urban concern (continued from cover) What is this purpose of the new architecture? I d o u b t the purpose is abstract sculpture, nor do I believe it to be professional magazine or press headlines (pro or con). Rather, I believe the purpose h a s t o do with the nature of those who indwell our architecture. What Is it that moti- vates both on the simple level of bio- logical performance and on the more complex level of psychological re- quirements and aspirations? This suggests that the real client we serve is not the individual, com- mittee, or agency which pays our bills. T h i s c l i e n t may b e m o r e prop- erly termed a sponsor (or a co- sponsor with us). Our client is the folk who will dwell in our structure upon its completion. The test for success of any struc- ture is not the happenstance sculp- tural effect or resulting headlines, but rather the reaction of those who must live with what we have cre- ated. I suspect what we are really speaking of is something called "hu- mane architecture." It is not the ar- chitecture we see today — an ar- chitecture which appears out of scale and unconcerned with the hu- man user. A biologist proposes, and today's architecture suggests, that the logical thing to do is to design the environment, and then adapt the hu- man being to it by genetic manipula- tion. Human adaptation is possible, yet i t a p p a l l s me! What form "new architecture" will take, I do not know. I suggest it will be some form of mega-archi- tecture; in fact, it may even be a non-architecture. Certainly the idea of discrete structures for specialized functions is obsolete, just as the con- cept of discrete building trades con- structing "bits and pieces" of a structure is obsolete (yet it is with us still). If this is the product of "new architecture" one must antici- pate in the future, it raises the ques- tion of the process required to achieve this product. For this process I employ the term "urban design" without apology, acknowledging that few people, including those on the AIA Committee on Urban Design, really agree upon what constitutes urban design. The Committpe tried for several years to define urban design and finally gave up in utter frustration. It appears to me to have eight characteristics. URBAN DESIGN CHARACTERISTICS First is a question of scale — the geographic scale, the time scale, the scale of complexity. We may not assume that we are able to design a structure which three or four years from now will be admired by our- selves — along with our press. We accept that we may be a lifetime de- signing an urban a r e a , o r a segment of an urban area. It may stretch many miles; it may be a total me- tropolis such as Greater Stockholm. The complexities with which we deal may require more than the tradition- al services of the structural and me- chanical engineer and the landscape architect. The second characteristic is urban planning in the third dimension. This suggests a bridge between planning, a s a t w o - d i m e n s i o n a l quasi science, and architecture, a s a three- dimensional non-science. A three- dimensional concept is achievable at any scale to enable the level of a region to be conceptualized, even a region embracing several states. The third is the process of posing and evaluating alternatives against a true scale of cost and benefits. The measuring of a design solely on the basis of first cost and functional pros and cons is too narrow. This limited spectrum of costs and bene- fits may have been appropriate to our frontier nation twenty years ago; however, it is no longer appropriate for our nation today, the mature leader of western civilization. I do not believe our recent Presi- dents have been great aesthetes. I do believe they have been great poli- ticians. For the first time since Thomas Jefferson, a President may speak of the quality of life in this country, of aesthetics as a political issue. I believe he is responding, as a political leader, to a new chord in the electorate. If we desire a true measure of costs and benefits, we have to combine not only first cost and function, but economic benefits created and destroyed, historical values e n h a n c e d o r diminished, social systems and v a l u e s — and aesthetics. H e r e w e see the proper role of sys- tems engineering, the role of the computer, programmed to evaluate design alternatives against this new spectrum of costs and benefits. We see the necessity, therefore, to quanti- fy a number of factors in computer programming which until now have not been quantified. A fourth characteristic (old for the architect — new for the planner) is urban design operating on a con- tinuum. It commences on the near end with research, programming, evaluation, systems analysis. It con- cludes on the far end, however far this may be; i. e., twenty y e a r s — a lifetime, with the "fait accompli" of the artifact. This is the theme of comprehensive services that the AIA has been fostering for a d e c a d e . My experience is that, if this continuum is interrupted, the plan which is left on the shelf for later implementation is, ipso facto, obsolete, whereas the plan which is built o n s c h e d u l e i s not obsolete. This brings me to the fifth char- acteristic, systems engineering. This is part and parcel of urban design in t e r m s o f a " p l a n for planning." Too often we present ourselves as gifted designers and planners, yet we do not organize ourselves as we would like to organize our clients. The sixth is the d e c i s i o n - m a k i n g process which involves design and the heirarchy of decision making. It encompasses the full range of al- ARCH ROGERS FAIA, author Senior partner, Rogers. Taliaferro, Kos- tritsky. Lamb of Baltimore, Maryland. Received BA degree from Princeton Uni- versity. Master of Fine Arts in Architec- ture from Princeton Graduate School, and Certificate in Naval Architecture from U. S. Naval Post Graduate School. Architect and Urban Planner, was Partner-in-Charge of Plan for Downtown Hartford. Plan for Downtown Ithaca. Church of the Redeemer in Baltimore. Capital City Plan. Ithaca, New York; Downtown Plan. Greensboro. North Carolina: Trumbull Center Proiect Plan. Hartford. Connecticut; and Fountain Square Plaza. Cincinnati. Ohio. ternatives which are posed to the de- cision maker. The decision making process begins with strategic objec- tives stated as achievable alterna- tives within the parameters of a reconnaissance. These alternatives are professionally evaluated, recog- nizing that the client/decision maker controls the final decisions for rea- sons that may diverge from the technical rationale of the professional evaluator. Throughout this process alternatives are posed and evaluated; tactics of design are introduced, and finally, implemented. One of the key qualities offered by the architect to this process, one which the decision maker recog- nizes and inarticulately hungers for, is imagination. Imagination in its literal sense, not in its bastardized version, im- plying dreaming and impracticabili- ty, is the ability to forecast the image of decision, the ability to syn- thesize, to describe these images graphically. This is a unique ar- chitectural ability. And the graphic mode of synthesis and illustration of image creates a simultaneity which is not possible in the arithmetic or verbal symbolo- gy. There he must review sequen- tially numbers or words through a step-by-step explanation. The graph- ic depiction is simultaneous. It synthesizes immediately and is, therefore, a better mode of commu- nication than are words and num- bers. ALABAMA ARCHITECT
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Transcript
urban concern (cont inued f r o m cover)
W h a t is t h i s p u r p o s e of t h e n e w a r c h i t e c t u r e ? I d o u b t t h e p u r p o s e is a b s t r a c t s c u l p t u r e , n o r do I b e l i e v e it to be p r o f e s s i o n a l m a g a z i n e o r p r e s s h e a d l i n e s ( p r o o r c o n ) . R a t h e r , I b e l i e v e t h e p u r p o s e h a s to do w i t h t h e n a t u r e of t h o s e w h o i n d w e l l o u r a r c h i t e c t u r e . W h a t Is it t h a t m o t i v a t e s b o t h o n t h e s i m p l e l e v e l of b i o l o g i c a l p e r f o r m a n c e a n d o n t h e m o r e c o m p l e x l e v e l of p s y c h o l o g i c a l r e q u i r e m e n t s a n d a s p i r a t i o n s ?
T h i s s u g g e s t s t h a t t h e r e a l c l i e n t w e s e r v e is n o t t h e i n d i v i d u a l , c o m m i t t e e , o r a g e n c y w h i c h p a y s o u r b i l l s . T h i s c l i e n t m a y b e m o r e p r o p e r l y t e r m e d a s p o n s o r ( o r a c o -s p o n s o r w i t h u s ) . O u r c l i e n t is t h e f o l k w h o w i l l d w e l l in o u r s t r u c t u r e u p o n i t s c o m p l e t i o n .
T h e t e s t f o r s u c c e s s of a n y s t r u c t u r e is n o t t h e h a p p e n s t a n c e s c u l p t u r a l e f f e c t o r r e s u l t i n g h e a d l i n e s , b u t r a t h e r t h e r e a c t i o n of t h o s e w h o m u s t l i v e w i t h w h a t w e h a v e c r e a t e d .
I s u s p e c t w h a t w e a r e r e a l l y s p e a k i n g of is s o m e t h i n g c a l l e d " h u m a n e a r c h i t e c t u r e . " I t i s n o t t h e a r c h i t e c t u r e w e s e e t o d a y — a n a r c h i t e c t u r e w h i c h a p p e a r s o u t of s c a l e a n d u n c o n c e r n e d w i t h t h e h u m a n u s e r . A b i o l o g i s t p r o p o s e s , a n d t o d a y ' s a r c h i t e c t u r e s u g g e s t s , t h a t t h e l o g i c a l t h i n g to d o i s to d e s i g n t h e e n v i r o n m e n t , a n d t h e n a d a p t t h e h u m a n b e i n g to it b y g e n e t i c m a n i p u l a t i o n . H u m a n a d a p t a t i o n is p o s s i b l e , y e t i t a p p a l l s m e !
W h a t f o r m " n e w a r c h i t e c t u r e " w i l l t a k e , I do not k n o w . I s u g g e s t it w i l l be s o m e f o r m of m e g a - a r c h i t e c t u r e ; in f a c t , it m a y e v e n be a n o n - a r c h i t e c t u r e . C e r t a i n l y t h e i d e a of d i s c r e t e s t r u c t u r e s f o r s p e c i a l i z e d f u n c t i o n s is o b s o l e t e , j u s t a s t h e c o n c e p t of d i s c r e t e b u i l d i n g t r a d e s c o n s t r u c t i n g " b i t s a n d p i e c e s " of a s t r u c t u r e is o b s o l e t e ( y e t it is w i t h u s s t i l l ) . I f t h i s is t h e p r o d u c t of " n e w a r c h i t e c t u r e " o n e m u s t a n t i c i p a t e in t h e f u t u r e , it r a i s e s t h e q u e s t i o n of t h e p r o c e s s r e q u i r e d to a c h i e v e t h i s p r o d u c t . F o r t h i s p r o c e s s I e m p l o y t h e t e r m " u r b a n d e s i g n " w i t h o u t a p o l o g y , a c k n o w l e d g i n g t h a t f e w p e o p l e , i n c l u d i n g t h o s e o n t h e A I A C o m m i t t e e o n U r b a n D e s i g n , r e a l l y a g r e e u p o n w h a t c o n s t i t u t e s u r b a n d e s i g n . T h e C o m m i t t p e t r i e d f o r s e v e r a l y e a r s to d e f i n e u r b a n d e s i g n a n d f i n a l l y g a v e u p i n u t t e r f r u s t r a t i o n . It a p p e a r s to m e to h a v e e i g h t c h a r a c t e r i s t i c s .
URBAN DESIGN CHARACTERISTICS F i r s t is a q u e s t i o n of s c a l e — t h e
g e o g r a p h i c s c a l e , t h e t i m e s c a l e , t h e s c a l e of c o m p l e x i t y . W e m a y not a s s u m e t h a t w e a r e a b l e to d e s i g n a s t r u c t u r e w h i c h t h r e e o r f o u r y e a r s f r o m n o w w i l l b e a d m i r e d b y o u r s e l v e s — a l o n g w i t h o u r p r e s s . W e a c c e p t t h a t w e m a y be a l i f e t i m e d e s i g n i n g a n u r b a n a r e a , o r a s e g m e n t of a n u r b a n a r e a . It m a y s t r e t c h m a n y m i l e s ; i t m a y b e a t o t a l m e t r o p o l i s s u c h a s G r e a t e r S t o c k h o l m .
T h e c o m p l e x i t i e s w i t h w h i c h w e d e a l m a y r e q u i r e m o r e t h a n t h e t r a d i t i o n al s e r v i c e s of t h e s t r u c t u r a l a n d m e c h a n i c a l e n g i n e e r a n d t h e l a n d s c a p e a r c h i t e c t .
T h e s e c o n d c h a r a c t e r i s t i c is u r b a n p l a n n i n g in t h e t h i r d d i m e n s i o n . T h i s s u g g e s t s a b r i d g e b e t w e e n p l a n n i n g , a s a t w o - d i m e n s i o n a l q u a s i s c i e n c e , a n d a r c h i t e c t u r e , a s a t h r e e -d i m e n s i o n a l n o n - s c i e n c e . A t h r e e -d i m e n s i o n a l c o n c e p t is a c h i e v a b l e a t a n y s c a l e to e n a b l e t h e l e v e l of a r e g i o n to be c o n c e p t u a l i z e d , e v e n a r e g i o n e m b r a c i n g s e v e r a l s t a t e s .
T h e t h i r d is t h e p r o c e s s of p o s i n g a n d e v a l u a t i n g a l t e r n a t i v e s a g a i n s t a t r u e s c a l e of c o s t a n d b e n e f i t s . T h e m e a s u r i n g o f a d e s i g n s o l e l y o n t h e b a s i s of f i r s t c o s t a n d f u n c t i o n a l p r o s a n d c o n s i s too n a r r o w . T h i s l i m i t e d s p e c t r u m of c o s t s a n d b e n e f i t s m a y h a v e b e e n a p p r o p r i a t e to o u r f r o n t i e r n a t i o n t w e n t y y e a r s a g o ; h o w e v e r , it i s n o l o n g e r a p p r o p r i a t e f o r o u r n a t i o n t o d a y , t h e m a t u r e l e a d e r of w e s t e r n c i v i l i z a t i o n .
I do no t b e l i e v e o u r r e c e n t P r e s i d e n t s h a v e b e e n g r e a t a e s t h e t e s . I do b e l i e v e t h e y h a v e b e e n g r e a t p o l i t i c i a n s . F o r t h e f i r s t t i m e s i n c e T h o m a s J e f f e r s o n , a P r e s i d e n t m a y s p e a k of t h e q u a l i t y of l i f e in t h i s c o u n t r y , of a e s t h e t i c s a s a p o l i t i c a l i s s u e . I b e l i e v e h e is r e s p o n d i n g , a s a p o l i t i c a l l e a d e r , to a n e w c h o r d in t h e e l e c t o r a t e . I f w e d e s i r e a t r u e m e a s u r e of c o s t s a n d b e n e f i t s , w e h a v e to c o m b i n e n o t o n l y f i r s t c o s t a n d f u n c t i o n , b u t e c o n o m i c b e n e f i t s c r e a t e d a n d d e s t r o y e d , h i s t o r i c a l v a l u e s e n h a n c e d o r d i m i n i s h e d , s o c i a l s y s t e m s a n d v a l u e s — a n d a e s t h e t i c s .
H e r e w e s e e t h e p r o p e r r o l e of s y s t e m s e n g i n e e r i n g , t h e r o l e of t h e c o m p u t e r , p r o g r a m m e d to e v a l u a t e d e s i g n a l t e r n a t i v e s a g a i n s t t h i s n e w s p e c t r u m of c o s t s a n d b e n e f i t s . W e s e e t h e n e c e s s i t y , t h e r e f o r e , to q u a n t i f y a n u m b e r of f a c t o r s in c o m p u t e r p r o g r a m m i n g w h i c h u n t i l n o w h a v e not been q u a n t i f i e d .
A f o u r t h c h a r a c t e r i s t i c ( o l d f o r t h e a r c h i t e c t — n e w f o r t h e p l a n n e r ) is u r b a n d e s i g n o p e r a t i n g o n a c o n t i n u u m . It c o m m e n c e s o n t h e n e a r e n d w i t h r e s e a r c h , p r o g r a m m i n g , e v a l u a t i o n , s y s t e m s a n a l y s i s . It c o n c l u d e s o n t h e f a r e n d , h o w e v e r f a r t h i s m a y b e ; i. e . , t w e n t y y e a r s — a l i f e t i m e , w i t h t h e " f a i t a c c o m p l i " of t h e a r t i f a c t . T h i s is t h e t h e m e of c o m p r e h e n s i v e s e r v i c e s t h a t t h e A I A h a s b e e n f o s t e r i n g f o r a d e c a d e . M y e x p e r i e n c e is t h a t , if t h i s c o n t i n u u m is i n t e r r u p t e d , t h e p l a n w h i c h i s l e f t on t h e s h e l f f o r l a t e r i m p l e m e n t a t i o n is , ipso f a c t o , o b s o l e t e , w h e r e a s t h e p l a n w h i c h is b u i l t o n s c h e d u l e is n o t o b s o l e t e .
T h i s b r i n g s m e to t h e f i f t h c h a r a c t e r i s t i c , s y s t e m s e n g i n e e r i n g . T h i s is p a r t a n d p a r c e l of u r b a n d e s i g n in t e r m s of a " p l a n f o r p l a n n i n g . " T o o o f t e n w e p r e s e n t o u r s e l v e s a s g i f t e d d e s i g n e r s a n d p l a n n e r s , y e t w e do n o t o r g a n i z e o u r s e l v e s a s w e w o u l d l i k e to o r g a n i z e o u r c l i e n t s .
T h e s i x t h i s t h e d e c i s i o n - m a k i n g p r o c e s s w h i c h i n v o l v e s d e s i g n a n d t h e h e i r a r c h y of d e c i s i o n m a k i n g . I t e n c o m p a s s e s t h e f u l l r a n g e of a l -
ARCH ROGERS FAIA , a u t h o r
Senior pa r tner , R o g e r s . T a l i a f e r r o , K o s -t r i t sky . L a m b of B a l t i m o r e , M a r y l a n d . R e c e i v e d B A degree f r o m P r i n c e t o n U n i ve rs i ty . Master of F i n e A r t s in A r c h i t e c ture f rom Pr ince ton G r a d u a t e S c h o o l , a n d Cer t i f i ca te in N a v a l A r c h i t e c t u r e f r o m U. S. N a v a l Post G r a d u a t e S c h o o l . A r c h i t e c t and U r b a n P l a n n e r , w a s P a r t n e r - i n - C h a r g e of P l a n for Downtown H a r t f o r d . P l a n for Downtown I thaca . C h u r c h of the R e d e e m e r in B a l t i m o r e . Cap i ta l C i t y P l a n . I t h a c a , New Y o r k ; Downtown P l a n . G r e e n s b o r o . North C a r o l i n a : T r u m b u l l C e n t e r P r o i e c t P l a n . Har t fo rd . C o n n e c t i c u t ; a n d F o u n t a i n S q u a r e P l a z a . C i n c i n n a t i . O h i o .
t e r n a t i v e s w h i c h a r e p o s e d t o t h e d e c i s i o n m a k e r . T h e d e c i s i o n m a k i n g p r o c e s s b e g i n s w i t h s t r a t e g i c o b j e c t i v e s s t a t e d a s a c h i e v a b l e a l t e r n a t i v e s w i t h i n t h e p a r a m e t e r s o f a r e c o n n a i s s a n c e . T h e s e a l t e r n a t i v e s a r e p r o f e s s i o n a l l y e v a l u a t e d , r e c o g n i z i n g t h a t t h e c l i e n t / d e c i s i o n m a k e r c o n t r o l s t h e f i n a l d e c i s i o n s f o r r e a s o n s t h a t m a y d i v e r g e f r o m t h e t e c h n i c a l r a t i o n a l e o f t h e p r o f e s s i o n a l e v a l u a t o r . T h r o u g h o u t t h i s p r o c e s s a l t e r n a t i v e s a r e p o s e d a n d e v a l u a t e d ; t a c t i c s of d e s i g n a r e i n t r o d u c e d , a n d f i n a l l y , i m p l e m e n t e d .
O n e of t h e k e y q u a l i t i e s o f f e r e d b y t h e a r c h i t e c t to t h i s p r o c e s s , o n e w h i c h t h e d e c i s i o n m a k e r r e c o g n i z e s a n d i n a r t i c u l a t e l y h u n g e r s f o r , is i m a g i n a t i o n .
I m a g i n a t i o n i n i t s l i t e r a l s e n s e , no t in i t s b a s t a r d i z e d v e r s i o n , i m p l y i n g d r e a m i n g a n d i m p r a c t i c a b i l i t y , is t h e a b i l i t y to f o r e c a s t t h e i m a g e of d e c i s i o n , t h e a b i l i t y t o s y n t h e s i z e , to d e s c r i b e t h e s e i m a g e s g r a p h i c a l l y . T h i s i s a u n i q u e a r c h i t e c t u r a l a b i l i t y .
A n d t h e g r a p h i c m o d e o f s y n t h e s i s a n d i l l u s t r a t i o n of i m a g e c r e a t e s a s i m u l t a n e i t y w h i c h i s n o t p o s s i b l e in t h e a r i t h m e t i c o r v e r b a l s y m b o l o -g y . T h e r e h e m u s t r e v i e w s e q u e n t i a l l y n u m b e r s o r w o r d s t h r o u g h a s t e p - b y - s t e p e x p l a n a t i o n . T h e g r a p h ic d e p i c t i o n is s i m u l t a n e o u s . I t s y n t h e s i z e s i m m e d i a t e l y a n d i s , t h e r e f o r e , a b e t t e r m o d e o f c o m m u n i c a t i o n t h a n a r e w o r d s a n d n u m b e r s .
ALABAMA A R C H I T E C T
alabama architect
mar./apr. 1969
tH E N E W A R C H I T E C T U R E w a s the t h e m e of a r e c e n t
c o n v e n t i o n o f T h e A m e r i c a n Insti tute of A r c h i t e c t s
n N e w Y o r k C i t y . In a d o p t i n g s u c h a t h e m e t h e A I A
a n d t h e a r c h i t e c t u r a l p r o f e s s i o n w e r e I t h i n k p o s i n g a
r a t h e r s t a r t l i n g p r o p o s i t i o n , to w i t :
1_. T h a t , a f t e r t w e n t y y e a r s of s u c c e s s in " s e l l i n g " c o n
t e m p o r a r y a r c h i t e c t u r e a s a s t y l e , s o m e t h i n g n e w
is n o w r e q u i r e d f r o m the a rch i tec t .
2 . T h a t to b e r e a l l y n e w that w h i c h is r e q u i r e d m u s t
b e m o r e t h a n s i m p l y a n o t h e r s t y l e .
3 . T h a t the p u r p o s e o f the n e w a r c h i t e c t u r e r e l a t e s to
the p u r p o s e of o u r t roub led soc ie ty a t w h a t m a y
b e a n h is tor ic t u r n i n g point in o u r n a t i o n a l h is to ry
a n d t h a t th is p u r p o s e w i l l i n e v i t a b l y s h a p e the n e w
a r c h i t e c t u r e . ( c o n t i n u e d o n p a g e 2 )
T h e f i n a l a s p e c t of d e c i s i o n m a k i n g i s t h e c o n s i d e r a t i o n of a l t e r n a t i v e s , a n d t h e d e c i s i o n t a k e n u p o n a l t e r n a t i v e s , i n a f i s h b o w l . T h u s t h e c o m m u n i t y a s a w h o l e p a r t i c i p a t e s i n a n d u n d e r s t a n d s t h e p r o c e s s . T h i s i s c o n t r a r y to c u r r e n t p r o c e d u r e s w h e r e t h e a r c h i t e c t c o n d u c t s b u s i n e s s i n a g a r r e t t a n d t h e d e c i s i o n m a k e r o p e r a t e s f r o m b e h i n d a d e s k . T h e p u b l i c i s o n l y a l l o w e d in a t t h e l a s t m o m e n t w h e n t h e s i l v e r d i s h i s p i c k e d o f f a n d t h e g r e a t u n c h a n g e a b l e p l a n i s p r e s e n t e d .
T h e s e v e n t h c h a r a c t e r i s t i c o f u r b a n d e s i g n m a y b e t e r m e d " a d v o c a c y u r b a n d e s i g n . " T h i s g i v e s a r t i c u l a t i o n to t h e " f i s h b o w l " a s p e c t m e n t i o n e d a b o v e . T h i s s u g g e s t s t h a t t h e c o m m u n i t y m u s t o r g a n i z e t o p a r t i c i p a t e p o s i t i v e l y in t h e d e c i s i o n m a k i n g p r o c e s s f o r p l a n s t h a t p h y s i c a l l y a f f e c t i t s o w n a r e a . F u r t h e r , d e c i s i o n s n o t i n v o l v i n g t h e c o m m u n i t y , a l o o f f r o m t h e c o m m u n i t y , m a y w e l l t u r n o u t to be n o n - d e c i s i o n s .
T h e e i g h t h a n d f i n a l c h a r a c t e r i s t i c is t h e " d e v e l o p m e n t t e a m , " a n e w m e c h a n i s m f o r c a r r y i n g f o r w a r d u r b a n d e s i g n o n t h e s c a l e of w h i c h w e a r e s p e a k i n g . T h e d e s i g n t e a m c r o s s e s t h e d i s c i p l i n e s ; m a y be h e a d e d b y a r c h i t e c t s , b u t n o t n e c e s s a r i l y s o ; w i l l i n c l u d e m a n y n o n - d e s i g n d i s c i p l i n e s ( i . e . . s o c i o l o g y , e c o n o m i c s ) . A s p o n s o r ' s t e a m , w h i c h s i g n s t h e c h e c k s f o r t h e d e s i g n t e a m , r e n d e r s t h e d e c i s i o n s u p o n i t s a l t e r n a t i v e s . T h i s i s v e r y d i f f e r e n t f r o m o u r c u r r e n t I d e a o f t h e c l i e n t to w h o m w e o w e p r i m e l o y a l t y . T h e c o m m u n i t y t e a m a r t i c u l a t e s a n d g i v e s e x p r e s s i o n to t h e w i s h e s a n d a s p i r a t i o n s of t h e c o m m u n i t y i n v o l v e d i n s e l f - i m p r o v e m e n t .
THE NEW ARCHITECT I f t h i s I s t h e " n e w a r c h i t e c t u r e . "
t h e n t h r o u g h d e d u c t i o n w e m a y b e a b l e to d e s c r i b e t h e " n e w a r c h i t e c t . "
F i r s t , t h e g r e a t n e e d t o d a y i s f o r g e n e r a l i s t s , n o t f o r s p e c i a l i s t s . W e h a v e o v e r s p e c i a l i z e d . s u b d i v i d e d , a n d s u b - s u b d i v i d e d to t h e p o i n t w h e r e t h e c r y i n g n e e d i n o u r p r o f e s s i o n , in g o v e r n m e n t a n d i n d u s t r y i s f o r t h e i n d i v i d u a l w h o i s c a p a b l e of s y n t h e s i z i n g , c o m p r e h e n d i n g , a n d m o t i v a t i n g a l l c o m p a r t m e n t a l i z e d s p e c i a l t i e s .
S e c o n d , d e s i g n w i l l b e p e r f o r m e d b y a t e a m o f p e e r s in w h i c h t h e a r c h i t e c t m a y b e In " a b r a s i v e " c o n t a c t w i t h t h e s o c i o l o g i s t , a n d in w h i c h h e m a y d i s c o v e r t h a t t h e s o c i o l o g i s t i s b e t t e r a t c o n c e p t u a l i z a t i o n , r e g a r d l e s s o f l a b e l . T h e t e a m l e a d e r in e a c h i n s t a n c e w i l l e m e r g e b y v i r t u e o f t h e c o n t r i b u t i o n s h e w i l l m a k e . T h i s c l e a r l y m e a n s t h e d a y of t h e d e s i g n h e r o i s o v e r . N o i n d i v i d u a l a r c h i t e c t p o s s e s s e s t h e i n h e r e n t c a p a c i t y to c o m p r e h e n d t h e c o m p l e x i t i e s of t h e p r o b l e m o n t h e s c a l e w e a r e p o s i n g . H e m a y be a h e r o In t h e s e n s e o f o f f e r i n g l e a d e r s h i p a n d m o t i v a t i o n to a d e s i g n t e a m , b u t h e ' l l v e r y l i k e l y b e a n o n - h e r o o n t h e d e s i g n l e v e l .
W e m u s t s e e k " c o l l a b o r a t i o n " a s d i s t i n g u i s h e d f r o m " c o - o r d i n a t i o n " — in w h i c h t h e d e c i s i o n m a k e r a n d t h e d e c i s i o n m a k i n g t e a m a r e I n -
March-April 1969
v o l v e d o n t h e s a m e s i d e o f t h e t a b l e w i t h t h e d e s i g n e r a n d c i t i z e n s . H o r i z o n t a l l y w e s e e c o l l a b o r a t i o n in a l i t e r a l s e n s e — a b r i d g e f o r a l l t h e s p e c i a l t i e s w e n o w c o m p r e h e n d .
W i t h t h i s s i t u a t i o n , it s e e m s to m e . t h e a r c h i t e c t c a n n o l o n g e r be a n a b d i c a t o r . H e c a n n o t s i m p l y s o l v e t h e p r o b l e m a n d q u i t t h e r e , n o r m a y h e d i c t a t e , a n d i m p o s e a p e r s o n a l d e s i g n s o l u t i o n o n e v e r y p r o b l e m . In t h e e n d h e m u s t s t a n d f o r t h a s a n a r t i s t .
I p a r a p h r a s e W i n s t o n C h u r c h i l l : T h e a r c h i t e c t i s i n d e e d an a r t i s t w r a p p e d in a p r o f e s s i o n a l a n d s u r r o u n d e d b y a b u s i n e s s m a n . Y e t t h e c e n t e r of w o r k f o r t h e a r c h i t e c t , b y w h a t e v e r l a b e l u s e d ( u r b a n d e s i g n e r , p l a n n e r , e t c . ) is a r t .
T h e r e i s a p r o c e s s to a r t i s t i c c r e a t i o n w h i c h i s c o n s i s t e n t a n d a o p l i c a -b l e e v e n to a r c h i t e c t u r e . F i r s t t h e a r t i s t m u s t u n d e r s t a n d ( c o m p r e h e n d ) h i s r a w m a t e r i a l s . T h e n h e m u s t c o n c e i v e , a n d t h i s c o n c e p t i o n is l a r g e l y i n t u i t i v e . T h i s i s t r u e f o r t h e a r c h i t e c t , a s w e l l a s f o r o t h e r a r t i s t s . A r t i s b o r n in t h e v o i d c r e a t e d by a t r u e a t t e m p t a t u n d e r s t a n d i n g . F i n a l l y t h e a r t i s t m u s t i m p l e m e n t o r e x e c u t e . I s u s p e c t a g r e a t m a n y of u s l i k e to c o n c e i v e , b u t no t u n d e r s t a n d . W e a r e u n w i l l i n g to t r u l y e x h a u s t o u r s e l v e s in t h i s a r t i s t i c p r o c e s s .
A r c h i t e c t u r e f o l l o w s t h i s p r o c e s s a n d is a n a r t s u c h a s t h e o t h e r a r t s , d i s t i n g u i s h a b l e o n l y in t h a t it u t i l i z e s a d i f f e r e n t r a w m a t e r i a l . R a w m a t e r i a l f o r t h e c a r v e r i s w o o d a n d g r a i n w h i c h h e m u s t r e s p e c t : r a w m a t e r i a l f o r t h e a r c h i t e c t is t h e p r a c t i c a l p r o b l e m a n d i t s p r a c t i c a l s o l u t i o n .
T h e r o l e of t h e a r c h i t e c t is t h e r e l e a s i n g of f o r m s f r o m t h e r a w m a t e r i a l of h i s p r o b l e m s . H e h a s r a w m a t e r i a l s w h i c h i n v o l v e " g r a i n s " of s i t e a n d t i m e , of t h e n a t u r e of t h e s p o n s o r , a n d m o r e i m p o r t a n t l y , of t h e n a t u r e of t h e u s e r . H i s o w n p e r -p e n a l i t y i s i n v o l v e d , c e r t a i n l y , a n d t h e n a t u r e of o u r t i m e s , f o r t h i s is a a r a i n t h a t c u t s a c r o s s a l l p r o b l e m s t o d a y .
A r t a s a t h i n g i n c a r n a t e , w h i c h d u r i n g e t e r n i t y is g i v e n f l e s h a n d s p e a k s to o u r t i m e s a n d to o u r p o s t e r i t y — a n d t h i s h a s v e r y l i t t l e to d o w i t h b e a u t y a n d u g l i n e s s — I n c l u d i n g t h e A l A ' s " w a r o n u p l i n e s s . "
T h e a r t i s t i s a n o n - h e r o ; h e is a v e s s e l , a c o n d u i t , a s e r v a n t o n l y . H e i s a h u m b l e p e r s o n . T h e a r t i s t is a " s e e r , " f o r h e m u s t l o o k to t h e f u t u r e a n d m u s t be c a p a b l e of t r a n s l a t i n g t h e f u t u r e to t h e p r e s e n t . T h i s i s h i s r o l e b e c a u s e t h e a r t i s t s a r e t h e p r e d i c t o r s of t h e f u t u r e ; t h e y a r e t h e l e a d i n g e d g e of h i s t o r y . O n e n e e d o n l y t u r n to t h o s e a r t s , w h i c h h a d m o r e f r e e d o m a t t h e t u r n of t h e c e n t u r y t h a n a r c h i t e c t u r e , a n d s e e t h a t t h e i r p r e d i c t i o n h a s b e c o m e r e a l i t y i n o u r t i m e .
B u t t h e a r c h i t e c t a n d t h e a r t i s t a r e m o r e t h a n s e e r s . T h e a r c h i t e c t i s a l s o a p r o p h e t . H e h a s a m i s s i o n w h i c h r e q u i r e s t h a t h e n o t o n l y i n t e r p r e t , b u t d i r e c t .
W e a r e p o t e n t i a l l y t h e d i r e c t o r s of o u r p h y s i c a l e n v i r o n m e n t . If w e a c c e p t t h i s o n e r o u s c h a r g e o u r s e l v e s , o u r c l i e n t s w i l l a l s o a c c e p t u s . A A
Architects Work To Save Valuable Past
Growing c i t izen c o n c e r n , new funds and F e d e r a l and state p r o g r a m s are helping r e c o r d and s a v e bui ld ings and places w h i c h wi l l g ive the A m e r i c a n future roots to its past . . . and A l a b a m a arch i tec ts are taking an ac t i ve role.
The A m e r i c a n Institute of A r c h i t e c t s ' 172 chapters a c r o s s the nation and a new s y s tem of state p reserva t ion coordinators are helping spark the effort.
F r o m s l u m s to f a r m land, a rch i tec ts with a love of the bu i lder 's art and what it m e a n s to people, a re document ing sites w th ruler and c a m e r a , then often aiding dr ives to save the m e a s u r e d s t ructures .
In New O r l e a n s the old c i ty ha l l . Gal l ier H a l l , w a s s a l v a g e d . In L o s Angeles the V ic tor ian R o c h e s t e r House w a s moved to a safe p lace . At Boston 's R o x b u r y district the S h i r l e y - E u s t i s home wi l l become a community center . A d d " t y p i c a l " f a r m houses in Wiscons in and North C a r o l i n a , Indian mounds and forts and the many-gabled Sher idan Hotel once owned by Buffa lo Bil l and you net the range of effort. In Montgomery , the S h a w House comolex is becoming a real i ty (see p. 9 of this i ssue ) .
Nick H. H o l m e s , J r . , A I A . f^obile architect and m e m b e r of A l a b a m a ' s Histor ical C o m m i s s i o n , sa id a r c h i t e c t s a re delighted at public demand for p r e s e r v a t i o n .
Off ic ia ls now real ize p l a c e s and structures which contain "pa t r io t ic , inspirational and educat ional v a l u e s " a re needed to retain a sense of belonging in the s lums of older cit ies and to anchor c i v i c spirit in the mobile s u b u r b s and new c i t i es . Holmes pointed out.
The U . S . D e p a r t m e n t of Housing and Urban Deve lopment ( H U D ) notes in its guide to histor ic p reserva t ion grants that restored bui ldings can " s p a r k the redevelopment of a d e c a y i n g a r e a . "
H U D now spends around $500,000 a year to help s a f e a u a r d va luab le buildings threatened wi th demoli t ion plus larger amounts through its urban renewa l and ODen space grants to c i t ies , count ies, and states.
Th is F e d e r a l outlay is in addit ion to the longer estab l ished protection of the Na-t io -a l P a r k S e r v i c e through s u r v e y s , inclusion in p a r k s and monuments and grants .
La tes t A I A ins t rument in the campa ign is the ? P C — S t a t e P r e s e r v a t i o n Coordinator. Holmes is State P r e s e v a t i o n Coordinator for A l a b a m a .
The S P C ' s a re ava i l ab le for adv ice on what ought to be s a v e d as wel l as priorit ies, methods, documenta t ion , and F e d e r a l funds and other r e s o u r c e s .
Appointed by A l A ' s H is tor ic Buildings Commit tee , S P C ' s s e r v e without pay .
In W y o m i n g , T o m B . Muths. A I A . of J a c k s o n helped the Sher idan County Histor ica l Society ga in title to the many gabled Sher idan Hotel , once owned by Buffalo Bi l l Cody . It had been set for destruction as a gas stat ion s i te .
In Mobile, H o l m e s and h is wi fe , together with other port c i ty a r c h i t e c t s , have al l taken act ive roles in estab l ish ing the Historic Distr ict and other p reserva t ion measures .
" O u r pr ime funct ion is to st imulate others but we often h a v e to step in our-s e l v e s , " s a i d H o l m e s .
in A l a b a m a , H is tor ic C o m m i s s i o n E x e c u tive Di rector W a r n e r F l o y d of Montgomery is urging county h is tor ica l societies to mventory p laces worth keeping. The five A l a b a m a A I A c h a p t e r s a re being asked to help conduct the w o r k . A l s o assist ing are the A r c h i t e c t s W i v e s Aux i l i a r ies . More help is needed and interested architects should volunteer for th is important work through their c h a p t e r s . AA .
C O L O R R E C O M M E N D A T I O N S A N D D E C O R A T I N G S U G G E S T I O N S E O R A N Y T Y P E S T R U C T U R
FREE FOR ARCHITECTS The proper use of color in a n y s t r u c t u r e requ i res a g r e a t dea l of t i m e and r e s e a r c h . Arch i tects can s a v e va luab le t ime and a c h i e v e beaut i ful color s y m m e t r y by using the free se rv ices of Mobile Pa in t C o m p a n y ' s A r c h i t e c t u r a l D e p a r t m e n t . A representat ive of the A r c h i t e c t u r a l Depar tment wil l be happy to contact you to g ive more information on this color s e r v i c e . O r , s i m p l y s e n d a blue pr int and s p e c i f i c a t i o n s , and a complete color plan wi l l be re turned to you .
ARCHITECTURAL DEPARTMENT
MOBILE PAINT MFG. C O . , \HC., 854 S. C O N C E P T I O N , MOBILE, A L A .
Serving the
Architects and
Builders of
the State
ALABAMA CONCRETE INDUSTRIES ASSOCIATION
( M O S A I C )
W E ' V E M E R G E D To bring you the best possible products and
service
M O S A I C ) A D I V I S I O N O F S T Y L O N C O R P O R A T I O N
F L O R E N C E . A L A
P O B O X 4 1 5 7
4 0 1 B E L L B U I L D I N G
M O N T G O M E R Y . A L A B A M A
Compl iments of:
Building for Permanence
with Concrete Products
SJff a^ii 9ioa^ ^ mo.e*0I
ALABAMA A R C H I T E C T
A I A / C E C AT WASHINGTON CONFERENCE VOLUME 5
NUMBER 2
LEGISLATORS MEET WITH ARCHITECTS AND ENGINEERS L e f t to r igh t : C o n g r e s s m a n J a c k E d w a r d s ; C o n g r e s s m a n W i l l i a m L . D i c k i n s o n : Cong r e s s m a n J o h n B u c h a n a n ; Mr . E d L a d d , C E C ; C o n g r e s s m a n T o m B e v i l l ; Mr. Wi l l iam L . W i l l i a m s , A I A ; C o n g r e s s m a n George A n d r e w s : M r s . Dee T u b b s ; Mr. Rober t B. Tubbs. C E C : S e n a t o r J o h n S p a r k m a n ; Mr. O s c a r P a r d u e , A I A ; C o n g r e s s m a n Rober t E . J o n e s : Mr . A . B . J o w e r s . C E C ; Mr. E d w a r d J . Bonduran t . A I A .
The recent A I A CEC Legis lat ive Con fe rence he ld in W a s h i n g t o n , D. C , on M a r c h 19 a n d 20 w a s a w e l l p r e p a r e d a n d w e l l a t t e n d e d a f f a i r . Arch i tec ts a n d Engineers, over 500 in n u m b e r , came f r o m a l l across the coun t ry . As ind ica ted by the n a m e , this w a s a jo in t e f f o r t by A I A a n d CEC w i t h Phil Hutch inson, A I A , a n d Lar ry Spi l ler , CEC, putt i ng the m e e t i n g together .
Seven of us a t t ended f r o m A l a b a m a . Represent ing the CEC were Robert B. Tubbs , State CEC Presiden t ; A . B. Jowers ; Ed Lodd , a n d Mrs . Dee Tubbs. Other architects a t t e n d i n g w e r e E d w a r d J. Bonduran t a n d W i l l i a m L. W i l l i a m s , bo th f r o m the B i r m i n g h a m Chapte r .
We h o d persona l contact w i t h bo th of A l a b a m a ' s Senators a n d six of our Representat ives. A Congress iona l Recept ion he ld a t the Smi thson ian Inst i tute g a v e us our in i t i a l contact . The nex t d a y , m a i n l y t h r o u g h the e f fo r ts of Bob Tubbs, w e met in each of the Senator 's o f f i ces a n d met the Repre-senot ives a t a luncheon in the House D in i ng Room.
The f i rs t d a y w a s spent in br ie f i ng by Lar ry Spi l ler a n d Phil
Hutch inson of Congressmen and Senators on cur rent a n d pend ing leg is la t ion t ha t w o u l d af fect our indust ry a n d profess ion. Bills on w h i c h w e w e r e b r i e fed and wh ich w e later discussed w i t h our Congressmen inc luded the "Common Sitis P i cke t i ng " HR-100, "Un ion Cont ro l o f Plans a n d Specif icat i ons " S-1532, a n d " G A O Compet i t ive B idd ing P roposa l " which is p e n d i n g .
O u r pro fess ion con h o v e a posit ive e f fec t on per t inen t legis lat ion, if, as a g r o u p , w e become k n o w l edgeab le of the facts and then moke our fee l ings k n o w n to our representat ives in Wash ing ton . In par t i cu la r , our M inu te Man prog r a m fo r con tac t ing specif ic Senators a n d Congressmen is p rov ing its w o r t h . If you k n o w a part icu lar Senator or Congressman that you w o u l d be w i l l i n g to contact , please g i ve you r n a m e a n d the person's name you w i l l contact to Phil Hutch inson at The Inst i tute so that he can a d d you to his list of M in ute M e n . A A
OSCAR PARDUE, President A l a b a m a Counci l o f Archi tects A I A
ALABAMA ARCHITECT MARCH-APRIL 1969
T H E A L A B A M A A R C H I T E C T IS P U B L I S H E D F O R T H E A L A B A M A C O U N C I L O F T H E A M E R I C A N I N S T I T U T E O F A R -C H I T E C T S T O A D V A N C E T H E P R O F E S S I O N O F A R C H I T E C T U R E IN T H E S T A T E O F A L A B A M A .
IN THIS ISSUE 1 U R B A N C O N C E R N
A r c h R o g e r s F A I A d e s c r i b e s the " N e w A r c h i t e c t u r e " and the "New A r c h i t e c t " in their re lat ion to solving u rban p r o b l e m s .
3 A R C H I T E C T S W O R K T O S A V E V A L U A B L E P A S T A l a b a m a a r c h i t e c t s c o m b i n e with others in nation to p r e s e r v e our her i tage .
5 A I A / C E C W A S H I N G T O N C O N F E R E N C E Pres ident P a r d u e repor ts .
6 B I R M I N G H A M A R C H I T E C T S G E T I N V O L V E D A new downtown office and communi ty design center s p a r k a renewed p r o g r a m .
8 R E P L A N N I N G A B L A C K C O M M U N I T Y Auburn and T u s k e g e e arch i tec tura l students p i tch in.
9 M O N T G O M E R Y A R C H I T E C T S B U I L D T H E F U T U R E . R E S T O R E T H E P A S T Shaw House Restora t ion is symbol ic of efforts.
12 H U N T S V I L L E ' S C O U R T S Q U A R E North A l a b a m a a r c h i t e c t s involved in U r b a n C o n c e r n .
15 H U D M A K E S G R A N T F O R R E G I O N A L P L A N N I N G P R O G R A M Don Horton, regional planning director , admin is te rs c o m p r e h e n s i v e p rogram.
15 B O O K R E V I E W Fe l low Moreland Col l ie r rev iews •Const ruc t ion L e n d i n g G u i d e " .
ALABAMA COUNCIL OFFICERS O S C A R W. P A R D U E , B i r m i n g h a m , P r e s i dent; A R T H U R P R I N C E , Mobile, V ice-Pres iden t : W I L L I A M M. P E A R S O N , Montgomery , S e c r e t a r y : D R . J . I N G R A H A M C L A R K . A u b u r n , T r e a s u r e r .
Counc i lo rs : C H A R L E S A . M O S S , J R . . D O N A L D M O R R I S O N . J R . , W I L F R E D J . S M I T H , W I L L I A M F . L E T S O N , D I L L O N M A R C H , J O H N B. M c D O N A L D , D O N A L D L . H O R T O N , J I M S E A Y , W A L T E R H A L L , M A L C O L M S M I T H .
F R I T Z W O E H L E , A I A , E d i t o r i a l Adv isor B i r m i n g h a m
E D W A R D B O N D U R A N T , A I A , Managing Edi tor , B i r m i n g h a m
J A Y L E A V E L L . Hon. A I A . E x e c u t i v e Secr e t a r y / P u b l i s h e r , Montgomery
The A L A B A M A A R C H I T E C T is the official publication of the A l a b a m a Counci l of Arch i tects of the A m e r i c a n Institute of Arch i tec ts and Is publ ished bi-monthly. The annual subscr ip t ion rate is $3.00 per year . A p p e a r a n c e of n a m e s and pictures of products or s e r v i c e s in edi tor ia l advert is ing copy does not const i tute endorsement by e i ther the A . I . A . or the Counci l . Information regard ing adver t is ing rates and subscr ipt ions m a y be obtained from the office of the C o u n c i l . Cap ' to l T o w e r s . South Court at C lay ton Street , Montgomery , A l a b a m a , 36104. Te lephone (205) 264 5305.
March-April 1969
B I R M I N G H A M A R C H I T E C T S GET I N V O L V E D
These houses are within three b locks of B i r m i n g h a m ' s Ci ty H a l l . Both a re o c c u pied.
Our thanks to Birminyhiim magazine^ who originated thi^ story, kindly gave ALABAMA AliCHlTECT permission to adapt, ujHlate and reprint it.
F i v e y e a r s a g o . B i r m i n g h a m * s D e s i g n f o r P r o g r e s s w a s u n v e i l e d , c o n t a i n i n g p r o p o s a l s for a n e w c i v i c c e n te r , p l a n s to r e v i t a l i z e t h e c e n t r a l d o w n t o w n b u s i n e s s d i s t r i c t , a n d c r e a t i o n of O p e r a t i o n N e w B i r m i n g h a m .
O N B h a s n o w e s t a b l i s h e d i t s i d e n t i t y , t h e c i v i c c e n t e r i s b e c o m i n g a r e a l i t y , in t h e d o w n t o w n b u s i n e s s d i s t r i c t m a j o r b u i l d i n g s a r e u n d e r w a y e v e r y w h e r e .
A n d a g r o u p of l o c a l a r c h i t e c t s , w h o f a t h e r e d t h e D e s i g n f o r P r o g r e s s , h a s b e e n b a c k to t h e d r a w i n g b o a r d . T h e y h a v e r e t u r n e d w i t h a n e w , e v e n g r e a t e r c h a l l e n g e — T h e A I A W o r k s h o p o n U r b a n C o n c e r n .
T h e s c o p e of the p r o g r a m i s n o t s i m p l e , a c c o r d i n g to t h e o r g a n i z e r s , b u t t h e n e e d is d e s p e r a t e . D i r e c t , r e s p o n s i b l e a c t i o n m a y h e a d o f f t h e r a p i d g r o w t h of F o u n t a i n H e i g h t s , N o r t h B i r m i n g h a m , a n d o t h e r s i m i l a r , c h a n g i n g a r e a s into s p r a w l i n g g h e t t o s , s u c h a s C l e v e l a n d , C o l u m b u s a n d P h i l a d e l p h i a n o w f a c e .
C h a r l e s M o s s , p r e s i d e n t of t h e B i r m i n g h a m C h a p t e r of t h e A m e r i c a n I n s t i t u t e of A r c h i t e c t s , J a m e s A . A d a m s , v i c e p r e s i d e n t , W i l l i a m L . W i l l i a m s , o n e of the p r i n c i p a l o r g a n i z e r s of t h e D e s i g n f o r P r o g r e s s , a n d D o n M o r r i s o n , p a s t p r e s i d e n t , h a v e b e e n w o r k i n g f o r s e v e r a l m o n t h s o n t h e n e w p r o g r a m .
T h r o u g h t h e a r c h i t e c t s ' e y e s , t h e n e e d f o r a c t i o n a r i s e s f r o m t h e b e l i e f t h a t a r c h i t e c t u r e i s r e s p o n s i b l e f o r t h e t o t a l p h y s i c a l e n v i r o n m e n t of a c o m m u n i t y . Y e t , h i s t o r i c a l l y , t h e a r c h i t e c t h a s dea l t w i t h t h e m o n i e d p e o p l e — b u s i n e s s g r o u p s , c h u r c h g r o u p s , a n d w e a l t h y i n d i v i d u a l s .
" I t t a k e s no g r e a t s t r o k e of b r i l l i a n c e to r e a l i z e w h a t h a s b e e n o v e r l o o k e d , " s a y s A d a m s .
" S o m e t h i n g m u s t be d o n e a b o u t t h e e x i s t i n g a n d p o t e n t i a l s l u m a r e a s , t h e r a t e of d e v e l o p m e n t i s so r a p i d , " M o s s a d d s . " A n d w e m u s t l o o k a t t h e o v e r a l l p i c t u r e to a v o i d c r e a t i n g m o r e b l i g h t e d a r e a s . "
W h a t is m e a n t b y t h e o v e r a l l p i c t u r e ?
" W e w a n t to get r i g h t d o w n i n t o t h e c o m m u n i t y a n d g e t i n v o l v e d w i t h t h e p e o p l e . W e w a n t to k n o w w h a t t h e i r n e e d s a n d d e s i r e s a r e , s o w e m i g h t a c t a s a c a t a l y s t in h e l p i n g to a c h i e v e t h e m . " M o s s e x p l a i n s .
A l l i n v o l v e d a r e q u i c k to e x p l a i n t h e d i f f e r e n c e b e t w e e n t h i s p r o g r a m a n d t h e p o p u l a r c o n c e p t of " u r b a n r e n e w a l . "
F i r s t , t h e a r c h i t e c t s a r e n o t o f f e r i n g a n a r e a a n e w " p r o j e c t " s u c h a s a h o u s i n g s t r u c t u r e o r c o m m u n i t y p a r k . T h e y a r c o f f e r i n g t h e i r p r o f e s s i o n a l k n o w l e d g e a n d e x p e r i e n c e , a s w e l l a s v o l u n t e e r t i m e , to h e l p
c r e a t e a f u n c t i o n a l o r g a n i z a t i o n w h i c h c a n n o t o n l y l e a r n t h e n e e d s o f a c o m m u n i t y , b u t p r o v i d e a m e a n s of p u t t i n g t o g e t h e r t h e p e o p l e a n d m o n e y to s a t i s f y t h e s e n e e d s .
S e c o n d l y , t h e e n d r e s u l t w i l l d i f f e r f r o m a n u r b a n r e n e w a l p r o j e c t In t h a t it w i l l h a v e b e e n a c c o m p l i s h e d t h r o u g h t h e i n v o l v e m e n t of t h e c o m -m u i t y i t s e l f a n d f u n d e d t h r o u g h p r i v a t e e n t e r p r i s e , n o t j u s t f e d e r a l g r a n t s .
" I n s o m e s i t u a t i o n s , u r b a n r e n e w a l h a s b e e n a d i s a s t e r , " A d a m s s a y s . " A f t e r a h o u s i n g u n i t w a s b u i l t i n a c o m m u n i t y , t h e c r i m e r a t e a c t u a l l y i n c r e a s e d a n d u n s t a b l e f a m i l y s i t u a t i o n s r e s u l t e d . * '
" T h e r e ' s b e e n a lot of t a l k in t h e n a t i o n a l A I A a n d o t h e r l o c a l A I A g r o u p s a b o u t u r b a n r e n e w a l w h i c h i n d i c a t e s w e n e e d to t a k e a f r e s h e r l o o k a t t h e u r b a n c r i s i s , " A d a m s s a i d .
H o w d o y o u d o t h i s ? " W e d e c i d e d to h a v e a s e r i e s of
i n f o r m a t i o n m e e t i n g s to c r e a t e a l i n e of c o m m u n i c a t i o n b e t w e e n t h e p e o p l e a f f e c t e d a n d t h e s o u r c e s of m o n e y a n d a c t i o n . " A d a m s a s s e r t s .
" W h a t w e w a n t a r e n o t j u s t b e t t e r p h y s i c a l f a c i l i t i e s w i t h o u t a n y c o n c e r n f o r t h e s o c i o - e c o n o m i c p r o b l e m s .
" T h e r e a r e i n n u m e r a b l e g r o u p s w o r k i n g , b u t t h e g a i n s a r e too s m a l l . S o o u r f i r s t i d e a w a s to f i n d o u t w h o w o u l d be a f f e c t e d . T h e n to s e e i f o t h e r g r o u p s w e r e d o i n g s i m i l a r w o r k . "
H u g h Z i m m e r s , a P h i l a d e l p h i a a r c h i t e c t w h o h e a d s a n A I A w o r k s h o p in t h a t c i t y , a d d r e s s e d t h e f i r s t of t h e i n f o r m a t i o n m e e t i n g s l a s t S e p t e m b e r .
H i s g r o u p p r e s e n t l y o p e r a t e s p r i m a r i l y t h r o u g h l e n d i n g a r c h i t e c t u r a l a n d c o m m u n i t y p l a n n i n g a s s i s t a n c e to t h e m o r e t h a n 3 5 0 c o m m u n i t y o r g a n i z a t i o n s i n v o l v e d in w o r k i n g w i t h b l i g h t e d a r e a s in t h e c i t y of s o m e 2.5 m i l l i o n p e o p l e . Z i m m e r s s a i d t h a t h i s g r o u p f e l t p r o f e s s i o n a l l y r e s p o n s i b l e to h e l p d e a l w i t h P h i l a d e l p h i a ' s s l u m a n d b l i g h t p r o b l e m s w h i c h a r e g i g a n t i c b y B i r m i n g h a m s t a n d a r d s .
T h e p r o b l e m w a s a l a c k of a n y v e h i c l e f o r d o i n g s o m e t h i n g a b o u t i t , u n t i l t h e c r e a t i o n of t h e w o r k s h o p , w h i c h a c h i e v e d n a t i o n a l r e c o g n i t i o n a f t e r o n l y t e n m o n t h s of o p e r a t i o n .
A f t e r t o u r i n g B i r m i n g h a m a n d m a k i n g a n a p p r a i s a l of a f e w of t h e b l i g h t e d a r e a s h e r e , Z i m m e r s s a i d t h e c i t y c o u l d a c c o m p l i s h m u c h m o r e t h a n P h i l a d e l p h i a h a s b e e n a b l e to w i t h o n l y a h a n d f u l of h a r d c o r e w o r k e r s .
B u t w h i l e B i r m i n g h a m ' s p r o b l e m s a r e s i m i l a r to P h i l a d e l p h i a ' s In s o m e
ALABAMA A R C H I T E C T
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BIRMINGHAM COMMUNITY DESIGN CENTER AND AIA CHAPTER OFFICE
r e s p e c t s , t h e r e a r e m a n y d i f f e r e n c e ; , a n d t h e l o c a l a r c h i t e c t s f e e l B i r m l n g ' h a m ' s w o r k s h o p s h o u l d b e d i f f e r e n t t o o . i n s o m e r e s p e c t s .
D o n M o r r i s o n , i m m e d i a t e p a s t p r e s i d e n t o f t h e l o c a l A I A c h a p t e r a n d n o w a d e l e g a t e to t h e n a t i o n a l c o n v e n t i o n , e x p l a i n s w h y .
" W e ( t h e a r c h i t e c t s ) h a v e n o t b e e n p r o f e s s i o n a l l y i n v o l v e d b e f o r e w i t h s e r v i c e to t h e d i s e n f r a n c h i s e d , w h e r e a s o t h e r p r o f e s s i o n a l g r o u p s , s u c h a s d o c t o r s a n d l a w y e r s , h a v e .
" W e w i l l b e m o r e s p e c i f i c a l l y c o n c e r n e d w i t h t h e p h y s i c a l c h a r a c t e r i s t i c s o f b l i g h t e d a r e a s . "
T h e d i f f e r e n c e h e r e w i t h P h i l a d e l p h i a ' s p r o g r a m is t h a t t h e a r c h i t e c t s i n t e n d to w o r k w i t h t h e r e p r e s e n t a t i v e s o f o t h e r d i s c i p l i n e s t o w a r d a c o m m o n g o a l o f a n I m p r o v e d t o t a l c o m m u n i t y .
A n o t h e r d i f f e r e n c e b e t w e e n B i r m i n g h a m a n d t h e l a r g e r N o r t h e r n a n d E a s t e r n c i t i e s i s t h a t p o p u l a t i o n d e n s i t y is s o m u c h l e s s h e r e . M o s s e l a b o r a t e s .
" O u r a d v a n t a g e i s l o w d e n s i t y . H e r e , w e c a n b e c o n c e r n e d w i t h r e l o c a t i o n o f t h e i n h a b i t a n t s of a b l i g h t e d a r e a , a n d s e e t h a t t h e y a r e g i v e n s o m e t h i n g b e t t e r . W e a r e n o t g o i n g to g o i n a n d b u i l d s o m e t h i n g a n d s a y ' h e r e it I s . '
" T h e k e y is r e a l e s t a t e . T h e r e a r e s l u m l o r d s a n d w e ' r e g o i n g to s t e p o n s o m e t o e s b e f o r e t h i s t h i n g i s o v e r . "
M o s t o f t h e p r o g r a m Is t h e o r y r i g h t n o w . W h a t w i l l b e t h e f i r s t f e w c o n c r e t e s t e p s t o w a r d i m p l e m e n t i n g t h e p r o g r a m a f t e r t h e i n f o r m a t i o n p r o g r a m s a r e c o m p l e t e d ?
A l l o f t h e a r c h i t e c t s a g r e e t h a t t h e s c o p e o f t h e p r o g r a m i s f l e x i b l e , a n d g e n e r a l . A s t h e n e e d s of t h e v a r i o u s c o m m u n i t i e s a r e d e t e r m i n e d t h r o u g h m o r e m e e t i n g s , p r i o r i t i e s w i l l b e d e -March-April 1969
s i q n a t e d a n d c o o r d i n a t e d w i t h w h a t s o u r c e s of h e l p a n d f u n d s a r e a v a i l a b l e .
M o s s e x p l a i n s t h a t t h e i d e a n o w i s to p u l l t o g e t h e r t h e f u n d s , p r i v a t e a n d f e d e r a l , a s w e l l a s t h e p e o p l e w h o c a n be of a s s i s t a n c e , s u c h a s r e a l e s t a t e m e n , c o m m u n i t y p l a n n e r s , s o c i o l o g i s t s , p s y c h o l o g i s t s , m e d i c a l p e r s o n n e l , l a w y e r s , a n d b a n k e r s .
O t h e r d i s c i p l i n e s h a v e a l r e a d y e x p r e s s e d a n i n t e r e s t in t h e p r o g r a m , t h r o u g h a t t e n d a n c e a n d p a r t i c i p a t i o n i n t h e f i r s t o f t h e I n f o r m a t i o n m e e t i n g s .
T h e U n i v e r s i t y of A l a b a m a in B i r m i n g h a m h a s c o n t r i b u t e d b y p r o v i d i n g s p a c e f o r s o m e o f t h e m e e t i n g s , a n d h a s e x p r e s s e d a d e s i r e to b e c o m e i n v o l v e d i n a n y w a y it c a n .
O t h e r s r e p r e s e n t e d a t t h e m e e t i n g s a r e t h e C h a m b e r of C o m m e r c e , t h e U r b a n L e a g u e , C i v i c C e n t e r A u t h o r i t y o f f i c i a l s . Y M C A , s e v e r a l c i v i c g r o u p s , b a n k e r s , l a w y e r s , d o c t o r s , o f f i c i a l s of O N B , M a y o r G e o r g e S e i b e l s a n d o t h e r c i t y o f f i c i a l s .
H e a d i n g t h e a g e n d a o n t h e w o r k s h o p w a s f i n d i n g s p a c e t o s e t u p a c o n f e r e n c e r o o m , d r a f t i n g r o o m , a n d s e c r e t a r i a l a r e a . I t h a s n o w b e e n f o u n d In a d o w n t o w n b u i l d i n g o n 2 0 t h S t . . a c r o s s f r o m B o a r d of E d u c a t i o n a n d a r o u n d c o r n e r f r o m t h e C i t y H a l l .
" W e h a v e a p l a c e w h e r e the p e o p l e of t h e s e c o m m u n i t i e s c a n c o m e a n d d i s c u s s it w i t h u s , " A d a m s s a y s . " T h e m o n i e d p e o p l e k n o w h o w to let t h e i r f e e l i n g s be k n o w n . T h e s e p e o p l e c a n c o m e to u s , a n d w e in t u r n c a n t a k e t h e p r o b l e m s to the r i g h t p e o p l e . "
M o s s a s s e r t s , " w e n o w h a v e a n u c l e u s , a n d w e c a n b r a n c h o u t a n d s e t u p s h o p in t h e c o m m u n i t i e s , f o r e x a m p l e , a t a c h u r c h . "
W i t h i n t h i s n u c l e u s w i l l b e a s e c r e t a r y , s t a f f o f d r a f t s m e n a n d p l a n n e r s a n d a w o r k s h o p .
T h e w o r k s h o p w i l l s e l e c t t h e p r o b l e m s w h i c h l e n d t h e m s e l v e s to t h e m o r e a r c f h i t e c t u r a l t y p e of s o l u t i o n . A d a m s s a y s , e v e n t h o u g h t h e s o c i o l o g i c a l f a c t o r s w i l l n o t b e o v e r l o o k e d .
P r o b l e m s i n v o l v i n g f a m i l y l i f e a r e n o t s o e a s i l y s o l v e d , h e k n o w s . B u t t h r o u g h t h e w o r k s h o p , p e r h a p s o t h e r s w h o w o u l d b e m o r e a d e p t a t t a c k l i n g a p u r e l y s o c i o l o g i c a l p r o b l e m w i l l f i n d a m e a n s o f g e t t i n g t h e p r o b l e m c h a n n e l l e d to t h e r i g h t p e o p l e ' s a t t e n t i o n .
W i l l i a m s , w h o w a S e m p l o y e d f u l l t i m e f o r a y e a r a n d p a r t - t i m e s i n c e o n t h e D e s i g n f o r P r o g r e s s , s a y s t h e n e w A I A p r o g r a m m u s t b e a c c o m p l i s h e d t h r o u g h O N B .
" W e c a n g a i n a w h o l e lo t m o r e b y w o r k i n g w i t h O N B b e c a u s e of I ts c o n n e c t i o n w i t h t h e r e a l e s t a t e p e o p l e a n d v a r i o u s o t h e r s w h o c a n g e t t h e s e thinp«{ d o n e .
"I c a n ' t h e l p b u t s e e h o w it is a n o t h e r s t e p in t h e r i g h t d i r e c t i o n . "
A d a m s a d m i t s h e w a s n o t a w a r e of t h e p r o b l e m s in t h e c i t y d u r i n g t h e o l d d a y s of d e m o n s t r a t i o n s a n d b o m b i n g s , in t h e e a r l y 1 9 6 0 s .
"I r e a d it in t h e n e w s p a p e r s , b u t e x c e p t f o r t h a t , It m i g h t a s w e l l h a v e h a p p e n e d o n M a r s . "
" U n l e s s w e a r e w i l l i n g to s e e w h a t t h e p e o p l e a r e s u f f e r i n g f r o m y o u c a n ' t e x p e c t to k n o w t h e a n s w e r s a b o u t t h e b l a c k c o m m u n i t y .
" W h y do t h e y s a y t h e N e g r o m e n a r e d e m a s c u l a t e d ?
" W h y a r e t h e f a m i l i e s m a t r i a r -c h i a l ?
" P o c k e t P a r k s a r e g o o d , b u t t h e y a r e a s o p . T h e y d o n ' t g e t to t h e t r u e p r o b l e m , t h e c r e a t i o n of a m o r e s a t i s -f l y i n g l i f e . "
N o w , t h r o u g h t h e A I A w o r k s h o p o n u r b a n c o n c e r n , B i r m i n g h a m a r c h i t e c t s a i m to h e l p . A A
Auburn & Tuskegee Architectural Students Replan A Black Community
tih^oti Cifji iras a black cowmn
nit If of 1,000 persons that needed help. Auhnrn and Tnskegee -'^tli year architectural students responded to the call from the mayor. Here is the story
A c o o p e r a t i v e p r o j e c t , u s i n g t h e c o m m u n i t y as a n e d u c a t i o n a l l a b o r a t o r y , h a s p r o v i d e d a r c h i t e c t u r a l s t u d e n t s at A u b u r n U n i v e r s i t y a n d T u s k e g e e I n s t i t u t e w i t h a n i n s i g h t i n t o o n e of t h e m o s t p r e s s i n g p r o b l e m s of t h e t i m e in a d d i t i o n to d e v e l o p i n g a p r o f e s s i o n a l a n a l y s i s a c c e p t a b l e to t h e O f f i c e of H o u s i n g a n d U r b a n D e v e l o p m e n t f o r a s m a l l t o w n in A l a b a m a .
A s l a n d - g r a n t u n i v e r s i t i e s r e s p o n d ed in t h e p a s t to f a r m a n d r u r a l c o n
c e r n s — t y p i f i e d b y m o n u m e n t a l r e s u l t s in a g r i c u l t u r e — s o c a n t h e l a n d -g r a n t u n i v e r s i t y m e e t t o d a y ' s i s s u e s . T h e u r b a n c r i s i s is of c o n t e m p o r a r y c o n c e r n , a n d a r c h i t e c t s a n d p l a n n e r s a r e f o l l o w i n g t h e s a m e p a t t e r n of i n s t r u c t i o n , r e s e a r c h a n d e x t e n s i o n t h r o u g h c o m m u n i t y s e r v i c e .
T h e H o b s o n C i t y J o i n t P l a n n i n g P r o j e c t r e s u l t e d a f t e r n e g o t i a t i o n s f o r a c o o p e r a t i v e v e n t u r e b e t w e e n A u b u r n a n d T u s k e g e e a r c h i t e c t u r a l s t u d e n t s a n d f a c u l t y a r c h i t e c t s . T h e e n t i r e p r o j e c t h a d the s u p p o r t of t h e A u b u r n C h a p t e r of A r c h i t e c t s A I A . It b e g a n w h e n H o b s o n C i t y f o u n d t h e t i m e l i m i t up o n i t s " w o r k a b l e p l a n . "
H o b s o n C i t y is a s m a l l i n c o r p o r a t e d t o w n of 1,000 b l a c k c i t i z e n s n e a r O x f o r d a n d A n n i s t o n . In o r d e r to c o n t i n u e to q u a l i f y f o r f e d e r a l p r o g r a m s , e a c h c o m m u n i t y is r e q u i r e d to u p d a t e i ts p l a n fo r f u t u r e d e v e l o p m e n t , i n c l u d i n g m a p s f o r z o n i n g a n d l a n d u s e e v e r y 10 y e a r s .
M o s e w o r k a b l e p l a n s a r e d e v e l o p ed t h r o u g h t h e S t a t e P l a n n i n g A g e n c y o r t h r o u g h p r i v a t e p l a n n i n g c o n s u l t a n t s . T h e s t a t e a g e n c y , w . h i c h h a d p r e p a r e d H o b s o n C i t y ' s l a s t s u r v e y , h a d a w a i t i n g l i s t of 50 w i t h H o b s o n C i t y n e a r t h e b o t t o m .
T h e r e w a s no m o n e y ( t o t a l a n n u a l w o r k i n g b u d g e t : $ 1 9 , 0 0 0 ) to h i r e a p r i v a t e c o n s u l t a n t .
H o b s o n C i t y ' s m a y o r c o n t a c t e d T u s k e g e e . T u s k e g e e c o n t a c t e d A u b u r n , a n d 14 f o u r t h - y e a r a r c h i t e c t u r a l s t u d e n t s f r o m b o t h s c h o o l s b e g a n w o r k .
D i v i d e d i n t o t e a m s , t h e s t u d e n t s c o n d u c t e d a p h y s i c a l s u r v e y of t h e t i n y t o w n w h i c h h a s 300 h o m e s o n 983 a c r e s — a t o w n a p p r o x i m a t e l y t h r e e or f o u r b l o c k s w i d e a n d 10 b l o c k s l o n g .
T h e y t o o k p i c t u r e s of e v e r y h o m e , t h e d o w n t o w n a r e a w i t h i t s o n e i n d u s t r y e m p l o y i n g 3 6 , a n d a m o d e l f e d e r a l h o u s i n g p r o j e c t . A l l w e r e a s s e s s e d b a s e d on " s t a n d a r d " h o u s -
T h e n t h e s t u d e n t s m a d e a d o o r - t o -d o o r s u r v e y w i t h a q u e s t i o n n a i r e d e v e l o p e d b y t h e m w i t h a s s i s t a n c e f r o m T u s k e g e e ' s D e p a r t m e n t of B e h a v i o r -ia l S c i e n c e s . A n s w e r s f u r n i s h e d s t a t i s t i c s o n p o p u l a t i o n , e c o n o m i c a n d e d u c a t i o n a l l e v e l s , a t t i t u d e s , a n d t h e c i t y ' s n e e d s .
A f i n a l v i s i t to H o b s o n C i t y in e l u d e d p r e s e n t a t i o n of t h e s t u d e n t s f i n d i n g s , r e c o m m e n d a t i o n s , a n d t h e w o r k a b l e p ' a n . a n e i g h b o r h o o d a n a l y s i s a n d c o m p r e h e n s i v e p l a n f o r H o b s o n C i t y .
R e s i d e n t s h a d b e e n p r e p a r e d f o r t h e s u r v e y a n d r e s p o n d e d to t h e f i n d i n g s . A s s u r a n c e h a d b e e n g i v e n b y H U D t h a t t h e s t u d y w o u l d b e a c c e p t e d , a n d d u r i n g t h e w o r k s t u d e n t s w e r e a s s i s t e d in p r e l i m i n a r y d e v e l o p m e n t a n d g u i d a n c e b y m e m b e r s of t h e A t l a n t a R e g i o n a l O f f i c e o f H U D .
T h e j o i n t p r o j e c t , a s w e l l a s r e n d e r i n g c o m m u n i t y s e r v i c e to H o b s o n C i t y , h a s h a d a n e d u c a t i o n a l c o n t e n t f o r t h e s t u d e n t s in m a n y w a y s , a c c o r d i n g to E d P i c k a r d , A u b u r n f a c u l t y a d v i s o r , a n d W i l l i a m S i e m b i e d a T u s k e g e e f a c u l t y a d v i s o r .
S i n c e m u c h of t h e u r b a n c r i s i s is r e l a t e d to t h e b l a c k c o m m u n i t y , t h e p r o j e c t s e r v e d a s a v e h i c l e f o r i n s i g h t i n t o t h e p r o b l e m s of l o w i n c o m e a n d e t h n i c c o n c e n t r a t i o n .
T h e a r c h i t e c t s a n d p l a n n e r s n o w s t u d y i n g at A u b u r n a n d T u s k e g e e w i l l l i t e r a l l y be b u i l d i n g t h e f u t u r e . T h e p r o j e c t g a v e s t u d e n t s f r o m b o t h s c h o o l s a n o p p o r t u n i t y f o r d i a l o g u e a m o n g t h e m s e l v e s a n d w i t h t h e r e s i d e n t s of H o b s o n C i t y . E a c h b r o u g h t h i s u n i q u e t a l e n t s , t r a i n i n g a n d b a c k g r o u n d i n t o t h e w o r k .
E q u a l l y i m p o r t a n t . P i c k a r d b e l i e v e s , w a s t h e " s t u d e n t s e n s e of i n v o l v e m e n t a n d r e l e v a n c e — t w o m a j o r f a c t o r s in t o d a y ' s c a m p u s a n d a c a d e m i c t u r m o i l . " T h e p r o f e s s o r , a n d a r c h i t e c t , s e e s o t h e r a r e a s f o r i n v o l v e m e n t a n d r e l e v a n c e b e t w e e n c o l l e g e s a n d u n i v e r s i t i e s a n d t h e c o m m u n i t y , t a k i n g a d v a n t a g e of " a n o p t i m a l e d u c a t i o n a l e x p e r i e n c e i m p o s s i b l e to a c h i e v e in a n y o t h e r w a y . "
S h a r i n g t h e u r b a n p r o b l e m , c o m p l e t i n g a p r o f e s s i o n a l w o r k a b l e p l a n , a n d e n t h u s i a s t i c o v e r n e w c o m m u n i c a t i o n in a r e a s a n d i s s u e s w e r e J a m e s T a n k s l e y of S a v a n n a h . G a . . S y l v i a B a i l e y of B i r m i n g h a m , J a c k i e M c -C r a c k e n of B i r m i n g h a m . K e n A n d e r s o n of M e m p h i s , T e n n . , T h a d d e u s F o r d of B i r m i n g h a m . C h a r l e s R a i n e of M o b i l e , M a u r i c e S t u r d y v a n t of B r o o k l y n N . Y . . D e l a i n e J o n e s o f S a v a n n a h , G a . , E v e r e t t H a t c h e r of G r e e n v i l l e . N . C J o e R a b u r n of C h a r l o t t e , N . C , B i l l P o r t e r of M o b i l e , L a n n i s K i r k l a n d of S l o c u m b . G a . . J o h n L a w h o n of M a c o n . G a . . a n d R o b e r t C a i n of B i r m i n g h a m .
A L . A B A M A A H C H l T K r T
The Picture That Started It
In late 1967 this photo of the Shaw House appeared on the cover of
Alabama Architect. Citizens saw the "For Sale" sign, read into it the
loss of a landmark. Efforts began immediately to save it, resulting in
success and plan for a restoration {architect's sketch below).
Photo by P s u l Robertson
Montgomery architects build the future, restore the past
Dur i ng this con tempora ry , a n d most in terest ing t ime in the h is tory of our state w h e n the l a n d is be ing c lea red to m o k e w a y fo r n e w super h i g h w a y s a n d u r b a n redeve lopmen t p r o g r a m s , A l a b a m a archi tects must ded ica te themselves to an honest interest in our h is tory a n d our her i tage . We must m o k e i n d i v i d u a l a n d col lect ive e f fo r ts to save those arch i tec tu ra l l y a n d h is tor ica l ly s ign i f i can t bu i l d i ngs w h i c h ref lect those in f luences in ou r h is tory wh ich m o u l d e d the v isua l t ra i ts of our i n d i v i d u a l t owns a n d cit ies.
The State of A l a b a m a is f o r t u n a t e in h a v i n g a w i d e sp read in v a r i a t i o n of h istor ical in f luences, bo th in t ime a n d na t i ona l i t y o f its settlers. W h a t w e see O S charac ter or persona l i t y o f a city has been establ ished in a con t i nu ing process w h i c h b e g a n d u r i n g those days of its ear l iest sett lers. That t ime in history d u r i n g w h i c h the ci ty w a s s tar ted a n d w a s in f luenced , is a m a j o r con t r i bu t i ng fac to r to the a p p e a r a n c e a n d
shape of a city. W i l l i a m s b u r g a n d Char les ton started in the seventeenth century; M o b i l e , Natchez a n d New Or leans in the e ighteenth cen tu ry ; a n d M o n t g o m e r y a n d Huntsvi l le du r i ng the ea r l y n ine teenth century. A l l of these cities d i f f e r in v isua l character a n d al l va r y in historical va lues. These va lues must be preserved.
Here in Mon tgomery , our h is tor ica l preservat ion interests ore late in com ing . H o w e v e r , the start u n d e r w a y n o w is in tended to ove rcome past shortcomings OS much as possible. T ime, loca t ion , c l imate, t o p o g r a p h y , cul ture a n d economy, a l l , p l oy impor tan t por ts in the shap ing of a ci ty, a n d a l l seem to have m o d e s igni f icant contr ibut ions to M o n t g o m e r y . Montgomery is young in its h is tory. She has been in existence fo r on ly one h u n d r e d a n d f i f t y years . By compar ison , the construct ion of the No t re D o m e Cathed ra l in Paris was begun in 1163 a n d a b o u t one
March-April 1969
Montgomery architects build the future, restore the past hund red and f i f t y years later construct ion ended (about f ive hundred years be fo re Mon tgomery existed).
Much of ear ly M o n t g o m e r y w a s bui l t du r i ng that arch i tec tura l era somet imes re fe r red to as "The Romant ic Era," on era in w h i c h the art isans of the d a y were beg inn ing to g r o w a distaste for the Renaissance in f luence. Out o f this revo l t , the symmet r ica l facades a n d r ig id con fo rmi ty to f o r m a l i t y was displaced for a symmetr ica l a n d less i n f o r m a l shapes. Much of ear ly M o n t g o m e r y arch i tecture fa l ls in this category. The picturesque compos i t ion rep laced r ig id symety, a n d the result ing bu i l d i ngs w e r e more comfor tab le a n d more serv iceable.
A v a i l a b l e mater ia ls h a d its impact on the orch i -tectur ia l character o f a l l of A l a b a m a just as the ava i l ab i l i t y of quant i t ies of stone inf luenced ancient Greece. Mon tgomery h o d a ready supply of w o o d a n d brick and u t i l i t i zed bo th to the ful lest. Just as in other Amer ican bu i l d ings , much of the design of a b u i l d i n g was done by the o w n e r f r o m copies of plates d r a w n by archi tects in other countries and much of the de ta i l i ng h o d to be deve loped f r o m mater ia ls other t h a n o r i g i n a l l y in tended. Stone columns, quoins, dent i ls , a n d other t r im were f o rmed f r o m w o o d or stuccoed br ick . From this deve lopment o f bu i l d ing w o o d e n houses to resemble stone bu i l d ings, mou ld ing stucco to resemble a del icate ly carved co lmun a n d ol Ithe thousands of del icate ly evo lved deta i ls have combined to create a f o r m of archi tecture un ique to this a rea of the w o r l d .
This Romant ic Era w a s tha t t ime in the South, f r o m just past the tu rn of the n ineteenth century up to the Civ i l War , w h e n commerce a n d f o r e i g n t rade f lour ished. The w o r l d w a n t e d cot ton, r ice, sugar , i n d i g o , a n d tobacco. Archi tects a n d c ra f t smen f r o m a l l over the country a n d w o r l d we re d r a w n to the South to design a n d bu i l d new estate homes, t o w n houses a n d pub l ic bu i l d i ngs to meet a l l needs.
M o n t g o m e r y was bu i l t on hil ls wh ich ended w i t h a h igh b l u f f ove r l ook i ng the A l a b a m a River, safe From f loods a n d centered in the rich Black Belt cot ton p roduc ing a r e a , the locat ion w a s perfect . First f o u n d e d as t w o v i l l ages . N e w Ph i lade lph ia a n d East A l a b a m a , the p l a n n e d streets of the t w o v i l l ages in tersect at odd ang les w i t h one set of streets seemingly o r ien ted to the r iver a n d the other set o r ien ted nor th a n d south.
The a b u n d a n t p roduc t ion of cot ton in the Block Belt m o d e M o n t g o m e r y on impo r t an t i n l and por t ci ty. Because of r ap ids a n d obstacles in the r iver ups t ream f r o m M o n t g o m e r y , its locat ion p r o v i d e d the centra l po in t fo r t r ade in this a rea . W i th the a d d i t ion of the po l i t i ca l a n d cu l tu ra l l i fe gene ra ted w h e n M o n t g o m e r y w a s dec la red the cap i ta l ci ty, she w a s on her r a p i d rise to becom ing a cu l tu ra l a n d economic center.
Much of M o n t g o m e r y of that d a y is gone. Town houses, theatres, v i l l as , a n d pub l i c bu i l d ings of the t imes, bu i l t by w e a l t h y l a n d o w n e r s of the Black Belt, bankers , merchants a n d po l i t i ca l representat ives—
1(1 ALABAMA A R C H I T E C T
most o re g o n e . M u c h of M o n t g o m e r y is demo l i shed as the c o m m e r c i a l a reas e x p a n d , d u e l a rge l y to the g e n e r a l l a you t of the M o n t g o m e r y p l a n , cut o f f by the r i ve r to the no r th . Preservat ion of i m p o r t a n t l a n d m a r k s has been o p r o b l e m a n d promises to become m o r e a n d m o r e d i f f i cu l t . However , p reservat ion of our h is to r ica l l y or a rch i tec tura l l y s ign i f i can t b u i l d i n g s is i m p e r a t i v e . W e must start n o w in o n a t t e m p t to "ca tch u p " a n d stay there. W e must be in -s is tant on sound p l a n n i n g , a l w a y s w i t h the idea in m i n d t h a t w e w i l l encourage bet ter a r t t h r o u g h a n d in a rch i tec tu re . O u r her i tage a n d cul ture o f fe rs much to us a l l a n d w e must beg in to bu i l d the n e w character of the c i ty . O u r churches, l ib rar ies , theatres, r ec rea t i ona l fac i l i t i es , schools, col leges, commerc ia l centers , a n d pub l i c bu i l d i ngs o f fe r us any o p p o r t u n i t y a person w o u l d w a n t . Catt le has rep laced cot ton to a d e g r e e , bu t the po l i t i ca l c l imate rema ins ; a n d w i t h the n e w r iver d e v e l o p m e n t p r o g r a m , once a g a i n , M o n t g o m e r y w i l l become on i n l and por t ci ty. Two in te rs ta te h i g h w a y s w i l l intersect in M o n t g o m e r y a t a s t ra teg ic l oca t ion . The n e w convent ion center a n d a u d i t o r i u m w i l l be located in the some a r e a . A l l of this w i l l occur w i t h i n w a l k i n g d is tance of each other in the ve r y hea r t o f u r b a n M o n t g o m e r y .
The f u t u r e fo r u r b a n M o n t g o m e r y is b r i gh t , but ou r h i s to r i ca l l y a n d arch i tec tu ra l l y s ign i f i can t b u i l d ings b o r d e r i n g a n d n e i g h b o r i n g these n e w u r b a n d e v e l o p m e n t s must be preserved.
M o n t g o m e r y ' s most recent res tora t ion a n d preserv a t i o n p ro jec t is be i ng unde r taken by interested local c i t izens f o r m i n g " L a n d m a r k s Founda t ion of M o n t g o m e r y . " The pro jec t is k n o w n as the Show House Comp lex , m a d e up of a n I to l iono te Town House, slave q u a r t e r s a n d a sma l l Greek rev i va l co t tage . The pro jec t a rch i tec t is Ti l ler, Butner, McElhoney, Rosa & Seoy of M o n t g o m e r y . The arch i tec tu ra l h is tor ica l consu l tan t is Samue l L. W i l son , Jr., FAIA, o f N e w Orleans, G l e n n Litt le of A l e x a n d r i a , V i r g i n i a , is the res t ro t ion a rchaeo log i s t a n d has near ly comp le ted his research of the g rounds a n d bu i l d ings . Laurence Stevens B r i g h a m , ASLA, of Port Royal , V i r g i n i a , has been re ta i ned as landscape archi tect . M a r v i n D. Schwar t z , o f the N e w York M e t r o p o l i t a n M u s e u m w i l l act O S the in ter iors consul tant . The comp lex , w h e n c o m p l e t e d w i l l present an e x a m p l e of u r b a n l i fe in M o n t g o m e r y in the 1850's.
The en thus iasm of l a n d m a r k s f o u n d a t i o n s in M o n t g o m e r y is p roduc ing results in h is tor ica l preserv a t i o n . W e hope a l l archi tects t h r o u g h o u t the State w i l l jo in th is en thus iasm. A A
Shaw House Restoration
Fund Drive Begins Here By F R A N K L I N S K I N N E R AdverUser SUff Writer
Some 75 Montgomery business and civic leaders gathered at Uie Museum of F ine Arts here Friday for the kickoff of the
James said the project will add to M 0 M g 0 m e r y ' 9 background and heritage, arti also add to the city offers as a tourist attraction.
The city purchased the pro-$150,000 Shaw House restoration I perty for $60,000 last summer, fund drive. The drive is starting j and the U.S . Department of with $35,000 in contributions.
Mayor E a r l James issued the invitations for the luncheon, sponsored by the Montgomery Landmarks Foundation.
The foundation is raising $150,000 to add to a $100,000 federal grant to restore four antet)ellum structures in the Shaw Hou.se Historic District at
Housing and Urban Development granted $100,000 toward the $250,000 project.
J a m e s Loeb, president of the foundation, said the federal grant amounted to one-twentieth of the entire national quota for such projects.
Leob said that in restoring the house to its original setting.
North Hull and J e f f e r s o n it is planned to "put a cow streets. In a pasture and a chicken in
The district is being developed the y a r d . " as a museum of Montgomery! Bi l l Brewbaker, Montgomery life in the 1850s. |businessman, told the group that
Nimrod T . F r a s e r , vice president of the foundation, told the group that board memt)erg are
contributions for the S h a w House will be an investment toward an educational in.stitu-
contributing $25,000. He also an-|tion and provide additional nounced that the F i rs t National income for the city — meaning Bank of Montgomery donated to get the tourist trade. $10.000 to the project Fr iday .
T h i s a r t i c l e a p p e a r e d in t h e
.M(mtKomer> A d v e r t i s e r t h e d a y a f t e r t h e
f u n d d r i v e b e u a n .
Mrs. Frank Rosa J r . , executive secretary for t h e foundation, said it will contact during the next few weeks about ,250 firms and individuals in the city a.sking for contributions.
She said another phase of the drive they will ask for $7.50 adult membership fees to the foinidation, and $1 membership
I fees for young people.
March-April 1969 11
HUNTSVILLE'S COURT SQUARE Object Of Concern For North Alabama Architects
Par t of the s o l u t i o n — o r the p r o b l e m ?
There are strong barriers to the personal involvement required for effective participation by architects in their community life—the demands of daily office schedules. . . the disturbing reluctance of officials to recognize certain environmental problems and opportunities. . .unrewarded previous efforts by individuals. . .and even among other factors a refusal to recognize the moral responsibility implicit in the relationship of an architect to the community upon whose existence his practice depends. Consider the %varning "if you're not part of the solution, you're part of the problems!"
The per imeter of the Cour thouse Square a r e a in Huntsvi l le is c o m p r i s e d of m a n y hundred-year old v ic to r ian bui ld ings that house var ied c o m m e r c i a l es tab l i shments . Most of these buildings w e r e wel l -des igned with many pleasing features but, a hundred y e a r s of remodel l ing " f a d s and c l i c h e s " have all but hidden the good, or ig inal designs.
One by one, the property owners , wi th private f inancing, are under tak ing remode l ing and restoration pro jects that fa r exceed the usual business mot ives . T h i s is a tangible example of c o m m u n i t y , pr ide and responsibi l i ty. The pro jects include ex-
City Drugs and Southern Furn i ture PRIOR to remode l i ng .
American
National
Bank
before a n d
a f te r remode l ing
terior and interior building des ign , sign and street furni ture design, and s idewa lk and landscaping design.
The design of these bui ldings and sidewa lks wil l flow into, and become an integral part of, a future pedest r ian m a l l planned by the Huntsvil le Housing Authority.
Three buildings on the North side of the Square have a l ready completed c o n s t r u c tion, and two more buildings a re present ly under construct ion. The p r i m e des ign determinant for all projects w a s that the buildings are historic, p leas ing , wel l -designed and s t ructura l ly -sound, and they
City Drugs and Southern Furn i ture AFTER remodel ing inc lud ing sidew a l k deve lopment .
should be remodeled or res tored to re f lect this image .
B y using the or ig inal proport ions and m a t e r i a l s , the des igns pro jec t th is i m a g e by using br ick or s tucco f a c a d e s , l imestone t r im for w indows and doors , d iv ided light w indows , t radi t ional post and b r a c k e t l a m p s , br ick pav ing , l imestone b e n c h e s , wood w a s t e r e c e p t a c l e s , and s h r u b s a n d street t rees .
T h e local interest that these p r o j e c t s have genera ted g ives a very posi t ive indicat ion of more pr ivate par t ic ipa t ion in m a k i n g the downtown a r e a of H u n t s v i l l e a more p leasant p lace to work and shop . A A
Possible pedes t r ian mo l men t in f u t u r e .
deve lop -
f t t
s
12
ALABAMA A R C H I T E C T
N o r t h A l a b a m a A r c h i t e c t s C o n t i n u e I n v o l v e m e n t In U r b a n L i f e
A genuine c o n c e r n for the qual i ty of urban lite has become increas ing ly evident in the indiv idual and col lect ive efforts of north A l a b a m a a r c h i t e c t s . Through some c h a p t e r m e m b e r s in D e c a t u r and F l o r e n c e h a v e found opportuni t ies for express ion of this c o n c e r n , it is in the " R o c k e t C i t y " that the greatest needs have been evident a r d the response most e f fect ive .
A s u r v e y of the ac t iv i t ies of the Hunts-vil le a r c h i t e c t s r e v e a l s continued involvement in the Model C i t i e s p r o g r a m , now on the threshold of imp lementa t ion ; a r c h i t e c t s s e r v e on three M C resource c o m m i t t e e s — H o u s i n g . Beaut i f i ca t ion and Codes and New Techno logy . One a rch i tec t personal ly c o m piled the " h o u s i n g " section of the init ial M C appl ica t ion .
B y m a y o r a l appointment , three a r c h i tects s e r v e on the C i t y of Huntsvi l le B e a u -t i f icat ion B o a r d , one a s c h a i r m a n of the B o a r d ' s C o m m e r c i a l and Industr ia l C o m mit tee . R e c e n t efforts by the B o a r d in draf t ing a s ign control o rd inance , encouraging tasteful rehabi l i tat ion of Court S q u a r e through s l ide presenta t ions , and the i l luminat ion of a c i ty park a r e d i rec t byproducts of the a r c h i t e c t s * p resence on the B o a r d .
S e v e r a l c h a p t e r m e m b e r s , over the past y e a r , h a v e s u r v e y e d and documented res i dent ia l s t r u c t u r e s in the histor ic T w i c k e n h a m D is t r i c t in Huntsv i l le and the L a u d e r da le County Cour thouse in F l o r e n c e .
R e c e n t invo lvement of Huntsv i l l e -a rea f i r m s in g r a p h i c des ign , s c r e e n i n g of utility sub-sta t ions and (for the f irst t ime) par i tc ipat ion in the H o m e b u i l d e r s ' P a r a d e of H o m e s , a r e encourag ing s igns of " u r . ban c o n c e r n " on the part of publ ic offic i a l s and bui lders . A w a r e n e s s of the problem is not su f f i c ien t : there must be con-c e r n for the h u m a n v a l u e s — c o n c e r n that b e c o m e s mot ivat ion for the appropr ia te ac t ion . A A
Securi ty Federa l Sav ings Remode l ing
••••uuua uauoMMM SHObeN
l i i i i
March-April 1969
C a s t D o e
Specialists in Architectural Precast Concrete
Castone Corpora t ion /P .O. Box 747
Opel ika. Alabama 36801/Phone (205) 745-3571
on A R C H I T E C T U R A L P H O T O G R A P H Y
Many photos published In a rch i tec tura l forum & other publ icat ions
• EXTERIORS • INTERIORS • AERIAL • COLOR • BLACK & WHITE
New Location, 847 South Perry St. Montgomery, A l a . Phone 263-0413
Special a t t n . to wo rk a n y w h e r e In the State
71
D o j u s t a b o u t
a n y t h i n g w i t h
With National Panel Windows you can create just about any effect you want. You can stack, group, set them in ribbons or as casements. Insure your client's satisfaction by using these precision built, chemically treated wood awning windows from National Woodworks. Write for our brochure today.
Nat ional W o o d w o r k s , I n c . 2201 North 29th Avenue I Birmingham. Alabama 35207
NOW PERMADECK" R O O F D E C K S
A R E C E R T / F / E D Permadeck is made by forming long,
chemically treated mineralized wood fibers with Portland Cement into planks, tile or formboard possessing unique properties— strength, water resistance, fire resistance, insulation, high reflectivity and attractive appearance.
A n d now Permadeck roof decks are certif ied.
Certified Permadeck roof decks are applied only by Approved Permadeck Applicators who have the proper experience and equipment to asssure that architectural specifications are faithfully followed.
At the plants, a rigid testing program is followed to assure that the Permadeck equals or surpasses published standards. Accurate job records concerning applications are kept by the Approved Permadeck Applicator.
When the job is completed, we and the appl icator j o i n t l y certify that the Permadeck was properly manufactured and installed according to architectural specifications.
All of which assures you of satisfactory long term performance.
For complete information, cal l your Permadeck or Zonolite representative or write us.
C o n c r B t e P r o d u c t s D i v i s i o n W . R. G r a c e fi C o .
Z O N O L I T E D I V I S I O N W R G R A C E « C O
G r e s h a m . W i l l i a m s a n d J o h n s o n C o ,
p . O . B O X i v o o
D E C A T U R . A L A B A M A 3 5 6 D 1
P E A R C E , D E M O S S ^ K I N G , I N C .
G E N E R A L C O N T R A C T O R S
1 3 0 8 C h u r c h S t r e e t , N . E .
D e c a t u r , A l a b a m a
SATISFIED CUSTOMERS - OUR BIGGEST ASSET
S T A C O p a i n t has moved , , 2 7 0 0 2 5 T H S T R E E T N O R T H
N e w a d d r e s s : B I R M I N G H A M . A L A B A M A
N e w p h o n e : T E L E P H O N E 328-6331
We can thank the acceptance of our product by the architects, engineers, and contractors for the continually growing volume that has necessitated our constructing larger plant, warehouse and office buildings. These new modern quarters will facilitate the continuation of the service to our customers that is the constant aim of our organization.
You are invited to visit us in our new home or to call at any time: L . Vastine Stabler. L . C. Burks, Philip H. Boyd, Fred Davis, James Snyder. Bill Hathcox, Forrest Sandy, Julian Rosdick, Claude Kersh or any of our 30 member staff.
S T A B L E R P A I N T M F G . C O
2700 25th S t . N. . B i r m i n g h a m . A l a . Te lephone 3 2 8 ^ 1
14 ALABAMA A R C H I T E C T
HUD Makes Federal Book Review . . . Grant for Regional Planning Program
A $ 5 6 , 0 1 8 f e d e r a l g r a n t f o r a c o m p r e h e n s i v e p l a n n i n g p r o g r a m b y t h e C e n t r a l A l a b a m a R e g i o n a l P l a n n i n g C o m m i s s i o n in M o n t g o m e r y h a s b e e n a n n o u n c e d b y U . S . S e n a t o r s J o h n S p a r k m a n a n d J i m A l l e n .
D o n a l d H o r t o n . r e g i o n a l d i r e c t o r , s a i d T h u r s d a y h e b e l i e v e s t h e g r a n t c o v e r s t h e f i r s t t h r e e p r i o r i t i e s o n a r e g u e s t s u b m i t t e d to t h e U . S . D e p a r t m e n t of H o u s i n g a n d U r b a n D e v e l o p m e n t a b o u t t w o m o n t h s a g o .
T h e f e d e r a l g r a n t w i l l c o v e r t w o t h i r d s o f t h e t o t a l c o s t of t h e c o m p r e h e n s i v e p r o g r a m . T h e p r o g r a m i n c l u d e s c i t i e s in t h e c o u n t i e s of M o n t g o m e r y a n d E l m o r e a n d t h e c i t y o f C a r r v i l l e i n T a l l a p o o s a C o u n t y .
H o r t o n , w h o i s v i c e - p r e s i d e n t of t h e M o n t g o m e r y C h a p t e r of A r c h i t e c t s a n d p a s t p r e s i d e n t of t h e A l a b a m a C o u n c i l o f A r c h i t e c t s A I A . s a i d t h e f i r s t p r i o r i t y w a s f o r a h o u s i n g s t u d y t h a t w i l l s u r v e y t h e a d e g u a c y of h o u s i n g in t h e r e g i o n a n d w h a t c a n b e d o n e to b e t t e r it.
T h e s e c o n d r e q u e s t c a l l s f o r a s e w e r a n d w a t e r s t u d y of t h e r u r a l s e c t i o n of M o n t g o m e r y C o u n t y , he s a i d . T h i s s u r v e y w i l l s h o w w h e t h e r t h e r e i s p o p u l a t i o n i n t h e a r e a l a r g e e n o u g h to s u p p o r t w a t e r , f i r e p r o t e c t i o n a n d s e w e r s y s t e m s .
H o r t o n s a i d t h e c o s t of a f i r e p r o t e c t i o n s y s t e m w i l l be a b o u t d o u b l e t h a t of a w a t e r s y s t e m , a n d t h e s e w e r s y s t e m a b o u t d o u b l e in c o s t o f a f i r e p r o t e c t i o n s y s t e m .
T h e t h i r d r e q u e s t is f o r a p r e l i m i n a r y c o m p r e h e n s i v e d e v e l o p m e n t p l a n . H o r t o n s a i d t h i s i n c l u d e s a n i n v e n t o r y of l a n d - u s e s t u d y — w h a t l a n d i s b e i n g u s e d f o r , a n d h o w it c a n a n d c a n n o t be u s e d , s u c h a s f l o o d l a n d .
T h e d e v e l o p m e n t p l a n a l s o i n c l u d e s a n i n v e n t o r y of e x i s t i n g c o m m u n i t y f a c i l i t i e s in t h e c o u n t i e s a n d w h a t t h e y h a v e to o f f e r a t t h e p r e s e n t .
A n o t h e r s u r v e y w i l l b e m a d e of p h y s i c a l g r o w t h b a r r i e r s , s u c h a s t h e t y p e s o f s o i l a n d l a n d s u r f a c e s , p o p u l a t i o n d i s t r i b u t i o n a n d f o r e c a s t s , a n d a t r a n s p o r t a t i o n s t u d y , H o r t o n s a i d .
T h e p r o g r a m w i l l t a k e a b o u t o n e
y e a r to c o m p l e t e . A A
CONSTRUCTION LENDING GUIDE.
A h a n d b o o k of homebu i l d i ng de s ign a n d const ruct ion.
By Schmidt , O l i o , a n d Lewis.
650 pp . M c G r a w - H i l l Book Com pany . $26 .00 .
Rev iewed by Felton M o r e l a n d Col l ier AIA
The three au thors of this comp e n d i u m are archi tects, John L. Schmidt a n d Haro ld Bennett O l i n , the d i rector a n d assistant director, respect ive ly , o f the archi tectura l a n d construct ion research depar t ment of the Un i ted States Savings a n d Loan League, w h i l e Wal ter H. Lewis is an associate professor of arch i tecture a t the Universi ty of I l l inois.
The o rgan i za t i on of this single vo l ume reference w o r k is reasonab le a n d he lp fu l w i t h " vo lumes " devo ted to f i ve ma jo r subject a reas: l and p l a n n i n g , des ign , const ruct ion, a p p r a i s i n g , a n d construct ion loan procedures. A l t hough it w a s pub l i shed jo in t ly by ihe American Savings a n d Loan Institute and M c G r a w - H i l l , it is c lear ly intended as a desk top reference for savings a n d loan execut ives. It is of pa r t i cu la r va l ue to architects because it tends to emphas ize areas of pa r t i cu la r concern to the many l end ing agencies. It contains very ca re fu l l y de ta i l ed sections on a l most a l l o f the s tanda rd construct ion methods a n d is very useful in that it conta ins specif ic suggest ions on the o r d i n a r y bu t of ten diff i cu l t aspects of remode l i ng projects, such as w a l l sett lement, cracks, a n d the l ike.
C O N S T R U C T I O N LENDING GUIDE is an excel lent pub l ica t ion to recommend to appra isers , bankers, a n d owne rs of investment p rope r t y . A A
NEXT ISSUE -T h e May J u n e issue of A L A B A M A A R
C H I T E C T wi l l be designed by archi tectura l students at A u b u r n , and wi l l feature projects designed by t h e m .
The issue wi l l be compi led under the direct ion of R i c h a r d M i l l m a n . head , Depar tment of A r c h i t e c t u r e .
With students so m u c h in the news, a v iew of const ruc t ive pro jec ts should prove " v e r - r - y in te r -es t ing" .
National Woodworks , Inc . . announces the t ime sav ing I m p e r i a l Wood Windows. The Imper ia l Window is a double hung wood unit of high qua l i ty , wi th r ig id v iny l Jamb weathers t r ip , r emovab le gr i l les and tilt-takeout s a s h .
The result when instal led is a durable, weatherproof window unit tha t 's easy to c lean . In fact c lean ing t ime c a n be reduced by 50 percent or m o r e . T h e unit is distr ibuted by Nat ional Woodworks , Inc. , 2201 North 29th A v e n u e , B i r m i n g h a m , Aln-b a m a .
P R O F E S S I O N A L C A R D S
EVANS AND YOUNG Consu l t ing Engineers
P h o n e 3 2 2 - 4 7 9 1
B r o w n - M a r x B u i l d i n g
B I R M I N G H A M , A L A B A M A
H A L L M A R K & BROWDER ELECTRICAL & M E C H A N I C A L
ENGINEERS 1 3 9 L e e St . T e l . 2 6 5 - 5 5 5 5
M o n t g o m e r y , A l o b o m o Registered Professional Consultonts
A l o b o m o , Florido. Georgia, Mississippi
WILLIS ENGINEERING
R O B E R T C . W I L L I S . P. E . C O N S U L T I N O C N O I N C K M E L C C T M I C A L A I R C O N D I T I O N I N G H E A T I N G A N D P L U M B I N G
P. O . S O X • • • • 1 2 E A S T T E N N E S S E E S T R E E T
F L O R E N C E . A L A B A M A 3 5 B J I
R O S S S T U D I O A r c h i t e c l u r a l l l l i is t r f l t lnns
COLOR « BLACK AND WHITB HAGER BUILDING/SUITE 10 25 OXHOOR ROAD WEST BIRMINGHAM. ALABAMA 35209 TELEPHONE I20S) e70-3ia2
Marcii-April 1969 15
T H E A L A B A M A A R C H I T E C T
Capi to l T o w e r s - S o u t h Cour t a t C lay ton
P. O. Box 267 - M o n t g o m e r y , A l a . 36101
B U L K R A T E U . S . P O S T A G E
P A I D M O N T G O M E R Y , A L A .
P E R M I T N O . 130
Alabama's CENTRAL Source for Technical Information and Distribution of
A l u m i n u m W i n d o w s
S U P P L V O F A A O N T f f O M 0 I Y « 4 M
M A I L -BY MAIL—BY PHONE THE ARCHITECT'S LARGEST SOURCE
Representing the Nation's MAJOR MANUFACTURERS of ALUMINUM AND STEEL WINDOWS
COMBINATION CASEMENT PROJECTED
THERMAL CONTROL
Also a Complete Line of CURTAIN WALL & Complete Line of BUILDING S P E C I A L T I E S Modernfold Folding Doors
Holpoint Built-in Appliances
Nutone Built-in Equipment
Kwik-Set Hardware
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Majestic Fireplace Grills
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Sun Control Grills
Kane Detention Screens
Nord Wood Doors & Columns
AWNING DOUBLE HUNG
SUPPLY OF MONTGOMERY, INC.
506 No. Court • P. 0. Box 446 • Phone 265-3521 • Montgomery, Ala.