-
1This collection of discoveries by STUDIO led to the formulation
of urban strategies that re-energize the market in the heart of
Stavanger, Norway. The current conditions of the marketplace allow
for many opportunities to create a greater sense of place through
the definition of the edges and the linking of lost or untapped
connections within the surrounding urban context. From the first
three weeks of research, we were able to determine these
opportunities and formulate strategies. The following four weeks
were spent implementing these strategies and articulating the three
elements that would help fulfill the opportunities. These elements
do not stand for results we found, but rather the questions we
asked. We discovered that we were never seeking the right answers,
but rather, the right questions.
-
22
-
3Utepils Ingredients
Strategies
Urban Acupuncture
Setting
Seeking Patterns
Response
urban fl oor cultural armature campanile
Conclusion
refl ections credits
4
14
18
26
32
72
-
4Multiplicity is a harmonious entity defi ned as 1+1 = 3. Found
in the summation of systems and their lateral sub systems, when two
seemingly diff erent elements combine to produce a synergy between
them that activates a waiting environment. It is this in-between
that holds all of the opportunities. The whole then becomes greater
than the sum of its parts.
-
5Strategies
Light is both a particle and a wave, but how do the parts and
the whole become visible together? The variables of design should
be present in every scale from urban formation to architectural
details. When exploring an environment the one gives insight to the
others. The culmination of its smallest elements should reinforce
the whole.
-
6PHIDA
Through an exploration of coexisting systems and their inherent
relationships, permeability, harmony, imagination, diversity, and
adaptability are the concepts that PHIDA emerges from. By
implementing new design into the complex series of existing systems
that define Stavanger, PHIDA principles are used as a means to
appropriate value and rational to the decisions made.
-
7StrategiesExperiential permeability is important in creating an
environment of openness both visually and mentally. Humans react
positively to environments where there is clarity in ideas because
it creates comfort. By allowing the free movement of ideas,
knowledge, and creativity, the environment is enriched by the
increased flow of ideas.
A harmonious environment creates a common idea that becomes the
backdrop for the environment that holds it together. It promotes a
symbiotic relationship between the community, nature, and culture
and the environment. When they work well together, it creates a
multiplicity that can allow for more possibilities within the realm
of the environment.
Imagination allows for the people in an environment to connect
with in a way that fosters creative thoughts. It allows for a
tolerance and implementation of possibilities It also creates an
interaction between the human and the environment
Diversity within an environment allows for a multitude of
interactions between the people and the systems. It creates a
variety of choices that enriches the experience by forming a
framework that allows for change and adaptability.
An adaptable environment acknowledges the economic stratum along
with a flexible spatial framework of program and use. By creating
an adaptable environment, it can stay current so that it can
transcend its natural life cycle and continue to thrive. The
environments resilience allows it to continue to enrich the people
within it.
-
8The theatre of everyday life is the scaffold or backdrop to
which everyday activity is involved with by observation (passively)
or participation (actively). The realm of the observer and the
realm of the participant arent necessarily defined, rather implied
or vague. Within the context of the studios solution, the theatre
of everyday life is manifested as a stage. In this resolution the
role of observer and participant are explicit.
-
9Strategies
The edge is the border or surface of continuity in the urban
fabric. It terminates space, providing containment and definition;
its surface directs views and energy flows and provides enclosure.
The role of the edge is to complete an existing urban fabric. The
edge condition actively creates place; which we perceive of as
streets, plazas, or courtyards. It separates the public and private
domains. In this definition of space and activity is the
understanding of role and identity.
-
10
Flow is the movement that occurs throughout the various urban
systems. Flows can refer to physical movements in systems, or the
perception of movement through the relationships between various
systems. Flows can be optimized or inhibited when manipulated at
the urban scale.
-
11
Strategies
Node is knot of energy. A place or group of places that acts as
a point of exchange in flows of the urban floor. The size of the
node can be a concentrated point of systems, or a larger district
of flow interchanges. Usually, nodes are systematically diverse,
creating a social and/or dynamic place.
-
12
The urban floor is an occupiable, undulating plane that allow
for the navigation through various strata. This includes and
connects spaces within or between buildings, streets, sidewalks,
floors, stairs, ramps, or anything else that interacts with flows
of the public realm.
-
13
Strategies
In reinforcing the metaphor of the urban fabric, the stitch
serves to fasten or join multiple strata. Manifested
architecturally stitches are circulation points, primarily
vertically, and are commonly stairs or ramps. Their role is not to
intrude, rather, to seamlessly mend multiple strata and to direct
the passage of energy flows.
-
14
-
15
Traditional acupuncture is used as Chinese medication in order
to correct imbalances in the flow of qi. Placing a needle in one
point of the body will help balance out the flow of energy in
another part of the body. Urban acupuncture uses this methodology
for balancing and regulating flows of urban spaces. In relation to
PHIDA, this response provides a sustainable infrastructure for
Stavanger. It choreographs space and the human response to create
unimaginable new developments and interactions that encourage a
healthy economic and creative growth for the region.
The idea is that individual architectural projects become
needles in a large connected web we call the urban floor. When
these interventions are placed together correctly, they create
meaningful relationships in the city of Stavanger.
Urban Acupuncture
Urban A
cupuncture
-
18
Hinna
Sandnes
Sola
Stavanger
Transportation Cultural Nodes Major Harbor
-
19
Setting
Regional Net Income Regional Immigrant Map Regional
Out-Migrations
-
20
Fishing Canning DrillingFishing Canning Drilling
-
21
Setting
International Chamber Music Festival (ICMF)
Stavanger Symfoniorkester
Church music ensemble
Norwegian Organ Festival
MaiJazz - International Jazz Festival
Stavanger Live - Indie rock festival
Black metal scene
NuMusic - International experimental and electron-ic music
festival
-Music in Stavanger reects local musical heritage and
innovation, as well as a global connectivity.
International Chamber Music Festival Stavanger
SymfoniorkesterChurch Music EnsembleNorweigian Organ Festival
MaiJazz - International Jazz Festival
Stavanger Live - Indie Rock FestivalBlack Metal Scene
NuMusic - International Experimental and Electronic Music
Festival
Music in Stavanger refl ects local music heritage and
innovation, as well as it represents connectivity at a global
scale
-
22
Understated Allow the existing beauty and taste to permeate the
senses. Always seek the easiest and most elegant solution.
Understated Always seek the most simple and elegant solution
-
23
Setting
Understated Allow the existing beauty and taste to permeate the
senses. Always seek the easiest and most elegant solution. Allow
the existing beauty and taste to permeate the senses
-
26
Existing Edges
-
27
Seeking Patterns
Green Spaces
-
28
Existing Flows and Nodes
-
29
Seeking Patterns
Circulation
-
32
-
33
Response
-
34
The Bridge Viewing Platform
Waste Subway Travel
-
35
Response
-
36
WATERa necessity current culture
bathroom market stands cafe and bar restaurant shop and
storefront
-
37
LIGHTadvancing culturecurrent culture
miscellaneous swimming information buy culture educational
-
38
-
39
Commercial Culture and EducationTransportation Live and Work
Response
-
42
-
43
Response - Urban Floor
The urban floor serves as the fabric that connects the public
realm of Stavanger. As a result, the citys urban flow is
reconfigured to connect the primary nodes of activity around the
market. The focus was to engage an underground strata so as to not
interrupt the existing environment of Stavanger. This solution
produced a diversity of opportunities between various vertical
dimensions. As it serves as the framework for the campanile and the
cultural armature, the urban floor establishes a unity between the
three elements.
The flow of energy is directed through the underground by
creating a connection between the lake and the harbor which
channels water through the subterranean realm. Water is used as a
primary sensory magnet that guides people into the space while
light is used to pull people back to a higher strata. Represented
by light, balance is established by connecting vertical stitches
through the various strata.
-
44
-
45
Response - Urban Floor
-
46
-
47
Response - Urban Floor
Commercial Culture and EducationTransportation Live and Work
-
48
Two Meter Level
-
49
Response - Urban Floor
Five Meter Level
-
50
Eight Meter Plan
-
51
Response - Urban Floor
Courtyard
-
5252
-
53
Response - Cultural A
rmature
53
Response - Cultural A
rmature
-
54
Section Perspective A
Overhead View
-
55
Response - Cultural A
rmature
The dilemma of the Stavanger square is its lack of defi nition
and containment. The square, Latin school, park and parade street
seep in to one boundless and undefi ned space. These spaces are
defi cient in containment and identity. The solution was to insert
a piece in to the existing context that would reinforce edge,
permeability, and activity and provide stitches from the urban fl
oor to street level.
The notion of the cultural armature was manifested aft er
investigating the issues of the urban context. We began with an
awareness of history, culture, politics, and economic ambition. We
knew that we wanted to be sensitive to tradition while facilitating
and anticipating the future. In doing word investigation we defi
ned culture as : qualities and concerns of a specifi c region or
locale- and- style, art, vernacular, customs and traditions as they
relate to a civilization. We then defi ned armature as; a scaff old
or canvas by which a work of art can be created. In adding the two
the result is; a scaff old or canvas by which culture can be
facilitated.
-
56
Circulation Primary Structure
Secondary StructureEnclosure
-
57
Response - Cultural A
rmature
Interior Configuration One
Interior Configuration ThreeInterior Configuration Two
Superfloor
-
58
Haakon VII West
Section
-
59
Response - Cultural A
rmature
Bay View
-
60
Section Perspective B
Latin Schools Courtyard
-
61
Response - Cultural A
rmature
View from Market
-
62
-
63
Response - Cultural A
rmature
-
64
Base of Campanile
-
65
Response - Cam
panile
The Campanile, or as we have come to call it, The Urban Compass,
serves many functions at various scales and engages the various
strata of the city. It serves as a navigation device and a needle
that releases the energy of the urban fl ow in service of the idea
of urban acupuncture. Its thirty-six meter above ground height
establishes its presence as a navigation device within the city,
and creates a triangulation with other tall structures in the city;
the observation tower that was created guard against city fi res
and the spire of the cathedral that is an icon of the city.
The structure of the campanile brings to mind the structure of
an oil rig. This is a common sight of the coast of Norway, and a
structure strongly identifi ed with the culture and economy of
Norway, especially Stavanger, The Oil Capital of Europe. The
primary connection with the strata of the city happens at the point
where the tower engages the Urban Floor. The soaring height of the
tower guides the populous to its point through an innovative
combination of structure, sustainability, and experience. During
good weather the cladding of the upper levels of the campanile fold
out to allow a diff erent type of experience; an engaging though
somewhat dangerous architecture.
The Structural Connections
-
66
Haakon VII West
-
67
Response - Cam
panile
Section Plan
-
68
The Underground View from the Bay
-
69
Response - Cam
panile
Haakon VII East - Open Top
-
72
-
73
Conclusion - Reflections
Stavanger was more than an urban revitalization project. We were
just students coming from the small world of architecture that were
suddenly transported thousands of miles of away into the fjords of
Norway, completely mystified and unaware of the real, complex
issues that were slowly being uncovered in understanding the urban
domain of a relatively small part of the grand living environment.
It wasnt about the architecture as it was about the people
performing within the various systems and subsystems of the city.
Yet, in recognition of this, the resolution that was created by the
studio was a physical manifestation of the possible opportunities
that would create better economies, livelihoods, and public
interaction at the scale of the city and beyond. This collaborative
effort amongst the various backgrounds, opinions, and general
dispositions of the students was an indication of something more.
As we started to experience our own in-between scenario of how to
translate our opinions on improving the urban character of
Stavanger to each other, there became the question of how to deal
with the in-between scenarios of the studios proposal to the world;
because even though we believe in the viable promise of this
proposed urban architecture, the same level of understanding must
be exuded from those that we are promising it to.So, we ask
ourselves as students moving on from third year in the school of
architecture, how can we seek and manipulate the multiplicities
that seem to be evident in all scenarios of life and apply that to
future projects in school and even beyond as we try to uncover the
patterns that so subtly escapes our consciousness and bring it
forth to our fellow peers, professionals, and ultimately the
public?
-
74
Haiku of the DiscontentedI hate these people,long nights, little
accomplished.Group work....never more
We demand rigidly defined areas of doubt and uncertainty -
Douglas AdamsHitchHikers Guide to the Galaxy
Stay confused, get angry, and fight for your right to party.
You can find me studying Utepils.
You would think we were studying architecture this semester, but
Im pretty sure its been everything else.
I could do this in sketchup in like 20 minutes.
Sorry, I was at work.
-
75
Conclusion - Reflections - STU
DIO
This semester was overflowing with fresh ideas and ways of
thinking. I will continue seeking the opportunities for years to
come.
Two main things: What is the bigger story to be told? How can
that story be understood?
It was the best of times, it was the worst of times - A Tale of
Two Cities - Halima
You look at where you where youre going and where you are and it
never makes sense, but then you look back at where youve been and a
pattern seems to emerge - Robert M. Pirsig
The best thing since tubed meat.
It was like learning a new language, a completely new
vocabulary. There are still so many more words to learn.
I want to live healthy and have fun.A house is a machine for
living in - Le Corbusier
-
76
-
77
Conclusion - Reflections
Torgeir NorheimTereza BrezovkaJoshua Jerome BroadwayDevin
BrownJonathan EdenTyler FriesenFrederik HeuserDaniel JohnsonJames
KendallJohn LaFontainVy NguyenTrenton RichardsonHalima
ShehuBenjamin SlaterHaoyang SongHanna SulHolly Wolf
STUDIO