NBC's Lorne Michaels and the SNL Cast Weigh in on MK-Ultra Gate Lorne et al. were intentionally hitting on all cylinders on May 21st both because it was the season finale that capped off another nine months of engaging in back-channel diplomacy and the NBC executive and SNL cast wanted to send a powerful message to the White House they won’t tolerate the kind of unlawfulness and impropriety discovered and all accountability agencies they must ensure the integrity and proper functioning of American democracy. As the diplomacy archive demonstrates, SNL became a coalition partner in May 2006. By scrolling through the compilation that runs to April 2008*, it becomes swiftly apparent how much NBC heavily geo- politicized these hour-and-a-half broadcasts, having embraced the need to fire salvoes of diplomacy gatling-gun style at the Chinada High Command in the hopes it would capitulate to what international law demanded. That trademark approach was in evidence for the season finale; the difference this time was the MK-Ultra Gate scandal. The last contribution was to help advance the A7AI edification of America’s Jewish community in mid-January 2011 when there was no perception that two successive White Houses and top-level appointees had secretly piggybacking on the stealth cognition technologies R&D. From the first comedy segment to the end Lorne et al. and the show’s two special guests, Justin Timberlake and Lady Gaga, made it unequivocally clear to both the Obama administration and the plethora of accountability agencies empowered to conduct investigations that the trepidations that were triggered back in 2006 have now been extended to those charged with the responsibility of keeping American democracy strong and vibrant. There is a growing worry that because it’s the President, cabinet secretaries, the joint chiefs, CIA directors
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Weigh in on MK-Ultra Gate€¦ · NBC's Lorne Michaels and the SNL Cast Weigh in on MK-Ultra Gate Lorne et al. were intentionally hitting on all cylinders on May 21st both because
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NBC's Lorne Michaels and the SNL Cast
Weigh in on MK-Ultra Gate
Lorne et al. were intentionally hitting on all cylinders on May 21st both because it was the season finale that capped off another nine months of engaging in back-channel diplomacy and the NBC executive and SNL cast wanted to send a powerful
message to the White House they won’t tolerate the kind of unlawfulness and impropriety discovered and all accountability agencies they must ensure the integrity and proper functioning of American democracy.
As the diplomacy archive demonstrates, SNL became a coalition
partner in May 2006. By scrolling through the compilation that runs to
April 2008*, it becomes swiftly apparent how much NBC heavily geo-
politicized these hour-and-a-half broadcasts, having embraced the
need to fire salvoes of diplomacy gatling-gun style at the Chinada High
Command in the hopes it would capitulate to what international law
demanded.
That trademark approach was in evidence for the season finale; the
difference this time was the MK-Ultra Gate scandal. The last
contribution was to help advance the A7AI edification of America’s
Jewish community in mid-January 2011 when there was no perception
that two successive White Houses and top-level appointees had
secretly piggybacking on the stealth cognition technologies R&D. From
the first comedy segment to the end Lorne et al. and the show’s two
special guests, Justin Timberlake and Lady Gaga, made it
unequivocally clear to both the Obama administration and the plethora
of accountability agencies empowered to conduct investigations that
the trepidations that were triggered back in 2006 have now been
extended to those charged with the responsibility of keeping American
democracy strong and vibrant. There is a growing worry that because
it’s the President, cabinet secretaries, the joint chiefs, CIA directors
and others who have broken the law they might not fulfil their
respective mandates. So a lot of time, energy and creativity went into
weaving into most of the segment scripts the issues that plagued the
coalition since its genesis in 2003-2004.
With the former IMF chief the global headline of the week, SNL
commenced the show with a comedy sketch involving cast members in
a prison cell setting, one being the embattled European ex-president
and two in the role of penitentiary inmate.
[justice, prison certainty]
Inmate 1: Well guess what Mr. Strauss-Kahn, I've got a question for you: What's the IMF going to do about the debt crisis in Greece?
[audience laughter]
Inmate 2: [Cl.M.] I tell you what I'd do: I'd let 'em default; get Greece out of the Eurozone.
Inmate 1: C'mon man. You gotta give Greece a chance to
settle their debt.
Inmate 2: With what? Greeks don't be payin' their taxes. Where's the revenue goin' to come from? They're going to sell a trillion dollars worth of feta?
[audience laughter]
Inmate 1: [Erin M.] Oh Seth, c'mon now. C'mon now. [Inmate 2: Cl.M.] C'mon now, don't you be beatin' on the Greeks.*
[* coalition identifier and 2 lexiconic gestures]
Inmate 2: You know what the biggest Greek export is? Hard
workin' Greeks.
[audience laughter]
Inmate 1: True. True. [Inmate 2: Cl.M.] Strauss-Kahn likes that – look at Strauss-Kahn.
Inmate 2: [Cl.M.] Yo - you want to feel bad for somebody,
feel bad for the Irish.
Inmate 1: Oh I hear that. You gotta feel for Ireland. [fist
bump; Inmate 2: [Cl.M.] The Irish been eatin' dirt and potatoes for four hundred years. You can't blame them for thinkin' it was their time for some happiness.
[...]
Inmate 1: [CBS M.]
Inmate 2: [Cl.M.] It's been really good talkin' to you Mr. Strauss-Kahn.
Inmate 1: Yea it truly has. So ah, we're gonna rape you now. [audience laughter] And...
All 3: Live from New York, it's Saturday Night.
In between the lines is the principle that nobody is above the law, not
even U.S. political leaders and their appointees. Embedded in the
script are references to the trillion dollar trust fund announced in July
2009 to deceive and manipulate coalition partners into continuing the
back-channel diplomacy: The Trillion Dollar Trust Account: Coalition
Commits Enormous Funds for Democratization and Accountability. In
order to ensure it was perceived as legitimate, corroboration was
arranged using various public and private sector partners.* To give
this particular con more legs the President announced some half year
later it was going to be doubled: President Obama: Topping Up the
Trillion $ Trust Account and Bank Custodianization.
* Also see The Letterman Comedic Monologue that Corroborates the Coalition’s
Trillion Dollar Investment in the ‘New’ Canada and The Coalition Confirms the Trillion Dollar ‘Fix Canada’ Trust Account is in the Works
The Canadian lawyer is introduced by way his ad hoc Hollywood proxy,
Bradley Cooper, who Lorne arranged to make a cameo appearance
during the ‘Weekend Update’ segment. Injected into the script is (i) a
reference to the film Hollywood says it’s going to make about the MK-
Ultra Gate scandal, (ii) a warning that those complicit in the scandal
are going to face “grim repercussions” and (iii) the representation that
the Canadian’s going to have international mobility that will allow him
to escape his two decade enslavement and torture.
Seth: And now it's time for 'Get in the Cage', the segment where Nicolas Cage sits down with fellow Thespians to discuss their craft and their recent work. Please welcome Nicolas Cage and Bradley Cooper.
[audience cheers and applause]
Brad: Thank-you; thank-you so much for having me Nick.
I am really excited to get in the cage.
Nick: That's very kind of you Bradley. Now [Brad: Russell M.] let's begin with a question about your new movie: The Hangover Part II.
Brad: Yep, shoot.
Nick: In it you play a gentleman who has a wild drunken night in Bangkok and then [Brad: Federer M.] must face the grim repercussions.
Brad: That is correct.
Nick: So my question is [Brad: Russell M.]: how am I not in that movie?
[audience laughter]
Brad: Ah, what do you mean?
Nick: It has the two classic elements of a Nick Cage film: One, I'm told the actors were given food.
[audience laughter]
Brad: Right.
Nick: Two, it's basically a shot-for-shot recreation [Brad: Russell M.] of my life.
[...]
You seem nice Cooper scooper. [audience laughter] But never the less you lack the key ingredient of being a true film icon: nomadic eyebrows [Brad: Federer M.; Erin M.] that have long since traveled from their home.
The segment scripted to high profile enslaving, torturous human
experimentation involving the militarization of hypnosis wasn’t subtle
at all – in fact it was as explicit as could be. A comedy sketch
parodying the game show genre of the 1950s and ‘60s was turned into
a platform to condemn both the Chinada malfeasant and the Bush and
Obama administrations. The spoofed program ‘Secret Word’ compels
contestants to identify a concealed word with celebrity guests
prompting them to guess it after being given clues.
As the ‘show’ begins a caption is added “Originally Aired 1964” –
lexiconically the digits add up to twenty – representative of the two
decades the Canadian spent being nothing more than a lab monkey.
Additionally, the host’s wardrobe includes a tie that contains a coalition
identifying three stripes, which is also the prison certainty pattern,
with two of the stripes on the red tie white and the other the color of
yellow, which is the Chinada color scheme.
Host: Our next guest is celebrated mentalist and hypnotist, the mysterious Krendell.
Krendell: Tonight I will bend the laws of science.
[spoon he presents floats upwards out of camera
view]
[Chinada]
Host: That spoon just flew away on a clear wire. Krendell: Or did it?
Announcer: The secret word is ‘Boot’.
[quantum]
Guest 1: All right, look at me. Focus. This is hard. We can
do this. Host: Five seconds Mindy. Contestant 1 I’m listening. I’m with you.
Guest 1: All right. Let me put on my reading glasses
[Colbert M.] just to check. Oh, I read it wrong, it’s ‘Boot’. [buzzer; audience laughter] [Colbert M.]
Host: Mindy, you said the secret word.
Guest 1: I know. At first I thought it said eight hundred tea [800-Tea]. It’s ‘Boot’. My eyes aren’t what they used to be. Just like the character I played ‘Who
Moved my John’ – the story of a blind call girl who can’t tell if she’s being paid or not: “Is this five dollars; how much change did you give me; do you have any change?”.
Host: Sit down. Sit down. Let’s move over to the mysterious Krendowski. Tommy, are you ready to receive some clues?
Contestant 2 I think so Lyle. Krendell: Or do you? [hypnosis wheel]
Host: Put that away.
[...]
Krendell: [R-S M.] I want you to clear your mind. I’m sending you the word telepathically. [whispers] It’s
‘Grape’.
[buzzer; audience laughter]
Host: You said the secret word.
Krendell: Or did I? [hypnosis wheel] Soon you will have no memory of what happened here.
Host: True.
[...]
Announcer: The secret word is ‘Cramp’.
Guest 1: ‘Cramp’. [buzzer; audience laughter] Long story short: I once ate so many grapes I loudly broke wind everywhere. [...]
Host: Mindy, Mindy, Mindy*, you said the secret word.
[*coalition identifier]
Guest 1: Oh I did – I said it because I saw it.
[...]
Host: Now over to the amazing Krendell. It’s your turn.
Krendell: That’s if I’m really here. [crouches down as steam partially conceals it]
Host: We’ll be right back after a word from our sponsor.
[Krendell rises and walks back and forth behind host with hypnosis wheel] Oh please stop - - stop it. Will ya, please. Stop it.*
[*coalition identifier]
In addition to high profiling MK-Ultra R&D, deployment and global
proliferation Lorne et al.:
(i) draw attention to a coalition identifying three circumstances
relevant to the Canadian lawyer:
(1) “boot” – the Fiefdom treatise refers to the need to “give unlawful
and unconstitutional Chinese interests the unceremonial boot from
Canada” – including close to a million military and intelligence agents
who moved here to protect Beijing’s political, economic and other
interests and which seriously threaten U.S. national security. Scripted
is the coalition identifying triple remark “Focus; this is hard; we can
do this” i.e., stay committed and continue to work tenaciously, the
objective is difficult and stated objectives will be achieved.
(2) ‘grape’ – the traditional color being purple, the lexiconic color for
justice the Canadian seeks for what he suffered and lost;
(3) ‘cramp’ – what’s documented in Retrospective: When Hypno-
Torture Became Excruciatingly Painful – waking him up to experience
hypnosis-induced bowel cramps.
(ii) “Bend the laws of science” – refers to nefarious R&D which create
serious problems for the peace, security and prosperity of civilization,
like nukes in the 20th century;
(iii) A quantum ratifier is added and timed to “I’m listening; I’m with
you” to acknowledge his quantum entitlements having not yet been
arranged and he has the support of NBC and a multitude of other
coalition partners. On January 8, 2011, at the end of the first week of
My eyes aren’t what they used to be. Just like the character I
played ‘Who Moved my John’ – the story of a blind call girl who can’t tell if she’s being paid or not: “Is this five dollars; how much change did you give me; do you have any change?”.
... refers to (a) the Obama White House breaching its contractual
obligations to the Canadian to arrange international mobility and (b)
failing to secure his quantum, (c) effected no change in Canada as was
the stated intention upon being inaugurated and (d) Obama et al.
appear to be blind to the consequences that are forthcoming.
(5) This portion of the script...
Krendell: [R-S M.]* I want you to clear your mind. I’m
sending you the word telepathically. [whispers] It’s
‘Grape’.
[buzzer; audience laughter]
Host: You said the secret word.
Krendell: Or did I? [hypnosis wheel] Soon you will have no
memory of what happened here.
Host: True.
... is diplomatically coercive because of the fear over what stealth
cognition technologies can do. Having successfully bridged the
conscious and sub-conscious divide, MK-Ultra operatives can, for
example, unknowingly inject cognitive content into victims’ minds and
when discovered can carry on conversations with him/her. And, as
has been experienced, they have the ability to wipe memory clean; as
was proven during the first instance of hypno-battery in February 2002
as documented.
A “climate of fear” mutation is employing hypnosis to prevent a victim from seeing a battery coming and identifying perpetrators after the crime:
The fifth battery occurred six weeks to the day after the within-
described unlawful arrest and detention when as he was walking home from the Roxy night club he was so violently thrown into a set of bushes adjacent to the sidewalk that he received a full black eye and a sprained left wrist. The former healed within 6 to 7 weeks. The latter did not fully heal for 6 months.
He doesn’t plead it, but he was going to testify at trial that the
perpetrator(s) approach and execution of the crime in February 2002 were hypno-eliminated from his perceptions – his mind wiped clean in real time of what was happening to him. From a police bullying and terror & fear creating perspective, there couldn’t be a more valuable but diabolical technique. Not only could victims be brutalized in a way that scare the hell out of them, but also the use of stealth cognition technologies would prevent there being evidence of who the batterer
was.
(6) The statement “I once ate so many grapes I loudly broke wind
everywhere” is a reference to what happens when psycho-pubescent
perverts with an addiction to schadenfreude have the back-door to
consciousness and there’s no accountability in the country where they
operate. In addition to manipulating his cognitions to include the
injection of a ‘gutter discourse’ in thoughts, turn his body into a
puppet, including procuring erections, make his nose and genitalia itch
incessantly, procure itchy lesions on his body, causes sneezes, destroy
his bathroom privacy 99% of the time and fill dreams with all manner
of sexual content, they constantly trigger flatulence.* Linking grapes
to this circumstance is to articulate his entitlement to quantum for this
kind of suffering.
This abhorrent behaviour is an evolution and extension of what’s
documented and argued in One Institutionalized Way to Protect
Political Power Consolidation Gains and Chinese Joint Hegemony,
Satisfy Schadenfreude Addictions and Effect Surreptitious
Assassination Without Culpability: Procuring Year-After-Year Crushing
Embarrassment and Humiliation.
Lorne et al.’s almost comprehensive itemization of what happened
when infantile, bullying political leaders and their subordinates gained
access to cognitive processes seeks to insist that U.S. accountability
agencies hold the White House and complicit parties responsible for
implicitly condoning the unleashing of this Pandora’s Box onto an
unsuspecting and unprepared world.
One other segment that contains more than nominal uses of the
lexicon pokes fun at elderly television news reporters. This time Justin
Timberlake poses as a high school teacher who’s being interviewed live
on the local news. The script calls for the aging member of the Fourth
Estate to be reported as having just passed away during the
broadcast. The geo-ed portion of the segment begins when the news
anchor is handed a note.
Anchor: Thank-you. But first some very sad news. We’ve
just received word that our own Herb Welsh died five second ago. Here he is seen on assignment in 1963.
The audience sees and laughs at a famous picture of Lee Harvey
Oswald in custody being shot with the now said-to-be deceased
newsman photo-shopped into the scene; the purpose being to (i)
explicitly parallel CNBC’s Jim Cramer's mid-March reference to the
assassination of Julius Caesar that conveys how President Obama must
face removal from office for his piggybacking complicity and
(ii) remind constituents of America’s Fourth Estate who've aligned their
interests with the political establishment not abdicate their
constitutional obligations to expose abuses power.
Lady Gaga’s contributions were to turn her two performances into
reminders that the Chinada High Command and all its high and middle
level operatives face life in prison. The stage comprises the prison
certainty pattern and lighting goes from red at the beginning to yellow
to create the Chinada color scheme. Additionally, during the opening
moments of her first song she executes a Z-J M. timed to “on the edge
of glory”, a reference to the Canadian being on the verge of
international recognition for what he suffered, sacrificed and achieved.