm zumir (Ganglberger). Idylle passionellc(Razigade). Mascabella (Fischer).Girls (Pierne).
PARIS (Eiffel Tower), 1.0 -Exchange.1.15 -News. 1.30 -For Farmers.
APRIL 19, 19351 WORLD -RADIO [43
1 p.m. (contd.)1.40 -Labour Bureau Report. 1.50-Economic Notes.
PARIS (Poste Parisien), 1.15 -Ex-change.
PARIS (PTT), 1.0 -See 12.15 Bor-deaux -Lafayette. In the Intervalat 1.20 : News.
PARIS (Radio -Paris), 1.0 -Light Sym-phonic Music (contd. from 12.15).In the Interval at 1.20: News.
Announcements. 1.5 -Orchestra.Excerpts, "The Quaker Girl"(Monckton). Liebesfreud (Kreisler).Waltz (Ganne). Kermesse villageoise(Filipucci). 1.15 -Operetta MusicExcerpts, ".Au temps des merveil-leuses " (Christine), " Katinka "(Lajtai), "Zou, le midi bouge "(Scotto), " Le grand Mogol " (Au-dran). 1.30 -Orchestra. Melody(Schaffer). Blumengiliister (Blon).The Wedding of the Rose (Jesse!).Waltz, .0 Friihling, wie bist du soItch& (Lincke). 1.45-Chansonnettes.
LEIPZIG, 2.0 -News ; Exchange.2.15 -Records. Miickenschwarme(Muck). Glatteis (Fischer). EineMine Frage (Winkler). Du nurbist das Gluck meines Lebens(Dostal). Wenn sich zwei so wunder-bar wie wir verstehn (Mohr). 2.50- " Kaspar und der blaue Teufel-Play (Max Jacob
LYONS (La Doua), 2.0 -See Paris(PTT). 2.45 -Records.
MADRID (EAJ7), 2.0 -Chimes ;Time ; Weather ; Light Music ;Talk. 2.30 -Station Sextet.
MUNICH, 2.0 - News ; ProgrammeNotes ; Exchange. 2.10 -SportsReview. 2.20 -Hitler Youth Band.Turm-Musik (Petzel). Dance Suite(Telemann). Dances (Praetorius).Musik zu einem Ritterballett(Beethoven). 2.45-" Fahrt insGlikk " - Play (Harro-Schaeff-Scheefen), Music by Schneidt,from Nurnberg.
PARIS (Eiffel' Tower), 2.0 -Ex-change ; Education Review. 2.10 -Maritime and Colonial News. 2.20-Education Talk. 2.25 -Exchange.
2.30 -Songs and Pianoforte.PARIS (PTT), 2.0 -Songs. Lise
Berger, Marthe Daumont, ReneeDyane, Remys, Constantin, Lohertand Miller. In an interval : Women'sRadio Competition and at 2.45 -Exchange.
PARIS (Poste Parisien), 2.0 -2.30 -For Girls.
PRAGUE, 2.0 -2.5 -Exchange andWeather in German.
ROME 2.0 -News. 2.15-3.5 (approx.)
Tiroler Schuhplattler. Mandertanz.Dem Hans seine Augen. Sieben -sprung. Drei lederne Strumpf. DerGeschloofte. Tiroler Dreisteirer.Der Hintereftir.) Ahitanz. Sch!oof-tanz. Siebentatzler. Sechsertanz.Abschied. 3.30 -Economic Notes.3.40 -Talk : The " Kraft durchFrcude " Cruise to Madeira.
STOCKHOLM, 2.0-Jasche Bern-stein ('Cello), Tekla Haller (Songs)and Carl Tillius (Pianoforte). 'Cello :(a) Air (Bach), (b) Minuet (Valencin),(c) Song without Words (Mendels-sohn), (d) Etude ,(Chopin), (e) LoFluvial (Cassac16). Songs : . (a)Song in Folk Style (Peterson -Berger),(b) Song in Folk Style (Soderman),(c) Finnish Folk Song, (d) Bud-barerskan (Haakanson), (e) Etflitet barn (Haakansort), (f) Good-night (Morales). Pianoforte : (a)Sonatina in F sharp minor (Ravel),(b) The Flight of the Bumble Bee(R im sky- Koksakov - R achm ani ri ov ),(c) Sonetto del Petrarca (Lisit),(d) Valse impromptu (Liszt), (e)Capriccio (DohnAnyi).
STRASBOURG, 2.0L -See Paris (PTT).STUTTGART, 2.0-See Frankfurt.
Wladigeroff (Violin) and PantschoWladigeroff (Pianoforte). Burlesqueon two Bulgarian Melodies (Wlad-igeroff). Im Volkston (Wladigeroff).Song from the Bulgarian Suite(Wladigeroff). 2.20 -Announce-ments.
WARSAW, 2.45 -- The NutcrackerSuite (Tchaikovsky), played toChildren by the Station Orchestra,with Commentary.
BRESLAU, 3.10 -Gerhard EwaldRischka Songs -by Elise Scholzel(Soprano). The Composer at thePianoforte. Geh Du voruber nicht.Lied. Dalmatian Love Song. Denkes, o Seele. Wiegenliedchen. Wohin1st Dein Liebster gegangen. MeinLiebster ist mein. Das Seekhen.3.40 -Legal Talk for Pedestriansand Cyclists.
COLOGNE, 3.0-" Old Austrian FolkDances "-The Tirol and Vorarl-berg -Talk with Records. Tirol, desis mei Heimatland. Jagermarsch.
The Cup Final
is to be
broadcast from
Athlone and
National stations
at 2.30 p.m.
Les fleurs (Waldteufel). Ene medToner (Callender). Minuet in OldStyle (Burmester). Polka (Lumbye).Spanish Dance (Moszkowsky). Se-lection, " Cavalleria rusticana "(Mascagni). Serenade (Rygaard).Grasshoppers' Dance (Bucalossi).Song,." Ein kleines Cafe in Hemals "(Benatzky). Cradle Song (Andersen).March of the Tin Soldiers (Jesscl).Rustle of Spring (Sinding). FestivalMarch (Marino).
(contd. from 3.55). 4.10 -Requiem(Landre). Rotterdam PhilharmonicOrchestra and Choir, the " Orpheus"Male Voice Choir, the " Apollo"Male Voice Choir and Soloists.Conductor : Flipse.
HUIZEN, 4.0 -4.40 -For Children.4.55-" The Fairy at the Fountain "-Four-Act Operetta' for Children(Koning).
KALUNDBORG, 4.0-Rydahl's In-strumental Ensemble (contd. from3.30). In the Interval at 4.20:Reading.
LAHTI, 4.0 -Records. 4.50 -Read-ing (H. G. Wells).
LEIPZIG, 4.0 -See Cologne.LYONS (La Doua), 4.0 -Juan Grau
Dance Band.MADRID (EAJ7), 4.0 -News ; Light
Music. 4.30 -Station Sextet. 4.50 -News.
MONTE CENERI, 4.0 -Lugano FolkMusic. March, Santa Cecilia.Schottisch, Son fili d'oro. Dance,Allegri. March, Crisi. 4.10 -ActII," Rigoletto "-Opera (Verdi),by the Choir and Orchestra of LaScala, Milan. Conductor : Molajoli(Records). 4.50 -Talk : An oldMan from the Ticino in Berne.
MOSCOW (No. 1), 4.30 -CommunistParty Programme.
MUNICH, 4.0 -Variety. LeoSchneider Band ; Julia Pleyer(Songs) ; Willy Schweizer (Zither);Susanne Walther and Otto WI Ili Gail(Entertainers) ; Oscar Albrecht(Accordion) ; Choir, Overture," Banditenstreiche "(Suppe). Waltz,tin Lande der Liebe (Holzmann).Songs. Potpourri, FrOhlicherRundgesang (Lincke). Czardas(Kempner). Zither Solos. BlauerPavillon (Lautenschlager). Freund-schaftsmarsch (Blon). Interlude.Potpourri, Was gibt es Neues(Drescher). Songs by a Choir.
SATURDAY April 27
Wo die Zitronen bluh'n Strauss).Interlude. Rustle of Spring(Sind i ng). Unterm Lindenbaum.(Felix). Accordion Solos. Flieger-marsch (Dostal).
OSLO, 4.45 -Records. HungarianMarch, " The Damnation of Faust "(Berlioz). Overture, " Idomeneo "(Mozart). Ungeduld (Schubert).Scenes from the Czardas (Hubay).Cossack Chorus, " Stenka Razin "(Glazounov). Spinning Song(Popper). Schenkt man sich Rosenin Tirol (Scheller). Es gibt nur eineLiebe (Kiinneke). Landler (Kauf-mann). March (Bentazky). Mazurka(Erichsen). Oa's igjen(Kristoffersen).
4.5 -Talk in French : The Chan-sonniers of Montmartre in the daysof the" Chat-Noir." 4.30 -Reading.(Spitteler). 4.55-" Lustig ist einPraterleben "-Musical Potpourri(Victor Hruby). Lizzi Holzschuh(Soprano), Anton Arnold (Tenor),Ernst Arnold (Tenor) and AntlPlakowite (Accordion), The Com-poser at the Pianoforte. In theInterval : Talk -Sunday Excursions.
WARSAW, 4.0-Chasyda (Violin)(contd. from 3.45). 4.30 -TechnicalLetter -Box. 4.45 -Quartet in D(Boccherini)by the Warsaw Quartet.
5 p.m.BERLIN, 5.0 -See 4.0 Breslau.BEROMONSTER, 5.0 -See Monte
Ceneri.BRATISLAVA, 5.15 -Slovak Songs
(Dusik). Hoza (Tenor), and theAuthor (Pianoforte). 5.40 -ForWorkers. 5.55 -Play in Hungarian.
BRESLAU, 5.0 - Orchestra (contd.from 4.0).
BRNO, 5.5 - Records. 5.15 -Local News ; For Housewives.5.20 -Reading. 5.35 -LiteraryReview. 5.50 -German Trans-mission : Kaff (Pianoforte). Fantasyin F minor. Waltz in A flat.Nocturne in C sharp minor. ThreeEnid& (Chopin).
BRUSSELS (No. 1), 5.0 -DanceMusic by Mickey's Club Orchestra,from the St. Sauveur Palais deDense. Conductor : Hallet.
BRUSSELS (No. 2), 5.0 -For Chil-dren.
BUDAPEST (No. 1), 5.0 - Talk(ZOtan Kilian), with Records.5.50 -Opera Orchestra.
5.30 -Readings (Martha and Wil-helm Stailting) with Songs byFriedel Huhn.
HILVERSUM, 5.0 - Records. 5.10-Talk on Economics. 5.313-Rotterdam Philharmonic Orchestraand Choir, the Orpheus and ApolloChoirs and Soloists. Conductor :Flipse. Selection, " Beatrijs "(Landre). Three Pieces for a capel laMale Voice Choir. In memoriam
LEIPZIG, 5.0 -See 4.0 Cologne.LYONS (La Doua), 5.0 - Juan
Grau Dance Band.MONTE CENERI, 5.0 - Classical
Music. Radio Orchestra. Con-ductor : Leopoldo Casella. Piccioli(Pianoforte). Overture, " Athalia "(Mendelssohn). Pianoforte Concertoin D minor (Mendelssohn). Sym-phony in C (Boccherini-Sond-heimer). Overture. " non Gio-vanni " (Mozart).
SOTTENS, 5.0 -See Monte Ceneri.STOCKHOLM, 5.0 -Weather. 5.5
-Records.STRASBOURG, 5.0 -Radio Or-
chestra. Conductor : de Villers.Wetzel (Pianoforte). SymphonicPoem, Les Preludes (Liszt). Piano-forte Concerto in A Minor (Chopin).Symphonic Poem, Le Rouetd'Omphale (Saint-Saens).
:` Horneros " Blind Choir. Con -doctor : Schnitzl.
COLOGNE, 6.0-" Humour of theUpper Rhine_"-Ane6dotes. 6.15-Bernhard HiihnerfOrst (Bassoon)and Hans Haass (Pianoforte).Adagio in. F(Spohr). First Move-ment from the Concerto in G minor(Iifilinerfarst). 6.45,- Weather;Econmlic and Sports Notes.
HUIZEN, 6.0-" The Fairy at theFountain "-Operetta (contd. from4.55): 6.30-X.R.O. Orchestra.Conductor : van -'t Woud. TheFour Horsemen (Paul). Overture,"Therrrijd-dr " (Scassola). WaltzIdyll (Razigade). Chant sans paroles(Tchaikovsky). In einem tiirkischenBazar (Dreyer). America (Bosey).
MOSCOW (No. 1), 6.0-" BigBertha "-Play (contd. from 5.30).6.30 -The Collective Farmer atWork ; His New Songs.
MUNICH, 6.0 -Songs by Girls.6.20 -Legal Talk : Car Ownersand their passengers. 6.40 -MyCountry (Stattana) : Gertrud Kissel-bach (Violin), Grete Schmitz-Nonnenmiihlen (Pianoforte). 6.50-Announcements.
OSLO, 6.0 -For Children. 6.40 -Talk : Economics.
PARIS (Eiffel Tower),, 6.45 -Music.' PARIS (Poste Parisien), 6.25 -Ex-
change. 6.30 -Roman CatholicAddress. ,6.55 -Talk.
PARIS (PTT), 6.0 -Science andLiterary Notes. 6.30 -News ;Review.
PARIS (Radio -Paris), 6.0 -Talk : Con-spiracies, under the First Em pire-the Argenton Conspiracy. 6.15 -Talk : The Republican Calendar.6.30 -Weather ; Report and Talkfor Farmers ; Exchange ; RacingNotes. 6.50 -Talk : The Manu-facture of Matches.
PRAGUE, 6.0 -German Transmis-sion. Folk Songs of the Sixteenthand Seventeenth Centuries ; Literary-Talk ; Reading ; News. 6.55 -Records.
- bussy). SpaniTh Suite (Falls). 7.30-Press Review. 7.40 -Review.
KALUNDBORG, 7.0 --News. 7.20 -Reading. 7.50 -Trio (Kuhla9),by Holger Jespersen and JohanBentzon (Flutes) and Folmer Jensen(Pianoforte).
KONIGSBERG, 7.0 -Topical Talk.7.15-" Lyric Songs and Ballads."Elfriede Beyer (Soprano) and MaraKremer (Pianoforte). Chinese Lyrics(Arthur Perleberg) : (a) Die geheim-nisvolle Flute, (b) Das Blatt derFrithlingsweide, (c) Liebeslied (d)Liebestrunken. Pianoforte Solo,Ballad (Conrad Ansorge). ArabianLyrics (Arthur Perleberg) : (a) Aneine Sangerin, (b) Erinnerung. In-dian Lyric by Tagore : 0 Mutter,der junge Prinz (Arthur Perleberg)Pianoforte Solos : Ballads (Nie-mann).
LAHTI, 7.0 -Programme for Scouts.- 7.50-Staliori Orchestra. Conduc-
tor : Linko. Overture. " Hamlet "(Tchaikovsky). Selection, " TheBartered Bride" (Smetana). SlavDances (Dvofalc). Waltz -Fantasia(Glinka). Italian Caprice (Tchai-kovsky).
LEIPZIG, 7.0 -Dance Suite. LeipzigSymphony Orchestra and the EmDe
Orchestra. Conductor : Weber.List Sturmfels (Soprano), MaxKramer (Violin), Theodor Blumerand Fritz Weitzmann (Pianoforte)).Gratulations-menuett (Beethoven):Two Dance Songs r (a) Old GermanDance Song, Wohlauf ! der kiihlewinter ist vergangen (Busoni), (b)Folk Song Polka, Made!, waschBich, putz dich, kiimm dich. Gavottefor Strings (Richard Wickenhausser).Waltz arr. for Two Pianofortes:The Blue Danube (Strauss). TwoDance Songs : (a) Flopak (Mus-sorgsky), (b) Tarantella napolitana(Rossini). Quadrille, " Die Land-streicher " (Ziehrer). Czardasfor Voice and Orchestra, " DerGeist des Wojewoden " (Gross-mann). Two Dances, " Masan-iello " (Auber). Viiolin and Orches-tra : Polonaise in D (Wieniawski).Waltz for Soprano and. Orchestra :Tales from the Vienna Woods(Strauss). Symphonic Dance Suite(Kiinneke) : (a) Overture -Foxtrot,(b) Adagio -Blues, (c) Intermezzo -Scherzo, (d) Valse boston, (e) Finale -Foxtrot.
LYONS (La Doua), 7.0 -News Re-view. 7.30 -Local News. 7.50 -Horse Racing Report.
MADRID (EAJ7), 7.0 -Announce-ments. 7.30 -Exchange. 7.45 -Madrid Philharmonic Orchestra,from the Teatro Espatiol. Con-ductor : Bartolome Perez Casas.Leopoldo Querol (Pianoforte). Ex-cerpts, " Parsifal " (Wagner). Piano-forte and Orchestra : Sinfonie con-certante (Elizalde). Scottish Sym-phony (Mendelssohn).
MONTE CENERI, 7.15 -Talk forWomen : The Living -Room. 7.30-Tito Schipa Records. Aria, "Pagliacci" (Leoncavallo). CubanSong (Schipa). Angela mia (Schipa-Rapee-Pollack). Tango Song, Etgaucho (Schipa). La farfalletta. LaGirometta. 7.45 -News.
MORAVSKA-OSTRAVA, 7.15 -Mandoline Band. _
MOSCOW (No. 1), 7.0 -The Collec-- five Farmer at Work ; His New
Songs.MUNICH, 7.0 -The Call of Youth.
7.5 -Chamber Music. WalterSchulze-Prisca (Violin) ; Will Smit(Violin) ; Karl Eugen Korner(Viola) and H. Munch -Holland('Cello). Variations and Fugue on aTheme of Bach (Opel). Quartet inG (Franck).
OSLO, 7.0 -Announcements. 7.30-Talk. 7.50 --Station Orchestra.Conductor: Kramm. March. Man-hattan Beach (Sousa). Selection," The Thieving Magpie " (Rossini).Echo du Nord (Wiik). Czardas(Monti): Air (Sandby). Two Hun-garian Dances (Brahms). March
BUDAPEST (No. 1), 8.0-" Chopin"-Play (contd. from 7.40). 8.30 -Songs : Isabel Nagy and JozsefCselenyi, accompanied by theSandor Bura Cigany Band.
BUDAPEST (No. 2), 8.5 -Records.COLOGNE, 8.0 -News. 8.10 -
Variety, with Gustav Kneip, CurtBaumgarten and Ernst Kalthoff.Station Orchestras - Conductors :Kuhn and Eysoldt ; the StationChoir -Conductor : Breuer ; andSoloists.
FRANKFURT, 8.0 -News ; TopicalTalk. 8.15 -Variety from theSaalbau, Darmstadt. Band andSoloists: Conductor: Schlupp.
HAMBURG, 8.0 -News. 8.15 -Variety. Station Orchestra -Con-ductor : Gerhard Maasz ; theStation Choir -Conductor : Gre-gor ; the Station Dance Band ; theDietrich Schrammel Quartet ; aMale Voice Quartet, a Ladies'Quartet and Soloists.
MADRID (EAJ7), 8.0-0 rchest ra(contd. from 7.45). In the interval :News.
MONTE CENERI, 8.0 -Radio Or-chestra. Conductor: LeopoldoCasella. Carlo Diletti ('Cello);Herschel (Pianoforte). Overture," Genoveva " (Schumann). 'CelloConcerto in E minor- (Popper).Pianoforte and Orchestra : Dansesacree et danse profane (Debussy).'Cello Solos (Masetti): (a) AveMaria, (b) Giorno di Sagra. PetiteSuite (Roger-Ducasse).
MOSCOW (No. I), 8,0 -DramaticProgramme.
MUNICH, 8.0 -News. 8.10-" Frah-lingsluft "-Operetta in Three Acts(Jos. StrauSs-Reiterer). Conductor :List.
Suite for Chamber Orchestra( Da v id).Songs : (a) Berceuse (Tomasi), (b)Tarantelle (Tomasis, (c) La bonneSemaine (Milhaud), (d) Le Forgeron(Milhaud). Le rouet d'Omphale(Saint-Saens). Persian Dances(Mussorgsky). -
PARIS (Radio -Paris)), 8.0-" Paris'Judgement " and " Chonchette "operettas (Terrasse). In the intervalat 8.30 -Press Review and Weather.
RADIO-NORMANDIE, 8.0 - Re-cords. Aubade asturienne (Moig-nard). The Blue Danube (Strauss).Echo Song (Codini). French Sere-nade (Leoncavallo). The Rosary(Moignard). Donauwellen (Ivano-vici). La farandole (Borel Clerc).Mattinata (Leoncavallo). 8.30 -Vocal Trio. 8.45-Chansonnettes.
SOTTENS, 8.0 -Weekly FinancialReview. 8.15 -Light Music. GenevaRadio Orchestra and Soloists.March of the Tin Soldiers (Pierne).Clarinet: Polka, Sans Souci (Voll-stedt). The Land of Dreams(Howgill). Piccolo : The CaptiveBird (Wilcocks). Suite, At theCircus (Armandola). Les joyeusesfileuses (G i I let).. Vibraphone:Chokin' the Bell(Breuer). Toreadorand Andalouse (Rubinstein). Cau-casian Sketches(Ippolitov-Ivanonov)
STOCKHOLM, 8.0 -Old Dance Mu-sic.
STRASBOURG, 8.0 -News in Ger-man. 8.30-" The Nurnberg Doll."
STUTTGART, 8.0 -News. 8.15-" Spring in the South GermanMountains "-Variety. Station Or-chestra and Choir, with FolkMusic by a Peasant Band, Duets,Accordion, Music, Dulcimer andHarp Duets. Conductor : Gorlich.
teufel), (f)Florentine March (FuNc).Records. Orchestra : (a) Overture," Si j'etais roi " (Adam), (b) Heinzel-mAnnchens Wachtparade (Noack).(c) Grossmiitterchen (Lange), (d)The Mill in the Black Forest(Eilenberg), (e) Blumengeliffster(Blon), (f) The broken Melody(van Biene), (g) Overture, " LightCavalry " (Suppe). Recitations.Organ Music. Records.
HUIZEN, 9.0 -Records. 9.10-K.R.O. Boys. Conductor : Lusten-houwer. Who made little Boy blue(Wayne). Vorbei (Reisfeld). Diekleine Zigarette (Reisfeld). Turandot(Doelle). Kleine Leut'nant Anne-marie (Brodzsky). Verliebt sein(Brodzsky). Gavotte (Gossec).9.40 -Records.
JUAN-LES-PINS (Radio Cote d'Azur),9.0 -News. 9.15 -Station Orches-tra. Overture, "Daphnis and Chloe"(Ravel). Potpourri of HumorousSongs (Himmel). Soldier Songs(Bousquet). Ah ! lea macaronis(Ouvrard). Le chien de Sacha()canes).
at the Opening of the BrusselsUniversal Exhibition (on Records).9.20 -The Radio Symphony Orchestra(contd. from 8.0). Choral and March'(Souris).. Nocturne (Brenta). Rondocapriccioso (Saint -Satins). FlemishRhapsody (Brusselmans). Selection," Cephale et Procris " (Gretry).Fantasia on a Walloon Theme(Ysaye).
BUDAPEST (No. I), 9.0 -Songs(contd. from 8.30). 9.40 -News.
BUDAPEST (No. 2), 9.0 -News.9.20-Szanto (Violin). Concerto(Bocchcrini). Cradle Song (Stravin-sky). Adagio, " Raymonda "(Glazunov). The Wind (Vecsey).Scenes from the Czardas (Hubay).
COLOGNE, 9.0 -Variety (contd.from 8.10).
DEUTSCHLANDSENDER, 9.0 -See8.15 Stuttgart.
FRANKFURT, 9.0 -Variety (con:d.from 8.15).
HAMBURG, 9.0 -Variety (contd.from 8.15).
HILVERSUM, 9.0 -Records. 0.10 -Concert. V.A R.A. Orchestra.Conductor : de Groot. Jong(Organ), Steyn (Organ andAccordion), Cappellen (Recitations),Lemaire (Recitations). Records.Organ : (a) Overture, " Poet andPeasant ' (Suppe), (b) Ciribiribin(Peccalozza), (c) Parade of the TinSoldiers ()easel). Recitations.Accordion and Pianoforte Duets :(a) Czardas (Monti), (b) Dort wodie Wilder gran (Brodsky), (c)Accordiomania (Frosini), (d) Dizzyaccordion (Frosini). Orchestra :
relayed from the Aarhus Theatre.The Aarhus Philharmonic Society'sOrchestra. The Septimen Women'sChoir. The Aarhus StudentSingers. Asmind Grangaard (Bass),Marie Schlegel (Soprano) and ErikHenning -Jensen (Recitations). Con-ductor : Thomas Jensen. Prelude toAct. II, "Saul and David " (Nielsen).Cantata for the Opening of the 1909Aarhus Agricultural Exhibition(Nielsen-Bangert). 9.45 -News.
TOULOUSE (Radio -Toulouse), 9.0 -Concert Version," Azor "-Operetta(Gabaroche). 9.35 - OperettaMusic. 9.45 -Viennese OrchestraWaltz, " Tales from the ViennaWoods " (Strauss). Intermezzo(Ancliffe). Trois heures du matin(Marchetti). Je t'aime quand mdme(Wall -Berg). Three HungarianDances (Brahms).
TURIN, 9.0-" Le roi de chez Maxim"-Operetta (contd. from 8.45).
VIENNA, 9.0-" The' Bayadere "(Kalman) (contd. from 7.45).
WARSAW, 9.0 -Scandinavian Con-cert by the Station SymphonyOrchestra. Conductor : Fitelberg.
10 p.m.ATHLONE, 10.0 -Variety (contd.
from 9.30). 10.30 -News ; Wea-ther. 10.40 -Records.
BORDEAUX-LAFAYETTE, 10.0 -See 8.0 Paris (Radio -Paris). 10.30 -Amusement Guide.
BRATISLAVA, 10.15 -News inHungarian.
BRESLAU, 10.0 -News. 10.30 -Records.
BRUSSELS (No. 1), 10.0 -News.10.10 -Dance Music by JeanMortier and his Boys from theClaridge Dance Hall.
BRUSSELS (No. 2), 10.0 -News.10.10 -Records. Acts I and 1Iof " Patience " (Sullivan). BalletSuite, " Namouna " (Lalo).
BUDAPEST (No. 1), 10.0 -DanceMusic . Heinemann Band from theHotel Britannia. 10.50 -BudapestConcert Orchestra. Conductor :Polgar. Overture, Myra (Dusik).A Student Festival in Jena (Karch).1848 -Potpourri of Old HungarianDances (Falk). Bunte Rhapsodic(Kondor). Brautwerbung in Dorfe(Losonczy). Variete (Fejer). Cali-fornia (Sattler). Overture (Brodi).
BUDAPEST, (No. 2), 10.5-PertisCigany Band.
COLOGNE, 10.0 -News. 10.15 -Variety (contd. from 8.10).
p.m. PARIS (Poste Parisian), 11.0-Mili- from 8.10).houwer. Hands across the Table Concert (contd. from 8.30). 10.30- tary Music. 11.15 -Records. DEUTSCHLANDSENDER, 12.0-(Delettre). In the Valley of Yester-day (Gofford). Souvenir d'Ukraine(Ferraris). Tarantella (Smith).Korsakov).Selection, " Peter,. Paul and Na-
Don'tnette
" (Grothe). A toi . (Elliot).say Good -night (Warren).MusicSelection, "Der Geist des Woje-wodert " (Grossmann). Love in
News; Robert Dance Orchestra.PARIS (Radio -Paris), 10.0 -Operettas
(contd. from 8.0). 10.30 -DanceMusic by the Adison Orchestra.
sender. -' RADIO-NORMANDIE, 11.0-phony No. 6 in B minor -thePathatique (Tchaikovsky).
KALUNDBORG, 10.0 -Cabaret,Part I. -Bassoon Solos by Orla
- Lomborg. Song without Words(Langa). The Gondolier (Simons).Air with Variations. Massa's inthe cold, cold Ground (Losey).Part IL -Three Syncopated Rambles
la cantinie re (Scotto). Marius(Pagnol). Ce n'est pas ce que vouscroyez (Cazaux). Un enfantterrible (Bach). La note d'Arthemise(Bach -Laverne). Le gosse du corn-mandant (Rirnboult). Le rossignolet la mesange (pacinin). Les
BRUSSELS (No. 1), 11.0 -DanceMusic (contd. from 10.10).
BRUSSELS (No. 2), 11.0 -Records(contd. from 10.10).
Records. 11.30 -Light Music.REYKJAVIK,11.0-Station Trio
Folk Music ecords ; Dance'Music.
ROME,111.0-" Castor and Pollux "-Opera (contd. from 9.0) ; News.
HAMBURG; 12.0 ---See Deutschland -sender. - -
HILVERSUM, 12.0 -Concert (contd.from 9.10).
HUIZEN, 12.0-K.R.O. Boys (contd.from 11.55). 12.10 -12.40 -Records.
(Mayerl), by Victor Fischer (Piano- barbus (Chagnon). Au son de la BUDAPEST (No. 1), 11.0 -Orchestra KALUNDBORG 12.0-Chimes.12.2-'Music.forte).SOFTENS,Part III. -Songs to Poems of clarinette (Heintz). Excerpt, " Un (contd. from 10.50). 11.0 -11.30 -Dance Re- 12.15 -Dance
Erik Bogh by Kai Allen, with VictorFischer (Pianoforte).
soir de reveillon " (Moretti).Melody (Pourny). Un flirt sur le COLOGNE, 11.0 -Variety (contd.
from
cords.-STRASBOURG, I 1.0 -Dance Music,
LEIPZIG, 12.0 -12.30 -Light Music(contd. from 10.20).
KONIGSBERG, 10.0 -News ; Sports boulevard en 1860 (Hupfeld). Ex- 8.10).-from the C aveau de l'Aubette. MADRID (EAJ7), 12.0 -Station Sex -
12.30).Divis. Potpourri, Von Wien durch TOULOUSE (Radio -Toulouse), 10.0 LEIPZIG, 11.0 -Light Music (contd.die Welt (Hruby). Nymph and -Film Music. 10.15 - News. from 10.20). - FRANKFURT, 1.0 -Records (contd.Faun (Fetras). Minuet (Vackar). 10.30-" Les Lettres "-Fantasy. MADRID (EAJ7), 11.0 -Chimes. 11.5 BARCELONA, 12.0 -Records. from 12.0).Czech Dance (Balling). Potpourri of TURIN, 10.0-" Le roi de chez -News ; Station Sextet. BERLIN, 12.0 -See 10.20 Leipzig. RADIO-NORMANDIE, 1.0 -Popular Tunes (Tichy). StadiumMarch (Leopold).
MOSCOW (No. 1), 10.5 -Review,
Maxim "-Operetta , (contd. from8.45). .
VIENNA, 10.0 -News. 10.10-
_ ...- ... rMORAVSKA-OSTRAVA, 11.0-
Orchestra (contd. from 10.30).12.30 -Invitation to the Dance,Records of the Barnabas IlvonGeczy, Willi Glebe and Egon
Letter -Box and Sports Notes in Franz Jecha Jazz Band. Franz MOSCOW (No. 1), 11.5 -Swedish Kaiser Bands; Erna Sack, and STUTTGART, 1.0 -See 12.0 Frank -French. Schier (Song Refrains). Programme : (a) Review, (b) Talk : Herbert Ernst Groh (Songs). furt.
WORLD RADIO RESEARCHLEAGUE
ENROLMENT COUPON(Please write in BLOCK eapital letters)
To RALPH STRANGER,Hon. Secretary, W.R.R.L.,
BROADCASTING HOUSE, PORTLAND PLACE,
LONDON, W.I, ENGLAND.
Please enrol m3 as a member of the W.R.R.L.
Name (Mr., Mrs., Miss)
Address
Scientific Qualifications (if any)
Type of receiver available
(State type and make of set, wavelength range,number of valves and I.,' f battery or mains supply).
Type of Transmitter (if any)
Call Sign*
BBC ANNUAL 1935The B B C Annual differs in many respects from its predecessor, the B B C Year Book :
it is changed in format (to size 71ins. by 9;41 -ins.) and it attempts to present in a
new manner an integrated picture of the B B C.'s activities as a whole. It is
divided into several sections : first, a five-year review of broadcasting ; secondly,
what may be regarded as the B B C.'s annual report to listeners of Great Britain
and Northern Ireland, followed by a similar report on the Empire Service. Finally
there is a new feature, entitled ' Forum ', consisting of specially written articles
by Prof. Ernest Barker, Sir Arnold Wilson, Hamilton Fyfe, Douglas Woodruff,
Ernest Newman, Ernst Schoen, Adrian Boult, Tyrone Guthrie, Wyndham Lewis,
C. R. W. Nevinson, which may be regarded as entirely personal expressions of
opinion. There are 192 pages, profusely illustrated : the book is cloth -bound and
blocked in gold. It costs 2/6 from all booksellers, etc., or 3/- by post from
the B B C, Publications Dept., Broadcasting House, London, W.I.
1
APRIL I 9 , 193 5 WORLD -RADIO 47
N._
STATIONS IN ORDER OF FREQUENCIES AND WAVELENGTHSCorrected in accordance with the latest official information available at the time of going to press.
Dial ReadingStationkc/s m. kW Dial Reading ke/s m. kWBand No. 1. 150-300 kc/s
THE ABC OF TELEVISIONALL THE KNOWLEDGE, RESEARCH ANDCOMBINED EFFORTS OF OVER THIRTYENGINEERS AND TECHNICIANS
Clearly Explained
No one man to -day can claim to be an expertin every branch of Television practice. De-velopments in Cathode Ray Tubes, Photo -electricCells, and other Electron devices such as theIconoscope, the Farnsworth Electron Camera,the Electron Multiplier, have been so rapid thatit was only by enlisting the services of a largenumber of specialist contributors that we havebeen able to deal in an adequate manner withthe varied aspects of this subject.
THE VAST SCOPE OF THISBRILLIANT WORK
TRANSMISSION SYSTEMS.Spot Light Scanning.Flood Light Scanning.Film and Intermediate
Remember, there will be big opportunities in the near future for menwho are familiar with the new technique involved in Television Trans-mission and Reception. See that you are ready for it ! GET PARTS1 and 2 "TELEVISION TODAY" from your NEWSAGENT AT ONCE !
TELEVISION TODAYOf all newsagents and bookstalls, r/- each Part, or by post 1/2 each Part fromGeorge Newnes, Ltd., 8-11, Southampton Street, Strand, London, W.0 2.
Dewing withBRITISH
SYSTEMSCONTINENTAL
SYSTEMSAMERICAN SYS'eEMSof transmission
andreception
CATHODERAY TUBES
MECHANICALSCANNER
ICON °SCOPESELECTRON
CAMERAPHOTO
CELLS
CIRCUITSOnm Portents andtnethods. etc., etc,
Geo. Netenes, Ltd.
Printed in Great Britain by NBINITES A Peausoo PAINTING CO., LTD., Exinoor St., Ladbroke Grove,'W.10, and Published for the Proprietors by Geoann Neurons, LTD., 8-11, Southampton St., Strand, London, W.C.2, England- Alai' 10, 1931. AORNH5YOH " WORLIDHADIO " ABROAD : AUSTRALIA and New ZEALAND-Gordon and Goteh (Ahio), Limited. CANADA-Imperial News Company, Toronto, Winnipeg, Vancouver, B.C., and Gordon and Gotch, Ltd. New Volta-T/4i international News
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