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What have these two got in common? & &
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What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Mar 26, 2015

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Jacob Lockhart
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Page 1: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

What have these two got in

common?&&

Page 2: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Hans Holbein the YoungerThe

Ambassadors&

Anamorphosis

Page 3: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

The full title is

Jean de Dinteville and Georges de Selve, the French Ambassadors

The Ambassadors,

1533

Page 4: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

• The portrait was painted to celebrate the reunion of two wealthy young friends, who were ambassadors from the French Court

• The picture is full of symbols and hidden meanings

Page 5: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Symbolism 1

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Page 6: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Symbolism 2

Page 7: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Anamorphic drawing

• Anamorphosis derives from a Greek word meaning to transform or change shape

• It is a distorted image that appears in its true shape only when viewed from a certain oblique angle

• It can only be viewed correctly by one person at a time

• Holbein may have used a grid to construct the distortion

Page 8: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

The Geometry of Anamorphosis

• In the seventeenth century a French monk called Jean-François Niceron wrote a book on anamorphosis

• He worked out a grid for producing anamorphic pictures

Page 9: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Leonardo Da Vinciwas also interested in the technique.

These drawings were found in his sketchbooks:

Page 10: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Why didn’t Leonardo use the technique in

his paintings?

Can you suggest any reasons?

Page 11: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Other Renaissance artists

Van Hoogstraten’s peepshow box

The National Gallery, London

William Scrots, 1546

The National Portrait Gallery, London

Page 12: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Other uses of Anamorphosis

•Anamorphosis is often used in road markings: here the signs are stretched to be read correctly by a driver.

• Advertising logos painted on the grass for rugby matches are designed to be read correctly from the angle of TV cameras.

Page 13: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Contemporary art 1• The Vauxhall Station

mural in London was designed by William Pye in 1986

• Unfortunately, it was destroyed during refurbishment in 2002

• It consisted of four different anamorphic images, which needed to be viewed from four different locations, marked on the floor

Page 14: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Contemporary art 2• "Passing Through"

was designed byColin Wilbourn in 1997

• It ‘s part of the St Peter’s Riverside Sculpture Project in Tyne and Wear

• This anamorphic galleon is sited on the bank of the river Wear

Page 15: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Year 8 pupil work

Page 16: What have these two got in common? &. Hans Holbein the Younger The Ambassadors & Anamorphosis.

Can you find other examples of Can you find other examples of anamorphosis?anamorphosis?

• artworkartwork

• illustrationillustration

• road-markingsroad-markings

• advertisingadvertising