U.d.a. 1 icebreaker

Page 1 <img data-url='document/uda-1-icebreaker.html?page=1' data-page='1' class='cut-thumb lazyload' alt='Page 1: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/1.jpg' width='140' height='200' /> Sandro Botticelli, “La Nascita di Venere”

1482-1485

Page 2 <img data-url='document/uda-1-icebreaker.html?page=2' data-page='2' class='cut-thumb lazyload' alt='Page 2: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/2.jpg' width='140' height='200' /> Chi è il protagonista dell’opera?

Quale elemento è posto in particolare evidenza?

Page 3 <img data-url='document/uda-1-icebreaker.html?page=3' data-page='3' class='cut-thumb lazyload' alt='Page 3: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/3.jpg' width='140' height='200' /> Page 4 <img data-url='document/uda-1-icebreaker.html?page=4' data-page='4' class='cut-thumb lazyload' alt='Page 4: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/4.jpg' width='140' height='200' /> Page 5 <img data-url='document/uda-1-icebreaker.html?page=5' data-page='5' class='cut-thumb lazyload' alt='Page 5: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/5.jpg' width='140' height='200' /> Per quale motivo Botticelli,alla fine del XV secolo,mette in primo pianoi capelli della donna?

Page 6 <img data-url='document/uda-1-icebreaker.html?page=6' data-page='6' class='cut-thumb lazyload' alt='Page 6: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/6.jpg' width='140' height='200' /> Nel Medioevo non era comuneper le donne portare i capelli

sciolti.

Page 7 <img data-url='document/uda-1-icebreaker.html?page=7' data-page='7' class='cut-thumb lazyload' alt='Page 7: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/7.jpg' width='140' height='200' /> Giovane donna del XIV secolocon una tipica acconciatura

dell’epoca

Page 8 <img data-url='document/uda-1-icebreaker.html?page=8' data-page='8' class='cut-thumb lazyload' alt='Page 8: U.d.a. 1 icebreaker' loading='lazy' src='data:image/gif;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAYAAAAfFcSJAAAADUlEQVR42mNk+P+/HgAFhAJ/wlseKgAAAABJRU5ErkJggg==' data-src='https://reader040.cupdf.com/reader040/viewer/2022031913/55cf60d5bb61ebc95d8b4673/html5/thumbnails/8.jpg' width='140' height='200' /> Piero e Antonio del Pollaiolometà xv secolo

U.d.a. 1 icebreaker

Education