1864y
Brodie's works this year
Albert monument, Perth, with Redhall stone donated by James
Gowans (N&Q)
Albert Monument; Marble reduced size copy at McManus Gallery
Dundee
Officers and Men of the 93rd. Sutherland Highlanders, Monument
to; St Giles Cathedral Edinburgh
Admiral Hope, Monument to, for Lord Kinnaird, Rossie Priory
Chapel, Perthshire
Robert Burns, marble, Lady Stair’s House (?) (Woodward)
Provost Lindsay of Leith, Leith Town Hall (CM Sept. 7th 1864)
(RSA Map)
La Vignarola, “a soft-eyed daughter of the sunny south” (RSA
Map)
Juanita, an Andalusian Coquette (RSA Map)
Posthumous Bust in Marble (RSA Map)
Winter; RSA "in pristine condition" (Stirling Observer -
Thursday 24 March 1864)
OPENING OF THE BARCLAY CHURCH
This was the year of Pilkington's greatest triumph so far, the
opening of the Barclay Church. "The spire, 250 ft. high, was
completed on 3rd. August 1864 and the church was opened 29th. Dec.
1864. The first service was held on Sunday, 1st January 1865".
(BELL). The link with the Cowan family is close. "Old JJ Cowan
worshipped at the Barclay Church". (letter to author from Charles
Ballantyne,)
The Building News took a particular interest in the new church.
"The site presented peculiar difficulties, but they have been so
well overcome that the only portions uncovered are a few square
yards. The body of the church is oval in shape with an angular
projection at one side.
Opposite this projection the platforms are placed, and the pews
which are arranged in three stages, one above and behind the other,
form concentric lines on the platform.
From the large dimensions of the interior (82 ft. by 90 ft.),
and its peculiar shape, four massive stone pillars had to be
introduced to support the roof, which is cruciform.
By an arrangement of sliding screens, the passage and the
schoolroom may be opened to the church, and thus afford
accommodation for nearly 1,000 additional hearers.
The whole of the divisions of the Church may be entered by one
door, but each has a separate exit, making nine in all. By a series
of passages and side doors, any member of the congregation can
reach his seat without walking above half a dozen steps after he
enters the church; a capital arrangement.
The interior is lined throughout with wood, which is painted
light green. The roof, which is 70 ft. high, is open, and the
beams, converging in the centre, are supported on an iron rod.
The spire is 265 ft. high, the same as Chichester Cathedral;
only Salisbury and Norwich are higher.
The carving is by Mr Pearce. Mouldings have been sparely
introduced so that the money might be devoted to carving in and
about the windows." (The Building News Sept. 30th. 1864)
Who was this William Pearce? The only William Pearce I can find
who was a sculptor was a Cornishman from Truro. He is recorded in
1844 as the father of a daughter "At Truro.....Mr William Pearce,
jun., statuary Fairmantle Street" (Cornwall Royal Gazette, Nov 22nd
1844) In the year he was carving for Pilkington he was recorded as
living at Lemon Street Truro, where his eldest daughter, Caroline
died aged 44 years. (Cornwall Gazette, January 15th 1864)
However, a notice of the Royal Bath and West Show for 1861
indicates that there were two "statuary" William Pearces, father
and son. More importantly, it turns out that the Pearce's were well
known to and patronised by Prince Albert.
"Mr. Pearce, Statuary, Lemon Street, Truro exhibits a large
collection of beautiful objects in Serpentine, Porphyry and other
Cornish rocks; - a Chimney-piece in serpentine carved with
acanthus-leaf bracket; black and red jasper Pedestals, similar to
those purchased of Mr Pearce for Osborne House - there to support
statuettes of the Royal Children; three porcelain bases, of
serpentine; an antique Greek vase with a well sculptured head of
Mercury, and resting on a truncated column - of red and black
serpentine; a Candelabrum of five lights, seven feet high - an
Egyptian base, with fluted column and Greek capital - all of
serpentine. Besides these large specimens, Mr Pearce has a stand of
miscellaneous articles including Vases, and two large dolphin
Tazze, of like design and material with those supplied by Mr.
Pearce for His Royal Highness, Prince Albert. There are also on
this stand, two slabs of Withiel Porphyry and a Time-piece stand of
red and black Cornish jasper, beautifully wrought and polished;
together with specimens of Fluor spar from East Wheal Crofty, and
Cornish Malachite from the neighbourhood of Menheniot.
Mr William Pearce, junr, of Truro, exhibited two tables, one of
red serpentine, and the other of light coloured steatite, with
geometrical Mosaic work tastefully designed and skilfully executed
by the exhibitor. One of these tables is similar in material and
design to a table purchased of Mr Pearce by the Prince Consort for
Buckingham Palace" (Royal Cornwall Gazette, June 7th, 1861)
So was it the father or the son who was invited to Scotland and
carved for Pilkington and Beattie? It is likely it was the son if
only because the father was 70, born in 1794 by the census as
recorded at site;
http://freepages.genealogy.rootsweb.ancestry.com/~stonemen/PAU-PEL.htm
However, to complicate matters, it was William Senior's eldest
son Benjamin who carried on the firm after his father's death in
late 1875, and at another address. (The Royal Cornwall Gazette,
Jany, 22nd 1876) His father's business stock was moreover sold in
February 1876. (Royal Cornwall Gazette, Feb. 26th 1876) Benjamin
had previously gone bankrupt as a statuary in 1865 (Royal Cornwall
Gazette, Nov. 2nd 1865)
Was the patronage of the Royal Family of importance here? Could
the Brodies' connection with The Queen's household have led to
Pilkington's choice of sculptor, and indeed Beattie's choice for
the Cowan Warehouse? The choice for both buildings is rather
bizarre, given the large number of Scottish sculptors then
available; not least Brodie's own stable of apprentices? It must be
remembered also that Brodie carved the portraits of the Cowans on
the Beattie warehouse, which make the Pearce choice just that bit
more strange.
William Pearce went on to be the contractor for carving on
Fettes College, whose foundation stone was laid this year. The
carpenter and joiner work was by William Beattie and Son. Pearce is
listed as "Edinburgh", although there is no listing for him in the
street directories. (Caledonian Mercury, June 27th 1864)
Pearce was also the carver for the McCheyne Memorial Church in
Dundee, whose foundation stone was laid in 1869. (Dundee Courier,
5th May 1869)
Local opinions were somewhat more fulsome in their praise of The
Barclay, but not unequivocal. The Edinburgh Evening Courant, after
noting that "It has the highest spire in Scotland", went on to note
its role in the townscape. "It has had the good fortune, with many
of our best and most prominent buildings to fall into the vista
line of leading streets. From Lothian Road it falls into
terminating the southward view and from The Meadows it has a very
imposing appearance in connection with the body of the church.
The building is certainly very original in character, and as a
novelty naturally creates differences of opinion. Everyone however
must admit the great ingenuity and skill of the architect in the
singularly effective combinations which the structure presents.
A novel feature of the building is the carved tableaux presented
on the north and western sides. Reviving an old fashion, the blocks
have been carved in their places, and by a very skilful and rapid
hand, instead of being executed before putting up.
The shell ceiling over the platform is richly painted and
gilded, being the point on which the eye is naturally laid to
rest.
The pews are seated for 1,020 persons.
The building is very comfortably seated and is well ventilated
and heated; its acoustic properties are well spoken of.” (The
Edinburgh Evening Courant, Dec. 30th 1864)
One of Pilkington’s first recorded apprentices Andrew Thomas
Taylor, joined the firm for three years from 1864. He was later to
be knighted, and have an extensive practice in Canada. (Dictionary
of Scottish Architects – DSA Architect Biography Report
http://www.codexgeo.co.uk/dsa/architect_full.php?id=M000795)
Taylor joined Pilkington at the age of 14. He was born in
Edinburgh on 13 October 1850, the son of publisher James Taylor and
Agnes Drummond, and was articled from 1864 to 1869. Thereafter he
was in the architectural department of the Duke of Roxburgh's
estate office for a year, likely to have been introduced by the
Pilkington’s through their Kelso contacts, followed by a further
year as assistant to William Smith in Aberdeen. (Dictionary of
Scottish Architects - DSA Architect Biography Report (May 3, 2006,
1014 am).htm) Taylor moved to London in the 1870s and may have been
instrumental in Pilkington’s later move there in the 1880s.
The cooperation between James Gowans and Pilkington in the
building of the Barclay would have been considerable. The church's
main building stones were Binnie and Redhall, both quarries being
at that time worked by Gowans' family firm. In the year of the
Barclay's opening, Gowans was also working closely with Brodie on
the Prince Consort's memorial on the North Inch in Perth. The 9
foot statue was mounted on a pedestal hewn from a single block of
Redhall. It may be that this contract was not entirely a
satisfactory one for Gowans, for Brodie mentioned in a letter in
September of that year regarding payment to Gowans; "Gowans had
what he considers a satisfactory interview with Mr Brown (difficult
to read) and I would fain hope that he may get a settlement. There
must be some mistake as to the sending of the accounts, as I know
that a great amount was not only sent in (illegible) admitted".
(Kinnaird/Brodie)
Meanwhile in Kelso the estimates for the church were approved.
The plans and schedules for the new church were sent to Mr. J B
Kerr at the Commercial Bank, Kelso in April 1864.
Robert Laing of Edinburgh was the Mason and Builder.Henderson
and Wilson of Leith were the carpentersGeorge Waddell the plumber,
Robert Purves the slater, and James Johnston, plasterer were all
from Kelso.Field and Allen were the glaziers also of Edinburgh.
The Estimates were as follows;Mason, - building£1940 -
spire£980
Carpenter£775Slater£118Plasterer£34Plumber£109Roof
Ornaments£56Glazier£86Cabinet
Maker£50Painter£100Carving£200£4,441The actual costs, as seems to
have been typical of Pilkington's buildings were far in excess of
the estimates, at £6,138.3.9
Work must have started in June 1864, but later in the year, "Mr.
Thomas Pilkington, father of the architect was appointed Clerk of
Works of the new church in October 1864." (STEWERT)
F T Pilkington moved his chambers to 2 Hill Street. the famous
and eccentric painter, Sam Bough moved with him too and was there
until Sam’s death in 1878. Sam was a rowdy and rough Carlisle man,
very convivial, passionate about his friends, and a man who did not
put up with people he didn’t like. His studio was in the upper
storeys of the quite small end of terrace house. We can assume that
Pilkington and he must have liked each other, and perhaps that
Pilkington found the older man’s rough ways to his liking.
Yet again, however, Pilkington is invisible. He is not mentioned
in the two biographies of Sam Bough, (Gilpin, Hitchon) despite
their both including the address, and describing Sam’s way of being
in his studio, dogs and all.
The building was occupied also by James and John Young, SSC
(Solicitors to the Supreme Court). JaWas this Young perhaps the
best man at Pilkington's second wedding, and not "Paraffin"
Young??
Meanwhile at 24 George Street, in addition to M'Whea, Campbell,
Douglas, Macallum and Stevenson, Wm Inglis, mechanical engineer and
Daniel Cottier, glass painter took up residence.
The DSA identifies a house in “Clairmount” in this year.
(Dictionary of Scottish Architects – DSA Architect Biography Report
http://www.codexgeo.co.uk/dsa/architect_full.php?id=M000795))
The villa was greeted with much enthusiasm by at least one
commentator; The villa was greeted with much enthusiasm by at least
one commentator; "It is with a view to encourage the "revival" of
good architecture which has set in - the growing desire for
something that is really genuine, artistic and pleasing - that we
have though fit from time to time to notice in the columns of this
journal any new erection .....which in our judgement could lay
claim to notice on the score of specialty as to construction or
design. Fulfilling this self-imposed task we to lay before our
readers this morning a description of one of our suburban villas
which has recently been erected in the neighbourhood of "The
Grange", The architect, Mr F Pilkington of 2 Hill Street, in the
plans which he has used for the erection of "Craig Mount House" now
completed has introduced into the suburbs of Edinburgh a style of
architecture perfectly unique, and one which will reflect credit
upon himself and the city to which he belongs. The house, which has
been purchased by J Sime Esq and is to be used for scholastic
purposes, occupies a site, including the grounds of 5 acres on land
situated between Grange Loan and Dick Place.......The main walls of
the building are constructed of pink stone obtained upon the spot,
and the dressings of gray stone from Burn Hall. The two stones
harmonise well together as far as colour is concerned, and have a
pleasing effect. The house is an adaptation of the Venetian order
of architecture; and besides being chaste and elegant, will provide
a handsome addition to the neighbourhood. Architecturally speaking
it is one of the best houses in Edinburgh. Its principal front is
to the south, and the building is divided into three stories. The
first and second are grouped together so as to produce a vertical
effect in contrast to the horizontal effect of the upper story. The
separation between the two lower and upper stories is made by a
projecting stone balcony which has carved corbels and pillars. The
upper windows are formed with columns and arches, the upper portion
of them being filled in with geometrical piercings. The arch-stones
are covered with an elaborate surface-carving of chased work. The
remainder of the front is in keeping......A very noticeable feature
is the chimneys which are constructed on a new plan with a view to
the prevention of smoke nuisance. From where the chimney appears
above the roof it is pierced with holes to allow the wind to get
through, instead of blowing over the top and forcing the smoke
down, as under the old system. These piercings are formed in Mr
Sime's house by small trefoil arches supported by columns and
capitals. The interior of the building is made up of spacious rooms
suitable for a public institution or a private family. Altogether
the villa is a model in its way and deserving of the attention of
the public. We shall be glad to see a series of such houses adorn
our suburbs.. Their introduction would do away with that scattered
and inconsistent mixture of dwellings which are at present so
unsightly and unworthy of "the architectural pretensions and
importance of the Modern Athens" We are informed that Mr Pilkington
is superintending the erection of another house of the same
description on a piece of ground adjoining that of Mr Sime's. All
we can say is may there be more of them" (Caledonian Mercury, Sept.
19th 1864)
Gowans returned to public life this year with a talk to The
Edinburgh Operative Masons Architectural Union entitled "The
Leading Lines of Design" which could be seen to be an affirmation
of his friend Pilkington's style.
"True shape or proportion rested upon fixed and unalterable
rules...........the climate; geographical position; geological
formation; religious beliefs of a people above all - had to do not
only with plan, but also exterior.
The Gothic circle and triangle, come from All-one-God - Three in
One.
Our churches should be constructed upon pure lines, but with the
best material". (Source; ? Feb. 27th 1864)
1864 Sir David Brewster was President of the Royal Society of
Edinburgh. That year there was controversy over whether he had
invented the lenticular device for lighthouses; support for his
claims came from John Herschel, Lord de Mauley, Brougham,
Palmerston and Lyon Playfair (GORDON)
This was also the year in which Brewster's great friend Henry
Fox Talbot bought a house in Edinburgh for their "lengthy winter
stays", no 13 Great Stuart Street, close to Randolph Cliff and to
Queen Street. They continued to visit Edinburgh as a family until
1866. (ARNOLD, 1977)
SIMPSON
Simpson is described this year as the President of the Granton
Literary Association and an expert on the Sculptured Stones of
Scotland. (Edinburgh Evening Courant, Dec 8th 1864)
Meanwhile Brodie and Gowans were engaged together on the
prestigious Albert monument at Perth. This project had not been
without controversy as seems to have been the case with almost all
of the Albert monuments in Scotland. In December of 1862 for
example there was lively correspondence in the Perth newspapers to
the effect that the subscription, which was anyway rather small,
should be rather used to widen Tay Street than be wasted on a
monument. (The Perthshire Courier, December 16th 1862) However, by
1864 a statue had been decided and ".....some time since
commissioned from Mr Brodie....the model is now nearly ready; and
this is the first statue of the Prince by a Scottish artist. The
statue itself will be colossal - 8 foot - the Prince is represented
dressed in the robes of the Order of the Thistle. His right hand is
leaning on a square pedestal and displaying a drawing or elevation
of the Great Exhibition Building.
The Queen was to open it - the statue was to stand on a massive
block of freestone from Redhall. 90 foot high, on the North Inch.
(The Builder Jan 2nd 1864) It is clearly through Brodie's
connection that Redhall stone, and Gowans, were involved, although
Gowans work on the nearby Highland railway, and his previous
experience with the Wellington Monument may have suggested him to
the patrons.
Lord Arthur Kinnaird was a prime mover in this project, and
possibly in the selection of Brodie as the sculptor. He had been MP
for Perth since 1852 and was an immensely popular figure in the
town. "He was devoted to the interests of Perth, which he promoted
in every way possible to a parliamentary representative; throughout
his whole connection his name was a household word. (The Perthshire
Courier, May 3rd 1887)
At the RSA this year Brodie exhibited his model of the statue to
be erected at Perth of The Prince Consort.
It was because of the Albert project that Prince Alfred visited
Brodie's studio, and that of Steele (Sussex Advertiser - Tuesday 12
July 1864). He expressed himself "highly pleased" with the statue
(Freeman's Journal, July 14th 1864)
He also showed a model of the Monument to be placed in St. Giles
to the Officers and Men of the 93rd. Sutherland Highlanders
(Gunnis) The 93rd Sutherland Highlanders monument is in the South
Aisle on the west wall. It commemorates their role in the
suppression of the “Indian Mutiny” and portrays kilted soldiers
flanking a pylon. (Source; Edinburgh B/S)
Brodie was creating a monument for Admiral Hope, a member of
Kinnaird's family this year. There was some debate in
correspondence with Kinnaird, who had commissioned the statue as to
whether the figure of Hope should be full length, Brodie's
preference, or not. The use of photographic records by Brodie is
well established in this letter; "Admiral Hope has to be in town
again about the middle of January and before that time I will make
a sketch of both the kneeling figure and one as proposed by Your
Lordship but only with the whole figure terminating in clouds and
shall bring photographs of both with me to Rossie Priory and let
you know what he says of them and then we can decide as to which
shall be done. I think there will be no difficulty in making the
work perfectly large enough at the sum mentioned by Your Lordship.
(Kinnaird/Brodie - Brodie's emphasis)
Kemp did not die until 1881, and was promoted from Rear Admiral
to Vice Admiral in 1864. He had married Lord Kinnaird's sister in
1838. "The early years of his career were spent with the African
squadron in the suppression of the slave trade. He served in the
Baltic in 1854-5, was Commander in Chief in East Indies and China
in 1859-62, in the West Indies and North America in 1864, and aged
59, when the statue was commissioned. "He gave much attention to
social questions, and in particular he showed a deep interest in
the extension of British workmen's "public houses" He was one of
the leading patrons of the Soldiers' and Sailors' Home in
Edinburgh. All classes held him in much respect". (Manchester
Evening News, 11th June 1881)
Brodie was still resident at 9 Coates Place when he wrote to
Kinnaird about the Hope monument, and employed a coat of arms
showing a crown superimposed on a St Andrew's Cross, bearing the
motto "Non Crux, Non Corona" which presumably implied "No cross, no
crown" - an interesting comment perhaps on the presbyterian work
ethic, but perhaps relating to a more obscure "cross" which Brodie
felt he had to bear.
Other letters transcribed in the NPG Collection, and from the
Perth and Kinross County Archives, give further insights into
Brodie's style.
Ben Rhydding, Otley Sept 17th. (to Lord Kinnaird about
settlement of accounts) " came here a few days ago and enjoy it
very much. This is a most comfortable house, fair air, beautiful
scenery and the most agreeable company, and then I manage to make
it pay by doing the Doctor in marble"
On the 26th September, also from Ben Rhydding, he wrote to Lord
Kinnaird; "Mr Anderson of Anderson and Christie, Perth, is a
careful person and a sculptor himself. I should think he would be
the best to be had at Perth. His brother (whom I have had a Rossie
Priory) is also very very good and should you wish rather to have
him and would kindly write to my wife 1 Torphichen Street, he will
go immediately, I should have no hesitation in trusing his
brother.
Lady Kinnaird's sketch has been received at Edinburgh and I
shall pay attention to it when I get home. I shall also begin to
the marble of Admiral Hope's monument and as I will have to get a
piece of marble for it would you kindly say what size it will
be......."
Brodie moved to a new house, "St Helen's", Cambridge Street, in
this year. It is not clear why he should have called it "St
Helen's"; one's mind is drawn to the coincidence that the
"Lancashire branch" of the Pilkington family were developing their
famous glass factory in St Helen's at that time. Pilkington himself
used glass extensively in his architecture. Unfortunately the house
was demolished in the 1920s to make way for The Usher Hall. It is
possible that the house was designed by Brodie himself, but equally
likely that the architect was Gowans, perhaps making extensive use
of Pilkington glass. The Building News mentioned it in such a way
as to suggest Gowans’ influence, if not design; "In Cambridge
Street, a studio and dwelling house have been erected by William
Brodie RSA - constructed on geometrical lines, there not being a
rounded angle or moulding in any of its external parts." (Source;
The Building News).
This is an extremely interesting comment. Brodie had recently,
as we have seen, produced the half-relief panel of Gowans holding
his architectural plans for his "Rockville", had worked on the
image of the Prince Consort's holding plans for the Crystal Palace,
and now had created his own house using a style which sounds very
much like that used by Gowans.
Brodie produced a bust of Leith's Provost Lindsay in this year.
The Provost was much admired for his "amendment of the laws for
promoting the public health in burghs and populous places in
Scotland which resulted in his preparing and obtaining sancton of
Parliament to the General Police and Improvement (Scotland) Act.
The Chair of the Testimonial Committe, Councillor Girle of
Edinburgh asked Leith to accept the bust for its Town Hall.
(Caledonian Mercury Sept 7th 1864)
Brodie exhibited from St Helen's from 1865 to his death. (Source
RSA 1816-1916)
In 1864 Pilkington also exhibited a painting of a mansion
designed for Charles J Henderson Esq. at Glassinghall,, Perthshire.
(RSA) The house was described in the exhibition as "now erecting".
Henderson's fortune was established from paper hangings, no doubt
using the paper produced by the Cowans, his near neighbours in
Edinburgh. Unfortunately the mansion has been demolished, although
the pretty gatehouses remain.
The Dundee Correspondent commenting on the RSA Exhibition
mentions Pilkington very negatively. "Immediately opposite the
entrance an enormous drawing of a street front by Mr F T Pilkington
gives the visitor a fright that almost turns him back in horror.
The building appears to be the combinaton of the Saracenic, Gothic
and Italian style of architecture and without doubt would have
given Pugin the nightmare." This unlikely to have been
Glassinghall. However, it could have been The Eastern Club,
Dundee.
It is possible that he refers to Glasinghall in the following
severely critical, not to say jaundiced comment. "Here and there
are drawings of detached villas in the pinnacle and pepperbox
style, with enormous bow windows straggling out from the walls in
all directions, and looking as intensely and vulgarly modern as the
factories or warehouses from which, doubtless, ot a few of their
owners have made their money" He also refers to "....sprawling,
over cornered, infinite gabled, masses of stone which look more
like modern charity schools than merchants' villas" (Dundee, Perth
and Cupar Advertiser, 16th Feb 1864)
They are remarkably different from each other. North Lodge is an
essay in quirky gothic cottage design. The chimneys stacks are
elongated with elaborate carved "capitals". The chimney gable
facing the road has a gothic window let into it. The porch is wide,
deep and supported on slim pillars resting on heavy plinths. A
window sits in an angled corner, and a bay window juts beyond the
porch. The roof is almost as complicated as The Barclay Church. The
original ironwork has survived.
(Google Street View)
South Lodge is more conventional looking cottage design, with a
steep simple L shaped roof, but it has the same tall chimney
stacks, this time rising from the crest of the roof. The porch is
built into the angle of the L shaped house, and is up steps. The
ironwork has disappeared. The supporting pillars are a simpler
design.
(Google Street View)
The Stirling Observer reports a "Heating" of the "mansion-house"
in 1866; a splendid party for "the workmen etc" for "upwards of
100". "Mr Henderson has......built on the estate a splendid and
very ornate mansion-house, after a design by Mr Pilkington of
Edinburgh. "AFTER EVERY JUSTICE HAD BEEN DONE.........AND TABLES
CLEARED...............mR AND mRS hENDERSON ENTERED THE ROOM AND
WERE RECIVED WITH Loud and deafening cheers. ..............he
congratulted the respective workmen on the very admirable way in
which they had completed their work..." Mr Anderson, joiner, of
Blackford (replied) (The Stirling Observer and Midland Counties
Advertiser, Nov. 15th, 1866)
It is of note that Henderson was a member, with Charles Cowan of
Loganlea and Valleyfield, and William Law, then Dean of Guild in
Edinburgh, and later to become Lord Provost, of the Committe which
founded the Money Order Company. (The Dundee Courier and Argus,
July 25th 1868)
1864 provides one of those rare occasions when the Pilkington's
were recorded as appearing in public, and perhaps not
coincidentally at the same ball as the Hendersons, the United
Service Club. This was a very large affair indeed, where the Forces
mingled with lay people, but not those of of the "first rank"
perhaps. The Brodies were also present, as were the Peddies and the
Rhinds. Two of Henderson's daughters and two of Brodie's daughters
were also present. (Caledonian Mercury, Wednesday March 9th,
1864).
Henderson moved later to Coltbridge Hall, Murrayfield, where he
commissioned Coltbridge Terrace from Pilkington.. He was a JP for
the County of Perth, and married for the second time to Agnes Anne
Scott. (The Northern Warder and Bi-Weekly Courier and Argus, June
12th 1877)
Henderson's Mill at Coltbridge seems to have been a major
pollutor of the Water of Leith, and he was subjected to requests to
clear his mill dam over several decades. He was also a landowner in
the Fountainbridge area of the city.
Henderson was a Director of The Caledonian Assurance Company
with HQ in George Street. He later moved to Liverpool and founded
the Liverpool Caledonian Association.
Pilkington’s Larbert Hospital was now nearing completion; In
1864 the Committee were able to report; "The second block of
buildings is now ready for opening. That the building is admirably
suited for the purpose for which it has been erected is attested by
the Commissioners in Lunacy, and also by Dr M'Inlay of Paisley, who
with large experience in such matters has stated that he had never
seen any building better arranged and laid out for its intended
purpose. The cost of erection has been small for the amount of
accommodation provided. The rooms all wear a light and cheerful
aspect.
The cost of buildingsThe North Wing has cost £1969The centre
block has cost £2150Architects fees and summaries as last year
£200Furniture etc £2531Tot £6850(Committee of the Society for the
Education of Imbecile Youth in Scotland; Reports, 1862/1871)
1864 donations included Charles Cowan of Logan HouseJohn Cowan,
Beeslack, Milton BridgeGeorge Cowan Esq. dittoPilkington gave
£21.
When the plan of the present buildings was first agreed on, it
was thought desirable as much as possible to preserve a feeling of
family life throughout the whole arrangements. It was therefore
resolved that while the Institution should be under a united
superintendence it should be composed of five distinct buildings -
the whole being treated as one in culinary and other economic
arrangements.
.......many practical difficulties are to be encountered in
carrying out such a plan. Foremost in these is the difficulty in
adequately sustaining the temperature of the detached
buildings.
The plan was changed at this point to end up in the T shape it
now has. (Committee of the Society for the Education of Imbecile
Youth in Scotland; Reports, 1862/1871)
The Scotsman reports again on The Wellington Reformatory and the
key role played in that institution by both John and Charles Cowan.
“The annual harvest home in connection with the Wellington
.Reformatory Farm School, situated near Penicuik , was held in the
School yesterday. The harvest home is one of two annual treats
given to the boys in the institution, and serves the double purpose
of entertaining the boys - forming the crown and reward of their
season's labour - and of showing to the friends and supporters of
the institution the working and result of their commendable
charity, The other feast, at Christmas , partakes more of the
nature of a private treat to the inmates. The harvest home is
further interesting as being the occasion of gathering together,
the boys who have been sent from the Reformatory since its
Institution, a little more than four years ago, many of whom are in
Edinburgh, and gladly embrace the opportunity o£ visiting their old
governor, Mr Craster , and . his assistant teachers, whom they have
learned to regard more in the light of friends, and of mixing for a
day with their old neighbours in the school, which naturally
possesses for them many interesting associations. Thursday being
the Fast-day in Edinburgh, several of these lads took advantage of
the opportunity of revisiting the school and remained over-night in
the house, to be present at the meeting yesterday. Several of the
parents of the inmates were also present but the very unfavourable
nature of the weather, which throughout the day and for some days
previous, was cold and wet, and the dirty state of the roads, had
the effect of making smaller than usual the number of visitors of
both classes. The same causes affected also to some extent the
attendance of the directors and friends of the institution, of
whom, however, there were still a good many present, Among them we
observed Thomas Cleghorn, Esq. Sheriff of Argyleshire, and party;
Mr John Cowan of Beeslack and party; Mr Charles Cowan of
Valleyfield; Captain Thomas, RN. and Mrs Thomas, Mr Paterson,
banker, Penicuik, and party; Mr J. Wilson, Crosshouse; Mr W.Wilson
Penicuik; Mr Murray of Spnngfield: Mr and Misses Gillespie, from
Beeslack; Mr Tait, Penicuik; Mrs Menzies Penicuik; Mr Menzies,
Penicuik; Mr Symington, Penicuik . At two o'clock, the school and
farm were opened for the inspection of visitors. The schoolroom,
which was prepared for the meeting, was decorated with flags,
evergreens, and mottoes of Scripture texts, wrought in blue paper
on a white ground all prepared by the boys. A series of beautiful
arches, decked with foliage, through which the hard red-cheeked
winter apples grown on the farm peeped forth pleasantly, surmounted
by giant spikes of hollyhocks, graced the upper end of the room,
and formed a pleasing screen behind the chairman's table and the
seats prepared for visitors. The day-room was set apart as a
show-room, in which were exhibited specimens of the industry of the
school, consisting of writing-tables , croquet sticks and balls,
and other articles of carpentry work, boots and shoes, articles of
clothing, agricultural products, &c. The dayroom, as well as
all the workshops, dormitories and even such retired places as the
kitchen were, like the schoolroom decorated with evergreens in a
style very creditable to the taste of the lads, whose sole work it
was. Among the most interesting features in the showroom were a New
Zealander’s dress, being nothing more than a kind of shirt with
slashed fringes, composed of some vegetable stuff, and three small,
nuggets of gold, sent as presents to Mr Craster from lads formerly
inmates of the reformatory, who were sent out as emigrants to New
Zealand, and are now thriving and prosperous settlers in that
colony. After the visitors had been shown over the home, an
inspection of the farm being rendered impossible by the boisterous
weather, the active proceedings of the day commenced in the
schoolroom with a concert given by the boys. The concert consisted
of vocal and Instrumental music; a well-trained flute band, and a
singing class embracing all the boys in the School, being
institutions of the establishment. The melodies were joined in by
all the boys present, about eighty in number, and consisted
principally of the so-called "nigger" music, popularised by the
Christy Minstrels. A pleasing variety was given to the
entertainment by a few humorous recitations delivered by the elder
scholars. The boys were dressed in their Sunday clothes, and
presented a clean, healthy , and altogether respectable appearance.
At the close of the performance . Sheriff Cleghorn, in the name of
the company present thanked Mr Craster and the boys under his
leadership for the entertainment they had given which, he assured
them had been very pleasing and interesting to himself and, he
believed, to all the visitors.After the concert the boys were
treated to tea and cake in the dining-hall , while the visitors
were similarly entertained in the governor's house. At half-past
five o'clock, a general meeting took place in the schoolroom, which
was presided over by Sheriff Cleghorn. The proceedings having been
opened with prayer and praise, The CHAIRMAN intimated that he had
received letters of apology for absence from Sir George Clerk of
Penicuik and E.S.Gordon Esq ., Sheriff of Perthshire, who had been
expected to attend and address the meeting. After explaining that
the harvest home had not been held last year in consequence of an
outbreak of scarlet fever in the house at the close of the harvest
season he proceeded, in. the name of the directors, to compliment
the boys on the very satisfactory specimens of the products of
their various departments which had been exhibited, and
congratulated them that the crops, which, though not so large as in
more favourable seasons, were yet fair and, particularly in the
turnip field, were exceedingly good, had been got in and safely
stored while the good weather suited. The directors and supporters
of the establishment were very much gratified at the successful
manner in which the institution was being wrought, and he formally
expressed their thanks to Mr Craster and his assistant -teachers
for the very efficient manner in which they discharged their
delicate but important duties. He mentioned that Mr Turner, the
Government inspector, had visited the School a few weeks ago very
unexpectedly, in order that he might see exactly its everyday
working , without any preparation being made to receive him and
after a thorough examination of everything both in the house and
the workshops, he had expressed himself very thoroughly satisfied
with all the arrangements of the house, and with the progress which
had been made in all the departments. (Applause.) Mr Craster,
governor of the house then made a short statement of what had been
done in the home during the year, premising that he did not pretend
to give the actual figures of the results, as the year not being
ended and his annual report having to be furnished in a few months
to the general meeting, he had thought it unnecessary at present to
go over his books to prepare a detailed statement He was able
however to report that a good deal of actual work had been done in
the workshops, and the character of the work turned out was
improving and giving satisfaction to the customers of the
institution. An immense amount of out-door work had been done, not
only in the way of cultivating the land but in draining and
bringing into a state of cultivation the mosslands attached to the
farm, a work of considerable difficulty, as most of the drains
required to be made seven, eight, or nine feet deep, and two or
three feet broad. He proceeded to make some remarks on the
important influence of real tough hard work in reformatory
discipline . There was an old proverb, "All work and no play makes
Jack a dull boy," which he believed to be true, and therefore he
sought to prevent that by giving the boys a certain amount of
relaxation; but he had found, on the other hand, that all play and
no work made Jock a big rogue, and, therefore he desired that all
under his charge should have their hands well filled. Mr Craster
gave very gratifying accounts of the success of some of the boys
who had been sent out of the school, and also stated that the
feeling in the district around the school which was at one time
very strong against it, was now quite the other way, and the
farmers in the neighbourhood availed themselves very willingly of
the services of the boys who could be spared from the house in
their busy seasons. He described the conduct of the boys as
generally very good, and stated that there had been fewer attempts
to run away this year than in any former years. Several boys whose
term of sentence was not yet expired were yet so thoroughly
reformed and well-behaved that he would be able to send them out to
do for themselves very shortly. Mr CHARLES COWAN then addressed the
meeting. In the name of the visitors he thanked the director and Mr
Craster for the great treat which had been afforded to them by the
proceedings. He remembered when the school was to be founded there
was great difficulty in finding a suitable situation for it but he
thought no site -could have been got better or more appropriate
than the Wellington moor. The moor had been described in the
"Noctes Ambrosianae" in Blackwood, probably by the pen of
Christopher North himself, as one of the bleakest and most barren
places on the face of the earth. It was said that no vegetable
worth eating would grow there, and that the few animals which
managed to exist were so poor and lean that to speak of fat in
connection with them was absurd, and they had next to no flesh.
They were only bought for their skins, and the bones were given
into the bargain, (Laughter.) But forty years ago a most wonderful
change was effected on this barren moor, when the property came
into the hands of Mr Carstairs, who was the right man in the right
place, and who by energetic perseverance and hard work, had
succeeded in bringing the place into a fit state for cultivation,
and produced most beautiful crops so much so that his farming
repeatedly received the praise of the Highland Society. The success
of his experiment induced other proprietors of moorland to make
similar attempts, with a result most important to the cause of
agriculture, and beneficial to the country. (Hear, hear.) It
appeared to him that the change which Mr Carstairs had effected
upon this one time barren Wellington moor- upon which the
Reformatory was now placed- was typical of the change which Mr
Craster was seeking to effect and had effected upon some seemingly
most unpromising subjects, and therefore he said the site of the
Reformatory was very appropriate. The work in which he was engaged
was a most important one, and he hoped that both the boys and the
general public would properly appreciate its importance. Those who
read the newspapers knew that in our distant colonies there had
been for some years past a growing, and as it now appeared a very
decided determination on the part of the settlers to receive no
more of the adult criminal class. They were setting their faces
against the thing in so decided a manner as was likely to cause
still greater importance to be attached in this country to the
reformatory system, and they must all rejoice that they had not
only the probable but the certain means here presented to them of
reducing the number of the criminals and producing in their stead
an honest, industrious, and persevering class, whom our colonists
would be most willing to receive - nay, were most desirous to have.
They had evidence of that already in the case of the young men who
had gone out of the institution, and were doing so well in Canada
Australia, and New Zealand, and from whom he had had the pleasure
of reading most interesting and gratifying letters. Mr Cowan then
proceeded to advert in detail to the work and products of the
School, and said it must be the earnest wish of all present—as it
was his—that the excellent institution which had been already so
greatly blessed of God might continue to prosper……. The Scotsman -
Saturday, 29th October 1864, page 3