Vogue Australia 2013

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MEDIA KIT 2013

MEDIA KIT 2013


Vogue Australia

ONLINE IN YOUR NETWORK

IN PRINT IN YOUR POCKET

ON YOUR TABLET


Vogue Australia

Vogue Australia’s print and digital teams are focused on creating cross-channel editorial content that not only

engages audiences but reaches them at all times of the day. Vogue Australia will have no “dead-ends”

and its audience will become even more entrenched in the World of Vogue.

Integrated Editorial Content

PRINT +DIGITAL

TABLET

PRINT

MOBILE

ONLINE SOCIAL


Vogue Australia

Vogue continues to retain the title of the undisputed authority of fashion and beauty, not just in the Australian market but also worldwide. As we continue to explore new avenues for the Vogue brand as a whole, the magazine still retains the centrepiece of the brand platform.

CIRCULATION – 51,291Vogue’s circulation continues to remain strong in challenging market conditions. Initial indicators are all pointing to an increase during the next audit period.

READERSHIP – 367,000Vogue continues to set the pace within the fashion category posting a staggering year-on-year increase. Vogue now has 155,000 readers ahead of Harper’s Bazaar. It’s the strength of this readership figure that is testament to the power of the Vogue brand.

UNIQUE AUDIENCEVogue.com.au reaches more than 3.4 million page views each month. The online forum boasts an impressive 253,000 members and Facebook has also been embraced by the Vogue collective with 107,051 friends at the last count. Vogue also has 50,315 followers on Twitter, 89,000 on Instagram and an incredible 228,780 on Tumblr.

THE POWER OF

Vogue Australia continues to demonstrate its dominant market position and brand power across print, online and social media. Vogue and Vogue.com.au reach an unduplicated audience of 1,426,219.


Vogue Australia

Vogue Fashion’s Night OutOn September 6 2012 Vogue Fashion’s Night Out (VFNO), a global one-night-only celebration of fashion and shopping, illuminated Sydney’s CBD and positioned Sydney’s retail precinct as a world-class shopping destination. More than 600 retailers and 175,000 shoppers participated in the event.

In its fourth year globally, and third year in Sydney, Vogue Fashion’s Night Out was held in more than 19 countries. It kicked off in Australia, Britain, the US, France, Italy, Germany, Spain, Russia, Mexico and Korea on September 6; followed by China, India, Germany and Russia on September 7; Taiwan and Japan on September 8; Brazil on September 10; Portugal, Italy, Turkey, The Netherlands and Mexico on September 13 and Greece on September 20.

The 2012 campaign officially launched with a global Fashion’s Night Out annoucement of the participating markets from around the world. The Vogue Australia FNO campaign kicked off with a promotional page in the August 2012 issue.

Opening to packed crowds at the Westfield Sydney stage in Pitt Street Mall, the theme of VFNO Sydney was Fashion Meets Music and featured performances from six inspirational Vogue songstresses including Megan Washington, Jessica Mauboy, Sarah de Bono, Diana Rouvas, Cheyenne Tozzi and Emma Birdsall.

Built on the extraordinary brand equity of Vogue, this incredible event has continued to grow exponentially as the world rallies in support of the retail industry. VFNO locations have included Westfield Sydney, Pitt Street Mall, Martin Place, David Jones, MidCity Centre, The Galeries, Strand Arcade, MLC Centre and the QVB along with pop-ups on Castlereagh, George and King Streets.

The core target audience of the event is females aged 18-40 who love fashion and shopping – or just a fun night out. This target is not restricted to Vogue readers or Vogue.com.au users. The objective of VFNO is to engage consumers in a free, one-night-only event that treats every person to a Vogue VIP shopping experience.

Consumers can plan their night and share their activities with their friends. During the week prior to last year’s event, 200 Vogue Fashion’s Night Out flags were erected

throughout the Sydney CBD, spanning across the shopping precincts of Martin Place, Pitt Street Mall, Castlereagh Street and Elizabeth Street.

Pitt Street Mall came alive with the Belvedere Bar, which matched refreshing Belvedere Vodka cocktails with the cool tunes from Daimon Downey on the decks, as well as the Nokia Lumia Media Hub and an SKII pop up store.

The Vogue Precinct transformed Martin Place into a hub of activity as Miranda Kerr sold Kora Organics products to bumper crowds, Sarah Murdoch applied Vogue tattoos for a gold coin donation for the Murdoch Children’s Research Institute, Palmolive sampled their latest products, ASOS encouraged people to scan and shop from a special event van, and Sarah de Bono and Diana Rouvas belted out their tracks from the top of the MLC Centre.

VFNO Sydney 2012 was supported by Belvedere Vodka, the City of Sydney, Westfield Sydney, Nokia Australia and Eftpos.

This year, Vogue Fashion’s Night Out will celebrate Vogue’s rich heritage as the world’s most iconic fashion brand as well as the exciting innovations that will propel Vogue Australia into the future.


Vogue Australia

Vogue’s Online Shopping NightOn Wesnesday June 20 2012, the third Vogue Online Shopping Night (VOSN) was held. An exciting one-night-only shopping event, it was an opportunity to celebrate and support online retailers.

One hundred high-profile Australian designers and retailers came together in a virtual hub and benefited from the Vogue global brand. It was an opportunity for our loyal audience to shop their favourite brands and share this experience through Vogue Australia’s social media assets. Vogue Online Shopping Night was sponsored by Mercedes-Benz and supported by RDI O and PayPal.

HIGHLIGHTS100 online retailers participated, each offering special offers.The live hub was held at The Ivy Penthouse, where 20 key Australian designers generated content and partook in social media activity such as Facebook, Twitter and Instagram posts and interviews for Vogue.com.au.Vogue Online Shopping Night was Vogue’s highest traffic day for the year outside of Fashion Week. The traffic was 78 per cent higher than the daily average for 2012, generating more than 300,000 page views in the 24 hour period.#VOSN was in the number two trending topic Australia-wide and number one in Sydney during the event. Tweets containing #VOSN reached over 1.1 million Twitter usersThere were more than 5.8 million Twitter impressions for #VOSNMore than 1.1 million users saw a Tweet mentioning @vogueoz.Vogue Australia’s Facebook page saw a 50 per cent increase in engagement figures.


Vogue Australia

Vogue.com.auAfter 10 years at the forefront of online fashion, the Vogue brand online platform was lifted to a new level as Vogue.com.au went through a revitalisation on September 1, 2012. Vogue.com.au has since resurfaced with key changes to its design, content and useability to reach the position of the number one fashion news site in Australia.

NEW INITIATIVESThe recently launched Miss Vogue has been one of the most successful and popular sections on Vogue.com.au. While Vogue magazine’s core demographic is women in their 30s, Miss Vogue reaches a younger demographic of women in their mid-to-late 20s. The new Spy Style section brings together popular bloggers who have been selected by our editorial team to create exciting fashion content for our readers. Another recently launched section is Vogue 365. This gallery of images, shot by numerous well-known photographers, showcases the influential people and pieces that have made appearances throughout the Vogue brand’s rich history.

Bridal

Jewellery

Miss Vogue

Fashion


Vogue Australia

To utilise the extended reach of our sister publication, sunday style, we will create promotions to run as a reverse flip section. These will be specifically created for our September 2013 Vogue Fashion’s Night Out Issue.The first time we ran with this execution was March 2011 and it was received incredibly well by both the market and by our readers. It’s an opportunity for our clients to further extend their reach within a Vogue environment.

Vogue Sunday Style Flips


Vogue Australia

2013 Features CalendarKEY ISSUES FOR THE COMING YEAR ARE:

MONTH ISSUE THEME BOOKING CANCELLATION ADVERTORIALDEADLINE

BRAND ADDEADLINE

ON SALE

June The Body Issue 26/03/13 12/03/13 02/04/13 09/04/13 20/05/13

June Special

Bridal Issue 25/03/13 11/03/13 28/03/13 01/04/13 20/05/13

July The Ageless Issue 26/03/13 12/03/13 30/04/13 07/05/13 17/06/13

August Love Theme 21/05/13 07/05/13 28/05/13 04/06/13 15/07/13

September Big Fashion Issue 25/06/13 11/06/13 02/07/13 09/07/13 19/08/13

October Vogue Fashion’s Night Out Issue

23/07/13 09/07/13 30/07/13 06/08/13 16/09/13

November Jewellery & Watches 20/08/13 06/08/13 27/08/13 03/09/13 14/10/13

December Christmas Special 24/09/13 10/09/13 01/10/13 08/10/13 18/11/13


Vogue Australia

Regular Issue FeaturesIN VOGUE All the news from the fashion front row, including key trends from the runways and the stories behind fashion designer’s collections.

VOGUE VIEW Highlights the latest shopping, looks and trends, fashion and accessories, and brands and people. Inspiring interviews and news, with an eye for the finer details.

TALKS Edited by Alexandra Spring, we bring readers news and views from the worlds of art, film, theatre, music and books, plus inspiring interviews with the people behind them.

BEAUTY Beauty Editor Sigourney Cantelo brings our readers the latest news, with exclusive interviews from the people who shape the beauty industry, make-up trends, plus a wealth of ideas, inspiration and insight.

FASHION Directed by Christine Centenera, Vogue Fashion delivers the most beautiful images layered with creativity using only the best talent. Shot by some of Australia’s most acclaimed photographers including Todd Barry, Max Doyle and Nicole Bentley, and featuring an exclusive mix of Australian models such as Abbey Lee Kershaw, Nicole Trunfio and Catherine McNeil.

FIRST CLASS Alexandra Spring treats our readers to a truly indulgent offering of luxury travel and lifestyle options.


Vogue Australia

2013 Rate CardVOGUE AUSTRALIA

CASUAL 3X2%

6X4%

9X7%

12X11%

15X16%

18X 16%

Full Page $12,500 $12,200 $11,970 $11,580 $11,020 $10,830 $10,580

Double-Page Spread

$24,600 $24,100 $23,610 $22,880 $21,760 $21,400 $20,920

Inside Cover Spread

$32,156 $31,500 $30,590 $29,900 $29,200 $28,410 $27,320

Inside Back Cover $14,680 $14,410 $14,100 $13,680 $12,990 $12,792 $12,500

Outside Back $19,740 $19,150 $18,510 $18,170 $17,250 $16,990 $16,600

LOOSE INSERT RATES

INSERT SIZE COST PER THOUSAND

2pp $195

4pp $265

8pp $370

16pp $440

24pp $515

32pp $590

Note: The insert rates costs are media rates only. Printing and design will incur additional costs.

All rates are ex. GST


ADVERTISING CONDITIONSEvery advertiser and or advertising agency (Advertiser) who places material for publication in a publication of NewsLifeMedia, a division of News Limited, ABN 57 088 923 906 (Publisher) agrees to the conditions set out below.

A. GENERAL1. Every advertisement submitted for publication must comply with and is subject to conditions or requirements set out in rate cards, space or insertion orders and any rules applicable to the advertising material.2. Every advertisement is subject to Publisher’s approval and Publisher may at its absolute discretion at any time refuse to publish any advertisement without giving any reason. In case of refusal, no charge to Advertiser shall be incurred but Publisher shall not be responsi-ble for any loss of any nature arising from refusal or failure to publish. 3. Publisher owes no duty to Advertiser to review, approve or amend any advertisement and no review, approval or amendment by Publisher will affect Advertiser’s responsibility for the content of the advertisement.4. Publisher accepts no responsibility for any error when instructions or copy have or has been taken over the telephone unless Publisher receives written confirmation of the instructions or copy before the normal copy deadline as advised by Publisher in the rate card or otherwise. It is the responsibility of the Advertiser to notify Publisher of any error immediately after it appears. Unless notified, Publisher accepts no responsibility for any recurring error.5. Publisher has no liability to Advertiser for any direct or Indirect Loss in relation to any failure of telecommunications services or systems which affect the receipt by Publisher of an advertisement, a notice or communication of any kind or the publication of an advertise-ment or campaign.6. Publisher may, under pressure of deadline and without prior consultation or notice to Advertiser, amend any advertisement in any terms whatsoever, if Publisher perceives it to be (i) in breach of any law of Australia or of any state (whether civil or criminal), (ii) in breach of any pre-existing publishing agreement entered into by Publisher, (iii) defamatory, (iv) in contempt of court or parliament, (v) otherwise likely to attract legal proceedings of any kind, (vi) offensive. Should Publisher so amend the advertisement, the agreed price shall not be reduced. Publisher is not responsible for any loss of any nature arising from amendment. 7. If any advertisement is specifically accepted for publication in a specific advertising category of a publication then, without prior consultation with Advertiser, Publisher may: (i) position the advertisement anywhere within the category at its discretion, unless a specific placement has been agreed in writing, (ii) reposition that category within the publication, (iii) alter the date of publication of that category. In case of (iii), if Advertiser did not agree to the altered date prior to publication, then if within 5 days of publication of the advertise-ment Advertiser notifies Publisher in writing that Advertiser has suffered adverse effects of a substantial nature which were directly caused by the altered date of the publication and Advertiser provides to Publisher clear evidence of such adverse effects, the Advertiser will incur no charge for that particular advertisement. Publisher is not responsible for any direct or Indirect Loss of any nature arising from the operation of this clause. 8. If an advertisement is specifically accepted for publication in a particular advertising supplement of a publication then, without prior consultation with Advertiser, Publisher may: (i) position the advertisement anywhere within the supplement at its discretion, unless a specific placement has been agreed in writing, (ii) alter the date for publication of that supplement, (iii) cancel the supplement. Case (i) shall not mitigate Advertiser’s liability to pay. Case (ii) shall not mitigate Advertiser’s liability to pay unless Advertiser did not agree to the altered date prior to publication and within 5 days of publication of the advertise-ment Advertiser notifies Publisher in writing that Advertiser has suffered adverse effects of a substantial nature which were directly caused by the altered date of the publication and Advertiser provides to Publisher clear evidence of such adverse effects, in which case the Advertiser will incur no charge for that particular advertisement. Should (iii) occur Advertiser shall incur no charge. Publisher is not responsible for any direct or Indirect Loss of any nature arising from the operation of this clause.9. Cancellations by the Advertiser must be made, in writing, prior to deadlines set out in the relevant rate card. Failure to do so will relieve the Publisher of any obligation to comply with the cancellation request and will entitle the Publisher to charge as if the relevant advertise-ment were published without any cancellation having been received by Publisher prior to the deadline.10. Publisher is not liable to Advertiser for any direct or Indirect Loss of any nature arising from the total failure of Publisher, whether negligent or otherwise, to publish an advertise-ment or from the failure of Publisher to publish an advertisement in the form prescribed. In the first case Advertiser shall incur no cost; in the second case and subject to the remaining advertising conditions set out here, the agreed rate shall be reduced according to circum-stances.11. Nothing in these terms and conditions excludes or varies any guarantee or liability of Publisher under the Competition and Consumer Act 2010 (Cth) or equivalent State or Territory legislation that cannot by law be excluded, restricted or varied. In relation to Publisher’s liability for any breach of guarantee implied by law, and for any other breach of these terms and conditions by Publisher, to the extent permitted by law, whether based in statute, common law or otherwise, the Publisher limits its liability, at Publisher’s option, to republication of the relevant advertisement, or payment of the cost of republishing the relevant advertisement.12. Rates are based on the understanding that the monetary level ordered be used within the period of the order. Maximum period of any order is one year. Should an Advertiser fail to use the total monetary level ordered the rate may be amended by Publisher to that applicable to the amount of space used. Misplacement, rejection or omission of an advertisement does not invalidate a monetary level ordered. Where a monetary level has been ordered for a period of time and not renewed, casual rates will be charged. Publisher reserves the right to cancel or suspend any monetary level ordered at its absolute discret

ion. Advertising rates quoted are subject to any increase or decrease notified by Publisher, which may occur during the period of the order. Where charged by the column centimetre, advertising space will be charged to the nearest centimetre measured by Publisher based on space ordered or size of material lodged, whichever is greater.13. If Publisher has quoted a rate to publish advertising for a client and that rate is different from that included in published rate cards, that quoted rate only applies to that specific client where the advertising is booked directly with Publisher and without the involvement of any advertising, media buying or other agency (unless otherwise specifically agreed in writing by the Publisher).14. Publisher may head an advertisement ‘Advertisement’ whenever required by law or whenever it considers it appropriate to distinguish it from other types of printed material.15. Publisher has the right to amend these conditions at any time. Notification of amend-ment shall be deemed to have been given to all Advertisers immediately upon endorsement of rate cards with the amended conditions, which shall apply to all advertising received after the date of such endorsement (except where there is an express written agreement between the Publisher and Advertiser that any such amendments will not apply to particu-lar insertions).16. Publisher has the right, and the right to permit its related bodies corporate, to republish any advertisement in any electronic or digital form for any purpose using any media and in any part of the world.17. Advertiser may only use the advertising space which it acquires to advertise its own brands, goods or services and may not sell or otherwise deal with that advertising space. Where Advertiser is an advertising agency the space may only be used by the client for which the space was initially acquired or booked.

INDIRECT LOSS For the purpose of this agreement, Indirect Loss includes the following losses: loss of profit, loss of business opportunity, loss of goodwill and payment of liquidated sums or damages under any other agreement.

B. INDEMNITYOn and by lodging material including electronic material or data with Publisher for publica-tion or authorising or approving of the publication of any material by Publisher, Advertiser agrees to indemnify Publisher its directors, employees and agents against all claims, demands, proceedings, costs (including solicitors and own client costs), expenses, damages awards, judgements and any other liability whatsoever arising wholly or partially, directly or indirectly, from or in connection with the publication of the material.Without limiting the generality of the above Advertiser agrees to indemnify Publisher its directors, employees and agents against any claims arising from allegations of:(a) defamation, libel, slander of title;(b) infringement of copyright;(c) infringement of trademarks or names of publications’ titles;(d) unfair competition;(e) breach of trade practices / competition, privacy or fair trading legislation; and(f) violation of rights of privacy or confidential information or licenses or royalty rights or other intellectual property rights.

C. WARRANTYOn and by lodging material including electronic material or data with Publisher for publica-tion, or authorising, or approving the publication of any material by Publisher, Advertiser warrants that the material complies with all relevant laws and regulations and that its publication will not give rise to any claims against or liabilities of Publisher, its directors, employees or agents.Without limiting the generality of the above, advertisers and or advertising agencies warrant that nothing in the material lodged for publication breaches the Competition and Consumer Act 2010, Privacy Act 1988, Copyright Act 1968, Fair Trading Act 1985, defama-tion, consumer protection and sale of goods legislation of the States and Territories or infringes the rights of any person.

D. PRIVACY STATEMENT Publisher collects your personal information to assist it in providing the goods or services you have requested and to improve our products and services. We or any of our Australian related companies may be in touch by any means (including email or SMS) at any time to let you know about goods, services, or promotions which may be of interest to you. We may also share your information with other persons or entities who assist us in providing our services.This company is part of a global media and entertainment company. We would like to share your information with these overseas-related companies so that they can contact you with special offers. If you would prefer us not to or if you would like access to your personal information, please contact our privacy officer at 170 – 180 Bourke Road, Alexandria NSW, 2015.

E. COMMERCIAL CREDITCommercial credit facilities may be available subject to Publisher’s approval and conditional on lodgment of a written application.

F. JURISDICTIONThese terms and conditions are governed by the laws Australia and each party submits to the exclusive jurisdiction of Australia.

PRODUCTION CONTACT: Katie Nagy, 170 - 180 Bourke Road, Alexandria NSW 2015Email: [email protected] Tel: 02 8062 2666 Direct: 02 8062 2170

Mechanical Speci!cationsSIZE TRIM SIZE TYPE AREA BLEED AREA

Double page spread To be supplied as two single full pages

Full page 297mm x 220mm wide 281mm x 204mm wide 307mm x 230mm wide

Half page vertical 297mm x 110mm wide 281mm x 94mm wide 307mm x 120mm wide

Third page vertical 297mm x 73mm wide 281mm x 57mm wide 307mm x 83mm wide

Gatefold DPS 297mm x 422mm wide 281mm x 406mm wide 307mm x 432mm wide

Gatefold flap 297mm x 205mm wide 281mm x 189mm wide 307mm x 215mm wide

When supplying gatefolds please note that the full right hand page must have a 5mm white or black strip on the foredge. Vogue Australia is a perfect bound publication

FILE REQUIREMENTS- Files must be compliant to the Australian Standard 3DAPv3 Paper

type-1_300.icc separation profile.- Acrobat Distiller 6 or above is preferred.- Files to be created in PDF version 1.3 or 1.4.- All files to be supplied as composite CMYK and embedded images at 100% scaling,

300dpi.- All fonts must be embedded into the PDF file.- All advertising material to include a minimum of 5mm bleed (where required).- Crop, bleed and registration marks plus page information to appear on all advertising

material, offset by a minimum of 5mm.

FILE PREPARATION GUIDELINES- It is recommended that the total ink weight should be 300%.- No text or important page content should appear within 10mm either side of the spine

on double page spreads (total 20mm). If specifications and measurements are required for double imaging, contact production prior to sending advertising material.

- No type is to be smaller than 8 points.- Coloured type with a black drop shadow should be set to knockout, otherwise the black

drop shadow may overprint the coloured type.- All coloured reverse type to be no less than 10 points bold or made up of more than two

colours.- Black type smaller than 24 points to be made up of 100% black only and set to overprint.- Solid black panels and type larger than 24 points should contain a 50% tint of cyan, to

ensure a rich black.- For white reverse type we recommend 12 points bold as the minimum size.- White type/elements to be set to knockout.- Extremely thin and fine type, particularly type with serifs, should be avoided.- Thin lines and box rules should be reproduced in one colour, to help with registration and

clarity and with a minimum thickness of 0.25mm.- Images should be saved as PSD or composite EPS files and supplied at 100% scaling,

300dpi and saved in either Grayscale or CMYK format, using 3DAPv3 Papertype-1_300.icc separation profile. For more information regarding these separation profiles, visit www.3dap.com.au. RGB or LAB colour files will be rejected. NewsLifeMedia must be notified if the resolution of a image is intentionally supplied lower than 300dpi.

COLOUR PROOFS- For accurate colour reproduction, all advertising material must be accompanied by a

3DAPv3 Papertype-1 certified digital-approved proof (ISO 12647-7), created from the supplied file at 100%. For more information regarding 3DAPv3 proofing guidelines, visit www.3dap.com.au (NewsLifeMedia will also accept FOGRA 39L certified proofs).

- No responsibility will be taken for print colour reproduction when a 3DAPv3 Papertype-1 or FOGRA 39L certified digital-approved proof is not supplied.

- Advertising material supplied without a proof may be proofed by NewsLifeMedia at the advertiser’s expense. This proof will be supplied to our printers only.

DISCLAIMER- While NewsLifeMedia is committed to producing magazines of the highest calibre and

will ensure advertising material is reproduced as intended, the responsibility is firmly with the client/agency to supply advertising material according to our specifications.

- Modifications to supplied advertising material is not possible.- To meet our specifications, advertising material must be delivered on time so that quality

checking procedures can take place.- Advertising material and proofs will be kept for three issues.- NewsLifeMedia reserves the right to refuse any advertising material that does not meet

our specifications.

ACCEPTABLE MEDIA- NewsLifeMedia only accepts advertising material via Quickcut (Adstream) or Websend,

service providers for electronic delivery of digital files. For more information regarding Quickcut (Adstream) and Websend contact: Quickcut

(Adstream) - 02 9467 7500 (reception), 1300 768 988 (tech support) or visit www.quickcut.com.au

Websend - 03 8689 9000, 1300 798 949 (Aust only tech support) or visit www.websend.com.au

- When supplying advertising material, please ensure that the on-sale date and magazine name are entered. This will assist in keeping track of your advertisement.

- Ensure that the order of consecutive advertisements and left/right hand pages on double page spreads are noted in the material instructions.

- When sending revised files, add an ‘R’ at the end of the file name.


GROUP PRODUCT MANAGER – LIFESTYLEDennis [email protected]: (02) 8062 2928

PRODUCT MANAGER – LIFESTYLEAmelia [email protected]: (02) 8062 2053

PRODUCT EXECUTIVEGrace [email protected]: (02) 8062 2653

GROUP SALES DIRECTORNicole [email protected]: (02) 8062 2670

GROUP SALES DIRECTOR Sam [email protected]: (02) 8062 2314

GROUP SALES DIRECTORBelinda [email protected]: (02) 8062 2663

GROUP SALES DIRECTOR – VICTORIASally [email protected]: (03) 9292 3217

GROUP SALES DIRECTOR – QUEENSLANDRose [email protected]: (07) 3666 6903

ACCOUNT MANAGER – WESTERN AUSTRALIAGemma [email protected]: (08) 9326 9806

ACCOUNT MANAGER – SOUTH AUSTRALIABarney [email protected]: (08) 8274 2119

Contacts

Vogue Australia

170-180 Bourke Road, Alexandria NSW Australia 2015 | T +61 2 8062 2664 A News Limited company | newslifemedia.com.au | ABN 93 456 786

Vogue Australia 2013

Documents

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