Jan 27, 2015
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Project Report on
Residential Space Planning
At
Dezyne E‟cole College, Ajmer
Submitted To
Dezyne E‟cole College Towards
The Partial Fulfillment of the
Bachelor of Science in Interior Designing
By
Vanu Jaithliya
Dezyne E‟cole College
106/10, Civil Lines, Ajmer
Tel:0145-2624679
www.dezyneecole.com
2013-2014
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Dezyne E‟cole College
106/10, Civil Lines
Ajmer-305001, Rajasthan
Tel:0145-2624679
Fax: +91 145 2624679
Dezyne E‟cole College
106/10, Civil Lines
Ajmer-305001, Rajasthan
Tel:0145-2624679
www.dezyneecole.com
This Project Report of Ms./Mr. Of Fashion/Interior Design Has Been Graded As
Thanking You
Principal (Seal & Signature)
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Acknowledgment The Project “Residential Space Planning” has enlightened me about various aspects of planning a residential building. I give my sincere thanks to Dezyne E‟cole College and to my Mentors who gave me the opportunity to know about the various aspects of Residential Space Planning and helped me in preparing the project Last but not the least thanks to God for keeping me in good health because of him I was able to submit my project on time.
Vanu Jaithliya
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Content
Interior Design Industry. The Work of Interior Designer. Residential Design. Working Skills. Planning Consideration. Case Study. Climatology. Building Envelope. Building Orientation. Daylighting. Green Homes. My Designing. My Assignments. Bibliography.
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Interior Design Industry A house is a place where a person behaves in his natural form and is mainly for providing shelter. Since prehistoric times, human beings looked for shelter, For Example, The Caves or the meticulously Planned Towns of Mohenjo-Daro Harappa.
To the present day houses which have grown up more luxurious and beautiful.
For a man‟s house is his castle, wrote Sir Edward Coke. This sentence was coined by him in the 17th century and since then we have a beautiful heritage of something known as a Period House, starting from or beginning with the Tudor and the Jacobean Style from the year 1485 to 1625. This period let towards the development of Sophisticated Structure and Classicized Decoration. This period saw the development of the increased specialization of how a room functions within a house. In the middle ages, the king would live in one big room where he would eat, sleep and conduct affairs of state. Fabric Hangings was considered inappropriate for the rooms in which people ate, as they tended to retain the smell of the food. During this time Timber, Bricks and Stones were used. The stone houses had less decoration than the timber one‟s, as stone was more difficult and expensive to carve. During this period the Bay Window came into being along with the Oriel Windows. People used built in furniture during this time. The Tudor and Jacobean Period were followed by Baroque Period (1625-1714). This period had the development of Courtly Style; this style had the development of rooms as basement, the Piano Nobile (main reception floor) and Attic (top floor). The Piano Nobile had pediment windows and at very high height. It was the area where the ceremonial works taken up. This period had grand carved entrance with the use of acanthus leaves and bulging fruits. This time period had the designs created by famous artist Michelangelo. This period was followed by Early Georgian, Colonial, British Victorian, Edwardian, Art Noveau, the Modern Movement played an important role in the design industry with designers like Walter Gropius, Le Corbusier, Louis Kahn and Frank Lloyd Wright. Their contribution lead to meticulously designed houses with proper planning and consideration to functionality with well-developed clean uncluttered spaces, electrical wiring buried in the structure along with the proper plumbing and water disposal. Metal Windows with large glass panes, health, hygienic and efficient homes were developed. Sullivan‟s disciple Frank Lloyd Wright (1867-1959), designed buildings which relied more on spaces and form. This kind of design made the great impression on Walter Gropius (1183-1969), Ludwig Mies Van Der Rohe (1886-1969). The defined the doctrine of Modernism in the 1920‟s.
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Louis Kahn came up with the idea of design development of Interior spaces focusing more on served and servant spaces. He believed that the served space should have the servant areas near to it so that the functionality of the room increases. For example: - The Living room is having the servant areas as kitchens and toilets. This concept of his along with the other ideas has been popular till today. After the World War II, In 1940 rational planning and economy were combined with high standards of mechanical services in housing project where the designers were more concerned with how a building perform than whether it look modern. The modern movement sought to eliminate extra detailing and focused more on simplicity with the advancement of prefabricated materials like plywood, glass and other materials developed a design area where more of fresh air and maximum sunlight were prerequisite. One of the best characteristic which developed in the first phase of Modernism was the elimination of the patterns and textures on walls. People used smooth plaster, glass brick and room dividers in apartments with open plan layout. All this required a development of well-educated work force that could support the interior design industry and this lead to the development from the Indian Government to take interest in the design field. The Indian Government has formulated a body known as Indian Design Council which plays an important Design Council at IIT Mumbai in the year 1969 for initiating the Post Graduate Program in Industrial Design. But prior to setting industrial design education the development of art and design in India developed in the year 1840. The first art school Known as the Bombay Art School (1857) now known as Sir JJ School of Arts, the college of Arts Calcutta catered to the Indian Design Development. In the Year 1913 Kala Bhawan, the Art College was setup as part of Shanti Niketan by the Tagore family. Not only this, in the year 1922 Rabindranath Tagore met Walter Gropius and invited him for an exhibition to India. In 1958, the Government of India invited Charles and Ray Eames to train the small industries to develop the craft and small scale industry which resulted in the development of India. Design Report. In the year 1960, based on the Report of Charles and Ray Eames, the Government of India setup the National Institute of Design (NID, Ahmedabad). In 1987 the Ministry of Textiles setup the National Institute of Fashion Technology in Delhi (NIFT). In the year 1997, the full-fledged department of design with Bachelor in Design, Master in Design and the Doctoral Degrees came up at IIT, Mumbai. Form the year 1999 the private design schools along with the state universities started developing students with the formal design education.
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For example: - Kohler, Duravit, Kitchen World, Hacker Kitchens, etc. We would see the development of a specialized market being developed for the customers like Bathroom solutions, Kitchen solutions, Bedroom and Closet Design Solutions. These solutions provided by the Industries are not tailor made. To make the design as per the Indian Client the Interior Designer has to study the Indian Environment, the Client, his Needs, Budget and then device a design which is customer friendly at the same time functional as per the Indian needs. After all house is a place where by the end of the client should be able to relax and be fresh. It is not a zone to be developed to show off the neighbours. This project report showcased my project based on Hypothetical client, requirements in the section of residential design.
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Work of Interior Designer
Interior Design is a practice of bringing in best visual appeal and best utilization of a space keeping the clients views and needs in mind.
1. The work of Interior designer is manipulation of spaces keeping Manipulation of spaces keeping in mind the Orientation of the Building, Building Envelope.
2. Emphasis on Planning. 3. Making a Green Building so as it can contribute to the Environment. 4. Create spaces which means “Machines for Living” said by
“Le Corbusier” (The person behind designing the city of Chandigarh.) 5. Connectivity Between the spaces, space which increases the efficiency of a
Human Being. 6. Focuses on Working Drawings, Specification, Orthographic Projections,
Axonometric views and Perspective Drawings etc.
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Residential Design “A Good surrounding makes a person love life and lives better.” He becomes more concentrated and his efficiency increase as the space makes all this difference and this is what we need to pay attention to in the homes too that is the residential spaces. It is a space where a person relaxed after a day‟s hard work and wants to be charged, fresh, confident for the next day. All this can be achieved if he has the house designed as per his needs that is a space that nurtures a human being into a more efficient person this is what is interior design or design of spaces “where a man does not adjust the house but the house adjust with the person” very correctly said by a very well-known designer of the world Le Corbusier (the person behind designing the city of Chandigarh), machine for living. In earlier times, the designing was done by painters like Michelangelo who worked with Golden mean but human dimensions were not considered. Then later designers worked on the Principal of anthropometrics (human dimensions) and ergonomics (study of human dimensions to create any design) of which they got idea from furniture designing. A Quote by a Scottish Architect, Darcy Braddell attempted, in his 1932 book “How to Look at Buildings,” to help people understand why some building seem to “feel right” while other do not. He felt that proper and considered proportions were much more important than anything else. Further, he held that “every part must make up a whole that no one thing is beautiful in itself, that restraint is superior to excess and that selection is the key to design.”
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Working Skills The first step in designing starts with research, analysis and exploration of concept and its integration with the environment. In building a house there are many aspects of design that needs to be considered but the essence of every home is that the structure/body must belong to the site and its soul must embody the family that lives within its four walls. “Design is not so much about form and space, as it is about people and situation. So the ultimate aim is not to design a good building but to design a good situation, and the good building is just an instrument for that purpose.” To enrich my knowledge skills in my Bachelor Program and Diploma Program I studied several subject and topics as stated below:
Observation: - Observe the things which grab in mind. An Eye for Detail: - Increase Working Efficiency, Making Different things.
Design
Increase Working Give Comforts Efficiency
Designing Elements :
o Mark or Point. o Line. o Shape & Form. o Space. o Colour. o Texture. o Movement.
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I have also studied the various parts of the building i.e. super & sub-structure in detail. o Foundation. o Plinth. o Walls. o Columns. o Floors. o Doors, Windows & Ventilators. o Stairs. o Roof. o Building Finishes. o Building Services.
In the Building Construction I have also studied about the Doors and Windows, Stair cases, Brick Bonds, Lintels and Arches.
I have also studied about various Building Bye-Laws as : o Distance from Electric Lines. o Open Spaces within a Plot or Setbacks:
The Minimum Setbacks to be left in a building should be from front 10‟, both the sides and back 3‟to5‟.
o Size and Height of rooms and other requirements of building. o Lighting and Ventilation of Rooms. o Fire Protection requirements. o Structural safety requirements. o Building services which include electrical installations, air conditioning
and heating, plumbing services etc.
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I have learnt about the Principals of Planning : o Aspect o Prospect. o Grouping. o Privacy. o Furniture Requirements. o Roominess. o Circulation. o Sanitation. o Elegance. o Flexibility. o Economy.
I have also learnt about the Principals of Designing : o Balance. o Proportion. o Emphasis. o Rhythm. o Unity.
I have also learnt about the Gestalt Principles :
o Law of Similarity. o Law of Common Fate. o Law of Closure. o Law of Good Gestalt. o Law of Good Proximity. o Law of Symmetry. o Law of Past Experience. o Law of Continuity.
`
Symmetry
Continuity
Closure Similarity
Proximity
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I have also studied about the Basic Colours & Drafting:
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In Art & Architecture History, I studied about the Stone Age art, prehistoric time period, about the cupules, cave paintings & the human communities evolving gradually from the phase of food-seekers to the one of the food producers. They made their houses with mud brick and also made doorways of their houses on the roof with ladders both on inside and outside the house.
In Management, I studied about how to manage the things and how to
present it and how to do it in an efficient and effective manner through performing various functions i.e. planning, organizing, directing and controlling.
In Construction Technique, I studied about the doors & windows plan, elevation , cut section & about the walls treatment, ceiling, flooring, arches, lintels, cavity wall, brick bonds, stone masonry, etc. which gave me the knowledge of how the things made and treatments should give to run it in a long time period.
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Planning Consideration To design any residential area, proper planning and brain storming needs to be done. The planning phase of a residence is the most important phase because this leads to the development of the structures of the house based on the shape and form chosen. The residence design should be planned based on the needs of the person extent similar. When we see magazines and books showcasing beautiful images of decorated rooms, a person feels happy to see them. But Interior Designing is not so easy like the attractive image of the book. The design has to be functional so that the person can feel the space, express him and at the same time enjoy a space. In India we have a climate which is hot and dry throughout the year and the sun shines brilliantly the whole year with winter months being less. It is in this surrounding that a residence of a person would exist. To device a proper interior design one must see the outside building envelope along with the interior space so that we can achieve the client requirements. A room which is more sun filled makes a person happy than a space which is dull and dark. It is seen that the spaces with less light (natural light) suffer from a condition known as SAD, Seasonal Affective Disorder, characterized by depression, lethargies, fatigue and other symptoms. Studies show students do better when the classes are held in natural light such is the power of sun. I have here utilized more of daylight factor while planning. As I said earlier in India the climate is dry and humid at times throughout the year and the house is enveloped by these factors, so my main consideration of the project has been followed keeping into mind the climatology of the place. My Client‟s house is situated in Ajmer and to device a proper Interior design I began with the factor of climate of this place. All buildings exert direct & indirect influence on the people who use the building as well as the one‟s who see the building. DIRECT INFLUENCE INDIRECT INFLUENCE (who use the building) (who see the building from outside)
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Case Study The case study given to me is: Plan a Residential Layout for Mr. Manish Shah who is on the higher post of the Government. There are three members in the family, his wife and two children. The family loved socializing and meeting people. The family is having a good lifestyle and is upper class living. Requirement of a Client:
Wants more open space.
Beautiful landscaping.
Main preference is Terrace Garden.
The space given for the construction is 4500 sq. feet.
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Climatology
Climatology is the branch which deals with the climate and the changes throughout the year of the weather. The Design, execution and success of a project mainly depends on the environmental factors enclosing the building and affecting its internal and external environment as well as the inhabitants. My client is situated in Ajmer and to device it in a proper planning I began with a factor of climate of this place.
Macro Climate Location of India: The location of India in the world is „North East‟ direction. Longitude: 88°E to 90°E
Latitude: 8°N to 37°N
Climate of India: The whole of India has Tropical Monsoon Climate. Since the greater part of the country lies within the tropics and climate is influenced by the monsoon. Location of Rajasthan: The Location of Rajasthan in India is „North West” direction. Longitude: 69.5°E to 78°E Latitude: 23°N to 30°N
Climate of Rajasthan: Rajasthan has Tropical Desert Climate. Climate & Temperature of Ajmer: The plan situated at Ajmer in Civil Lines. Ajmer has Typical Desert Climate & Hot. An air zone temperature of 40°C, the maximum, to nearly 28°C. Winters are chilly nearly minimum 5°C.
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Longitude of Ajmer 74°42 N Latitude of Ajmer 26°27 E
Micro Climate A part from this micro climate which is in our control which we can change according to the place.
For example; If south direction is zone from where wind prevails or which is the direction of wind then if the water body is situated in south, the wind entering in the house will be cool. Beside this, we can see the micro climate can be changed by landscaping because when the raise of sunlight radiate the light & in a very little quantity it brings out the neat back there for it makes the place less hot. Many trees are planted in the south west direction because they are helpful to bring down the speed of western wind. West wind blow very fast & trees are act like which brings the speed down. Trees are planted in south so that they protect our building from the direct sunlight. Having all these planning in my consideration I added water body at south direction in my plan. Landscaping is done very well in my plan.
Climate Zone Map of India
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Location of a Site
Site Location: - That planned site situated at Ajmer civil lines. That site is located in North east direction of Ajmer.
Total Land area: - 500 yard or 4500 sq.ft.
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Building Envelope
The basic meaning of building envelope is the surrounding envelope of the building. Building envelope is such element that separates the interior and exterior environment of building. My client house is located in Ajmer at Civil lines the site is located in North east direction of Ajmer. The building envelope is a tall 2 story building towards north east Mangal bhawan towards the south west another building which has commercial in nature and as 2 stories towards the south. We have the horticulture department with tall neem tree in the plot. We have a land towards south west direction too. Comparatively in narrow lane where motor bikes can enter on the back side of plot towards North West we have two houses and an ashoka tree. In building envelope including the foundation roof, wall, door and window and also include physical protection from weather climate. The building envelope is focus on the factor that is rain control, air control and temperature control.
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Rain Water Harvesting
Rain water harvesting is also another important factor of building envelope. Landscaping water body etc. does help to control air and heat. We have discuss about these things in micro climate.
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Orientation
Orientation of the building generally used to refer to solar orientation which is the sitting of building with respect of solar excess a thought any building will have different orientation for it different sides. The orientation can refer to a particular room or to the most important façade of the building. The building orientation can have an impact on heating, lighting and cooling costs by maximum southern exposure. For example; One can take advantage of optimal advantage of the sum for daylight and passive solar heating this will result in lower pooling cost by minimizing western were it is most difficult to provide shade from the sun the designer must consider all factors and site condition on, building orientation. For example; a building might have to take heed of multiple orientation factors depending on function requirement designing for pooling load or heating load. To take advantage of north may be oriented along an east west excess but this may be counter to street lines and other side consideration, orientation of the building entrance may have 2 respect street access activities and local urban design guidelines. For most reasons optimum façade orientation is typically south facing glass is relatively easy to shade with an overhanging during the summer to minimize solar heat brain, the light also can work well higher sun in the southern expose north facing glass received good day lighting but relatively little direction isolation so heat gain is less of a concern. East and west window orientation and horizontal orientation (sky light) all result in more heat grain in the summer than glare is also more difficult to control for comfort because of law son angels in early moving and late afternoon.
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Daylighting and Ventilation
Daylighting is designing a space to use as much natural light as possible. Light is the most important element in any home. If we close our eyes and walk into a room that is how our Interior design look without light. The most important aspect of daylighting is its capacity to change, leading to the infinite variety in appearance of day light interior. The objective to design a window is to provide as much of the indoor lighting requirement with daylighting without compromising other energy efficiency considerations. The importance of orientation must be considered in a building to ensure maximum availability of natural light and sunlight to the interiors. „Any view is better than no view‟, the view outside from the window in our contact with the world outside allow us to experience the time of day, changes in weather, sunlight and seasons.
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Green Homes
A green home is a type of house useless area is design to be environment friendly and sustainable focusing on the effect use of energy water and building materials green home consume less amount of energy using natural light and ventilation so that the heat produce from the house is less and it may not harm the environment. o Efficient Technologies. o Easier Maintenance. o Return on Investment. o Improved Indoor Air Quality. o Energy Efficiency. o Water Efficiency. o Waste Reduction. o Minimum use of Mechanical System. For the penetration of natural light, day lighting concept is to be taken out with usage and placement of doors, windows, ventilators.
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'4
'-3
"
1'-6
"
2'
4'
3'-3
"4
'2
'
1'-6
"
3'-8
"6
'3
'-8
"
1'-6
"
5'-7
"8
'1
'
Lvl u
p
+1
'6
''
1'
5'
1'
1'
4'-3
"
6'
4'-9
"
1'-6
"
2'
4'
2'
1'-6
"
10
'-6
"
1'-6
"
6'-9
"
7'-3
"
2'
1'
5'
1'-6
"
3'
3'
4'
5'-6
"
1'-6
"
4"
3'
1'-3
"
3'
5"
1'-6
"
8'-9
"
1'
8'
1'
7'-9
"
1'-6
"
3'-1
1"
13
'3
'-1
1"
11
'-5
"
1'-6"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
72
'-6
"
62
'
D2
D3
D4
D7
D8
D1
D5
D6
W1
W4
W5
W6
W9
W2
W3
W7
W8
S.n
oC
od
eT
yp
e
L
eg
en
d
Size
R
esid
en
tia
l P
ro
je
ct
Ma
te
ria
l
W
in
do
w S
ch
ed
ule
1
W1
2
W2
3
W3
4
W4
5
W5
6
W6
7
W7
8
W8
6'0
"X
6'0
"
6'0
"X
6'0
"
4'0
"X
4'0
"
6'0
"X
6'0
"
4'0
"X
6'0
"
4'0
"X
6'0
"
6'0
"X
6'0
"
4'0
"X
4'0
"
S
lid
in
g
S
lid
in
g
S
lid
in
g
S
lid
in
g
Ca
se
-
me
nt
Fixe
d
9
W9
6'0
"X
6'0
" S
lid
in
g
1
0
1
1
1
2
1
3
1
4
1
5
1
6
1
7
D1
D2
D3
D4
D5
D6
D7
D8
6'0
"X
8'0
"
Do
ub
le
D
oo
r
W
oo
d
W
oo
d
W
oo
d
W
oo
d
G
la
ss
4'0
"X
8'0
" F
lu
sh
3'0
"X
8'0
" F
lu
sh
3'0
"X
8'0
"
W
oo
d
Slid
in
g
3'0
"X
8'0
"
W
oo
d
3'6
"X
8'0
"
3'0
"X
8'0
" B
ifo
ld
3'9
"X
8'0
" G
la
ss
Slid
in
g
S
lid
in
g
Fixe
d
F
lu
sh
F
lu
sh
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Gro
un
d F
lo
or
Do
ors &
W
in
do
ws
la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
D
oo
r S
ch
ed
ule
First F
loor
Ma
ste
r B
ath
ro
om
1
7'X
10
'
Ch
ild
re
n's B
ath
ro
om
&
C
lo
se
t
1
8'9
"X
14
'9
"
Te
rra
ce
G
ard
en
Clo
se
t
5X
11
'
Ch
ild
re
n's B
ed
ro
om
1
5'9
"X
11
'6
"
Sa
te
lite
K
itch
en
Pa
th
wa
y
Ma
ste
r B
ed
ro
om
1
7'X
16
'3
"
Garden
Garden
Lvl u
p
+2
'
Lvl u
p
+2
'
Lvl u
p
+1
'6
''
1'
8'
1'-6
"
14
'-5
"
1'-6
"
2'
4'
3'-3
"4
'2
'
1'-6
"
9'-3
"
1'-6
"
5'-7
"8
'1
'
3'-1
1"
13
'3
'-1
1"
11
'-5
"
1'-6"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
72
'-6
"
62
'
1'
5'
1'
1'
4'-3
"
6'
4'-9
"
1'-6
"
2'
4'
2'
1'-6
"
1'-6
"
6'-9
"
7'-3
"
2'
7'-9
"
5'
2'-9
"
1'
5'
1'-6
"
4'
1'-6
"
4"
3'
1'-3
"
3'
5"
1'-6
"
7'-9
"
1'-6
"
6'
9'-6
"
17
'-3
"
1'-6
"
D
eck
8'X
18
'3
"
C
ut O
ut
W1
W2
W3
W4
W5
W6
D1
D2
D3
D4
D5
D6
W7
W8
W9
S1
S.n
oC
od
eT
yp
e
L
eg
en
d
Size
R
esid
en
tia
l P
ro
je
ct
Ma
te
ria
l
W
in
do
w S
ch
ed
ule
1
W1
2
W2
3
W3
4
W4
5
W5
6
W6
7
W7
8
W8
S
lid
in
g
S
lid
in
g
S
lid
in
g
S
lid
in
g
Fixe
d
9
W9
1
0
1
1
1
2
1
3
1
4
1
5
D1
D2
D3
D4
D5
D6
S1
8'0
"X
8'0
"
W
oo
d
W
oo
d
W
oo
d
F
lu
sh
3'0
"X
8'0
"
3'0
"X
8'0
"
W
oo
d
3'0
"X
8'0
"
W
oo
d
3'0
"X
3'0
"
Fixe
d
F
lu
sh
F
lu
sh
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
First F
lo
or
Do
ors &
W
in
do
ws
la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
5'0
"X
5'0
"
4'0
"X
6'0
"
4'0
"X
6'0
"
4'0
"X
4'0
"
6'0
"X
6'0
"
4'0
"X
4'0
"
3'0
"X
6'0
"
3'0
"X
6'0
"
4'0
"X
6'0
"
Fixe
d
S
lid
in
g
Fixe
d
Bifo
ld
3'0
"X
8'0
"
Slid
in
g
F
lu
sh
3'0
"X
8'0
"
Fixe
d
1
6
S
ky L
ig
ht
G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
W
oo
d-G
la
ss
D
oo
r S
ch
ed
ule
W
oo
d-G
la
ss
Ga
rd
en
Gro
und
F
lo
or
P
rim
ary L
ivin
g R
oo
m
1
5'3
"X
29
'5
"
S
tu
dy R
oo
m
1
4'9
"X
13
'6
"
D
eck
8'X
18
'3
"
V
E
ST
IBULE
Ga
rd
en
Lvl u
p
+2
'
Lvl u
p
+2
'
1'
8'
1'-6
"
4'-3
"6
'4
'-3
"
1'-6
"
2'
4'
3'-3
"4
'2
'
1'-6
"
3'-8
"6
'3
'-8
"
1'-6
"
5'-7
"8
'1
'
Lvl u
p
+1
'6
''
1'
5'
1'
1'
4'-3
"
6'
4'-9
"
1'-6
"
2'
4'
2'
1'-6
"
10
'-6
"
1'-6
"
6'-9
"
7'-3
"
2'
1'
5'
1'-6
"
3'
3'
4'
5'-6
"
1'-6
"
4"
3'
1'-3
"
3'
5"
1'-6
"
8'-9
"
1'
8'
1'
7'-9
"
1'-6
"
3'-1
1"
13
'3
'-1
1"
11
'-5
"
1'-6"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
72
'-6
"
62
'
S1
S2
T1
Se
con
da
ry L
ivin
g R
oo
m
15
'3"X
10
'6
"C
3
C4
T5
D
in
in
g A
re
a
1
9'4
"X
8'
T7
C7
T2
S3
T4
C2
C1
T3
T6
C5
C6
Wo
rkin
g trian
gle
18
'6"
K
itch
en
1
5'4
"X
9'9
"
L
au
nd
ry A
re
a
9
'3
"X
7'2
"
P
ow
de
r R
oo
m
9
'3
"X
4'1
0"
S.n
o S
ize
L
eg
en
d
Co
de
R
esid
en
tia
l P
ro
je
ct
Ma
te
ria
lC
om
pa
ny
S
ofa
S
ch
ed
ule
1
2
S1
S2
3
S3
7'0
"X
3'0
"
Wo
od
Cu
sto
m M
ad
e
Wo
od
Cu
sto
m M
ad
e
Wo
od
Cu
sto
m M
ad
e
7'0
"X
3'0
"
7'8
"X
3'0
"
4
C1
Wo
od
Cu
sto
m M
ad
e
2'4
"X
2'6
"
5
C2
Cu
sto
m M
ad
e
6
C3
Cu
sto
m M
ad
e
1'6
"X
1'6
"
7
C4
Cu
sto
m M
ad
e
8
C5
Cu
sto
m M
ad
e
3'2
"X
3'3
"
9
C6
Cu
sto
m M
ad
e
1
0C
7
Cu
sto
m M
ad
e
1'6
"X
1'6
"
C
ha
ir S
ch
ed
ule
Wo
od
2'4
"X
2'6
"
Glass,W
ood
Wo
od
Wo
od
Wo
od
Wo
od
Wo
od
1'6
"X
1'6
"
3'2
"X
3'3
"
T
ab
le
S
ch
ed
ule
1
1T
1
Cu
sto
m M
ad
e
3'0
"X
3'0
"
1
2T
24
'0
"X
4'0
"
1
3T
3
1
4T
4
1
5T
5
Cu
sto
m M
ad
e
1'6
"X
1'6
"
1
6T
6
Cu
sto
m M
ad
e
1'6
"X
1'6
"
1
7T
7
Cu
sto
m M
ad
e
3'0
"X
3'0
"
Glass,W
ood
Glass,W
ood
2'0
"X
1'6
"
Glass,W
ood
2'0
"X
1'6
"
Glass,W
ood
Glass,W
ood
Glass,W
ood
Cu
sto
m M
ad
e
Cu
sto
m M
ad
e
Cu
sto
m M
ad
e
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Gro
un
d F
lo
or
Fu
rn
itu
re
la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
First F
lo
or
Te
rra
ce
G
ard
en
Sa
te
lite
K
itch
en
Pa
th
wa
y
Ga
rd
en
Ga
rd
en
Lvl u
p
+2
'
Lvl u
p
+2
'
Lvl u
p
+1
'6
''
1'
8'
1'-6
"
14
'-5
"
1'-6
"
2'
4'
3'-3
"4
'2
'
1'-6
"
9'-3
"
1'-6
"
5'-7
"8
'1
'
3'-1
1"
13
'3
'-1
1"
11
'-5
"
1'-6"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
72
'-6
"
62
'
1'
5'
1'
1'
4'-3
"
6'
4'-9
"
1'-6
"
2'
4'
2'
1'-6
"
1'-6
"
6'-9
"
7'-3
"
2'
7'-9
"
5'
2'-9
"
1'
5'
1'-6
"
4'
1'-6
"
4"
3'
1'-3
"
3'
5"
1'-6
"
7'-9
"
1'-6
"
6'
9'-6
"
17
'-3
"
1'-6
"
D
eck
8'X
18
'3
"
C
ut O
ut
T1
B1
C1
C2
Ma
ste
r B
ath
ro
om
1
7'X
10
'
T4
C3
Clo
se
t
5X
11
'Ch
ild
re
n's B
ath
ro
om
&
C
lo
se
t
1
8'9
"X
14
'9
"
T5
T6
B2
T3
T2
Child
re
n's B
edroo
m
1
5'9
"X
11'6
"
Maste
r B
edro
om
1
7'X
16'3
"
T7
S.n
o S
ize
L
eg
en
d
Co
de
R
esid
en
tia
l P
ro
je
ct
Ma
te
ria
lC
om
pa
ny
B
ed
S
ch
ed
ule
1
2
B1
B2
6'6
"X
6'0
"
Wo
od
Cu
sto
m M
ad
e
Wo
od
Cu
sto
m M
ad
e
3
C1
Wo
od
Cu
sto
m M
ad
e
2'0
"X
2'0
"
4
C2
Cu
sto
m M
ad
e
5
C3
Cu
sto
m M
ad
e
1'6
"X
1'6
"
C
ha
ir S
ch
ed
ule
Wo
od
Wo
od
T
ab
le
S
ch
ed
ule
Cu
sto
m M
ad
e
6'6
"X
6'0
"
7
T2
Cu
sto
m M
ad
e
3'0
"X
2'0
"
8
T3
9
T4
1
0T
5
5'0
"X
2'0
"
Glass,W
ood
6
T1
1'6
"X
1'6
"
Glass,W
ood
Cu
sto
m M
ad
e
1
1T
6
Cu
sto
m M
ad
e
Cu
sto
m M
ad
e
Cu
sto
m M
ad
e
3'0
"X
2'0
"
2'0
"X
1'6
"
2'0
"X
1'6
"
2'0
"X
2'0
"
W
ood
W
ood
W
ood
W
ood
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
First F
lo
or
Fu
rn
itu
re
la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
Cu
sto
m M
ad
e 1
2T
75
'0
"X
2'0
"
W
ood
Garden
Ground F
loor
P
rim
ary L
ivin
g R
oo
m
1
5'3
"X
29
'5
"
S
tu
dy R
oo
m
1
4'9
"X
13
'6
"
D
eck
8'X
18
'3
"
V
EST
IBULE
Garden
Lvl u
p
+2
'
Lvl u
p
+2
'
1'
8'
1'-6"
4'-3"
6'
4'-3"
1'-6"
2'
4'
3'-3"
4'
2'
1'-6"
3'-8"
6'
3'-8"
1'-6"
5'-7"
8'
1'
1'
5'
1'
1'
4'-3"
6'
4'-9"
1'-6"
2'
4'
2'
1'-6"
10'-6"
1'-6"
6'-9"
7'-3"
2'
1'
5'
1'-6"
3'
3'
4'
5'-6"
1'-6"
4"
3'
1'-3"
3'
5"
1'-6"
8'-9"
1'
8'
1'
7'-9"
1'-6"
3'-11"
13'
3'-11"
11'-5"
1'-6"
11'-5"
1'-6"
11'-5"
1'-6"
11'-5"
1'-6"
72'-6"
62'
Secondary Living R
oom
15'3"X
10'6"
D
in
in
g A
re
a
1
9'4
"X
8'
Working triangle
18'6"
K
itch
en
1
5'4
"X
9'9
"
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Gro
un
d F
lo
or
Re
nd
ere
d la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
First F
loor
Te
rra
ce
G
ard
en
Sa
te
lite
K
itch
en
Pa
th
wa
y
Garden
Garden
Lvl u
p
+2
'
Lvl u
p
+2
'
1'
8'
1'-6"
14'-5"
1'-6"
2'
4'
3'-3"
4'
2'
1'-6"
9'-3"
1'-6"
5'-7"
8'
1'
3'-11"
13'
3'-11"
11'-5"
1'-6"
11'-5"
1'-6"
11'-5"
1'-6"
11'-5"
1'-6"
72'-6"
62'
1'
5'
1'
1'
4'-3"
6'
4'-9"
1'-6"
2'
4'
2'
1'-6"
1'-6"
6'-9"
7'-3"
2'
7'-9"
5'
2'-9"
1'
5'
1'-6"
4'
1'-6"
4"
3'
1'-3"
3'
5"
1'-6"
7'-9"
1'-6"
6'
9'-6"
17'-3"
1'-6"
D
eck
8'X
18
'3
"
B1
Master B
athroom
17'X
10'
Clo
se
t
5X
11
'Ch
ild
re
n's B
ath
ro
om
&
C
lo
se
t
1
8'9
"X
14
'9
"
Children's B
edroom
15'9"X
11'6"
Master B
edroom
17'X
16'3"
Cut O
ut
4'
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
First F
lo
or
Re
nd
ere
d la
yo
ut
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
8'-1
1
14
"
14
'-1
1
34
"
1'-6
"
1'-1
1"
2'
3'-1
1"
14
'-1
1
34
"
8'-1
1
14
"1
'-6
"
14
'-1
1
34
"
Top
view
of th
e B
ounda
ry W
all
Front view
of th
e B
ound
ary W
all
Ba
ck view
of the B
ound
ary W
all
3D
F
ron
t V
iew
3D
B
ack V
ie
w
Rig
ht S
id
e V
ie
wL
eft S
ide V
iew
3D
R
igh
t S
ide
V
iew
3D
L
eft S
ide V
iew
Iso
-M
etric V
ie
w
0.5" T
hick
Sand S
tone
Pointing
Hedges
0.5" T
hick
Sand S
tone
Pointing
Hedges
0.5" T
hick
Sand S
tone
Pointing
Hedges
0.5" T
hick
Sand S
tone
Pointing
Hedges
Direction of H
ouse
Draw
ing Inform
ation
Project T
itle
Draw
ing T
itle
Total Land A
rea:- 4500 sq.ft.
Boundary W
all D
im
ension:-
L X
W
X
H
=
75' X
1'6" X
6'4"
Residential D
esigning
(D
etail D
raw
ing)
B
oundary W
all
O
rthographic P
rojection
Design B
y
Vanu Jaithliya
Bsc-ID
(1st S
em
.)
Plot D
irection:- N
orth
A'
A
B'
B
Mu
d
1
" T
hick
Co
ncre
te
W
all
12
" T
hick
Pla
ste
r
1'-6
"
Sa
nd
He
dg
es
12
" T
hick S
an
d
S
to
ne
6'-4
"
He
dg
es
2 m
m T
hick
Wire
M
ash
2'
1'
6'-4"
12
" T
hick S
an
d
S
to
ne
Sa
nd
1
" T
hick
Co
ncre
te
W
all
12
" T
hick
P
la
ste
r
Direction of H
ouse
Draw
ing Inform
ation
Project R
eport
Draw
ing T
itle
Plot D
irection:- N
orth
Total Land A
rea:- 4500 sq.ft
Boundary w
all D
im
ension:-
L X
W
X
H
=
75' X
1'6" X
6'4"
Residential D
esigning
(D
etail D
raw
ings)
Boundary W
all
Section D
raw
ing
Top S
ection view
of th
e B
oun
dary W
all
Ren
dered view
of the
B
oundary W
all
Fron
t R
endered
view
of the
B
oundary W
all
Section
A
A
'
Fro
nt 3
D V
ie
w o
f S
ectio
n A
A
'Isom
etric vie
w of S
ection A
A
'
Se
ction B
B
'F
ro
nt 3
D V
ie
w of S
ectio
n B
B
'Isom
etric vie
w of S
ection B
B
'
Design B
y
Vanu Jaithliya
Bsc-ID
(1st S
em
.)
0.5" T
hick
Sand S
tone
Hedges
Sand
1"T
hick
Concrete
Wall
1"T
hick
Plaster
0.5" T
hick
Sand S
tone
Hedges
2 m
m T
hick
Wire M
ash
Sand
1"T
hick
Concrete
Wall
1"T
hick
Plaster
0.5" T
hick
Sand S
tone
Hedges
Sand
1"T
hick
Concrete
Wall
1"T
hick
Plaster
0.5" T
hick
Sand S
tone
Hedges
2 m
m T
hick
Wire M
ash
Sand
1"T
hick
Concrete
Wall
1"T
hick
Plaster
AA
'
B'
B
3'-11"
6'
Pe
bb
le
s
Cycu
s P
la
nt
3'-1
1"
6"2'2"
2'
14
" T
hick sto
ne
(G
re
yn
ite
)
2
" T
hick
C
on
cre
te
Pe
bb
le
s
Cycu
s P
la
nt
M
ud
M
ud
2
" T
hick
C
on
cre
te
La
ye
r o
f
Wh
ite
C
em
en
t
La
ye
r o
f
Sa
nd
S
to
ne
S
an
d
Se
ctio
n-C
Se
ctio
n-B
2'2" 6"
6'
Cycu
s P
la
nt
Pe
bb
le
s
M
ud
S
an
d
M
ud
2
" T
hick
C
on
cre
te
14
" T
hick sto
ne
(G
re
yn
ite
)
2
" T
hick
C
on
cre
te
La
ye
r o
f
Wh
ite
C
em
en
t
La
ye
r o
f
Sa
nd
S
to
ne
Cycus P
lant
Sand
14
" T
hick
Stone
(G
reynite)
Pebbles
2" T
hick
concrete
2" T
hick
Concrete
2 m
m
Thick W
ire M
ash
14
" W
hite
Cem
ent
12
" C
em
ent
Concrete Layer
4" T
hick w
all
14
" T
hick
Nosing out
Cycu
s P
la
nt
Sa
nd
14
" T
hick S
to
ne
Pe
bb
le
s
2" T
hick
co
ncre
te
2" T
hick
Co
ncre
te
2 m
m
Th
ick W
ire
M
ash
Wh
ite
C
em
en
t
12
" C
em
en
t
Co
ncre
te
la
ye
r
2m
m T
hick
Wire
M
ash
Garden
K
itch
en
1
5'4
"X
9'9
"
P
rim
ary L
ivin
g R
oo
m
1
5'3
"X
29
'5
"
Se
co
nd
ary L
ivin
g R
oo
m
1
5'3
"X
10
'6
"
S
tu
dy R
oo
m
1
4'9
"X
13
'6
"
D
eck
8'X
18
'3
"
V
EST
IBULE
Garden
D
in
in
g A
re
a
1
9'4
"X
8'
L
au
nd
ry A
re
a
9
'3
"X
7'2
"
Lvl u
p
+2
'
P
ow
de
r R
oo
m
9
'3
"X
4'1
0"
Lvl u
p
+2
'
Lvl u
p
+1
'6
''
Pla
n o
f th
e h
ou
se
3D
Iso
me
tric V
ie
w
3D
S
ectio
n o
f B
B
'
3D
vie
w o
f A
A
' P
illa
r
3D
vie
w o
f B
B
' P
illa
r
Dra
win
g D
escrip
tio
n
P
lo
t In
fo
rm
atio
nD
ra
win
g T
itle
The concrete B
lock is situated at the
right side of the entrance and is planted
with C
ycus P
lant w
ith round w
hite
pebbles placed on a w
ire m
esh so as
to m
aintain the w
hiteness of pebbles.
The M
ud has to be 3-4" dow
n in the
concrete block.
To
ta
l A
re
a : 4
50
0 S
q. ft.
Bo
un
da
ry w
all P
illa
r p
la
n
with
se
ctio
n
De
zyn
e E
'C
ole
C
olle
ge
,
Ajm
er
Plo
t D
im
en
sio
n : L
XW
6
0'X
75
'
Re
nd
ere
d Iso
me
tric V
ie
w
3D
S
ectio
n o
f A
A
'
Pla
n V
ie
w
Se
ctio
n B
B
'
Se
ctio
n A
A
'
Su
bm
itte
d B
y
Va
nu
Ja
ith
liya
B.S
c.-I.D
. (1
st S
em
.)
Su
bm
itte
d T
o
3'-11"
3"
5'-9"
1'-11"
2'
3'-11"
5'-9"
6'-4"
2'
3"
6'-4"
4"
2'
1'-11"
2'
Top P
lan
Elevation A
Elevation C
Elevation B
Elevation D
5'-9"
D
B
A
C
4" T
hick
Iro
n P
illa
r
4
" T
hick
Co
ncre
te
L
aye
r
4" T
hick
co
ncre
te
L
aye
r
2"X
4" Iro
n
Ho
ld
fa
st
2"X
4" Iro
n
Ho
ld
fa
st
34
" T
hick S
to
ne
(G
ra
nite
)
34
" T
hick S
tone
(G
ranite)
Single
Moulding
Nam
e of the
House
3'-11"
2'
3'-11"
2'
Left P
illar
Right P
illar
Electronic G
ate
1'-3"
1'-8"
9"
5'-9"
2'
1'-8"
2'
2'
C
2"X
4" Iro
n
Ho
ld
fa
st
4" T
hick
Iro
n P
illa
r
4
" T
hick
Co
ncre
te
L
aye
r
34
" T
hick S
to
ne
(G
ra
nite
)
4" T
hick
co
ncre
te
L
aye
r
2"X
4" Iro
n
Ho
ld
fa
st
4" T
hick P
la
ste
r
2" T
hick
Co
ncre
te
L
aye
r
34
" T
hick S
to
ne
(G
ra
nite
)
Sin
gle
Mo
uld
in
g
Na
me
o
f th
e
Ho
use
Sin
gle
Mo
uld
in
g
C
CC
3'-11"
Top P
lan
Section A
A'
Section B
B'
Garden
K
itch
en
1
5'4
"X
9'9
"
P
rim
ary L
ivin
g R
oo
m
1
5'3
"X
29
'5
"
Se
co
nd
ary L
ivin
g R
oo
m
1
5'3
"X
10
'6
"
S
tu
dy R
oo
m
1
4'9
"X
13
'6
"
D
eck
8'X
18
'3
"
V
ESTIBULE
Garden
D
in
in
g A
re
a
1
9'4
"X
8'
L
au
nd
ry A
re
a
9
'3
"X
7'2
"
Lvl u
p
+2
'
P
ow
de
r R
oo
m
9
'3
"X
4'1
0"
Lvl u
p
+2
'
Lvl u
p
+1
'6
''
Plan of the house
Top V
iew
of the m
ain pillars
3D
V
iew
of the P
illars
Dra
win
g In
fo
rm
atio
nD
ra
win
g T
itle
Su
bm
itte
d T
oS
ub
mitte
d B
yD
ire
ctio
n o
f H
ou
se
Total Land area :4500sq.ft
Plot dim
ension :LX
W: 60'X
75'
Boundary w
all pillar plan
with section
Dezyne E
'cole C
ollege, A
jm
er
Vanu Jaithliya
B.S
c.- I.D
. (1st S
em
.)
Plot D
irection :- N
orth
D'e'cole
Distribute w
ater pipe
Main w
ater supply pipe
Waste w
ater pipe
Soil w
aste w
ater pipe
Given B
y
Legend
Project R
eport
Draw
ing S
pecification
Draw
ing T
itle
Design B
y
Re
sid
en
tia
l D
esig
n
(S
pe
cifica
tio
n D
ra
win
g)
Re
sid
en
tia
l D
esig
n
(S
pe
cifica
tio
n D
ra
win
g)
Dra
in
ag
e S
yste
mV
an
u Ja
ith
liya
B.S
c-Id
(1
st S
em
.)
To
p V
ie
wF
ro
nt V
ie
wR
ig
ht S
id
e V
ie
w
Le
ft S
id
e V
ie
w
Ba
ck V
ie
w
Iso
-M
etric vie
w
Main w
ater
supply pipe
Main w
ater
supply pipe
Water
Tank
Waste
water pipe
Rain-w
ater
Harvesting
Tank
Cham
ber
Main w
ater
supply pipe
Main w
ater
supply pipe
Waste
water
Pipe
Distribute
water P
ipe
Septic T
ank
Waste
water pipe
Sintax
Water
Tank
Septic T
ank
Waste
water pipe
D'e'cole
Distribute w
ater pipe
Main w
ater supply pipe
Waste w
ater pipe
Soil w
aste w
ater pipe
Given B
y
Legend
Project R
eport
Draw
ing S
pecification
Draw
ing T
itle
Design B
y
Residential D
esign
(S
pecification D
raw
ing)
Residential D
esign
(S
pecification D
raw
ing)
Drainage S
ystem
Vanu Jaithliya
B.S
c I.D
1st S
em
Wa
te
r T
an
k a
nd
M
oto
r
Are
a
Co
nn
ectio
n o
f P
ip
es
Sid
e V
ie
w
Ba
ck V
ie
w sh
ow
in
g
se
wa
ge
ta
nk
Ove
rh
ea
d T
an
k V
ie
w
Ch
am
be
rs
Ra
in
wa
te
r H
arve
stin
g
Co
nn
ectio
n
Ra
in
wa
te
r T
an
k O
ne
to
Gro
un
d
Sid
e V
ie
w
Mo
to
r A
re
a
Co
nn
ectio
n o
f
Pip
es
Wa
ste
w
ate
r
Pip
eC
ha
mb
er
Ma
in
W
ate
r
Su
pp
ly
Wa
ste
w
ate
r
Pip
e
Ch
am
be
r
Se
wa
ge
T
an
k
Wa
ste
w
ate
r
Pip
e
Ch
am
be
r
Se
wa
ge
T
an
k
O1
Fo
r M
ag
azin
e U
nit
O2
Fo
r C
ro
cke
ry U
nit
Fo
r
Cro
cke
ry
U1
U2
Fo
r
Ga
rb
ag
e
Fo
r H
ea
vy
Ve
sse
ls
U1
0U
7
Fo
r
C
utle
ry
U6
Fo
r
C
ylin
de
r A
re
a
Working triangle
18'6"
Refrigerator
S
torage A
rea
+
M
icrow
ave oven
R
1
S1
SI1
C1
U3
Fo
r H
ea
vy
Sto
ra
ge
U4
Cu
tle
ry
Dra
we
r
U5
U9
Fo
r
Gra
in
s
U8
Fo
r
Sp
ice
s
Mixing C
enter
Cooking A
rea
Preparation A
rea
2'
12'-3"
2'
16'-3"
2'
13'
2'
2'
2'-8"
O3
Fo
r K
itch
en
E
qu
ip
me
nt
Fo
r M
ixin
g
(C
orn
er U
nit)
E1
Ele
ctro
nic
Eq
uip
me
nt
Ca
se
S.n
oP
ro
du
ct
Size
(m
m)
Qty.
Kitch
en
S
pe
cifica
tio
n L
eg
en
d
Ge
ne
ra
l N
ote
sP
ro
je
ct S
pe
cifica
tio
nP
ro
je
ct
Dra
win
g T
itle
Da
te
De
sig
n B
y
Educational
Assignm
ent
Kitchen S
ize-14'X
9'5"
Kitchen A
rea-132S
q.ft.
Working T
riangle-18'6"
Residential D
esign
Project
Kitchen D
esign
Detail D
raw
ing
01-07-2013
Co
de
Vanu Jaithliya
B.S
c.-ID
1
2
3
4
5
6
7
8
9
1
0
1
1
1
2
1
3
1
4
1
5
1
6
1
7
1
8
1
9
2
0
O1
O2
O3
U1
U2
U3
U4
U5
U6
U7
U8
U9
U1
0
E1
C1
R1
RA
1
S1
SI1
M1
Ove
rh
ea
d C
ab
in
et
Ove
rh
ea
d C
ab
in
et
Ove
rh
ea
d C
ab
in
et
Pe
rfo
ra
te
d H
ard
bo
ard
Org
aS
to
re
In
no
Fle
x 9
00
Pe
rfo
ra
te
d H
ard
bo
ard
Org
aS
to
re
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ld
in
g D
oo
r C
orn
er
Un
it
Fo
r C
ylin
de
r A
re
a
Org
aF
la
g O
rg
an
ise
r
Syste
m
Org
aS
to
re
P
ro
fe
ssio
n-
al O
rg
an
ise
r S
yste
m
Lg
M
icro
wa
ve
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ve
n
Nira
li S
in
k
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ttich
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ad
de
r U
nit
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le
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efrig
era
to
r
Fa
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r C
oo
kto
p
Fa
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r C
him
ne
y
1
1
1
2
1
2
1
1
1
1
1
1
2
2
1
1
1
1
1
1
WX
DX
H
11
50
X3
00
X4
00
WX
DX
H
90
0X
30
0X
40
0
WX
DX
H
11
50
X3
00
X4
00
WX
DX
H
12
00
X5
20
X3
00
WX
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H
90
0X
52
0X
39
5
WX
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50
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20
X1
50
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H
80
0X
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0X
75
0
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DX
H
52
5X
60
0X
75
0
WX
DX
H
60
0X
52
0X
15
0
WX
DX
H
60
0X
52
0X
30
0
WX
DX
H
60
0X
52
0X
30
0
WX
DX
H
55
0X
52
0X
30
0
WX
DX
H
45
0X
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45
0
WX
DX
H
90
0X
50
0X
90
0
WX
DX
H
60
0X
50
0X
18
00
WX
DX
H
67
5X
47
5X
50
WX
DX
H
12
00
X6
00
X1
80
0
WX
DX
H
90
0X
50
0X
22
5
WX
DX
H
52
7X
48
0X
39
2
WX
DX
H
11
50
X5
20
X3
00
Ele
ctro
nic E
qu
ip
me
nt
C
ase
Cu
tle
ry tra
y O
rg
aT
ra
y
P
re
miu
m 1
Cu
tle
ry tra
y O
rg
aT
ra
y
D
elu
xe
1
Mu
ltiT
ech
fo
r V
aria
ble
Dra
we
r
Kitch
en
P
ro
du
ct S
pe
cifica
tio
n L
eg
en
d
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
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Co
mp
an
y-
Co
de
-
Pro
du
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Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Co
de
-
Pro
du
ct-
Co
mp
an
y-
O1
Cu
sto
mize
O2
O3
U1
He
ttich
C
om
pa
ny
U2
He
ttich
C
om
pa
ny
U3
He
ttich
C
om
pa
ny
U4
U5
U6
U7
He
ttich
C
om
pa
ny
He
ttich
C
om
pa
ny
U8
He
ttich
C
om
pa
ny
U9
He
ttich
C
om
pa
ny
U1
0E
1
Cu
sto
mize
C1
R1
RA
1
S1
SI1
M1
Ove
rh
ea
d C
ab
in
et
Ove
rh
ea
d C
ab
in
et
Ove
rh
ea
d C
ab
in
et
Cu
sto
mize
Cu
sto
mize
Lg
M
icro
wa
ve
O
ve
n
LG
C
om
pa
ny
Nira
li C
om
pa
ny
Nira
li S
in
k
Fa
be
r C
om
pa
ny
Fa
be
r C
him
ne
y
He
ttich
C
om
pa
ny
He
ttich
L
ad
de
r U
nit
Fa
be
r C
oo
kto
p
Fa
be
r C
om
pa
ny
Mie
le
R
efrig
era
to
r
Mie
le
C
om
pa
ny
He
ttich
C
om
pa
ny
He
ttich
C
om
pa
ny
Hp
Fo
r C
ylin
de
r A
re
a
Org
aF
la
g O
rg
an
ise
r S
ys.
E
le
ctro
nic E
qu
ip
me
nt C
ase
Mu
ltiT
ech
D
ra
we
rO
rg
aS
to
re
P
ro
f. O
rg
. S
ys.
O
rg
aT
ra
y D
elu
xe
1
Fo
ld
in
g C
orn
er U
nit
Org
aT
ra
y P
re
miu
m 1
Pe
rf. H
ard
bo
ard
O
rg
aS
to
re
In
no
Fle
x 9
00
Pe
rf. H
ard
bo
ard
O
rg
aS
to
re
Working T
riangle A
rea S
pecification
Fo
od
S
to
ra
ge
Fo
od
Pre
pa
ra
tio
n
Po
ts a
nd
Pa
ns
Cle
an
in
g a
nd
Kitch
en
w
aste
Cu
tle
ry a
nd
Ta
ble
wa
re
Ge
ne
ra
l N
ote
sP
ro
je
ct S
pe
cifica
tio
nP
ro
je
ct
Dra
win
g T
itle
Da
te
De
sig
n B
y
Educational
Assignm
ent
Kitchen S
ize-14'X
9'5"
Kitchen A
rea-132S
q.ft.
Working T
riangle-18'6"
Residential D
esign
Project
Kitchen D
esign
Area S
pecification
With C
olours
01-07-2013
Vanu Jaithliya
B.S
c.-ID
Overhead
Cabinet
Chute
System
Wash B
asin
Washing
Machine
W.C
.
Wash
Basin
Mirror W
all
Overhead
Cabinet
O1
O1
C1
W1
WC
1W
2
D1
D2
D2
SD
1T
1T
H1
WM
1
MW
1
2'
2'
6'-1
0"
2'
2'
9'-3
"
13
'-1
0"
2'-1
0"
2'-6
"
3'-2
"
2'-6
"
2'-1
0"
4'-9
"
S.n
o.
Pro
du
ct
Size
Qty.
Ge
ne
ra
l N
ote
sP
ro
je
ct S
pe
cifica
tio
nP
ro
je
ct
Dra
win
g T
itle
Da
te
De
sig
n B
y
Co
de
1
1
Size of Laundry &
P
ow
der
Room
- 13'10"X
9'3"
Area - 120.99S
q.ft.
Residential D
esign
Project
Laundry &
P
ow
der R
oom
Design P
lan
15-07-2013
Vanu Jaithliya
B.sc.-I.D
.
2
3
4
5
6
7
8
9
1
0
1
1
1
2
WX
DX
H
60
0X
64
0X
85
0
1
WX
DX
H
58
0X
42
0X
86
0
1
2
1
2
1
1
1
WX
DX
H
37
0X
62
0X
45
0
1
1
1
D2
Flu
sh
D
oo
r
TH
1D
ura
vit T
ow
el H
old
er
W2
Du
ra
vit S
oa
pd
ish
er
SD
1
Mirro
r W
all
MW
1
Se
nso
W
ash
WC
1
T1
Du
ra
vit T
oile
t P
ap
er
Ho
ld
er
D1
Ap
pe
nd
ere
H
an
gin
g
C1
Ch
ute
S
yste
m
Va
nity U
nit F
lo
or
Sta
nd
in
g
WM
1
W1
LG
W
ash
in
g M
ach
in
e
O1
Cu
sto
mize
O
ve
rh
ea
d
Ca
bin
et
Va
nity U
nit W
all
Mo
un
te
d
WX
DX
H
60
0X
60
0X
18
00
DiX
H
45
0X
60
0
WX
DX
H
20
00
X6
32
X2
00
0
WX
DX
H
58
7X
45
0X
45
0
WX
Di
11
75
X2
5
WX
DX
H
75
0X
25
X2
10
0
WX
DX
H
12
6X
97
X1
0
WX
DX
H
10
X1
50
X1
0
WX
DX
H
17
5X
12
.5
X1
0
All the size of the products
are standard based.
La
un
dry &
P
ow
de
r R
oo
m S
pe
cifica
tio
n L
eg
en
d
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Ch
ute
S
yste
m
Cu
sto
mize
C1
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Wa
sh
in
g M
ach
in
e
Lg
WM
1C
od
e-
Pro
du
ct-
Co
mp
an
y-
Va
nity U
nit F
lo
or S
ta
nd
in
g
Du
ra
vit
W1
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Ove
rh
ea
d C
ab
in
et
Cu
sto
mize
O1
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Ap
pe
nd
ere
H
an
gin
g
Cu
sto
mize
D1
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Flu
sh
D
oo
r
Cu
sto
mize
D2
Co
de
-
Pro
du
ct-
Co
mp
an
y-
So
ap
D
ish
er
Du
ra
vit
SD
1C
od
e-
Pro
du
ct-
Co
mp
an
y-
Va
nity U
nit W
all M
ou
nte
d
Du
ra
vit
W2
Co
de
-
Pro
du
ct-
Co
mp
an
y-
To
we
l H
old
er
Du
ra
vit
TH
1C
od
e-
Pro
du
ct-
Co
mp
an
y-
Se
nso
W
ash
Du
ra
vit
WC
1C
od
e-
Pro
du
ct-
Co
mp
an
y-
To
ile
t P
ap
er H
old
er
Du
ra
vit
T1
Co
de
-
Pro
du
ct-
Co
mp
an
y-
Mirro
r W
all
Du
ra
vit
MW
1
La
un
dry &
P
ow
de
r R
oo
m P
ro
du
ct S
pe
cifica
tio
n L
eg
en
d
Ga
rd
en
Ground F
loor
K
itchen
15'4"X
9'9"
P
rim
ary Living R
oom
15'3"X
29'5"
Secondary Living R
oom
15'3"X
10'6"
S
tudy R
oom
14'9"X
13'6"
D
eck
8'X
18'3"
V
EST
IBULE
Ga
rd
en
D
ining A
rea
19'4"X
8'
Laundry A
rea
9'3"X
7'2"
Lvl up
+2'
P
ow
der R
oom
9'3"X
4'10"
Lvl up
+2'
1'
8'
1'-6
"
4'-3
"6
'4
'-3
"
1'-6
"
2'
4'
3'-3
"4
'2
'
1'-6
"
3'-8
"6
'3
'-8
"
1'-6
"
5'-7
"8
'1
'
Lvl up
+1'6''
1'
5'
1'
1'
4'-3
"
6'
4'-9
"
1'-6
"
2'
4'
2'
1'-6
"
10
'-6
"
1'-6
"
6'-9
"
7'-3
"
2'
1'
5'
1'-6
"
3'
3'
4'
5'-6
"
1'-6
"
4"
3'
1'-3
"
3'
5"
1'-6
"
8'-9
"
1'
8'
1'
7'-9
"
1'-6
"
3'-1
1"
13
'3
'-1
1"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
11
'-5
"
1'-6
"
72
'-6
"
62
'
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Gro
un
d F
lo
or
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
Prim
ary Living R
oom
15'3"x29'5"
Brain Storming
Garden
Ground F
loor
8'
1'-6
"6
'-6
"
5'-3
"
1'-6
"
1'-6
"1
5'-3
"1
'-6
"1
'-6
"4
'-7
"1
'-6
"5
'1
'-6
"6
'3
'-7
12
"
3'
6"
2'
1'-6
"
4"
3'
1'-3
"
3'
5"
5'-7
"1
'-6
"5
'1
'-6
"
62
'
72
'-6
"
7'-9
"
13
'3
'-1
1"
3'-1
1"
11
'-5
"1
'-6
"1
1'-5
"1
'-6
"1
1'-5
"1
'-6
"1
1'-5
"1
'-6
"
32
'-6
"
1'-6
"
10
'-6
"
1'-6
"
14
'
2'
8'
4'
2'-1
1"
5'
5'
7'-5
"
1'
1'
1'
1'
1'
1'
1'
1'
1'
1'
9'-3
"
11
'
10
'-6
"
8'
1'
2'
K
itchen
15'4"X
9'9"
Secondary Living R
oom
15'3"X
10'6"
O
ffice R
oom
14'9"X
13'6"
D
eck
8'X
18'3"
V
E
ST
IBULE
1'
1'
1'
1'
Garden
2'
1'
D
ining A
rea
19'4"X
8'
1'
7'-1
1"
2'-6
"
3'
Lvl up
+2'
Lvl up
+2'
P
ow
der R
oom
9'3"X
4'10"
3'
4'
3'
5'
11
'
P
rim
ary Living R
oom
15'3"X
29'5"
2'-6
"
2"
2'
7'-8
"
2"
1'-6
"
2"
1'-6
"
4'
1'
2'
8'-3
"1
'-6
"
1'-6
"
1'-6
"
2'-6
"
2'-6
"
1'-6
"
2'
4'
3'-6
"
4'
3'-6
"
2'
Ø10'
1'
A
B
C
D
1'
2'-6
"
3'
2'-7
12
"
3'-7
"
2'-8
"
Ø1'-6"
3'-4
"
3'-3
"
3'-4
"
3'-3
"
1'-9
"
2'-2
"
1'-9
"
1'-7
"
1'-1
1"
4'-9
"4
'-9
"
1'
1'
1'
1'
7'-1
1"
3'-1
0"
2'-6
"
3'-1
0"
3'
2'-4
"
5"
2'-4
"
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Livin
g R
oo
m
Sp
ace
P
la
nn
in
g
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
Kitch
en
ELE
VA
TIO
N D
ELE
VA
TIO
N A
ELE
VA
TIO
N B
Ve
stib
ule
1'-6"
3'-1"
6"
4'
1'-6"
1'-6"
8'-6"
1'
4'-10"
1'-4"
4"
1'
6"
1'-6"
2'-3"
4'
2'-4"
2"
2'3'
4'
1'-6"
1'-6"
9'-6"
6"
2'-6"
1'-6"
2"
7'-8"
2"
10'-6"
1'-6"
6"
4'-3"
6"
1'-2"
1'-6"
6'-10"
8"
6"
2'-6"
11'
10'-6"
7'-11"
1'-6"
4'-6"
5'
6"
1'-6"
1'-6"
3'-6"
3'-10"
3'-10"
3'-10"
10"
1'-6"
4"
9'-6"
6"
1'-6"
3'-10"
3'-10"
3'-10"
3'-10"
6"
1'-6"
1'-6
"
10
'
1'-6"
2'-3"
3'-6"
2'-3"
1'-6"
10'-6"
1'-6"
5'-3"
1'-2"
1'-6"
9'-2"
10"
1'-6"
1'
2'
4'-6"
1'
1'
6"
1'-6"
1'-5"
1'-5"
2'-6"
1'-5"
1'-5"
1'-6"
10'-6"
7'-11"
1'-7
"6
'
1'-6
"
1'-6
"
7"
ELE
VA
TIO
N C
1'
Direction
Plot A
rea
Project T
itle
Draw
ing T
itle
Design B
y
Va
nu
Ja
ith
liya
B.S
c-I.D
.
Project S
tage
Client
W
S/W
S/E
E
N/E
N
N/W
S
Re
sid
en
tia
l P
ro
je
ct
Livin
g R
oo
m
Ele
va
tio
ns
Co
nstru
ctio
n L
ayo
ut
Mr.&
Mrs.M
an
ish
S
ha
h
Civil L
in
es, A
jm
er
Size
o
f P
lo
t :7
2'6
"X
6
2'
Are
a o
f P
lo
t :4
50
0 sq
.ft.
My Concept – KATHAKALI + 1950’s
Kathakali is the most well-known dance
drama of the south Indian state of
Kerala. The word Kathakali literally
means “story play”. Kathakali has a long
tradition. It dates back to the 17th century.
It was given its present form by Mahakavi
Vallathol Narayan Menon, who was the
founder of the Kerala Kala Mandalam.
The themes played out in the Kathakali
are usually from religion or mythology.
That typically deals with the
Mahabharata, the Ramayana and the
ancient scriptures known as the Puranas.
A Kathakali performance is a major, all-night social event. It generally begins
at dusk and is performed throughout the night. Kathakali is usually performed
only by men. Female characters are portrayed by men dressed in women’s
costumes.
Another distinct feature of Kathakali is its elaborate costume and make up. It
is a magical sight to watch Kathakali artistes performing in their traditional
attire. Each character is instantly recognizable by his characteristic make-up
and costume.
The make-up is so elaborate that it is more like a mask than make-up in the
usual sense. The materials used in the makeup are all locally available. The
white material is made from rice flour, the red is made from Vermilion (a red
earth such as cinnabar) and black is made from soot. The colors are not
merely used for decoration, but are also a means of portraying characters. For
instance, red on the feet is used to symbolize evil character and evil intent.
People from all over the world appreciate and admire the beauty of this
distinguished art.
Keeping this into mind and elaborate study was conducted by me through
various books and magazines. I visited many of the website to study how the
houses of the world were designed & at the same time houses of traditional
Kerala. The first point which had to pay attention here was my client wanted a
higher-end design layout where an elegant ambience could be developed with
an addition of sophisticated & at the same time freshness.
For this I made a collage of the various element of the concept which I took
“Kathakali”. This collage gave me idea to select the colours, textures and the
feel which I had to give in my client house the colour chosen for the room to
be design – living room was dealt in the following manner.
Main Challenge
As per the plan of the living room, the space is a huge space with a lot of
daylight pouring in with excessive daylight from the southern side where the
stairs have been positioned a lot of glare & heat will be developed & when the
light falls on the stairs, if I choose shiny material for the stairs, the reflection
will be more leading to tiredness because of so much of lightedness and
presence of glare.
We need to bring down to a more softer and comfortable friendly space
development. I prefer more of a friendly space development because this is
the central part of the house where the family will be spending maximum
hours together.
The main challenge of this design area is, we are supposed to design two
sitting area (primary & secondary living area) & at the same time I want the
space to be friendly if I choose friendly I am supposed to use yellow & orange.
This colour is opted by me because of the fact of the concept–Kathakali but
this colour is not a right choice to be opted in the space to be provided to me
because this colour will generate more heat & the space will not appear
friendly because of the high amount of daylight. Keeping these points in mind I
resorted to refreshing colours as these colours include cool blue and green
paired with red orange, blue green or teal. Refreshing colours sparkle with
lightness along with providing a sense of calmness.
The textures that can be utilised in my design can be a variety of textures as
the room is big. I can use rough textures, coarse textures which are more
advancing along with the usage of soft, shiny, fluffy, sheer & bright
accessories & artifacts with the lighting choice being more usage of
incandescent light & cool light.
These colours are also present in a concept chosen by me i.e. KATHAKALI.
Concept Board
The client has flair for a standard living and wants airiness and freshness in
his living room.
Seeing this, we decided to build a house by pulling outdoor landscaping and
large windows to view it from inside (living room) and at the same time bring
fresh air inside through the use of large windows placed on south-west.
As per the concept provided was kathakali + 1950’s, we were supposed to
merge the two and design the living space.
Kathakali is the dance form of Kerala as it is the land of lush vegetation, wide
beaches and rainforests.
Colour Board
Seeing the concept & mood, I have taken certain colors on walls, artifacts &
furniture which give the feeling of refreshing in my living space.
Black Currant
Carrot Red
Ivory White
Pacific Blue
Sunflower Yellow
Pine Green Black Currant
Colour Palette
Little Creek
Jade Green 2435
Terrace Garden 7607
Forest Canopy 7608
Green Pastures 7609
Land’s End 7610
Ice Pack 7611
Deep Turquoise
Emerald Satin 7502
Teal Blast 7503
Ocean Breeze 7504
Turquoise Treat 7505
Aqua Fusion 7506
Baby Aqua 7507
Spring Surprise
Fresh Olive 7725
Green Salad 7726
Lime Accent 7727
Lime Groove 7729
Green Tomato 7730
Soft Fern 7731
Texture
o To design my living room, the next step in my design development is the
formulation of the type of concept chosen by me.
o Concept generation can be empirical concept where we select the concept
that we observe through our naked senses such as the colour, material
type, texture, etc. In the abstract concept we develop a design through
feelings & mood.
o In my project I have selected the empirical concept where I have resorted
to the usage of my five senses; eyes, nose, ears, skin & tongue & the
concept being KATHAKALI.
o The various textures finishes & the feel of the various surfaces, the usage
of fabrics used in my design are all depended on the development of the
textures which I have research & deviced from the concept picture of
KATHAKALI.
Texture Wheel
Smooth Glossy
Hard
Limp
Waxy
Sheer
Clingy
Fine
Stretchy
Thin
Light
Rough Cool Matt
Soft
Crisp
Scroopy
Coarse
Stiff
Opaque
Inelastic
Thick
Heavy
Warm
Mate
rial B
oa
rd
Cherry
wood
Rustic
Lam
inate
Tic
Tac T
able
Slid
ing D
oor
Wooden B
linds
Décor C
ushio
ns
Asia
n P
ain
ts T
extu
re
Asia
n P
ain
ts T
extu
re
Fabric
of S
ofa
Fa
bric
of C
ush
ion
Fabric
of T
able
Wom
b C
hair
Fabric
of C
ushio
n
De
sig
n D
evelo
pm
en
t
De
sig
n B
y : V
an
u J
aith
liya
, B.S
c.-In
terio
r De
sig
n
De
zyn
e E
’ co
le C
olle
ge
,Ajm
er,w
ww
.de
zyn
ee
co
le.c
om
De
sig
n D
evelo
pm
en
t
De
sig
n B
y : V
an
u J
aith
liya
, B.S
c.-In
terio
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sig
n
De
zyn
e E
’ co
le C
olle
ge
,Ajm
er,w
ww
.de
zyn
ee
co
le.c
om
ASSIGNMENTS
Header
1,3
,5
, C
ourse P
lan
Stretcher
Stretcher
2,4,6, C
ou
rse
P
la
n
Header
Stretcher
Fro
nt V
iew
Header
Stretcher
Side V
iew
Stretcher
Mortar
Alte
rna
tive C
ourse
s O
f B
rick W
all
Header
Stretcher
Isom
etric V
ie
w O
f 1 B
rick W
all
General N
otes
Project T
itle
Draw
ing T
itle
Date O
f S
ub.
Subm
itted T
oS
ubm
itted B
y
E
ducational A
ssignm
ent
Brick B
ond
Streching B
ond
30-1-2013
Dezyne E
'C
ole
College A
jm
er
Vanu Jaithliya
Bsc-Id
1,3,5, Course P
lanH
eader2,4,6, C
ourse Plan
Header
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 1 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ond H
eader Bond
30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Header
Header
Header
Mortar
Header
Header
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 1 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ondE
nglish 1 Brick Thick
Wall B
ond30-1-2013
Dezyne E
'Cole
College A
jmer
Vanu Jaithliya
Bsc-Id
Header
Header
Header
Header
Mortar
Stretcher
Header
Queen
Closer
Header
Queen C
loser
Stretcher
Stretcher
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 1-1/2 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ond E
nglish 1-1/2 Brick
Thick Wall B
ond30-1-2013
Dezyne E
'Cole
College A
jmer
Vanu Jaithliya
Bsc-Id
Header
Header
Stretcher
Header
Mortar
Stretcher
Header
Queen closer
Queen closer
Queen C
loser
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 2 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ondE
nglish 2 Brick Thick
Wall B
ond30-1-2013
Dezyne E
'Cole
College A
jmer
Vanu Jaithliya
Bsc-Id
Header
Header
Stretcher
Header
Mortar
Stretcher
Header
Queen C
loser
Header
Queen C
loserH
eader
Queen closer
Stretcher
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Header
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 2-1/2 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ondE
nglish 2-1/2 Brick
Thick Wall bond
30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Header
Stretcher
Header
Mortar
Stretcher
Header
Bat
Queen
Closer
Queen
Closer
Stretcher
Queen
Closer
Queen C
loser
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
allIsom
etric View
Of 1 B
rick Wall
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ondFlem
ish 1 Brick Thick
Wall B
ond (Single)
30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Stretcher
Header
Header
Mortar
Header
Header
Header
Queen C
loser
Stretcher
Stretcher
Queen closer
Queen
closer
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Front View
Side V
iewA
lternative Courses O
f Brick W
all
Header
Isometric V
iew O
f 1-1/2 Brick W
all
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ond1-1/2 B
rick Thick wall
(Single) Flem
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30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Queen C
loser
Stretcher
Queen
Closer
Stretcher
Stretcher
Stretcher
Header
Stretcher
3/4 Bat
Bat
Queen C
loserH
eader
Stretcher
Header
Queen closer
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
all
Header
Isometric V
iew O
f 2 Brick W
all
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ondFlem
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Wall single bond
30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Queen C
loser
Stretcher
Queen
Closer
Header
Stretcher
Stretcher
Bat
Bat
34 Bat
Header
Queen
Closer
Queen C
loser
Mortar
Queen
Closer
Queen
Closer
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
all
Header
Isometric V
iew O
f 1 Brick W
all
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ond1 B
rick Thick wall
(Double) Flem
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30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-Id
Header
Queen C
loser
Stretcher
Queen
Closer
Queen
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Queen
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Stretcher
Stretcher
1,3,5, Course P
lanS
tretcher2,4,6, C
ourse Plan
Stretcher
Front View
Side V
iewA
lternative Courses O
f Brick W
all
Header
Isometric V
iew O
f 1-1/2 Brick W
all
General N
otes P
roject TitleD
rawing Title
Date O
f Sub.
Subm
itted ToS
ubmitted B
y
Educational A
ssignment
Brick B
ond1-1/2 B
rick Thick wall
(Double) Flem
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30-1-2013D
ezyne E'C
oleC
ollege Ajm
erV
anu JaithliyaB
sc-ID
Header
Queen C
loser
Stretcher
Queen
Closer
Queen
Closer
Stretcher
Stretcher
3/4 Bat
Bat
Bat
Bat
Bat
3/4 Bat
Bat
300300
742,5742,5
40
50
75
100
10
10
15
10
HO
LD
F
AS
T
HO
LD
F
AS
T
50
60
125
10
10
15
10
10 m
m R
EB
AT
E
HE
AD
PO
ST
IR
ON
HO
LD
F
AS
T
FIN
IS
HE
D
FLO
OR
Sectional P
lan S
how
ing D
etails F
or S
ingle D
oor F
ram
e
Sectional P
lan S
how
ing D
etails F
or D
ouble D
oor F
ram
e
Detail of D
oor F
ram
e
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Subm
itted O
n
12-6-2013
Detail of a D
oor
Fram
e
2100
90
0
2100
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Batte
ned and Ledged
Door
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Battened and Ledged door
Th
is is th
e sim
ple
st fo
rm
o
f d
oo
r
co
mm
on
ly u
se
d fo
r n
arro
w o
pe
nin
gs.
Th
e D
oo
r co
nsists o
f a
se
rie
s
of V
ertica
l b
atte
ns o
r b
oa
rd
s u
su
ally
to
ng
ue
d a
nd
g
ro
ove
d a
nd
fixe
d to
ge
th
er
with
h
orizo
nta
l b
atte
ns
kn
ow
n a
s le
dg
es. T
he
re
a
re
th
re
e
le
dg
es o
ne
e
ach
is fixe
d n
ea
r th
e to
p
an
d b
otto
m a
nd
th
e th
ird
o
ne
is
fixe
d in
th
e m
id
dle
o
f th
e sh
utte
r. T
he
mid
dle
le
dg
e is a
lso
kn
ow
n a
s L
ock
le
dg
e. T
his typ
e o
f d
oo
r is
re
co
mm
en
de
d fo
r W
Cs, b
ath
ro
om
s e
tc.
in
b
uild
in
gs w
he
re
e
co
no
my ra
th
er th
an
ap
pe
ara
nce
is o
f m
ain
co
nsid
era
tio
n.
Bo
tto
mL
ed
ge
20
0 x
30
Mid
dle
Le
dg
e
20
0 x
30
30
m
mT
hick
Ba
tte
n
To
pL
ed
ge
10
0 x
30
Do
or
Fra
me
75
x1
00
Pla
ste
r
Sco
tch
Te
e
Hin
ge
30
mm
Brick
Wa
ll
Th
ick
Ba
tte
ns
Subm
itted O
n
12-6-2013
IN
OU
T
HO
RIZ
ON
TA
L S
EC
TIO
N
EN
LA
RG
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EC
TIO
N
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VA
TIO
N O
F T
HE
D
OO
R
Six P
anelled D
oor
Th
is typ
e o
f d
oo
r is co
mm
on
ly
pro
vid
ed
in
a
ll typ
es o
f b
uild
in
gs.
Th
is d
oo
r co
nsists o
f tim
be
r
fra
me
w
ork o
f stile
s a
nd
ra
ils
wh
ich
a
re
g
ro
ove
d on
th
e in
sid
e
to
re
ce
ive
o
ne
o
r m
ore
p
an
els.
Fra
me
d a
nd
p
an
elle
d d
oo
rs a
re
ma
de
in
se
ve
ra
l d
esig
ns.
Fra
me
d a
nd
p
an
elle
d d
oo
rs a
re
ma
de
in
se
ve
ra
l d
esig
ns to
su
it
th
e fu
nctio
na
l a
s w
ell a
s
arch
ite
ctu
ra
l re
qu
ire
me
nts. T
he
do
or ca
n b
e o
f tim
be
r, p
lyw
oo
d,
blo
ck b
oa
rd
o
r h
ard
b
oa
rd
.
Frie
ze
R
ail
10
0X
35
Lo
ck R
ail
15
0X
35
Bo
tto
m R
ail
20
0X
35
Pa
ne
l
Hin
ge
Style
10
0X
35
Wo
od
en
p
an
el
15
mm
T
hick
Fra
me
75
X1
00
Pla
ste
r
Hin
ge
Pla
ste
r
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Subm
itted O
n
12-6-2013
Six P
anelled D
oor
Fra
me
75
X1
00
Wo
od
en
p
an
el
15
mm
T
hick
HO
RIZ
ON
TA
L S
EC
TIO
N
EN
LA
RG
E S
EC
TIO
N
VE
RT
IC
AL S
EC
TIO
NE
LE
VA
TIO
N O
F T
HE
D
OO
R
Fra
me
10
0X
75
To
p R
ail
10
0X
35
Pa
ne
l 1
5
mm
T
hick
Steel D
oor F
ram
e
Ste
el D
oo
r F
ra
me
ca
n b
e m
ad
e
ou
t o
f a
ng
le
te
e, ch
an
ne
l o
r
pre
sse
d ste
el p
la
te
s. A
s in
ca
se
of tim
be
r fra
me
, in
th
is ca
se
to
o
th
ere
a
re
tw
o ja
mb
p
osts a
nd
a
he
ad
. A
t th
e p
oin
ts th
e m
em
be
rs
are
e
ith
er w
eld
ed
a
re
rig
id
ly
fixe
d to
ge
th
er b
y m
ech
an
ica
l
me
an
s. T
his m
em
be
r is kn
ow
n
th
re
sh
old
. In
ca
se
o
f ste
el
fra
me
s th
e h
old
fa
sts o
r lu
gs a
nd
th
e h
in
ge
s a
re
in
va
ria
bly w
eld
ed
to
th
e fra
me
.
Flu
sh
S
hu
tte
r
Pla
ste
r
Hin
ge
W
eld
ed
to
F
ra
me
35
x 3
5 x 3
A
ng
le
Iro
n F
ra
me
Ho
ld
F
ast
Ho
ld
Fa
st
35
x 3
5 x 3
A
ng
le
Iro
n F
ra
me
Flu
sh
D
oo
r
3
5 m
m
T
hick
Lin
te
l
IN
OU
T
An
gle
Iro
n
Fra
me
35
x 3
5 x 3
Hin
ge
W
eld
ed
to
F
ra
me
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Subm
itted O
n
12-6-2013
Steel D
oor F
ram
e
HO
RIZ
ON
TA
L S
EC
TIO
N
EN
LA
RG
E S
EC
TIO
N
VE
RT
IC
AL S
EC
TIO
NE
LE
VA
TIO
N O
F T
HE
D
OO
R
Lo
ck R
ail
15
0X
35
Bo
tto
m R
ail
20
0X
35
Wo
od
en
Pa
ne
l
1
3
rd P
anelled and
2
3
rd G
lazed D
oor
Th
is typ
e o
f d
oo
r is u
se
d in
re
sid
en
tia
l a
s w
ell a
s p
ub
lic
bu
ild
in
gs like
h
osp
ita
ls, sch
oo
ls
or co
lle
ge
s e
tc. w
ith
a
vie
w to
su
pp
le
me
nt th
e n
atu
ra
l lig
htin
g
pro
vid
ed
b
y w
in
do
ws o
r to
m
ake
th
e in
te
rio
r o
f o
ne
ro
om
visib
le
fro
m th
e a
dja
ce
nt o
ne
.
In
ca
se
o
f p
artly g
la
ze
d d
oo
r
no
rm
ally th
e b
otto
m
1
3
th
e h
eig
ht
of d
oo
r is p
an
elle
d a
nd
th
e
re
ma
in
in
g
2
3
rd
h
eig
ht is g
la
ze
d.
Th
e d
im
in
ish
ed
stile
s a
re
kn
ow
n
as g
un
sto
ck stile
s.
Wo
od
en
Be
ad
Gla
ss
Gla
ss
Style
10
0X
35
Hin
ge
Style
10
0X
35
Fra
me
10
0 x 7
5
Pla
ste
r
Gla
ss
Pla
ste
r
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Subm
itted O
n
12-6-2013
HO
RIZ
ON
TA
L S
EC
TIO
N
EN
LA
RG
E S
EC
TIO
N
VE
RT
IC
AL S
EC
TIO
NE
LE
VA
TIO
N O
F T
HE
D
OO
R
1
3
rd P
anelled and
2
3
rd G
lazed D
oor
Fra
me
10
0 x 7
5
To
p R
ail
10
0 x 3
5
2100
General N
otes
Project T
itle
Subm
itted T
oS
ubm
itted B
yD
raw
ing T
itle
Educational
Assignm
ent
Types O
f D
oors
Dezyne E
'C
ole
Co
llege , A
jm
er
Vanu Jaithliya
B
.S
c. I.D
.
Subm
itted O
n
12-6-2013
HO
RIZ
ON
TA
L S
EC
TIO
N
EN
LA
RG
E S
EC
TIO
N
VE
RT
IC
AL S
EC
TIO
NE
LE
VA
TIO
N O
F T
HE
D
OO
R
Fly P
roof D
oor
Th
is T
yp
e o
f d
oo
r is u
se
d to
ch
eck
th
e e
ntry o
f flie
s m
osq
uito
es,
in
se
cts, e
tc. in
to
th
e ro
om
a
nd
to
allo
w fre
e circu
la
tion
o
f a
ir a
t th
e
sa
me
tim
e. T
he
d
oo
r co
nsists o
f
tim
be
r fra
me
wo
rk o
f ve
rtica
l stile
s
an
d h
orizo
nta
l ra
ils a
nd
th
e
op
en
in
g o
f th
e p
an
els a
re
fitte
d
with
fin
e-m
esh
g
alva
nize
d w
ire
ga
ug
e.
Fly P
ro
of d
oo
rs a
re
co
mm
on
ly
pro
vid
ed
fo
r kitch
en
s, ca
nte
en
s,
re
fre
sh
me
nt ro
om
s, cu
pb
oa
rd
s fo
r
sto
rin
g fo
od
, sw
ee
ts, m
ea
t, e
tc.
Fra
me
75
x 1
25
Pa
ne
lle
d
Do
or
To
p R
ail
10
0 x 3
5
Wire
Me
sh
Lo
ck R
ail
15
0 x3
5
Bo
tto
mR
ail
20
0 x 3
5
Wo
od
en
B
ea
din
g
10
x 2
0
Style
10
0 x 3
5
Hin
ge
Wire
M
esh
Pla
ste
r 10
m
m W
oo
de
n P
an
el
Fly P
roof D
oor
29
Bibliography
While working on the Residential design project I have studies various famous
architects theories and designs like of le Courbusier, Frank Lloyd Wright. Walter
Gropius etc and also done in depth study of various book like :
Building Construction-Sushil Kumar
Primary Elements- D.K. Chien
www.google.com
Elements of Styles