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Why, when, how and by whom does the past become engaging? Universal and situated answers – receip included Peter Aronsson OpenArch, Foteviken, Sweden 24 September 2012
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Why uses of the past - OpenArch Conference, Foteviken 2012

Jan 15, 2017

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Page 1: Why uses of the past - OpenArch Conference, Foteviken 2012

Why, when, how and by whom does the past become engaging?Universal and situated answers – receip included

Peter AronssonOpenArch, Foteviken, Sweden24 September 2012

Page 2: Why uses of the past - OpenArch Conference, Foteviken 2012

Cosmology and death

Page 3: Why uses of the past - OpenArch Conference, Foteviken 2012

Power and legitimacy

Page 4: Why uses of the past - OpenArch Conference, Foteviken 2012

Community and commerce

Page 5: Why uses of the past - OpenArch Conference, Foteviken 2012

learning and pleasure

Page 6: Why uses of the past - OpenArch Conference, Foteviken 2012

Moving targets: Medieaval as dark age, roots and never-never land

Page 7: Why uses of the past - OpenArch Conference, Foteviken 2012

• life beyond death

• meaning beyond facts

• promote power, legtimacy, community and value

• Acts on the past to handle change and to promote future

Why uses of the past?

Page 8: Why uses of the past - OpenArch Conference, Foteviken 2012

Who?The Culture of History – spheres

artefacts, rituals, customs and assertions with references to the past

Page 9: Why uses of the past - OpenArch Conference, Foteviken 2012

mimetic logic

narrative logic

Past – present – future

space of experiences horizon of expectations

Page 10: Why uses of the past - OpenArch Conference, Foteviken 2012

When?• Always

• Public sphere sitmulates

• Threats/rapid change necessitates

• Interacting logics allowed

Page 11: Why uses of the past - OpenArch Conference, Foteviken 2012

Not equally successful in getting strong recognition and desire to visit: ALV and Visby more successful, then Arn- and Mobergland.1.Mediatized narrative (still) a necessary precondition.2.Balance between complexity and recognition: authentic and still space for imagination. Medieval and 19th century rural past useful epochs3.Space enough for cultural entrepreneurs in a structure of traditional business, heritage management and political bureaucracies.4.Representing and negotiating long standing value conflicts is an asset: nostalgia and modernization; individualism and community; family and gender; continuity and change; stereotypes and surprise.5.Part of a cluster providing enough opportunity for contemporary desires and social conditions to be fed: children, globalization, identity work, aesthetization, mediatization.

How? Successful stories reshaping landscapes