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WEEK 3 9/20/13
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Week 3

Feb 25, 2016

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Week 3. 9/20/13. Elements & Principles. Line Shape Time & Motion Light Color Texture. Unity & Variety Balance Emphasis & Subordination Directional Forces Contrast Repetition & Rhythm Scale & Proportion. 2-D Design and Medium. Drawing Types of Hatching - PowerPoint PPT Presentation
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Page 1: Week 3

WEEK 39/20/13

Page 2: Week 3

ELEMENTS & PRINCIPLES Line Shape Time & Motion Light Color Texture

Unity & Variety Balance Emphasis &

Subordination Directional Forces Contrast Repetition & Rhythm Scale & Proportion

Page 3: Week 3

2-D DESIGN AND MEDIUM Drawing

Types of Hatching Real Cartoon

Painting Watercolor Tempera Encaustic Oil Acrylic Fresco

Printmaking Relief Intaglio Engraving Drypoint Etching Screen Printing

Page 4: Week 3

WHAT ARE WE DOING? Review previous material Sculpture Digital Media Continue work on drawings

Page 5: Week 3

FREE STANDING SCULPTURE Seen from all sides Known as sculpture “in-the-round”

Page 6: Week 3

“Obus” by Alexander Calder; 1972; painted sheet metal

Page 7: Week 3

RELIEF SCULPTURE What was relief in

printmaking?

Not freestanding, but projects from a background surface.

Low-Relief Bas relief Slight prjection Shadows are minimal Ex: coins

High Relief More than half of the

natural circumference of molded form is projected

Page 8: Week 3

“Army on the March” by Angkor Wat; 1100-1150

Page 9: Week 3

“Corporate Wars: Wall of Influence” by Robert Longo; 1982

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MODELING Additive process

Pliable material: clay, wax, plaster

Armature – rigid inner support Some sculptures do not need armature if built in

smaller pieces and put together

Page 11: Week 3

“California Artist” by Robert Arneson; 1982

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I like art that has humor, with irony and playfulness, I want to make “high” art that is outrageous while revealing the human condition which is not always high.

- Robert Arneson

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CASTING Substitution of 1 material for another

Lost – wax process

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“Public Art Fund Water Tower Project” by Rachel Whiteread; 1977

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CARVING Subtractive process – taking away materials

Michelangelo preferred this process

Most challenging because it is a one-way technique with little room for error

Marble is being replaced by graphite

Page 16: Week 3

“Awakening Slave” by Michaelangelo; 1530-1534

Page 17: Week 3

Mother & Child #2” by Elizabeth Catlett

Page 18: Week 3

KINETIC SCULPTURE Sculpture that moves

Alexander Calder Well known for his kinetic sculptures Focuses on shape, space, and movement

(mobiles) Suspended parts move in response to small air

currents

Page 19: Week 3

CALDER IN PHILADELPHIA http://www.youtube.com/watch?

v=7daTukUjx3E

Page 20: Week 3

MIXED MEDIA Using a variety of media in a single work

Choice of media expresses some cultural or symbolic meaning

Page 21: Week 3

“Inopportune, Stage 1” by Cai Guo-Qiang; 2004

Page 23: Week 3

INSTILLATIONS AND SITE-SPECIFIC ART 3-D medium of instillation to tell story usually

Similar to constructed sculpture, but entire space as an artwork and transforms

Page 24: Week 3

“This Piece Doesn’t Have a Title Yet” by Cady Noland; 1989

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“Tilted Arc” by Richard Serra; 1981

Page 26: Week 3

BREAK FOR 10

Page 27: Week 3

PHOTOGRAPHY Evolution of photography began from the

desire of Renaissance artists to make accurate depictions of nature

Camera obscura – “Dark room” Reflected sunlight passing through hole in wall

projects onto the opposite wall an inverted imag

Daguerreotypes – first satisfactory photographs

Page 28: Week 3

“Le Boulevard du Temple” by Jouis Jacques Mande Daguerre

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PHOTOGRAPHY Some painters believed that the new medium

was unfair

Why do you think so?

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“Julia Jackson” by Julia Margaret Cameron; 1886

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GRAPHIC DESIGN – CH. 9 Of all art forms, we encounter graphic

designs most frequently in our daily life

Graphic design – refers to process of working with words and pictures to enhance visual communication

Employs art and technology

Page 32: Week 3

Saks Fifth Avenue Logo by Michael Bierut

Page 33: Week 3

GD - TYPOGRAPHY Art and technique of composing printed

material from letterforms (typefaces or fonts)

Page 34: Week 3

“Newyorkistan” by Maira Kalman and Rick Meyerowitz