IT WILL GROW UP THROUGHOUT MY CAREER ARCHITECTURE LANDSCAPE ARCHITECTURE PAINTING FILM FURNITURE FINE ARTS INTERESTS PHOTOGRAPHY MUSIC TRAVEL 2005-2012 PORTFOLIO OF SHAONAN XU Tsinghua University, China Bachelor of Architecture Rhode Island School of Design, U.S.A Master of Landscape Architecture Address: 2 College Street #1529, Providence, 02903, RI, USA Birth: Male, 08/07/1986, Nei Mongol, China Email: [email protected]Phone: +1 (401) 323 8371 (USA) +86 13466605163 (PRC) CERAMIC TEXTILE JEWELRY LANGUAGE MANDARINE ENGLISH JAPANESE FRENCH
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2005-2012
PORTFOLIO OF SHAONAN XU
Tsinghua University, ChinaBachelor of ArchitectureRhode Island School of Design, U.S.AMaster of Landscape Architecture
Address: 2 College Street #1529, Providence, 02903, RI, USABirth: Male, 08/07/1986, Nei Mongol, China
Flow of staffFlow of cleanFlow of dirtFlow of normal patientFlow of surgical patientFlow of normal vehicle
PublicResidential
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Hospital Design in BeijingAdvisor: Prof. Lv FuxunMar.2009 ~ May.2009
CONTOURING GREENIntroductionThe project locates in Xizhi-men Railway Station, which is one of the busiest and most crowded places in Beijing. The project is to build a new inpatient building for Peking Uni-versity Hospital. An old inpatient building and an outpatient build-ing exist and live little place for the new one.
ConceptThe design uses the form of terrace to create outdoor space on each stair of the building. It also functionally separates intermediate care unit into two parts. The connection between the two parts provides a great view of the sunset of Beijing, where everybody could feel peace.
Resident Distribution
Public Distribution
Commercial Distribution
Industrial Distribution
Preserved Building
SECTION
IntroductionLocating in the southwest of Bei-jing between the Second and Third Ring Road.
Urban Design in Lize, BeijingAdvisor: Prof. Zhang MinOct.2008 ~ Jan.2008
GREEN IslaNd
Green DistributionRoad Analysis Functional Distribution
Current Land-use Analysis 2006 Planning
Concept In this project, we have a strong willing to build a man-made central park in Beijing. To fulfil the goal, we try to con-struct several huge green boxes as the core of design, in order to create some green islands in the city. The boxes not only have the function of skirt buildings, but establish a 3~4 floors floating gar-den. We try to construct a set of structures outside of the buildings. The structures could be some trees and plants, or open spaces, or even air corridors.
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Advisor: Mr. Aaron BrudeSept.2010 ~ Dec.2010, RISD
dEsIGN PRINCIPlE
ProcessingThis studio is held between Architecture and Landscape Architecture Department of RISD, and between graduate and undergraduate students. Just like the studio name, the studio is to introduce a design priciple, or a method.The studio begins with a rope as a prototype. The individuals need to transform it hundreds of times based on some types of theories, and finally construct a building on a site.The transforamation could be divided into two processes. Before Mid-term, the first process is to abstract the rope, and transform it into an enclosure. The second half part is to capture some moments during the transformation and create a building which has certain functions
During the first half part of design, I capture a moment which happens in the transformations. By bending my unit with different forces, there are different forms and spaces appearing, and I use the nature of the fold as my inspiration of the building.
Advisor: Mrs. Scheri FultineerSept.2011 ~ May.2012, RISDsITE-sPECIfIC fRamEwORk IN laNdsCaPE
This is my thesis project, which relates with human experiences in a landscape. When there are too many discontinuities in a current existing site, a continu-ous feature can be established to create uniformity in the site with a simple gesture.The gesture here is a series of methods that can generate a geometrical framework based on spatial information of the site, in order to establish a new structure, which supports the existing urban structure and reinforce it.
The whole project is a series of studio work, we used many software and techniques to record an old village in China.
1. Ancient village mapping and drawing (measured and AutoCAD drawings)2. Photography recording3. Modelling (3Ds-max modelling with all texture hand drawing)4. Virtual world creating and experiencing (using Vrml software)5. DV making (3ds-max rendering and Aftereffect cutting)
Mapping of Village Gao Yi, Hunan,ChinaParticipation: 100% mapping, 50% modelling, 40% renderingJul.2009 ~ Sept.2009
GaO yI mEmORy
CONCEPT
STEP ONE
STEP TWO
FINAL
Commercial Complex Design in Xuzhou, ChinaArchitect: Mr. Andy WenParticipation: CD stage - Rhino modeling and renderingJul.2011 ~ Sept.2011
Xuzhou Suning Plaza
aEdas BEIjING lTd
Department StoreFlagship StoreShopping MallApartment HotelFivestar HotelServiced ApartmentGrade 1 OfficeOthers
Made by Local Model Firm
Office Building Design in Beijing, ChinaArchitect: Mr. WANG HUIParticipation: SD stage - physical modeling, drawing, sketchup modeling May.2009 ~ Aug.2009
Cave Paradise
URBaNUs aRChITECTURE & dEsIGN INC- BEIjINGINTERNshIP
fINE aRTs - waTER COlOR60cm*42cm, 2007 60cm*42cm, 2007
fINE aRTs - PaINTING36in*24in, 2011
24in*16in, 2011 Portrait - 12in*16in, 2011
Initial Ring - Silver, 2010 Opposite Earings - Silver, 2010
This pendant is dedicated to my mom. In Chinese tradition, Kite represents a son travelling or residing in a place far away from home.The main body is a shape of Phoenix, which is a character of my mother’s first name, FENG, and which can represent me, who is studying outside the country, trying to hone myself and expecting to fly one day. The hang buckle is a shape of kite wire wheel, which means I am the kite which wheel is still in my mother’s hand.The Phoenix and the buckle are connected by a chain, so that when it is not been worn, it is like a kite flying in the sky.
Pendant: KITE - Silver, 2011
fINE aRTs - jEwElRy
fINE aRTs - CERamIC2 IN 1 - Clay, a set, 2011
This set combines 2 functions of cups and/or bowls into 1 to get some interesting function as well as new forms.
Rolling cup - Clay, sculpture, 2011
The sculpture is trying to capture the movement of a cup rolling on the table with colors changing and forms cracking.
fINE aRTs - fURNITURE
fINE aRTs - TExTIlE
fINE aRTs - PhOTOGRaPhy
Korea Joomchi, 20in*14in, 2012 Korea Bojagi, 20in*20in, 2012 Bojagi, 40in*42in, 2012