Urbanism and stages of insurgence, Teatro Oficina, Bexiga, São Paolo. Jeroen Stevens, Jonas Knapen

Urbanism & stages of insUrgenceTeaTro oficina / Bexiga / São Paulo

Jeroen Stevens & Jonas Knapen Master of Urbanism & Strategic Planning

Promotor: André Loeckx

Urbanism & stages of insUrgenceTeaTro oficina / Bexiga / São Paulo

Jeroen Stevens & Jonas Knapen Master of Urbanism & Strategic Planning

Promotor: André Loeckx

Chapter I. SCeneS of poroSIty by Jeroen Stevens

Bexiga and the Insurgence of the Margin (1574-1950) . . . . . . . . . . . . . . . . . . . .

Chapter II. SCeneS of ConteStatIon by Jeroen Stevens

Teatro Oficina staging the city (1951-2013) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Chapter III. DeSIgn exploratIonS by Jonas Knapen

A Landscape Scenography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

[BX]

[TO]

[SP]

A Project

Stage

Stage

Stage

A Neighbourhood

A city

SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)iii

SÃo PAULo

[BX]

Rio Tietê

Rio Tietê “Good water”

Rio PinheirosRio Tamanduateí

rio anhangabaú “a spell of the evil one”

rio saracura “Hiding bird”

rio do bexiga

QuilOmBO SaracuraAn African centre in the colonial margin (1574-1888)

act. 01 i SceneS of PoroSityBexiga and the Insurgence of the Margin (1574-1950)

Rio Anh

anga

baú

Rio

Sara

cura

Conv. de São Bento

Conv. de São Francisco

Praça das Bandeiras Conv. de Carmo

Igreja dos Remedios<

Roa

d to

San

tos

Igreja Carmo

camPOS dO BeXiga

gallow

Slaughterhause

Quilombo

Hostel Bexiga

cemetery of indigenous and hanged

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Sé Cathedral

QuilOmBO SaracuraAn African centre in the colonial margin (1574-1888)


BeXiGA (Calabreses)

Lappa (Italianos)

brás (Italianos)

Rio Tietê

Estação da Luz

Estação da Brás

Rio Tamanduateí

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gallows

cemetarycemetary of the in-digenous and hanged

slaughterhouse

slave market

Quilombo

Rio Anhangabaú

Rio Saracura

Rio do Bexiga

PlanejamenTO dO BeXigaImposition and appropriation of an Italian quarter (1888-1905)


Rio

Anha

ngab

aú

Rio

Sara

cura

Rua

Bar

bosa

avenida PaULista

PeriPHeral cenTreBexiga and the early modernism (1905-1930)


juXTaPOSed inSurgencieSCultures of hybridity (1930-1950)


juXTaPOSed inSurgencieSCultures of hybridity (1930-1950)


SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)iii

THeaTre Of eXPerimenTaTiOnTeatro oficina’s theatrical laboratory (1951-1964)

act. 05 ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)

THeaTre Of reSiSTanceThe military coup and cultures of resistance (1964-1979)






THeaTre Of inSurgenT urBaniTySocial movements and the right to the city (1979-1984)


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ESCALA 1:1 0000 25 100 m50 75

Equidistância das curvas de nível : 1 metro

oswald de andrade the former residence of modernist writer (see page <?> & page 112)

cortiço one of the largest cortiços of bexiga (see page <?> & page 174)

tbc the first important theatre of bexiga, the teatro brasileira de commedia (see page <?>) rua Japurá

Where oficina tried to ‘break through’ the fence of the small gated compound that residents made

casa doña Yaya one of the oldest buildings of bexiga. today it’s the centro de Preservação cultural of the Universidade de são Paulo

teatro oficina

frOm inSurgence TO cOPrOducTiOnQuestioning cultural practice as a basis for coproductive urbanism (2001-2013)

ii SceneS of conteStAtionTeatro Oficina staging the city (1951-2013)

act. 09

DESIGN EXPLORATIONSA Landscape ScenographyIII

FRAMING RESEARCH BY DESIGNSite consolidation

Act. 10 III DESIGN EXPLORATIONSA Landscape Scenography

III DESIGN EXPLORATIONSA Landscape Scenography

A LANDSCAPE SCENOGRAPHYDesign strategies



Act. 13

A new ArmAture

topogrAphic differentiAtion

continuous lAndscApe

ARTICULATING THE LANDSCAPE: DESIGN PRINCIPLES


(RE-)COLLECTING QUALIFIED AND UNQUALIFIED OPENS PACES

(re-)collecting plAtform

requAlifying corroded grids

Altered topogrAphy:

Source: all images by authorinserting a public platform



ToolsCrossing the highway Maximizing headroom Creating platforms

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Differentiating passages

A (re-)collecting platform

Vertical circulation

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Altered Topography



A public platform

Act. 13 A LANDSCAPE SCENOGRAPHYDesign strategies


requAlifiying corroded grids

recollecting open spAces And Altering

topogrAphy

ArticulAting the lAnd-scApe And recollecting

open spAces

recollecting open spAces And Altering topogrAphy

ArticulAting the lAnd-scApe, collecting open spAces And Altering topogrAphy

recollecting open spAces



STRATEGIC INTERVENTIONSRua Conselheiro Ramalho & Teatro Oficina

Act. 14

Teatro Oficina


network of streets And pAssAges



squAres And terrAces




Act. 14

VERTICAL LANDMARKS AND HORIZONTAL PLANES

theAtre: BAlcony

theAtre: stAnd

theAtre: stAdium circus

technicAl fAcilities (contAiner)

mArket


Teatro Oficina: Covered street





iconic lAndmArk



Teatro Oficina: overview



EXPLORING MULTIPLE SOCIAL SCENESReflecting upon the landscape armature

Act. 15

EVERYDAY LIFE


TEATRO OFICINA PERFORMANCE



PAULISTA FESTIVAL



Exodus

The context and structure of the research aim to be open-ended. The assemblage of acts & scenes, staged on and by Teatro Oficina, Bexiga and São Paulo, aim to open up new perspectives in ongoing and continuing debate. This way, the collection of acts and scenes hopes to be an open invition for further additions , reflections & debate.

CidaDe mOdOs DE fAzERMoDos de usarmOdos De ColabOrAr

BieNaL de ArquitEtura dE sĀo PAulO

Urbanism and stages of insurgence, Teatro Oficina, Bexiga, São Paolo. Jeroen Stevens, Jonas Knapen

Design

landscape scenographyre

scenes of porosityimposition

important theatre of

iiiscenes of porosity

vvteatro oficina

theatre of resistance

colonial margin

cultures of resistance