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What is a brand? and why does it matter to nonprofit organizations? Michele Levy www.brand-strat.com 17 November 2010 Use Twitter Hashtag #npweb Special Thanks To Our Sponsors
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What Is A Brand…And Why Does It Matter?

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Page 1: What Is A Brand…And Why Does It Matter?

What is a brand? …and why does it matter

to nonprofit organizations?

Michele Levy www.brand-strat.com

17 November 2010

Use Twitter Hashtag #npweb

Special Thanks To Our Sponsors

Page 2: What Is A Brand…And Why Does It Matter?

A Proud Sponsor of NonprofitWebinars.com

Helping ordinary people raise extraordinary amounts for nonprofits is all we do, and we love it.

Page 3: What Is A Brand…And Why Does It Matter?

Today’s Speaker

Hosting: Sam Frank, Synthesis Partnership

Michele Levy Brand Strategy Consultant

Page 4: What Is A Brand…And Why Does It Matter?

Agenda

•  First of all…what exactly is a brand?

•  You’re really busy…why bother?

•  How do you build your brand?

Page 5: What Is A Brand…And Why Does It Matter?

What is a brand?

Page 6: What Is A Brand…And Why Does It Matter?

What it’s not…

•  Logo •  Tagline •  Website •  Style Manual •  Mission Statement •  Signage •  Events/Conferences •  Programs •  Exhibits •  Packaging, etc.

A brand is LARGER than all of the above…

Page 7: What Is A Brand…And Why Does It Matter?

What it is…

•  A set of expectations and associations resulting from experience with an organization, company, product or service.

•  How your key constituents think and feel about what you do.

The brand answers the question:

Why should I join, partner with, fund, work for, or listen to this organization?

Page 8: What Is A Brand…And Why Does It Matter?

At the most basic level….

It’s about establishing first a connection,

then a relationship, with those most important

to your success.

Page 9: What Is A Brand…And Why Does It Matter?

Beware the accidental brand…

•  There is no such thing as an “unbranded” organization, company, product, approach, etc. –  There are some who proactively develop and manage

their brands –  There are some with low brand awareness –  There are some (ok, many) that allow the marketplace

to define their brand for them •  Many organizations (especially nonprofits) have very

positive brand perceptions across a small group of stakeholders who know them well –  The challenge is to communicate more broadly and

expand that group of stakeholders appropriately

Page 10: What Is A Brand…And Why Does It Matter?

*in a non-profit setting

Why is brand important*?

Page 11: What Is A Brand…And Why Does It Matter?

Consumers need brands

•  They have too many choices –  from breakfast cereal to cable channel –  idealist.org lists over 93,000 organizations and over 17,000

volunteer opportunities –  Charity Navigator evaluates “over 5,000 of America’s best-

known charities”

•  Choice is not always a good thing –  complicates our lives –  can cause people to “shut down” in the face of too many

options

Page 12: What Is A Brand…And Why Does It Matter?

The consumer challenge

“Give me something where I can quickly understand

a fundamentally different benefit, or I’ll stick with what I’ve got, thanks.”

Page 13: What Is A Brand…And Why Does It Matter?

A successful brand...

•  Defines how a product, service or organization is different from its competitors

•  Creates a personal experience for those who interact with it

–  contributes to their hopes, their personal identity –  generates certain perceptions, attitudes and behaviors –  enables fulfillment in their lives –  continuously meets and exceeds their needs

•  Is relevant, believable, sustainable and consistent (and is inextricably linked to your mission)

Page 14: What Is A Brand…And Why Does It Matter?

Brand matters…

INTERNALLY •  A brand helps an organization maintain focus on

those activities, initiatives and behaviors it values •  It helps prioritize projects and programs (“…Is it on

mission? On brand? Does it further the mission? Further the brand?”)

•  Helps an organization communicate both effectively, and efficiently

–  No ‘making it up” every time –  Consistency = impact

•  Helps the organization attract, hire and retain the best people to advance its mission –  Also applies to those invaluable volunteers

Page 15: What Is A Brand…And Why Does It Matter?

Brand matters…

EXTERNALLY •  A brand is the most visible articulation of an

organization’s strategy….it quickly tells people what the organization stands for, and where it’s going

–  Helps cut through the clutter to get your message heard –  It allows you to “claim your space” in a crowded, noisy market

•  Builds and maintains strong relationships with those most important to your success

•  In times of change (or crisis), gives internal and external supporters a touchstone, reassurance, and the tools they need to actively engage on your behalf

Page 16: What Is A Brand…And Why Does It Matter?

“But building a brand for a nonprofit organization

is so different from building a corporate brand…”

Page 17: What Is A Brand…And Why Does It Matter?

Not really.

Where it’s more challenging… •  Sometimes a higher organizational (and board) learning

curve •  Often more limited resources (although the gap is

certainly narrowing!) •  Often highly diverse organizations •  Less of an organizational emphasis on integrated

marketing (as opposed to public relations, visitor services, development, publications…)

Where it’s actually easier (and more powerful)… •  A brand is the sum of the stories people tell about you…

and you certainly have stories!! •  Also….fewer decisionmakers, more willingness to

participate in the process, a passionate core

Page 18: What Is A Brand…And Why Does It Matter?

At the end of the day

It’s the same process.

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How to strengthen your brand

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How do you build your brand?

•  Your brand perception results from every single experience or contact a person has with your organization.

•  You build that brand perception on four key foundational elements: –  A set of relevant, consistent core messages; –  A visual brand identity (logo, fonts, color palette, imagery)

that effectively (and efficiently) communicates the essence of your brand;

–  An agreed-upon set of consistent brand behaviors; –  An integrated plan to communicate the brand across all

touchpoints.

Page 21: What Is A Brand…And Why Does It Matter?

Keys to brand success

•  Know yourself. •  Know your audience. •  Know your competition.

THEN… •  Clarity, focus and repetition.

Page 22: What Is A Brand…And Why Does It Matter?

Master brand messaging

Product/service brand hierarchy

Audience message matrix

Recommended communications

strategies:

• Brand maintenance • Awareness tactics • Lead gen tactics • Relationship management tactics

• Communications calendar

• Budget • Measurement and evaluation

Visual identity Collateral Web site

Advertising Signage

Direct mail, etc.

Internal Discovery

External Discovery

Brand Strategy

Communications Plan

Creative Development

Brand strategy methodology

Strategy session Individual interviews

Focus groups Communications

audit

PRIMARY Visitor interviews

Member interviews Donor/funder interviews

Partner interviews

SECONDARY Competitive audit

Secondary literature review

Page 23: What Is A Brand…And Why Does It Matter?

First of all…who are you?

•  Develop (and instill!) a consistent elevator pitch –  30 second explanation of who you are and what you do –  The answer to the question “What is (organization)?”

•  Clear, concise and interesting –  WHO you are, WHAT you do, for WHOM.

•  Use your elevator pitch to win the right to tell more of your story (you don’t need to tell the whole story in 30 seconds!)

–  Capture your listener’s attention enough so that you can move into what makes you unique, how you do it, etc.

•  Create (and maintain) a consistent set of proof points and supporting statistics

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Know your audience

•  Understand who they are, how they segment, how they view you, what they need/expect from you

•  All you need to do is ask (or have someone do it for you) –  Phone interviews/focus groups with a combination of long-term

and newer members and volunteers –  Conversations with partners, the press, other external

stakeholders

•  To think about… –  They can’t ALL be your most important audiences. –  A relevant brand is NOT the same as trying to be all things to all

people (and “following the funding” is one of the surest ways to muddle your brand)

–  In the words of Dorothy…

Page 25: What Is A Brand…And Why Does It Matter?

Students

Faculty and staff

•  Highly driven, well-rounded individuals

•  The ideal student “customer” is a visitor, and is not necessarily an art major…but they are willing to explore new things and new ways of thinking

•  Passionate, dedicated individuals engaged in the broader college community

•  The ideal faculty/staff “customer” is not limited to the art department

•  Developing their ability to think more broadly

•  Having an impact on their community

•  Developing “real world” experiences

•  Getting it all done •  Occasionally taking a

break from getting it all done!

•  Finding opportunities to expose their students to real works of art and new ways of thinking

•  Keeping their work and teaching relevant/fresh

•  Occasionally taking a break themselves

Audience Description Desired perceptions/behaviors Our messages to them

• ALL • We are a valuable resource. • We offer the unique opportunity to

see real works of art in your own backyard.

• We can help bring new perspectives to your studies, and to your hectic life.

• We are accessible across a variety of channels (don’t be intimidated!)

• We are “safe haven”, extremely supportive of experimentation.

• We support experimentation and risk-taking.

• FACULTY AND LEADERSHIP • Our collections, programs and staff

can help enrich the academic experience, and help create better students.

• We share your high intellectual standards and can be a valuable partner in helping to differentiate the Wellesley College experience.

•  To understand the role and value of DMCC within the context of the College

•  To see DMCC as a valued resource across a variety of dimensions (and to utilize it regularly)

•  To act as ambassadors for DMCC within their own spheres of influence

•  To understand the role and value of DMCC within the context of the College

•  To have greater investment in, and ownership of, DMCC and what it offers

•  To see DMCC as a valued resource and collaborator

Audience key concerns

For example…

Page 26: What Is A Brand…And Why Does It Matter?

Know your competition

•  Yes, you have competition –  At the very least, competition for resources: financial

resources, in-kind donations, volunteers, etc.

•  Crucial to understand the alternatives that your supporters have for their time, money and attention

•  Evaluate the brand messaging across 4-6 competitive and/or peer organizations

–  Learn from their brand best practices, and mistakes. –  Identify any apparent norms, and ensure a unique brand

strategy

•  Combines a set of activities, including regular visits to competitive Web sites, attendance at events, asking your closest supporters what their competitive options are (and how they view those options)

Page 27: What Is A Brand…And Why Does It Matter?

The Children’s Defense Fund is a child advocacy & research organization which lobbies on behalf of children at the federal & state level. Elevator pitch

The Children’s Defense Fund’s Leave No Child Behind mission is to ensure every child a Healthy Start, a Head Start, a Fair Start, a Safe Start, and a Moral Start in life and successful passage to adulthood with the help of caring families and communities. Mission

Primary take-away: The CDF is a well-oiled advocacy machine dedicated to the well-being of the whole child–with special emphasis on those who are indigent, members of a minority group & disabled The entire site serves as an emotional plea for activism to anyone who cares about the welfare of America’s children – to become informed, to get involved, to right the wrongs that children suffer today The presence of Marian Wright Edelman (founder & president) throughout gives credence to the CDF as carrying on the work of the civil rights movement out of which it was born The branding is minimal beyond the logo & tag line, both of which are designed to stir emotion and rouse action

Brand observations

Sample: Competitive profile

Page 28: What Is A Brand…And Why Does It Matter?

Evocative Descriptive

Contemporary

Traditional

Mapping the brandscape: Visual brand

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Then…build the brand road map

•  Context (why) •  Goals/Objectives •  Competitive landscape •  Audience insights •  Brand promise (internal rallying cry) •  Elevator pitch (external core message) •  Proof points (reason to believe that elevator pitch) •  Brand personality •  Message matrix (approved versions of messages to

be used as secondary points when talking with audience segments)

•  Product brand platform •  Guidelines (what and how)

Page 30: What Is A Brand…And Why Does It Matter?

The Arnold Arboretum of Harvard University discovers and disseminates knowledge of the plant kingdom to foster greater understanding, appreciation and stewardship of the Earth’s botanical diversity and its essential value to humankind. This is accomplished through three areas of activity: Research, Horticulture and Education.

An extraordinary collection of resources to inspire you along new paths of exploration and discovery. Open, accessible High standards of quality Knowledgeable Engaged and engaging

PLACE •  A beautiful treasured historic collection of trees • Unparalleled depth, variety and quality INSTITUTION • World-class facilities, staff and fellows • Access to the kinds of resources necessary to do meaningful international research • Committed to becoming a leader in the management and presentation of arboreta and

historic landscapes • An extensive and varied education program

Brand Proof Points

Brand Personality

Mission

Brand Promise

Sample: Umbrella brand platform

The Arnold Arboretum of Harvard University is the oldest public arboretum in North America, and one of the world’s leading centers for the study of plants. A unique blend of beloved public landscape and respected research institution, we provide and support world-class research, horticulture and education programs that foster the understanding, appreciation and preservation of trees.

Elevator pitch

A thoughtful steward Highly collaborative across a variety of communities Proactive Thought leaders in research and horticulture

Page 31: What Is A Brand…And Why Does It Matter?

How the pieces fit together: Product brand platform

Name Historic Properties Collections Archives and Publications Educational Programs Preservation ServicesDescription 35 house museums and landscapes

across a variety of time periods,architectural styles and geographiclocations

An extraordinarily broad collection ofmore than 100,000 objects ofhistorical and aesthetic significance,family heirlooms presented in theiroriginal context, and accessiblethrough the extensive studycollection

More than one million items thatdocument New England'sarchitectural and cultural history. Thearchival collections includephotographs, prints and engravings,architectural drawings, books,manuscripts, and ephemera.

A series of nationally recognizedschool and youth programs that usehistorical resources to reinforce andenrich student learning.

A program built on partnershipbetween property owners andSPNEA, with a shared goal ofprotecting the unique character ofhistoric properties throughout NewEngland.

Supportingproductsandservices

House and landscape toursAdult and family programsSpecial eventsRetail operationsFunction rentalsMembership

Local, regional and national travelingexhibitionsHouse museum exhibitsMembership

Library and Archives servicesHistoric New England magazineBooks and exhibition cataloguesWeb siteMembership

Museum field tripsPrograms to Go!Out of School TimeEducators ResourcesMembership

Stewardship ProgramHomeowner servicesMembership

Positioning The most comprehensive collectionof homes and properties in NewEngland, with a uniquely thoroughand authentic approach to presentingthe stories of those who lived there.

The largest assemblage of NewEngland art and artifacts in thecountry.

The premier resource for researchersof New England history.

Programs that are fun, multi-disciplinary, and suited to a variety oflearning styles. They allow youngpeople to learn through a variety ofapproaches and include hands-onactivities, role-playing, andcooperative learning.

As one of the first preservationrestriction programs in the country,SPNEA's Stewardship Program is themodel on which many otherprograms are based.

Promise Experience, in a very real andintimate way, the lives and stories ofthe individuals and families who havemade New England what it is today.

Develop a real understanding of theheritage of New England through thepossessions of those who lived here.

Personally access a wealth ofinformation on the people and eventsthat defined the history of NewEngland. Let that knowledge informopinion and policy to shape theregion’s future.

Discover the entertaining side ofhistory…the people and stories whohave made your neighborhood,community, etc. what it is today.Learn how, by understanding ourshared past, we can build a betterfuture.

Let the experts show you how topreserve your historic property andarchitectural details for the enjoymentand education of current and futuregenerations.

Page 32: What Is A Brand…And Why Does It Matter?

Aligning the brand hierarchy

MASTER BRAND

Lutheran Social Services (LSS)

LSS Community Support Services

LSS Services for Children and Families

Subsidiary sub-brands

LSS International Services

LSS Services for Older Adults

LSS SmartCare LSS Good News Garage Developmental services Mental health services Deaf services Lutheran Disaster Response - New England Congregation Relations

LSS Adoption Specialized foster care Teen residential Transitional teen living Foster care for refugee children Shelter care

Services Refugee resettlement Immigrant services Asylee legal assistance ESOL LSS LanguageBank Job placement, education and training

Nursing home & rehab Assisted living Low income housing In-home services Case management Alzheimers/dementia services

Page 33: What Is A Brand…And Why Does It Matter?

Find your common themes

•  Framingham: A welcoming community (“where you start the American dream”)

•  Framingham: The classic American middle-class town/the power of diversity

•  Framingham: A vital crossroads

•  Framingham: A tradition of volunteerism

•  Framingham: An economic engine for the region

•  Framingham’s place in the history of the nation

Page 34: What Is A Brand…And Why Does It Matter?

Then inventory your stories

•  Framingham: A welcoming community (“where you start the American dream”)

•  Framingham: The classic American middle class town/the power of diversity

•  Framingham: A vital crossroads

•  Framingham: A tradition of volunteerism

•  Framingham: An economic engine for the region

•  Framingham’s place in the history of the nation

Campinelli First Catholic church Immigrants then and now Refugees

Academy Clinton visit

Railways, water, highways

Heart Study, militia, veterans

Mills; corporations then and now “Creative economy” effort Bonnets

Page 35: What Is A Brand…And Why Does It Matter?

Translating brand attitudes into action

Brand attitude (“”I WILL”) •  "I appreciate your

business.”

•  "I will devote my full attention to your needs.”

•  "I will take ownership of your needs.”

•  "I will be knowledgeable and professional.”

•  "I will be responsive to your questions and requests."

Employee actions (“I DO”) •  Greet the client with

enthusiasm. Use the client's name.

•  Focus on the client. Stop other activities. Listen, and ask clarifying questions.

•  Transfer the client no more than once; the first transfer will own the issue.

•  Provide the client with insight and information to help him achieve his goals.

•  Fulfill commitments in a timely fashion. Recognize that the client's time is valuable.

Page 36: What Is A Brand…And Why Does It Matter?

A quick sidebar on consistency

•  Consistency = impact •  Think about it…if your communications are not

consistent (look and feel, as well as tone and messaging), you are reintroducing yourself every single time

•  There is room for variety, for versioning by type of product, by audience, etc. –  But there has to be a master plan!

•  Consistency is NOT boring for your stakeholders –  One of the biggest mistakes organizations make?

They get bored with their brand and want to change it

Page 37: What Is A Brand…And Why Does It Matter?

Behind every strong brand, there’s a brand champion

•  SOMEONE with the vision and clout to make it really happen…and keep it happening

•  SOMEONE who owns the brand and cares passionately about its successful development and maintenance

•  Probably not at the most senior leadership level (although they have to clearly sponsor and support the effort)

Page 38: What Is A Brand…And Why Does It Matter?

Now tell your brand story…

•  An effective communications plan is: –  Targeted….you’re not wasting money reaching people

not in your target audience –  Holistic…”surrounding” that target with a variety of

media likely to reach them –  Compelling….with a strong call to action –  Integrated….reflected across all your touchpoints –  Measurable…grounded in strategic goals and

evaluated against those goals

Page 39: What Is A Brand…And Why Does It Matter?

Build an integrated communications plan to…

•  Build awareness what you have to offer •  Generate leads/trial •  Keep 'em coming back for more!

Page 40: What Is A Brand…And Why Does It Matter?

Sample: Plan table of contents •  Brand blueprint (elevator pitch, message matrix, proof points,

brand attributes, etc.) •  Target audience (who your audience segments are, their needs

and expectations) •  Competitive landscape (a brief overview of alternative options

available to your served populations and supporters) •  Communications goals (what you want your activities to

accomplish) •  Communications strategies (the high level ways you plan to

accomplish your goals) •  Communications tactics (specific activities you will engage in,

with timing) •  Measurement and evaluation (how you plan to track results) •  Budget •  Editorial calendar •  Communications calendar

Page 41: What Is A Brand…And Why Does It Matter?

Does your brand need therapy? •  Are you changing your strategy as an institution? •  Is your core constituency changing? •  Are there seismic market shifts? •  If you ask 10 people in your organization “what is (your name here)?”, how

many different answers would you get? •  Can everyone in your organization explain how all the pieces (programs and

services) fit together? •  Do you feel like you’re the best kept secret in town? •  Do you feel like people know that you exist, but not why you matter? •  If you put all of your collateral on a table, would it look like it came from the

same place? Is it consistent with the look and feel of your web site? •  Do you have “dueling logos?” •  Is your logo easy to use? •  Do you have brand guidelines that are consistently used by everyone creating

communications?

Page 42: What Is A Brand…And Why Does It Matter?

Start with the basics

•  Talk the talk…consistent language and messaging •  Set the standards…brand style guidelines •  Walk the walk…make sure everyone delivers across

every touchpoint (especially the further out you get from “home base”)

Page 43: What Is A Brand…And Why Does It Matter?

Thank you!

Michele Levy Research • Brand Strategy • Communications Planning 617-645-6672 [email protected] www.brand-strat.com

Page 44: What Is A Brand…And Why Does It Matter?

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