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Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Dec 28, 2015

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Alexia Butler
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Page 1: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Value

Page 2: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Page 3: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Value: also called tone The art element that describes the

darkness or lightness of an object

Page 4: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Value Scale Series of boxes that show a gradual

change from the darkest dark to the lightest light.

Page 5: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Value Scale Exercise Fill in the 9 boxes on the value scale

handout, starting with the darkest shade and ending with the lightest shade.

Page 6: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%

Page 7: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

gradation: any gradual transition from one color to another or from one shape or volume to another. In drawing, shading created through the gradation of grays can be used to suggest three-dimensional form.

Page 8: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

lighting: the deliberate manipulation of light to increase

emotional or visual impact through value.

Page 9: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

shading: in drawing, a continuous series a grays

which are used to suggest three-dimensionality and to create the illusion of light.

Page 10: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

value contrast: the relationship between areas of light and dark.

General contrast values between joined areas are. Theoretically, between white and black there could be an almost unlimited number of values. When value contrast is minimized, the range of values creates a subtle effect. When the value contrast is high, the effect is more "high-contrast" or dynamic.

Page 11: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Where is the light coming from?

Page 12: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 13: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 14: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 15: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 16: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 17: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 18: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Blending Shading technique that shows a gradual,

smooth application of value

Page 19: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 20: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 21: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Light Source Exercise Look at the ball and how the light hits it,

shade the ball on the handout according to what you see. Be sure to add in the shadow that falls on the table and any extra items that might make you picture more interesting.

Page 22: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 23: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Spheres are made of two shapes, a crescent and an oval. Depending on the angle of the light hitting it, the sphere is a combination of light crescent (its lit side) and dark oval, or dark

crescent (its shadow side) and light oval. Work on creating subtle transitions. Your shading strokes should work with the contour edges of the form - round or curved them to follow the shape or your

form will appear to be flat.

Page 24: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 25: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 26: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Ansel AdamsPhotography with Value

Page 27: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Ansel Adams

Page 28: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Photographer, conservationist; born in San Francisco.

A commercial photographer for 30 years, he made visionary photos of western landscapes that were inspired by a boyhood trip to Yosemite.

He won three Guggenheim grants to photograph the national parks (1944--58).

In 1932, he developed zone exposure to get maximum tonal range from black-and-white film.

Page 29: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Church

Page 30: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

1902 - Ansel Easton Adams born on February 20, at 114 Maple Street, San Francisco, the only child of Olive and Charles 1915 - Despises the regimentation of a regular education, and is taken out of school. For that year, his father buys him a season pass to the Panama-Pacific Exposition, which he visits nearly every day. Private tutors provide further instruction. 1916: Family Trip to Yosemite, Californina.1925: Decides to become a pianist. Buys a grand piano.1927: First acknowledged photograph.1940 - Teaches first Yosemite workshop, the U. S. Camera Photographic Forum, in Yosemite with Edward Weston. 1953 he collaborated with Dorothea Lange on a Life commission for a photo essay on the Mormons in Utah In 1962 Adams moved to Carmel, California, where in 1967 he was instrumental in the foundation of the Friends of Photography1984 - Dies April 22 of heart failure aggravated by cancer

Page 31: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 32: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Road After Rain

Page 33: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Roots

Page 34: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

White Branches

Page 35: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Winter Sunrise

Page 36: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Upcoming Projects

Page 37: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Ways to show value: Hatching: series of parallel lines used for

shading

Crosshatching: crossed lines used for shading

Page 38: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.
Page 39: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.

Pointillism Art created using dots. Dot sizes may vary From far away the dots appear to blend

together and the image looks clearer

Page 40: Value. The appearance of lights and darks found in a work of art. These range from black to white with numerous shades of gray in between.