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Wassily Kandinsky 1866-1944
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Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Jan 18, 2018

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Phyllis Barker

Russian Blue Riders
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Page 1: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky1866-1944

Page 2: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could

Colour is the keyboard , the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

Wassily Kandinsky

Page 3: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

• Russian

• Blue Riders

Page 4: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

• Spiritual

• Harmony

Page 5: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

• Careful Planning• Practiced layout

Page 6: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

"It was from the catalog I learned this was a haystack. I was upset I had not recognized it. I also thought the painter had no right to paint in such an imprecise fashion. Dimly I was aware too that the object did not appear in the picture..."

Page 7: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky. Volga Song. 1906. Tempera on cardboard. 49 x 66 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.

Page 8: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Russian Woman in a Landscape (1906)

Page 9: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Old Town II

Page 10: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Gabriele Munter

Page 11: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Gabriele Munter Painting in Kallmunz

Page 12: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Cemetery and Vicarage in Kochel

Page 13: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Picture XVI; The Great Gate of Kiev

Page 14: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Improvisation 26 (Oars) Oil on canvas, 1912 42.1" x 38.2

Page 15: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Study for Painting with White Lines (Bild mit weissen Linien), 1913. Watercolor, india ink, and pencil on paper, 15 11/16 x 14 1/8 inches

Page 16: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Improvisation 31 (Sea Battle)

1913; Oil on canvas, 145 x 119.7cm (57 x 47 in);

Page 17: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Small Pleasures 1913

Page 18: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition VII

Page 19: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

To The Unknown Voice

Page 20: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, White Line, No. 232, oil on canvas, 1920.

Page 21: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition VIII 1923

Page 22: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

On White II 1923

Page 23: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Black and Violet, oil on canvas, 1923.

Page 24: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Contrasting Sounds

1924

Page 25: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Yellow, Red, Blue 1925

Page 26: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Several Circles, oil on canvas, 1926.

Page 27: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Softened Construction, oil on canvas, 1927.

Page 28: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.
Page 29: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.
Page 30: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Red Oval

Page 31: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

On Points

Page 32: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Dominant Curve

Page 33: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Decisive Pink

Page 34: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Capricious

Page 35: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Around the Circle

Page 36: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Wassily Kandinsky, Composition X, oil on canvas, 1939.

Page 37: Wassily Kandinsky 1866-1944. I applied streaks and blobs of colours onto the canvas with a palette knife and made them sing with all the intensity I could.

Composition: Storm Guided student questions

What colours do you see?

What colours do you see the most of?

What types of lines do you see?

Does anything in this painting remind you of a storm?

How does this painting make you feel?

Is there any place in this painting that seems restful to you? How?

Would you like to be standing in the middle of this painting?

What do you think it would feel like? Why?