Centre for the Performing Arts Centre for the Performing Arts Salvokop 68 DRAWINGS AND ARCHITECTURAL FORM D r a w i n g s University of Pretoria etd – Macagnano, M (2005)
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Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
68
DRAWINGS AND ARCHITECTURAL FORM
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Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Salvokop
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Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
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Salvokop
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Salvokop
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Salvokop
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This drawing seeks to provide the readerwith an understanding with regards to theeventual layout of the Salvokop Precinct,including the Centre for the PerformingArts as proposed by this dissertation.
In yellow are demarcated the routes ofgreater public travel and influence, thesespaces are primarily concerned with theroute of the Ceremonial Way. Thesespaces include: vehicular roadways,pedestrian footpaths, and outdoor publicopen spaces.
It can be seen that the system of publicopen spaces that is common to the restof the precinct is effectively incorporatedinto the layout of the Centre as part of aregular public activity nodal pattern forthe area.
Demarcated in red are the train stationsfor the area. This illustrates the closeproximity relationship of the Centre forthe Performing Arts to the various areasof mass public congregation anddeposition within the Salvokop Precinct(demarcated in yellow).
Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
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REVISED FORM RESPONSEDRAWING
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CURTAIN WALL FACADE DETAILING
SECTION THROUGH CURTAIN WALL_TAKEN FROM SECTION E - E
3D VIEW OF SUPPORT STRUCTURE SECTION: EXTERNAL GLAZING LOUVRES
SECTION THROUGH TYPICALSTICK-BUILT MULLION WITHIN CURTAIN WALL
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Salvokop
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DETAIL 1 - PARAPET GUTTER DETAIL 02 - ARCH TRUSS AND COLUMN CONNECTION
PRINCIPAL PERFORMANCE SPACE
lighting gallery
framed arch truss @ 3,25 m centres
water discharge to parapet gutter_downpipe run through wall to exteriorsurface_descends within wall reveal foraesthetic purposes for eventual dischargeat ground level
dual points of support for framed archtruss, clear span of 18m over audienceseating area
SECTION THROUGH CONCERT HALL ROOF (SECTION LINE RUNS NORTH-SOUTH)
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Type 03 - plan and section_rehearsal spaces
Type 02 - sections_Floor treatment for secondary performancespace and related foyer
Type 01 - sectionsprimary floor treatment for general publicspaces and related foyers
Floor and Wall Treatments:some of the methods of noise control, both internaland external, through implementation of certainacoustical noise preventative treatments. These details provide a genral and simplified indication ofsome of the various methods used around the building. SInce not all areas operate the same, a singularstrategy is not sufficient, thus providing a series of types for implemtation around the building whereappropriate deems to satisfy all criteria.
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MAIN APPROACH FROM PUBLIC OPEN SPACE OF CEREMONIAL WAYThe building is arranged aound the public open space. This public open space has been designed toaccommodate events and performances itself. Public seating is in abundance allowing a multitude ofplaces to observe and enjoy outdoor events, or simply adequate place to relax or wait for the train.While the building has been designed to allow for external views to the interior, the building itself isgeared to accommodate external viewing from the interior through its multi-level observation paltformsand balconies. D
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Salvokop
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OUTDOOR PUBLIC OPEN SPACEA view from a standing position within the events space / outdoor public open space around which the building surrounds itself. Through adifference in paving treatments and surface coverings, clearly defined routes and uses for the space are observable. Due to the fact thattheir presence is marked subtely in this way, the space may be used for a variety of purposes, e.g. recreation by th emasses, withouthinderence on any casual day. A porte-cochere is provided if need be through the integration of paved turning circle. This turning circlehas been designed to adequately cope with the turning needs of emergency vehicles.
Fixed public seating offers transition to the first floor level where a coffee bar is situated for those interested in watching life at this busyintersection unfold. Glass openings allow for light pentration into the interior.
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Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
PEDESTRIAN VIEW TOWARDS COFFEE BAR AND EXHIBITION SPACESimple illustration of the pedestrian vantage point as he or she makes their way along the newly defined pedestrian walkway,away from the busy street of the Ceremonial way. Following the Natural slope of the ground, this path eventually discharges thepedestrian into the natural public green space to the south of the Centre. D
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Centre for the Performing ArtsC e n t r e f o r t h e P e r f o r m i n g A r t s
Salvokop
VIEW FROM CEREMONIAL WAY INTERSECTIONVehicular access to within the site is not encouraged, the public open space would prosper far greater ifcars were not a fixture within the space. Provision has been made for vehicular access never-the-less.This is necessary for close proximity drop-off during periods of inclement weather as well as functionaldisability. Visiting dignitaries are therefore also afforded the opportunity to stroll directly into cover fromwithin their driven cars. This integrated turning circle is also important from the perspective of emergencyvehicle access, since access otherwise for such vehicles is limited.
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