WILKES

UNABASHED BAY AREA STYLESPRING 2012 $12

FAR, FAR AWAY...A LAND CAUGHT IN ANOTHER PLACE & TIME

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EXCITING CHANGES ARE HAPPENING

Spring has sprung, and with it lots of exciting changes and developments! We are so grateful to our San Francisco and Palo Alto communities for your continued support of all our exciting events and endeavors! The vision to transform our fl agship store into a San Francisco landmark is quickly becoming a reality. We are so excited about our extraordinary new Union Square “Townhouse” and the progress being made each day. By press time, the Penthouse should be open, with the 6th and 5th fl oors following soon thereafter... completing all

of our men’s spaces (with the exception of our “Best of Men’s” boutique that will be on the main fl oor). We are cautiously optimistic that our renovation will be complete by the 2012 holiday season. Our objective is for our new space to both inspire and relax all who enter, providing our customers with a welcoming and much-needed respite from the stresses of the city. We plan to o! er a unique, very personalized retail experience in which we hope you will feel like you are visiting someone’s home! We are committed to making the renovations as seamless as possible,

working on one fl oor at a time, so that the construction will be contained and unobtrusive. Most importantly, we are all here each day, along with your favorite associates, providing our unique brand of service. As you’ll see on the coming pages, our stores are primed for spring and summer with a stunning selection of clothing, accessories and jewelry! We look forward to dressing you in Wilkes Bashford style this season… and to all the excitement that is coming in 2012!

The Mitchell Family & Wilkes Bashford

WELCOME TOTHE TOWNHOUSE!

2012 PROMISES TO BE A LANDMARK YEAR FOR WILKES BASHFORD.

WELCOME

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Wilkes Bashford375 Sutter Street

San Francisco 415.986.4380

450 Stanford Shopping Center Palo Alto

650.322.7080

RETAIL EDITOR-IN-CHIEF

Wilkes BashfordCONCEPT /CREATIVE DIRECTOR

Andrew Mitchell-NamdarMERCHANDISING DIRECTOR

Bob MitchellEDITOR-IN-CHIEF

Karen Alberg GrossmanDESIGN DIRECTOR

Hans GschliesserMANAGING EDITOR

Jillian LaRochellePROJECT MANAGER

Lisa MontemorraDESIGNERS

Cynthia Lucero, Jean-Nicole VendittiDIRECTOR OF PRODUCTION

Peg EadieCREATIVE DIRECTION

WSAA, Inc., Westport, CTWILKES ART DIRECTION & COPY

WSAA, Inc., Westport, CTBUSINESS JOURNALS FASHION GROUP

PUBLISHER

Stuart NifoussiPRESIDENT AND CEO

Britton JonesCHAIRMAN AND COO

Mac BrightonCHIEF FINANCIAL OFFICER

Christine SullivanAPPAREL FORUM

Andrisen Morton DENVER, CO

Garys NEWPORT BEACH, CA

Hubert White MINNEAPOLIS, MN

Kilgore Trout CLEVELAND, OH

Larrimor’s PITTSBURGH, PA

Malouf’s LUBBOCK/SOUTHLAKE, TX

Mario’s PORTLAND, OR/SEATTLE, WA

Mitchells/Marshs HUNTINGTON, NY

Mitchells/Richards WESTPORT/GREENWICH, CT

Oak Hall MEMPHIS, TN

Rodes LOUISVILLE, KY

Rubensteins NEW ORLEANS, LA

Stanley Korshak DALLAS, TX

Wilkes Bashford SAN FRAN/PALO ALTO, CA

Fashion Forum Magazine is published in 12 regionaleditions for member stores of the Apparel Forum

Copyright 2012. Published by Business Journals, Inc, P.O. Box5550, Norwalk, CT 06856, 203-853-6015 • Fax: 203-852-8175;

Advertising Office: 1384 Broadway, NY, NY 10018-6108, 212-686-4412 • Fax: 212-686-6821; ALL RIGHTS RESERVED. The publishers

accept no responsibilities for advertisers claims, unsolicitedmanuscripts, transparencies or other materials. No part of this

magazine may be reproduced without written permission of thepublishers. Volume 15, Issue 1. Printed In The U.S.A.

FEATURES 4 Designing a San Francisco Icon20 Laurene Powell Jobs Helps Get Kids on Track46 Temple Turns 2556 Photography: Rock Star72 Art: Art Glass76 The New Guard of Philanthropists

FASHION14 Friends & Trends 22 Far Far Away52 Accessories58 Suiting: Tailored to Perfection 60 The Jacket74 Warm Weather. Cool Fabrics.

DEPARTMENTS1 Welcome Letter8 Happenings48 Ask Wilkes for Him50 Ask Wilkes for Her68 World Scene 70 Escapes: Star Treatment79 Essay: Pull it Together80 At Your Service

29 contents [Mitchells_Wilkes] Q7.qxp:FORUM 2/15/12 3:01 PM Page 2

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‘‘CRAFTING THE EXPERIENCE” — THE WILKES BASHFORD VISIONING SESSION

On November 17th, 2010, Gensler facilitated a “visioning session” for the evolution and development of the new store design concept for Wilkes Bashford. The purpose of the session was to provide key decision-makers an opportunity to discuss project goals and priorities, identify potential programming

parameters as well as possible design drivers, vision and vocabulary. Through various exercises, the key stakeholders were able to collectively “craft the experience”... from store layout to technology and materials, factoring in the brand’s DNA and future objectives.

Je! Henry, design director of Gensler — the world’s largest “architect only” fi rm, which happens to be headquartered in San Francisco — is excited! Henry is leading a team of architects and interior designers on a project they are confi dent will become a true San Francisco icon... the fully reimagined and renovated Wilkes Bashford Townhouse! With 41 o" ces, Gensler works on projects in all corners of the world. “It’s wonderful to create a space that will combine global inspiration with the best of San Franciscan style right in our own backyard!” Henry says. “It was the Mitchells’ vision to fashion the building as a townhouse,” says Henry. “We’re carrying that analogy throughout every inch of the building.” After a major “visioning session” with Gensler professionals, key Mitchells stakeholders and Wilkes Bashford himself, it was clear that everyone wanted the environment to feel like a beautiful, gracious home

and the experience to be very personal, approachable and welcoming. With so many big-brand stores in the Union Square area, the new Wilkes Bashford space was conceived to be a true one-of-a-kind. “Like most interesting houses, the Wilkes Bashford Townhouse will be very eclectic in nature. Each fl oor will have its own distinct character, with unifying elements bringing it all together,” says Henry. From the grand foyer on the main fl oor, which will welcome customers in with a dramatic spiral staircase, through to the 7th fl oor penthouse, the building is being upgraded. “We’re strengthening the entire

infrastructure, rewiring, adding lots of new lighting and earthquake protection. It’s a wonderful old building and we’re investing in a long and exciting future!” says Jack Mitchell.

To add to the user-friendliness of the new building, women’s floors are being clustered together, as are men’s. A high- speed elevator will whisk customers to the penthouse in just seconds and a speedy local elevator will make stops in between.

“Just like with our clothing, it’s all in the details,” says Wilkes Bashford. “Our new fl agship store will be so fabulous, it is beyond my wildest dreams!”

TOWNHOUSE WILKES BASHFORD’S EXCITING TRANSFORMATION

2012!he !o"nhouseDESIGNING ASAN FRANCISCO ICON

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“ IT WAS THE MITCHELLS’ VISION TO FASHION THE BUILDING AS A TOWNHOUSE AND WE’RE CARRYING THAT ANALOGY THROUGHOUT THE STORE. THEY WANTED IT TO FEEL LIKE A GRACIOUS HOME... THE EXPERIENCE TO BE PERSONAL, APPROACHABLE AND WELCOMING.”

JEFF HENRY, DESIGN DIRECTOR, GENSLER


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Men’s Made to Measure,Kiton, Brioni

Men’s Sportswear, Brunello Cucinelli, Loro Piana

Women’s Shoes & Accessories,Pratesi

Men’s Suiting& Furnishings,Ermenegildo Zegna

Women’s Couture

Women’s Sportswear, Brunello Cucinelli, Loro Piana

Men’s Shoes, “Best of Men’s,” Jewelry


7

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!he "i# a$y Men’s suiting and furnishings will be housed in a richly masculine walnut environment. An Ermenegildo Zegna boutique will showcase the designer’s suits, ties and accessories. As another uniquely “San Francisco twist,” vintage articles from old newspapers by renowned San Francisco Chronicle columnist Herb Caen, a great friend of Wilkes Bashford’s, will be plastered on the wall to complete the literary and clubby atmosphere.!he sta% es The men’s sportswear fl oor will represent “a drive to the country house,” where we fi nd the rugged equestrian stables. Brunello Cucinelli and Loro Piana boutiques and other casual menswear designers will be showcased amidst cowhide and richly patinated wall coverings with beautiful beige and tobacco gray carpet.!he "iving &' m The women’s couture fl oor will be the Townhouse’s “formal living room.” The area featuring evening wear will be buttoned-down and “black tie” in black and white. Moveable fi xtures will allow the creation of smaller designer stories in boutiques that will vary with the collections being shown. Sumptuous velvet fabrics in neutral creams, silvers, grays, both cool and warm tones, will provide luxurious backdrops.!he ($ti) ’s stu* o The women’s sportswear level, featuring Loro Piana and Brunello Cucinelli boutiques will be accented by waxed Italian aquamarine plaster from an artist’s studio. The fi tting rooms will be seating areas, with a couple of large-scale VIP rooms, like little living rooms, where clients can try on a lot of clothing in a luxurious setting. The women’s restroom will be a black and white “media room” with mosaic tile and content on screens. The windows will be enclosed with a resin product that replicates a San Francisco fog bank, so it feels like a fog is rolling in! A bit of surprise orange is thrown in. The fl oor will have a young, hip feel.!he +a$,-. The second fl oor, which features women’s shoes, handbags and accessories will be fashioned after the terrace or garden of a townhouse. Hanging will be spectacular elongated oval and silver leaf backdrops that will be an allusion to clouds, with a sunlight e! ect. Shoes will be presented as if they are fl owers being cultivated in the garden. San Francisco artist Beth Weintraub’s acid-etched zinc panels with fl oral motifs will set the tone. Neutral colors with terra cotta accents will add to the non-literal, fi gurative garden feel. The fl oor will be anchored by Pratesi linens on the end, at which point a shot of bright orange color will be infused into the scene.!he +rand fo/er You will be welcomed into a grand foyer with a sculptural marble and wrought iron spiral staircase, connecting the fi rst and second fl oors. As in an actual home, the walls on the staircase will have portraits depicting stories and heritage moments. There will also be carved-out boxes with dramatically lit shoes and handbags. The landings will feature dressed mannequins that can be seen through the windows. As the kitchen is the heart of a home, the main fl oor will allude to a kitchen, with fl oating island, blackboard and wet bar. A new shop called “Best of Wilkes Men’s” will feature a wall of horizontally grained eucalyptus, salvaged from the Presidio. This is one example of continuity from the area’s idiosyncratic materials, that repeats itself, while the Italian marble fl oor speaks to the international aspect of the clothing.

!he 0 n1 ouse As construction will be completed from the top down, the seventh fl oor penthouse will be the fi rst fl oor fi nished, reachable by express elevator. This exclusive menswear world will include iconic Kiton and Brioni boutiques. The penthouse will feature millwork produced in Italy and integrated lighting. The Made to Measure lounge will have a fi replace, fl atscreen television, ceiling with silver and gold leaf fi nish and windows with spectacular views. A long custom table, on which to lay out fabric bolts, will have a hand-made, organic quality. Italian plaster walls, a staging area, a stunning wet bar made of patinated zinc and walnut fl oors in a herringbone pattern complete the scene of an exquisite custom Italian clothing environment.

“ EACH FLOOR WILL REPRESENT A DISTINCT SPACE WITHIN THE TOWNHOUSE.. INCORPORATING THE BEST OF SAN FRANCISCO STYLE WITH A NOD TO THE PLACES OUR CLOTHING COMES FROM.” TYLER MITCHELL


The Ballet San Jose School committee, with the help of Wilkes Bashford Palo Alto and Gentry Magazine, created an evening of fashion and fun to raise funds for the

dozen students who otherwise would be unable to attend.

The evening included scholarship recipient speeches, informal modeling of Wilkes Bashford fall and holiday fashions and a pre-holiday party that everyone enjoyed.

The Ballet San Jose School instructs over 400 students with a dozen acclaimed teachers and accompanists. The school was established in 1996 and has achieved national recognition as a premiere ballet training institution. It is the only professional ballet school in Silicon Valley associated with a major ballet company.

AN EVENING OFCULTURE AND COUTURE

HAPPENINGS LUNCHEONS & FASHION SHOWS & CHARITY EVENTS & MORE!

Models present falland holiday fashions

school’s scholarship program. Every year the school extends scholarships to half a


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Geared up for the re-fi t, friends and guests caught a glimpse of the future transformation of Wilkes Bashford on Sutter Street.!

As we have broken ground on our construction site, guests received custom Wilkes Bashford hardhats prior to their journey to the seventh fl oor penthouse, which revealed exciting details about the top to bottom re-fi t.

Exposed beams and insulation served as décor for the event, among which guests mingled, noshed on hors d’oeuvres and sipped cocktails.!

Je" Henry, our principal designer and architect from Gensler, was on hand to present to everyone the plans, sketches and materials for each of the eight fl oors being renovated. When visiting this spring, don a hard hat and we will be happy to show you fi rsthand the renovations underway.

HARD HAT PARTYCELEBRATES RE-FIT

Top: Jack Mitchell, center, with Hess Rouhafza & Alexander Koutsoyannis



Clockwise from top right: Tyler Mitchell with Major General Michale Myatt; Wilkes Bashford with Marc Corsi and Willie L. Brown Jr.; Caroline Zinko with Jeff Henry from Gensler; Christine Leong and guest


A great time was had by all at our annual Brunello Cucinelli trunk show at the Ma(i)sonry in Napa Valley. Great food and wine by Black Bird Vineyards matched the delicious cashmeres from Brunello Cucinelli.

BRUNELL0 CUCINELLI NAPA

As Wilkes Bashford is well underway to re-fi t our “home” on Sutter Street, we reached out to help Habitat for Humanity, a wonderful organization that builds homes for those in need. Guests turned out for a fun evening, and shopped for a great cause!!

HABITAT FOR HUMANITY


HILLSBOROUGH SCHOOLFASHION SHOW For the second year Wilkes Bashford teamed up with the Hillsborough schools to host an afternoon of fashion, food, and fun! Over 300 guests enjoyed the day and over $80,000 was raised for much needed school programs.

3/3 SARTORIA PARTENOPEA TRUNK SHOW SAN FRANCISCO

3/8 – 3/9 LORO PIANA WOMEN’S FALL TRUNK SHOW SAN FRANCISCO

3/10 – 3/11 LORO PIANA WOMEN’S FALL TRUNK SHOW PALO ALTO

3/10 ERMENEGILDO ZEGNA TRUNK SHOW SAN FRANCISCO

3/11 ERMENEGILDO ZEGNA TRUNK SHOW PALO ALTO

3/16 – 3/17 BRIONI MEN’S TRUNK SHOW SAN FRANCISCO

3/17 – 3/18 BRIONI MEN’S TRUNK SHOW PALO ALTO

3/22 – 3/24 KITON MEN’S TRUNK SHOW SAN FRANCISCO

3/30 – 3/31 MICHAEL KORS FALL TRUNK SHOW SAN FRANCISCO

4/19 – 4/22 KITON MEN’S TRUNK SHOW PALO ALTO

SPRING!"#!TRUNK SHOWS& EVENTS

FOR A COMPLETE LISTOF EVENTS, GO TO WILKESBASHFORD.COM



&friends trends

SOME OF YOUR FAVORITE ASSOCIATES ON THE SEASON’S HOTTEST TRENDS.

NUDES & NEUTRALS

“ EARTH AND FLESH TONES

ARE SOPHISTICATED,

THEY CAN BE PAIRED

WITH ANYTHING

AND THEY’RE SEXY IN

A MORE SUBTLE WAY.”Sheree ChambersWomen’s AssociateSan Francisco

3.

1. Brunello Cucinelli Sandal

2. Valentino Dress

3. Brunelllo Cucinelli Messenger Bag

4. Brunello Cucinelli Jacket

4.

2.

1.

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Meri MorganWomen’s AssociateSan Francisco

&friends trends

ANIMAL PRINTS + COLOR “GREAT SAFARI-

INSPIRED ANIMAL PRINTS AND TEXTURES MIXED WITH POPS OF BLING AND BRIGHT

COLOR LIKE ORANGE AND FUCHSIA.”

1.

3.

2.

3.

5.

6. 7.

1. Michael Kors Dress

2. Etro Silk Blouse

3. Manolo Blahnik Sandal

4. Michael Kors Sweater

5. Michael Kors Dress

6. Pomellato Bangles

7. Michael Kors ZebraPrint Skirt

1.

4.


PIECES THAT TRAVEL WELL “WITH THE WAY

MEN LIVE TODAY, IT’S ALL ABOUT THINGS THAT PACK WELL, DON’T WRINKLE MUCH,

ARE VERSATILE AND LOOK GREAT!”

1. Charvet Shirts

2. Silo Ties

3. Loro Piana Rain Jacket

4. Canali Suit

5. Brunello Cucinelli Sweaters

6. Moore & Giles iPad Case

1.

3.

2.

3.

4. 5.

6.

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Jeff GarelickDirector of Sales

1. Charvet

2. Silo Ties

3. Loro Pia

4. Canali SS6

2.


EARTH-FRIENDLY CASUAL “SOFT PRE-WASHED

COTTONS FEEL LIGHT AND COZY, COME IN GREAT STYLES AND COLORS AND MAKE

EVERY DAY FEEL LIKE SUNDAY!”

Hess RouhafzaStore ManagerPalo Alto

1. John Varvatos boot

2. Agave Supima Polo

3. Agave Supima Sueded Jersey

4. Hamilton Shirt

5. Agave Jeans

1.

2.3.

4.

5.


Olivia BaziwJewelry Specialist

ORGANIC SPRING COLORS “EARTH,

GRASS AND SUN TONES... BROWNS, BEIGES, GREENS AND VIBRANT YELLOWS...

SET A SPRING MOOD AND MIX WELL WITH WOOD AND ORGANIC MATERIALS.”

2.

&friends trends

6.

1. Brunello Cucinelli Cropped Sweater

2. Oscar de la Renta

3. Kathleen Dughi Citrus Earring

4. Missoni

5. Ashley Pittman Cuffs

6. Michael Kors Top

3.

4.

1.

5.


1. Ermenegildo Zegna Linen Shirts

2. Brioni Ties

3. Ermenegildo Zegna Pocket Squares

4. Hickey Freeman Pinstripe Suit

5. Partenopea Jacket

SOPHISTICATED COLOR “IN SHIRTS, TIES,

JACKETS, EVERYWHERE... ADD SOME COLOR TO YOUR NAVIES AND NEUTRALS.

PALETTES FOR MEN HAVE NEVER BEEN MORE STUNNING AND SOPHISTICATED!”

1.11111111111....

1

2

3

4

5

Alexander KoutsoyanisMen’s AssociatePalo Alto

1.

2.

5.

3.

4.


REMEMBERING STEVE JOBSI remember the first time Steve came into our San Francisco store. He was shoeless, intense and exceptionally funny. He had a big presentation coming up in New York and wanted his first really serious suit. I believe it was Armani. Anyone who knew Steve back then could see what he was capable of and

what a world changer he would turn out to be. Over the years, we enjoyed his visits and working with the folks from Apple at our Palo Alto store. We fondly remember his first large order for his famous black shirts... now the stuff of fashion legend. We feel very blessed to have

had a brush with Steve’s greatness and extend our deepest condolences to his wife, chidren, family, friends and colleagues. We join the community in supporting Laurene Powell Jobs’ visionary work with College Track, and all of her endeavors.

—Wilkes Bashford

Co-founded in 1997 by Laurene Powell Jobs and Carlos Watson, College Track is a national after-school program that empowers students from underserved communities to reach their dream of earning a college degree. Now serving 1,100 students in East Palo Alto, Oakland, San Francisco, New Orleans and Aurora, Colorado, College Track celebrated its most recent groundbreaking at a new 13,000 square-foot facility in Bayview. College Track had been serving 200 students per year in Bayview, but with the new facility, soon they will serve 500! Wilkes Bashford, a proud council member of the project, was on hand for the event as was Mayor Ed Lee and, best of all, many past and present Bayview students. With College Track’s impressive track record — 90% go on college — we at Wilkes Bashford are very excited about the project and invite our community to get involved! For more information on upcoming fundraising events and how to support College Track, please visit www.collegetrack.org.

GIVING BACK MAKING COLLEGE A REALITY

COLLEGE TRACK’S NEW BAYVIEW FACILITY WILL EMPOWER HUNDREDS OF SAN FRANCISCO STUDENTS TO GO TO COLLEGE.

“ WE STARTED COLLEGE TRACK 13 YEARS AGO BECAUSE WE BELIEVE THAT TALENT AND IQ ARE EVENLY DISTRIBUTED ACROSS SOCIETY, BUT OPPORTUNITY IS NOT.”

LAURENE POWELL JOBS, CO-FOUNDER/COLLEGE TRACK

LAURENE POWELL JOBS HELPS GET KIDS ON TRACK



PHOTOGRAPHY: SERGIO KURHAJEC

HAIR AND MAKEUP:CLAIRE BAYLEY

STYLING:WENDY MCNETT

FAR FAR AWAY IS A LAND CAUGHT IN ANOTHER PLACE AND TIME... WHERE A BEDOUIN TENT PROVIDES THE PERFECT SHELTER AFTER A LONGCAMEL TREK IN THE DESERT SUN.

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BRUNELLO CUCINELLI


BOGNER


LOREN JEWELS


MANOLO BLAHNIK


AKRIS

OUT OF NORTH AFRICA COME THE COLORS OF SPRING 2012: SAFARI-INSPIRED NEUTRALS...


AGNONA


ERMENEGILDO ZEGNA


LORO PIANA


MICHAEL KORS

...ACCENTED BY THE RICH COLORS OF CHUTNEYS, SPICES & EXOTIC FRUITS.


LAGOS


ETRO


AT THE SOUKS BERBER RUGS &EXOTIC LAMPS WAIT TO BEDISCOVERED.

AGAVE


BRIONI


KITON


KIMBERLY McDONALD

BACK ATTHE RIADA BEDAZZLINGEVENING AWAITSTO UNFOLD.


OSCAR DE LA RENTA


LUCIANO BARBERA


JIMMY CHOO


VALENTINO

1001 NIGHTS BECKON FOR ENCHANTING EVENINGWEAR & JEWELS BEFITTING A PRINCESS.


LORO PIANA


TEMPLE ST CLAIR


MISSONI


ERMENEGILDO ZEGNAISAIA

MOROCCANFOLK MUSIC& LAMP LIGHT FILL THE RIAD THROUGHTHE NIGHT...


ANNIVERSARIES

How did you get started? I’ve always fancied myself an adventurer and explorer. When I was fi nishing grad school in Florence, where I studied Italian Renaissance literature, my mother and I went into a numismatic antiquarian shop and found a rare 4th-century BC Carthaginian coin. She gave me the task of making it into a piece of jewelry. Searching for a goldsmith in the back alleys of Florence led me into a magical world of artistry, history and culture. I started making jewelry from old coins and selling them to sustain my passion, never with the intention of starting a business. Someone from Barneys saw my pieces and o! ered to sell them in a case with my name on it... and

reviewed in The New York Times was big for me. And my 25th itself. I was recently inducted into the Accessories Hall of Fame. Jewelry has been this incredible vehicle for me. It’s given a context to all I love to study and do.

What are your goals for the next 25?As I learn more about craftsmanship, my jewelry has become more refi ned and I’m doing more bespoke, one-of-a-kind pieces. I want to make my mark and defi ne my own place in the history of jewelry. I also plan to collaborate more with friends who are various kinds of artists.

What causes are you passionate about?My husband works with me. We’re both passionate about education in the arts and support New York Live Arts. I’m also passionate about the environment, particularly issues involving the ocean. I’m a spokesperson for Too Precious to Wear, which advocates the non-wearing of coral, which is essential to our ecosystem. If not stopped, it will lead to world hunger.

TEMPLE TURNS 25! TEMPLE ST. CLAIR ON MAGICALLEYS, ANCIENT CULTURES& HOW ALL THINGS CONNECT...

the rest is history. I still work with that same studio in Florence; they’re like family.

What inspires you most?Cultural connections between all of the arts... from performing arts to fi ne art to architecture. I love how all things connect. Nothing is in isolation. I look at Frank Lloyd Wright and see Zen Buddhism. Etruscan art connects to India and China and the migration of tribes. I love cultural anthropology. People have always worn jewelry, from the caveman to the rapper. Jewelry is always a sign of the times...a statement about what is meaningful.

From an anthropological/jewelry perspective, how will our times go down in history? I’ve found that when times are shakier, personal connections and things held close to the heart like charms and amulets are more important. People want jewelry to have more meaning and value. I create pieces of great quality, with a rarity of gemstones and craftsmanship. Mine is a slow process and my pieces are meant to be timeless, modern classics. People want more important pieces.

What are the top milestones of your 25 years?Moving back from 12 years in Italy, meeting my husband and having my sons are the most signifi cant. I have a little house in the East Village... I’ve loved making my home there. In 2008, Harper Collins published my book Alchemy. To write a book and have it

hat same ly.

f the rt to onnect.

ank

TEMPLE ST. CLAIR’S 25TH


What’s your favorite personal piece of jewelry?I am never without my rock crystal amulets. But my “thesis” is a pendant called the Tolomeo after the 1st-century astronomer, Ptolemy. It extols the ancient theory that Earth is the center of universe. It’s rather complex with astrological glyphs and Latin engravings. It’s humorous and whimsical.

Any great stories of celebrities in your jewelry?I don’t pursue celebrities to wear my jewelry, but I love when they choose it on their own. Years ago, I designed wedding rings for Ted Danson and Mary Steenburgen. Last spring, I was at an event and Julia Roberts showed up in blue

moonstone earrings and a necklace of mine, looking great. At the Accessories Hall of Fame awards, Cynthia Nixon presented in my jewelry. I love that she wears it. She’s a fellow New Yorker... down to earth, talented and passionate about education. She’s a true artist, very real.

Who’s the best designer to pair with your jewelry?Brunello Cucinelli is an amazing line. His clothing has great synergy with my jewelry... the same values: great quality, subtle elegance, an in-the-know brand. A fellow artisan of Italy!

Describe your relationship with the Mitchells.I’ve been with them 16 years. I was an early part of their jewelry business. Linda and Jack were my fi rst points of contact and I’ve grown up with Bob and Scott. We have a lot of synergy and shared values about quality and, of course, customer service. We’re a very good fi t, philosophically.

“ PEOPLE HAVE ALWAYS WORN JEWELRY, FROM THECAVEMAN TO THE RAPPER.JEWELRY IS A SIGN OF THETIMES, A STATEMENT ABOUTWHAT’S MEANINGFUL.”


48

SPRINGFASHION TIPS

FOR HIM

ASKWILKES

Q: I’ve had some of my suits for over a decade and they’re holding uppretty well. How do I know when it’s time to replace them?

Just because your old suits aren’t worn out doesn’t mean they’re still in style.Cuts are slimmer now, so if you haven’t bought a suit since the country had a bal-anced budget, your closet needs updating! Jackets are also slightly shorter, two-buttons are in and pleated pants are out!

The trimmer a suit gets the more important fit becomes, so it’s a good idea toinvest in well-made pieces. Ask us to show you how quality canvassing, construc-tion and fabrics all come together to form the perfect fit, one that highlights yourshape and moves with you without constraining you. We’ll bring you up to speedwith updated models that suit your taste and budget. And don’t forget to pick upa few slimmed-down shirts and ties to complete the new you; nothing ruins thesilhouette of a trim suit faster than wearing a large, lumpy shirt under it.

Q: What can I do to make my casual wardrobe current forspring/summer 2012?

Warm weather sportswear can be casual, but never sloppy. One perfect way toupdate is with the season’s hottest bottoms: slim chinos. Available in bright col-ors and updated neutrals, the new chinos pair equally well with polos or softcoats. Make sure they hit just at the top of your shoe, or roll them up a few timesfor relaxed elegance. Don’t forget to ditch your socks or replace them with onesthat can’t be seen, like the new styles from V.K. Nagrani.

The boat shoe is also back in a big way this summer. We’re firm believers thatdeck shoes offer a perfect footwear option for casual style. Try them with colorfulshorts for day, or dark jeans and a blazer for evening. Drivers and loafers arealways safe bets, too.

Q: My wife switches her closet every season, but I wear the samesuits and slacks all year round. Am I doing something wrong?

Yes! Suits in particular are often designed by season. Tropical-weight, at 6.5 to8.5 ounces per linear yard, is comfortable for spring and summer weather. Mid-weight suits (9 to 10 ounces) can be worn 10 months out of the year, and regular-weight suits (11 to 13 ounces) are suitable for fall and winter months. Some fabrictypes are also more appropriate for certain seasons: linen, cotton and seersuckerin lighter colors help keep you cool in summer, while corduroy, tweed and flannelin darker seasonal tones are great layering pieces for the colder months. IM

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Q: It seems that prints are everywhere, but I’venever considered myself a “prints person.” Help!

From bold geometrics to dreamy florals, our favorite designers are offering allmanner of fabulous prints for 2012. With so many to choose from, there’s some-thing out there for everyone. If you’re new to prints, an easy way to introducethem into your wardrobe is with a flowy, romantic blouse or dress, like the onefrom Vince pictured at left. There are no hard and fast rules, so the most impor-tant thing is to come in and start trying things on! Don’t discount anything untilyou see how it looks on you. We promise to help you find a pretty print you canwear with confidence, and put the spring back in your step this season.

Q: I love white for summer. What can I do to add some visualinterest to an all-white outfit?

If you thought white was boring, or that you could only wear it a few months outof the year, you might be surprised at the lighthearted—and light colored—fash-ions that dominated this season’s runways. You can add both newness andlongevity to your wardrobe by layering different tones (bright white, cream andtaupe) and contrasting textures (pique, eyelet, embroidery and knit). This look isall about approachability and ease, so try a loose, sheer blouse over a georgettecami, or top a silky slipdress with a chunky cardigan. And don’t forget to careful-ly consider your undergarments, the literal foundation for any successful whiteensemble.

Q: Asymmetric hemlines look great on the runway, but how can Itranslate the look for real life?

Skirts, dresses and tops with asymmetric cuts are hot right now, so you’ll beremiss if you let their tricky fits scare you away! Don’t be dismayed if you try iton and it doesn’t look exactly like it did on the model. This style is all about pro-portion, but you can always have a piece tailored and tweaked to flatter your par-ticular shape. Working with your associate is key: she can point you toward thepieces that will work for you, help you decide what alterations to make, and sug-gest the perfect footwear to complete the look.

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FUNIS INTHEBAG... WHIMSICAL, YET TIMELESS.Accessories this season are taking their cue from fashion. Handbags and shoes are creative, spirited and don’t take themselves too seriously.

In handbags, many retro shapes are being seen and the colors are often unexpected. In women’s shoes, the higher the platforms, wedges or stilettos the better, with some ballet fl ats thrown in for good measure. Men’s shoes are slim, sleek and versatile...

PHOTOGRAPHY: RILEY + RILEY

Clockwise, top to bottom:

Valentino, Kara Ross, Chloé, Cole Haan

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Jimmy Choo, Fratelli Rossetti, Fratelli Rossetti, Pas de Rouge

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Bontoni, Gravati, Bontoni, Crockett & Jones, Crockett & Jones

TWO “RIGHT” FEET!TREAT YOURSELF TO A PAIR OF BEAUTIFULLY CRAFTED SHOES.

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A LITTLE CARE... A LOT OF WEAR!WITH PROPER CARE, A GOOD PAIR OF SHOES WILL LAST MANY YEARS.Taking proper care of quality shoes is the best way to protect your investment and can extend the life of the shoe several-fold. No matter how good the quality, a shoe left to its own devices will show its age way before its time.

Proper shoe care is very easy and asmall price to pay for keeping shoeslooking their best!

The 2 most important thingsto remember:1. Always keep shoeson a cedar shoe tree.

2. Get shoes polishedat least twice per year.

2.

4. Meltonian Boot & Shoe PolishAllen Edmonds Premium Shoe PolishA good shoe polish will not only help with consistency of color, but will contain condi-tioners to help keep shoes from drying out.

Polishing shoes or having them professionally cleaned, polished and shined at least twice each season is essential to proper shoe care.

3. Rochester Shoe TreeA good shoe tree is the single best investment you can make towards caring for your shoes. It must be cedar or other wood to help shoes maintain their shape, as plastic holds moisture, which misshapes shoes. $40

1. shoe hornUsing a shoe horn to put on shoes helps preserve the shape and keeps shoes from getting stretched out and suede or leather from get-ting worn.

2. shoelacesReplacing shoelaces once they’re worn or frayed keeps lace-up shoes looking newer longer.

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5. shoe brushBuff out your shoes after a good polish. The best shoe brushes are made with soft horsehair bristles.

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Taking photos at rock concerts started out as a hobby for NYC teenagerNeal Preston. But with his unique ability to capture not just the celebrity butthe spirit and humanity within, Preston ultimately became one of the pre-eminent rock star photographers of our era, traveling around the world withfamous musicians for the past four decades. His work has appeared on cov-ers and features in major magazines (Time, People, Rolling Stone), newspa-

Top left: Stevie Nicksat home in Venice,California, 1981Left: Freddie Mercuryat London’s WembleyStadium, 1986

STARPHOTOGRAPHER NEAL PRESTONON CAPTURING MOMENTS IN TIME.BY KAREN ALBERG GROSSMAN

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pers, movies and on countless record andCD covers.

We caught up with Preston at a recentphotography exhibit at The MorrisonHotel Gallery in SoHo. What life lessons have you learnedfrom traveling around the world withrock stars?I’ve learned that music touches everyonein a very deep and spiritual place, as itdoes me. If you take someone’s musicaway—and it doesn’t matter if it’s rock,hip-hop, classical, whatever—you are rip-ping out his soul…

I’ve also learned that the greatest luxu-ry in life is to be able to take privaterather than commercial flights!How do you manage to get thesevery wired guys to relax? How doyou capture them in ordinarymoments?It’s all about being a fly on the wall. Mindyou, that’s not something that can betaught; you just have to go by instinct.There is a real finesse involved with figur-ing out when to remain invisible andwhen not to. If you start to act like you’rethe fifth member of Led Zeppelin, you’regonna have a big fat problem…What was the strangest momentyou ever experienced at a rockconcert?There are many. But having Peter Grant(Led Zeppelin’s legendary manager) tellme to actually go onstage during a showand stand in front of the drummer (JohnBonham) and shoot him was prettybizarre.What do you consider your great-est accomplishment?Many people have told me that they canhear the music when they look at my pho-tos. Who do you most admire? I’m not sure “admiration” would be theright description, but the two musicianswho have influenced my life are PeteTownshend and John Lennon. Pete for thehonesty in his writing, his creativity, histortured genius, his ability to look at lifefrom multiple points of view… I could goon and on. And John Lennon, for showingme what “cool” really is, for giving me thegreatest soundtrack to life a teenagercould have, and for allowing me to realizethat music was, and always will be, in myDNA.

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Jimmy Page,onstage duringLed Zeppelin’s1977 U.S. tour

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ERMENEGILDO ZEGNA’s new Milano suit for spring2012 is an exquisitely detailed work of art that,one could say, took the Italian clothier a centu-ry to perfect. Just in time for the luxurymenswear brand’s 100th anniversary, theMilano is a super-soft study in sartorial chicthat combines a slim shape, gently fitted waistand natural, semi-constructed shoulders.

Like all Zegna suits this season, the newMilano, available in both single and double-breasted, is interpreted in a range of colorfulnatural fabrics that appear to be bleached bythe sun, with an ever-so-slight sheen reminis-cent of sharkskin clothing from the 1950s. Butthe Milano is tailored with a decidedly modernsensibility. The jacket is cut slightly shorterand features just a hint more interior canvas—as many as three layers— for structure, yet the

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TAILORED TO PERFECTION

100 YEARS LATER, OLD-WORLD CRAFTSMANSHIP MEETSMODERN TECHNOLOGY. BY WILLIAM KISSEL

Zegna suits in a rangeof colorful naturalfabrics that appear tobe bleached by the sun.

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finished garment remains remarkablylightweight. The defining element is thebarchetta, or boat-shaped breast pocket, asewing detail that can only be achievedby hand.

Initially a cloth producer and later asuit and sportswear maker, ErmenegildoZegna (pronounced zane-ya) has perfect-ed the art of lighter-than-air suit makinglike no other designer label in history.The Trivero, Italy-based mega-brand notonly constructs all of its own suits in fac-tories around the world (prompting thecompany to introduce the slogan ‘Made inZegna’), but the family-owned companyhas pioneered everything from the techni-cally advanced fabrics used to make itssuits to the su mesura, or made-to-meas-ure, concept often employed to sell them.

WHAT MAKES AN ERMENEGILDOZEGNA SUIT SO SPECIAL—espe-cially the made-to-meas-ure variety—can only beanswered by slipping intoone. Each piece is a labor

of love tailored to your exact specifica-tions, in the fabric of your choice. You canselect the number of pockets, the direc-tion of the pleats on your trousers andeven the buttons and whether or not theywork. Moreover, it will be made with suchattention to detail that your every physi-cal anomaly—from sloping shoulders anda thrown back to a hollow chest or anenlarged abdomen—is actually masked bythe finished garment. (Buying one ofthese suits is a far better option thangoing under the doctor’s knife.) You maynever need to visit your tailor again.

“By the time a made-to-measure suit iscomplete over 500 hands will havetouched it and more than 7,000 handstitches will have been used to create it,”explains image director Anna Zegna.

Zegna workers have a hand in everystep, from shearing the sheep through theprocessing of the fiber into yarn (and thenfine fabrics), to the cutting and sewing ofevery jacket using a combination of mod-ern machinery and hand finishing.

“The perfect fit of a Zegna suit comesfrom constructing it with 100 pieces; thelining alone comprises 12 separate com-ponents,” adds Zegna. After each piece isprecision cut, it passes through the handsof hundreds of tailors, whose singularpurpose is to turn one-dimensional piecesof cloth into a three-dimensional garmentworthy of the most discriminating clien-

tele. The waistband, fly and belt loops ona pair of trousers can require more than20 workers, and it takes the efforts ofanother 24 tailors to construct the sleevesof a jacket; nearly 190 sewers are involvedin creating the body of a single jacket.Even the act of sewing a simple button-hole “can take an eternity of careful cut-ting and stitching,” says Zegna.

Once the fabric has been cut, corre-sponding pieces are carefully bundledand passed down to the tailors and sewersto construct the garment, which can takeas long as four days to wind its waythrough the 110-step production cycle.

Upon completion each suit undergoesan arduous pressing process performedby dozens of workers: six to press theslacks and another 22 to press and hand-iron the jacket before it receives its finalinspection. If the finished garment meetsthe company’s lofty standards, it is literal-ly given the Zegna seal of approval as thesignature logo is sewn in place.

THE SECRET of a Zegna suit isn’t just themeticulous way it’s put together, but the innovativecloth used to make it. The company’s founder andnamesake, Ermenegildo Zegna, began as a fabricmaker in 1910 with the creation of a natural woolweighing roughly 350 grams per square meter,considered featherweight by early 20th-centurystandards. Today, most Zegna fabrics weigh in ata fraction of that and include such technicaladvances as Trofeo, a worsted wool made ofprestige Australian superfine merino wool with longfibers for added strength and resiliency, and thelatest 13milmil13, a vicuna-like fabric made frommerino yarns measuring less than 13 microns. (Toappreciate how exceptional this is, one need onlyreflect on the fact that a human hair measuresroughly 50 to 60 microns.) The development ofsuch fine micron wools is the result of Zegna’s1963 initiative, the Vellus Aureum trophy, whichmotivates and awards Australia and New Zealand’ssheep farmers who produce these ultra-fine wools.

Pioneering fabrics for spring include ZeroWeight, a blend of superfine merino wool and silkwith a yarn count of 600—the finest silk quality inthe world. The company is also moving forwardwith last year’s Cool Effect, in which fineAustralian wool is finished to enable dark fabricsto reflect heat like light-colored ones. The result: acloth that keeps the wearer 10 degrees coolerthan if he were wearing an untreated fabric.

“Fabric represents Zegna’s heritage and it’s theprimary focus of our innovation,” says Anna Zegna,noting that the brand offers more than 700 clothoptions, including 200 new fabrics each season, aspart of its made-to-measure suit service. Over thecourse of the company’s 100-year history, “Zegnahas invented over 20 unique and innovative fabricsin various colors, patterns and textures, whichhave become staples of our collection.”

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TheJacket

YOU’RE NEVER FULLY DRESSED WITHOUT...

THE ULTIMATE “FINISHING TOUCH” & THE KEY TO THE WELL-DRESSED MAN.

Spring may be springing, but that doesn’t mean it’s time to walk around without a jacket.

A great-looking lightweight jacket or sportcoat is an essential fi nishing touch for a put-together casual look.

Whether a man walks into a meeting, a meal or a movie... without a jacket, no matter how great the shirt is, the look will be unfi nished, lacking in style and sophistication. This spring, there has never been a more versatile selection of high-performance, lightweight jackets in so many fabrics and

styles. Whether in summer suede, seersucker or silk, cotton, denim or “techno-fi ber” designed to beat the heat,a couple of great jackets can complete any look. And jackets are not just for slacks. Wear them with jeans, khakis, even your favorite shorts!


JACKET 101: THE EASIEST WAY TO ADD STYLE ANDELEGANCE TO YOUR CASUALEVERYDAY LOOK

SIMPLE

SOPHISTICATEDJACKET 1011: THE EASIESST WAY TO ADDDSTYLE ANDDELEGANCETO YOUR CCASUALEVERYDAY LOOK


DON’T MAKE THE MISTAKE OFTHINKING THAT JUSTBECAUSE IT’S WARM YOU DON’T NEEDA JACKET.

MEMORABLE

FORGETTABLE


SUEDE OR SEERSUCKER, COTTON ORCASHMERE... A JACKET ADDS ELEGANCEAND TEXTURE TO ANY OUTFIT.


JACKET “NOT OPTIONAL” — AN UNJACKETED SHIRT & TIE MAY BE SUITABLE FOR A STUDENT, BUT NOT FOR A MAN WHO MEANS BUSINESS.


SLOPPY

PUT A GREAT JACKET OVER A CASUAL SHIRT AND YOU’RE READY FOR A WINE TASTING OR ART SHOW.

ARTSY


BUTTON UP YOUR OVERCOAT... A WELL- MADE JACKET TAKESYOU JUST ABOUT EVERYWHERE!


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THIS LIGHTWEIGHT MUST-HAVE

TRAVELS LIKE A PRO & TAKES

A LOAD OFF YOUR PANTS POCKETS.

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UN JOUR EN NORMANDIEThe lovely little town of Bayeux in Normandy, near the English Channel, is home to the celebrated 230-foot tapestry depicting the Norman invasion of

Britain, not to mention extraordinary cheese, the Cathédrale Notre-Dame de Bayeux and a landscape layered with centuries of history. A drive throughthe lush countryside offers glimpses of châteaus, apple orchards and the famous Normandy cows, arguably the most tranquil in the world. Naturally,

you’ll want to visit the inspiring and poignant beaches and artifacts of the World War II invasion. (At Port en Bessin, right above a German bunker, noticethe watchtower built by the soldiers of Louis XV.) Nearby is the 17th-century Château de Balleroy, the Forbes family home. So is Brécy, a manor house withrestored Italian-style gardens laid out over four terraces. The Château de Brouay, a mid-18th century château surrounded by farms, has been a family estatefor six generations; you can arrange to lunch in the château or have a cocktail in the orchards. And don’t miss La Haizerie farm, where you might be invit-ed to pet the cows before tasting the homemade lavender ice cream.

THE ART OF STYLELe Royal Monceau, Raffles in Paris is a very fashionable hotel. Between rushing out to glamorous appointments, modish guests dine in the restaurants,

gather at Le Bar Long for cocktails, or indulge in the Spa My Blend by Clarins (which has the longest indoor pool in Paris). And it’s the ideal hotel forart lovers. Paintings, drawings and photography exhibitions are in the lobby, the rooms… everywhere. There’s even a contemporary fresco, A Garden

in Paris, on the ceiling of La Cuisine. Le Royal Monceau is also home to the city’s first art concierge, who offers tours of the hotel’s treasures and organiz-es excursions, such as a visit to contemporary art galleries in the Marais and St. Germain areas, or a private viewing of the Henri Matisse exhibition inPompidou. In Paris, home is where the art is.

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PLUGGED INEven if you’re not a motorcy-

cle enthusiast, chances areyou’re going to want to tool

around the countryside (or slipquickly through city traffic) thissummer on the top-of-the-linebike from Evolve. The TitaniumXR is all electric: no gas, no oil, noemissions. It can go up to 60miles per hour, has a range of 100miles on one charge and isalmost completely silent. At yourrequest, Evolve will even makecoordinating accessories, such asa container sized perfectly tohold your picnic basket or bottleof bubbly.

SUMMER READINGThere’s a reason Twin Farms is a nice place to

curl up with a good book. Set in Vermont,just north of Woodstock on 300 acres of

meadows and woodlands, this quiet countryhideaway was once the home of Sinclair Lewisand Dorothy Thompson. Here, many of the greatnames in literature gathered to talk (and proba-bly argue) about their work and lives. TwinFarms retains its aura of simplicity and coziness.There are hand-painted murals, rich maple andpine woodwork, American folk art and rusticallyelegant accommodations, with king-size featherbeds, wood-burning fireplaces and screenedporches. If you need to stretch, there’s hiking,biking, tennis, pond swimming, fly fishing andcanoeing. But why bother? Just relax and catchup on your reading. IM

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FROM THE TOPOn warm evenings, New Yorkers love to gather at rooftop

lounges. Upstairs At The Kimberly is a favorite amongcelebrities and fashion insiders. The view is spectacular,

the lounge is never uncomfortably crowded (there’s a strictrule about the number of people admitted), and the staff ischarming. Together, sommeliers Branimir Kostic and NikoMavreas have created an extensive list that boasts a collectionof spirits and wines from all over the world, including an aston-ishing 26 different kinds of Champagne. There are wonderfulsavory and sweet things to munch on (try the truffled mac andcheese or lobster sliders), and either sommelier is happy tohelp guests choose a wine and food pairing. Reach for the stars.IM

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THE IDEA OF CAMPING—fresh air, friends gath-ering around a campfire, slumberingunder the stars—appeals to almost every-one. Sleeping on the ground, dirt-speck-led food and primitive bathroom facilitiesdo not. Fortunately, enterprising campcreators are removing much of theuncomfortable stuff from a stay in thegreat outdoors, preserving all the goodand adding even more incentives. Glamcamping, or “glamping” as it’s now called,has spread around the world.

The Clayoquot Wilderness Resort islocated on the west coast of Vancouver

Island (reachable by boat or sea plane).Here, guests who love the great outdoorscan hike, fish, or climb to a treetopobservation platform to view one of theoldest temperate rainforests in theworld, then “fly” over the forest via a 285meter-long flight line. For those who pre-fer less strenuous exploits, Clayoquotoffers wine tastings, spa tents andlibrary tents with an internet café. Andthe accommodations will surely attractthe luxury-loving camper. Tents reminis-cent of those used in 19th-century greatsafari camps have king beds with down

BY DONALD CHARLES RICHARDSON

Below: Sleepunder the starsin the SabiSands region ofSouth Africa.

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duvets, antique dressers and tea tables,Persian carpets, working bathrooms andheated floors. There are even bathrobesand turndown service.

The Resort at Paws Up, located on37,000 acres along the Blackfoot Rivernear Missoula, Montana, offers a rangeof year-round activities: 120 miles of des-ignated hiking and riding trails, fly-fish-ing, whitewater rafting, cross-countryskiing, and more. Recently, Paws Up hasopened their most luxurious tentedaccommodations ever. Set on a bluffoverlooking the Blackfoot River and ElkCreek, Pinnacle Camp has one- and two-bedroom suites with climate controls,jetted tubs in the ensuite bathrooms anddecks with river views. There’s even apersonal “camping butler.”

If you want to go off by yourself, bou-tique adventure company Global

Expeditions, Inc. offers private customexcursions. This company doesn’t havea fixed location or standard package.Instead, an area is leased exclusively foryou and a luxury tented camp is creat-ed. Global will fly in a chef from any-where in the world, and cater to yourwhims with yoga masters, masseurs andestheticians, or authorities on geology,ecology and astronomy.

For stargazers, there are several otheroptions. Abercrombie & Kent will

arrange for you to explore the mysteri-ous Sahara Desert. After a tour of thearea (including Berber villages and theAtlas Mountains) guests set off acrossthe desert for a four-wheel drive to thecamp, situated in a remote area over-looking the Erg Chebbi Dunes. There’s asunset camel ride through the Sahara’sdazzling expanse, followed by aMoroccan dinner, traditional entertain-ment and a spacious Caidal tent.

Then there’s Four Rivers FloatingEco-Lodge in Cambodia, located inTatai, next to the Thai border betweenBangkok and Phnom Penh. There are12 tented villas, each with a flat-screenTV, mini-bar and wi-fi. You can trekinto the jungle to explore one of theworld’s largest rainforests, kayak downriver, fish, or perhaps stop off for anatural hydro massage in the TataiWaterfalls. At the end of the day, youcan relax on your private sun-loungerbalcony for a cocktail.

If you want to get away from (andabove) it all, Lion World Tours, specializ-ing in trips to southern and easternAfrica, can arrange for you to stay in atreehouse. In the Sabi Sands region ofSouth Africa, an astonishing bedroom hasbeen built around a majestic 500-year-oldLeadwood tree. Guests are taken to thecamp at sunset to gaze out over the plainswhile enjoying Champagne and local deli-cacies, before turning in on lavish linensin complete privacy… and, naturally,sleeping under the stars.

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Floating Eco-Lodgein Cambodia

Right: Abercrombie& Kent’s Sahara

Desert Camp

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art

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A MIXTURE of the most common materials—sand,calcium and ash—is transformed by fire intoglass. Artists turn it into masterpieces.

Making glass dates back to about 2500BC inMesopotamia. Phoenicians were accomplishedglassmakers as were the Egyptians, known forstunning turquoise and blue pieces created withcopper and cobalt oxides. But it was the Syrianswho discovered glassblowing in 50BC.

Until then, glass objects were luxury items,considered more valuable than precious gems.Apart from some jewelry—beads and amulets—most glass was used for utilitarian purposes:holding wine, perfume and oils.

Glassblowing made it possible for large quan-tities of diverse glassware to be produced inex-pensively, creating two categories of glass: luxu-ry and functional. Over the centuries, variousareas became renowned as glass centers: Venice,Bohemia, France, Sweden. But while a few indi-vidual artists such as René Lalique and LouisComfort Tiffany became internationally recog-nized for innovations in the field, glassmakingremained industry based, often shrouded insecrecy.

It wasn’t until the 1960s in the United Statesthat the idea took hold that individual artistscould create art glass objects in their own stu-dios. Fueled by desire and technical advances, in1962 artist Harvey K. Littleton and glass scien-tist Dominick Labino led groundbreaking work-shops at the Toledo Museum of Art, introducingartists to the use of glass as a material for con-temporary art. Soon, glassmaking programssprang up at universities and art schools acrossthe country, and what became known as the

Gauguin’sIsland III byPeter Layton

GLASSArt

MIND-“BLOWINGLY” BEAUTIFULBY JACQUELIN CARNEGIE

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Studio Glass Movement developed intoan international phenomenon.

Dale Chihuly is one of the best-knownAmerican artists to emerge from themovement. But British artist Peter Laytonalso happened to be in the States at thetime, teaching ceramics at the Universityof Iowa; he became so taken by the prop-erties of glass that he changed disciplines.

“Glass has a life and will of its own thatyou need to work with rather than con-trol,” explains Layton. “I love the fluidityof the medium and the spontaneity itdemands.”

Back in England, the glass-smittenLayton established The ContemporaryGlass Society to support and encourageglassmakers and opened the LondonGlassblowing Workshop to create andteach contemporary glass art.

Now, Peter Layton and one of his initialstudents, Adam Aaronson, are consideredmainstays of London’s art glass scene.Both take nature as an inspiration and“landscape” and “painterly influences” aretwo major areas of common exploration.Although the execution is quite different,their work has the feeling of Impressionistpaintings rendered in solid form.

“As an artist, I am inspired by theceaseless variability of light on the land-scape, in the sky and on water,” Aaronsonsays. “Glass is the ideal medium toexpress this idea of continual changesince its properties are inherently fluctu-ating, not only in its molten state but alsoin the way the play of light creates end-less nuances in the finished piece.”

This page, top:Squill I by

Adam AaronsonBottom:

Ruby ConicalIntersectionwith Amber

Sphere byHarvey K.

Littleton

Viewing Art GlassIn 2012, the 50th anniversary of the Studio GlassMovement is being celebrated at museums acrossthe world.

THE CORNING MUSEUM OF GLASSCorning, New York (www.cmog.org)

Special 2012 Exhibitions: Founders of American Studio Glass:

Harvey K. Littleton & Dominick Labino; Masters of Studio Glass:

Erwin Eisch; Making Ideas: Experiments in Design at GlassLab

TACOMA ART MUSEUMTacoma, Washington (www.TacomaArtMuseum.org)

Permanent Collection: Chihuly: Gifts from the Artist

ZeST GALLERY AT THE INTERNATIONAL SCULPTURE OBJECTS & FUNCTIONAL ART FAIRNew York and Santa Fe (www.sofaexpo.com)

2012: Pieces by Adam Aaronson and Peter Layton

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Warm Weather. Cool Fabrics.

BOB MITCHELL ON WHY YOUR SPRING WARDROBE SHOULD INCLUDE SOME GREATSEASONAL PIECES...

PHOTOGRAPHY BY SERGIO KURHAJECSTYLING BY WENDY MCNETT

HAIR & MAKEUP BY MACO TESTA

pring is the time to lighten up! While some clothes in your wardrobe can be “year round,” at least 50 percent should

be seasonal. Lighter fabrics — like cottons, silks, seersucker and linen — are cool, comfortable and provide a long-awaited variety, texture and style to your warm weather look. For spring and summer 2012, we’re seeing lots of linen... in shirts, shorts, pants, jackets, suits,

everywhere! Nothing breathes better and is more cooling. Don’t shy away just because it wrinkles. If the piece is beautifully made, wrinkles just add to the look. Take a cue from the Europeans, who wear it all the time! Colors are a bit more vibrant this spring. Mix in some purple, green or orange to liven up your look. Get comfortable. Put the wool in mothballs and bring on the sun!

S

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Don’t be afraidto wear somecolor!

A sport jacket dresses up a pair of shorts.

Show your wrinkles... wear linen withconfi dence.

Cool down with a light-weightsportcoat.

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AT WILKES BASHFORD, WE ARE COMMITTED TO THE CAUSES OF OUR COMMUNITY. Since opening our doors in 1966, it would be impossible to name all of the landmark charity galas and events hosted at and supported by Wilkes Bashford. (Not to mention all the people we’ve dressed in grand style for these events!) Some of the many local organizations we have been involved with are the

San Francisco General Hospital, SF MOMA, Habitat for Humanity, Larkin Street, The Omega Boys Club, The San Francisco Ballet, the San Jose Ballet, College Track, PARCA and the San Francisco Veteran’s Memorial — to name a few. We can’t wait for the first big fundraiser in our newly redesigned Townhouse!

The mission of Wilkes Bashford has always been to be a lot more than a luxury retailer. It has always been equally important to give back to the community we love so much. Over the years, it has been our great joy and our duty to host countless charity events. With the highly anticipated re-birth of our San Francisco store, we look forward to o! ering local organizations a stunning and centrally located venue for many great fundraising events for generations to come! We are thrilled to count amongst our friends and customers many of the most dynamic young philanthropists in our community today. Daniel Lurie, CEO of Tipping Point Community, has raised over 40 million dollars to fi ght poverty in the Bay Area since founding the organization in 2005. Tipping Point’s board is committed to

underwriting all operating costs so that 100% of every dollar donated goes to the best poverty-fi ghting organizations– educating, employing, housing and supporting low-income individuals and families in need. Mr. Lurie also serves on the Board of the Levi Strauss Foundation. Mr. Lurie purchased shoes for his 2006 wedding at Wilkes Bashford and has been a great friend ever since. Brent Johnson, Managing Director at Baker Avenue Asset Management and founder of the Santiago Gold Fund, is another young San Franciscan making an impact. Mr. Johnson is on the Advisory Council of the Omega Boys Club, a youth violence prevention and education program, committed to keeping kids “alive and free.” He admires and enjoys working with Dr. Joseph Marshall to serve the youth

of our community. Mr. Johnson is also on the Steering Committee for the San Francisco Veterans Memorial Project, a cause near and dear to many hearts in our city. He shares the commitment of Wilkes Bashford to “make good on a promise made to veterans over 75 years ago.” On the Wilkes Bashford homefront, General Manager Je! Garelick leads many philanthropic initiatives. Aside from working closely with Larkin Street Youth Services, he spearheads major donations of clothing to inner city kids who are trying to fi nd work. We look forward to working with and supporting both the “Old Guard” and the “New Guard” of philanthropists in this city for years to come!

For more information on Tipping Point, visit www.tippingpoint.org and for more information on Omega, visit www.street-soldiers.org

THE NEW GUARD OFPHILANTHROPISTS

GIVING BACK MAKING A DIFFERENCE IN OUR COMMUNITY

YOUNG ACTIVISTS LIKE DANIEL LURIE AND BRENT JOHNSON LEAD THE WAY FOR A NEW GENERATION.


“ WITH THE REBIRTH OF OUR STORE COMES A NEW GENERATION OF CUSTOMERS, WHO SHARE OUR COMMITMENT TO MAKING A DIFFERENCE. THIS HASBEEN A TRADITION AT WILKES BASHFORD AND HAS BEEN PASSED DOWN IN MY FAMILY BY MY GRANDFATHER, MY FATHER AND MY UNCLE.”

“ THERE ARE 1.3 MILLION PEOPLE IN THE BAY AREA WHO STRUGGLE TO MEET THEIR BASIC NEEDS. THE RESPONSIBILITY FOR FIGHTING POVERTY IN THIS COMMUNITY BELONGS TO ALL OF US.”

TYLER MITCHELL

DANIEL LURIE, CEO & FOUNDER, TIPPING POINT

Brent Johnson, Daniel Lurie, Tyler Mitchell and Jeff Garelick, photographed in the new Wilkes Bashford Penthouse, while under construction.


Guests turned out to celebrate renowned jeweler Temple St. Clair’s 25th anniversary with a special trunk show and personal appearance by the designer herself, at Wilkes Bashford on Sutter Street on October 21st.

Hosted by Roselyne Swig and Susan Swig, a percentage of sales from the evening went to the San Francisco Contemporary Jewish Museum and the San Francisco Museum of Modern Art.

We also want to congratulate our longtime friend Temple for receiving the well deserved “Hall of Fame” award from the Accessories Council in November.

TEMPLE ST. CLAIRCELEBRATES 25TH ANNIVERSARY INSAN FRANCISCO

Counterclockwise from top: The evening’s hosts, Roselyne Swig and Susan Swig; Temple St. Clair assisting a customer; Rory Weinstein


Below: Temple St. Clair flanked by Judith Murolo and her daughter, Christine


row up,” my fashionable friendsneered over his ceviche, withone eyebrow raised. “You lookdisheveled, kind of a mess…”

“What are you talkingabout?” I demanded, feeling very sar-torially appropriate in trim khakisand a crisp blue oxford shirt.

“Your outfit!” he dispatched withdisdain. “It’s dull and uncoordinated.It makes you look dated. And clue-less!” Requesting specifics about myfashion transgressions, I was toldthat, for one thing, my belt and shoeshad nothing in common.

“The belt’s at my waist, the shoesare on my feet: what do they need incommon?” I wondered aloud.

But after a quick self-assessment, Ihad to admit that my friend was right.Despite owning plenty of qualityclothes, some with designer labels, Inever seemed to look quite right.Clearly, my image was far less cooland far more boring than most of theguys in that trendy restaurant.

Time to consult the experts.Here’s what I learned: ! When it comes to accessories, buythe best you can afford. When theaccessories look expensive, the out-fit looks expensive.! The belt and shoes should be asclose as possible in color, textureand material.

! Socks should match the trouser,rather than the shoe. (But a littlewhimsy on the feet is acceptable, asis going sans socks in summer.)! More than anything else you wear,your tie expresses your personality.Make sure it’s current (three and ahalf inches, narrower if you’re a rockstar) and make sure it’s interesting.Even casual outfits, including jeans,go up a notch with the right neck-wear: try a knit or linen tie, or a sub-tle conversational. ! Keep your eyewear current. Bringalong a friend when you select newglasses and make sure the framescomplement your face shape andfeatures. (Bold frames are of themoment, but only if they look goodon you!)! A handkerchief in your sportcoatpocket adds a touch of elegance.

So there it is. Without threateningmy masculinity, the simple act ofcoordinating a suede belt with mysuede bucks has instilled newfoundconfidence. And now that I’m takinga few minutes each morning toaccessorize, my life is changing forthe better. My girlfriend seemshappy to see me. My colleagues areshowing respect. Who knew lifecould be so simple? My patronizingfriend even picked up the check atour most recent lunch outing.

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PULL ITTOGETHER!

THE DIFFERENCE IS IN THE DETAILS.BY HANS GSCHLIESSER

ZEGNA

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BUTTON UP A loose thread or button can be just the thing that unravels your day. Bring in any suits or outerwear with buttons that need assistance, and we’ll re-attach or tighten them for you, on site and free of charge. We like to see you looking your best, down to the details.

GIFT CARDSA Wilkes Bashford gift card is the gift that always fi ts! Our gift cards are available for purchase in store or over the phone, in any denomination. If you can’t make it to the store, just give us a call — we’ll wrap the gift card up and ship it to the recipient for you!

CLOSET CLEANINGIn order to help you better integrate your new seasonal purchases with the old, we o! er our clients a complimentary closet consultation. One of our professional sales associates will personally visit your home to inventory your closet, providing suggestions on how to creatively mix and match your existing wardrobe. One of our experienced tailors can also be on hand, to provide any fi tting or re-adjustments you may need. And if you so desire, we will provide a photographic catalogue of your wardrobe for further reference.

EXPERTISEOur long-term sales associates have been with us for an average of 16 years, and are passionate about counseling our customers and advising them on all clothing and accessory matters. They are willing to go the extra mile to ensure that your shopping experience is a pleasant one, and they’ll even take a trip to your home or o" ce to give you a personal closet consultation, providing suggestions on how to creatively mix and match your existing wardrobe.

PICTURE PERFECTTrust our professional sales associates to put together the ultimate outfi t and coordinate you from head to toe. To alleviate confusion when you get home, we will happily photograph your ensembles, providing a catalogue you can refer to time after time.

COMPLIMENTARY ALTERATIONSIn order to ensure that the fi t is just right, we o! er complimentary alterations on all of our clothing. Down to the detail of the stitching, we ensure each article is tailored specifi cally to you. Our on-site team of world-class tailors is ready to assure that you always bring home a perfect fi t.

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SERVICE IS PARAMOUNT.It impacts every facet of our business, from our ability to bring you world-class fashions to the friendly, knowledgeable sales associates who help and guide you. You, our customers and friends, are ultimately at the heart of all that we do, and we strive to constantly exceed your expectations. If for some reason you feel that the level of service we provide does not meet your expectations, please let us know.

BY APPOINTMENTOur personal shoppers are available to make your experience here as e! ortless as possible. For your convenience, they will pre-select a wardrobe to fi t your clothing needs, placing the garments in a private fi tting room. Once our associates have learned your style and needs, they can keep an eye out for specifi c items you might be looking for in the future. Call our stores for more information.

CLOTHING DONATIONS Service is important to us, not only in our store, but also in our community. We will help you clear out those unwanted items that have been cluttering up your closet, while providing for a good cause. All discarded items will be donated to a local charity — we will coordinate the donation and make the delivery ourselves.

COMPLIMENTARY GIFT WRAPWe o! er complimentary gift-wrapping for your purchases, on any day you want. You concentrate on choosing the perfect gift; we’ll do the rest.

BUILDING RELATIONSHIPSDeveloping lasting personal relationships helps our sales associates select items that they know you will enjoy, and ease your shopping experience.

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