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UNIT 2: Instrumental Music of Luzon Table of Contents Introduction 4 Lesson 1: Rondalla 5 Learning Targets 5 Let’s Warm Up! 5 Learn about It! 6 Check Your Understanding 11 Challenge Yourself! 12 Let’s Jam! 12 Lesson 2: Musikong Bumbong 13 Learning Targets 13 Let’s Warm Up! 13 Learn about It! 14 Check Your Understanding 16 Challenge Yourself! 16 Let’s Jam! 17 Lesson 3: Bamboo Organ 18 Learning Targets 18 Let’s Warm Up! 18 Learn about It! 19 Check Your Understanding 21 Challenge Yourself! 22 Let’s Jam! 22 Lesson 4: Angklung Ensemble/ Himig Pangkat Kawayan 23 Learning Targets 23 Let’s Warm Up! 23 1 Copyright © 2018 Quipper Limited
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U N I T 2 : I n s t r u m e n t a l M u s ic o f L u z o n

Apr 08, 2022

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Page 1: U N I T 2 : I n s t r u m e n t a l M u s ic o f L u z o n

 

UNIT 2: Instrumental Music of Luzon  Table of Contents  

Introduction 4  

Lesson 1: Rondalla 5  Learning Targets 5  Let’s Warm Up! 5  Learn about It! 6  Check Your Understanding 11  Challenge Yourself! 12  Let’s Jam! 12  

Lesson 2: Musikong Bumbong 13  Learning Targets 13  Let’s Warm Up! 13  Learn about It! 14  Check Your Understanding 16  Challenge Yourself! 16  Let’s Jam! 17  

Lesson 3: Bamboo Organ 18  Learning Targets 18  Let’s Warm Up! 18  Learn about It! 19  Check Your Understanding 21  Challenge Yourself! 22  Let’s Jam! 22  

Lesson 4: Angklung Ensemble/ Himig Pangkat Kawayan 23  Learning Targets 23  Let’s Warm Up! 23  

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Learn about It! 24  Check Your Understanding 29  Challenge Yourself! 30  Let’s Jam! 30  

Did You Know? 31  

Web Links 31  

Performance Task 32  

Self-Check 33  

Wrap Up 34  

Bibliography 35  

Glossary 36    

                             

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GRADE 7  

UNIT 2    

Instrumental Music of Luzon (Lowlands)  

 

 

Fig. 1 . The Rondalla Ensemble  

Source: https://upload.wikimedia.org/wikipedia/commons/e/ed/Rondalla2009.JPG  

   

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Introduction  The three centuries of Spanish colonization has made a huge impact on the culture and                              society of Lowland Luzon.   

You can see it in the architecture of the buildings, the arrangement of communities, the                              language spoken in the region, the religion of the people, and in the music that is heard                                  throughout Luzon. Many Spanish influences have been adapted to the Filipino culture and                          tradition. Hence, there are art forms found in Luzon that may have been Spanish but are                                given a Filipino twist.    

The instrumental music of Luzon also have elements borrowed from foreign lands, but the                            Filipinos made it possible for it to carry a Filipino identity which makes their music truly                                unique and remarkable.  

 

                 

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Lesson 1: Rondalla    

Learning Targets    

In this lesson, you should be able to:  

● identify a rondalla ensemble;  ● recognize the instruments of a rondalla ensemble;  ● discuss the importance of rondalla ensemble in the Philippine context.  

 

Folk music is part of the daily lives of Filipinos. What is a rondalla ensemble and how did it                                      become a musical tradition in Luzon?  

 

Let’s Warm Up!  

 1. Form a group of five.  2. Recall any Filipino love song that can be played with a guitar.  3. Practice the chorus of the song.  4. Imagine that you are about to present it in the streets of the Philippines, or traveling                                

from house to house and show it through a skit.  5. In the skit, you should be able to incorporate the song and sing it in the right pitch and                                      

rhythm in front of your classmates.   

 

Do you think people still go around the streets and sing songs?  

Would it be fun to have people singing in the streets and playing the guitar nowadays?  

During the olden times, do you think this activity was often done?   

 

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Learn about It!    

Rondalla is a kind of ensemble that originated from Spain. It came to the Philippines during                                the Spanish colonization in the from the 1600s to the 1900s. The ensemble is known to                                practice the tradition of plucking strings together to make harmony. Most instruments in the                            ensemble are string instruments and are plucked with a turtle-shell plectrum or pick .  

 Fig 1.1 Plectrum used to pluck String Instruments   

Source: Arent at Dutch Wikipedia (https://commons.wikimedia.org/wiki/File:Plectrums.jpg), „Plectrums“,  https://creativecommons.org/licenses/by-sa/3.0/legalcode  

 

The word rondalla came from the word “rondo” or “ronda” which means going around the                              village to sing and play with some guitar accompaniment. Rondalla eventually became a term                            for a group of musicians that play plucked strings together. Rondalla is also known to have                                other names such as murza which means street musicians ; estudiantina that means a band                            of student musicians ; and lastly , comparza, a term for music groups that semi-professionally                          play for festivities, fiesta, birthdays, and many occasions.  

 

The origins of rondalla came from the Spanish Rondalla which had the violin, guitar, flute,                              bandurria, cello, bass, triangle, castanet, and tambourine as the main instruments. When it                          was brought to the Philippines, Filipinos modified this into their own, paving a way to a new                                  

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system of playing rondalla. The instrumentation was reformed and now had piccolo,                        bandurria, octavina, laud, double bass, and guitar as the basic instruments. The bandurria                          that used to be a 12-stringed lute was changed into a 14-stringed instrument to bring about a                                  richer sound. Mandolina and Bandolina were added to the group to support the low voice of                                the laud and octavina. Percussions such as the triangle, drum, and xylophone were also                            added to put some rhythmic effect in the string ensemble.  

 

Here are some descriptions and functions of each instrument found in rondalla .  

● Bandurria has 14 strings, pear-shaped lute with a round sound hole, plucked using a                            plectrum and plays the melodic line.   

 

 Fig. 1.1 A Bandurria  

Source: https://upload.wikimedia.org/wikipedia/commons/6/60/Bandurria1_wbg.jpg  

 

● Piccolo has 14 strings, smaller version of the bandurria and plays ornamentations and                          sometimes the melody as well. It is often recommended to add higher tones in the                              pieces.   

 

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● Laud has 14 strings, has a longer neck, pear-shaped lute with f-shaped sound holes,                            plucked using a plectrum, and plays the alto part or counter-melody. It has a flat back.   

 

 Fig. 1.2 A Laud  

Source: Arent, Spaanse Laud, CC BY-SA 4.0, https://commons.wikimedia.org/wiki/File:Spaanse_Laud.png  

 

● Octavina has 14 strings as well, has a brilliant timbre that sounds like an alto, fills-in the                                  harmony with a counter-melody.  

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 Fig 1.3 An Octavina  

Source: Originally posted to Flickr by VirtualErn; Reviewed on 20 February 2010 by FlickreviewR and confirmed to be  licensed under the terms CC BY 2.0 via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Octavina.jpg  

 

● Guitar has 6 strings, brings together all the melodies that come from different                          instruments; it serves as a harmonic guide with rhythmic arpeggios, and act as                          accompaniment.  

 Fig 1.4 A Guitar  

Source:Martin Möller Talk - Classical Guitar two views.jpg, CC BY-SA 2.0 de,  https://commons.wikimedia.org/w/index.php?curid=24431078  

 

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● Bajo de uñas (or bajo de arko ) has 4 thick strings, plays the low notes (bass tones) that                                    support the pieces of rondalla and provide rhythmic support and reinforcement of                        beats. It can also be referred to as bass . It can be played using a thick plectrum or with                                      the fingernails, and as tall as a person, it had to be played standing, played by plucking                                  using fingers.  

 

 Fig 1. 5 A Bajo de uñas  

Source: Lowendgruv at English Wikipedia - Originally from en.wikipedia; description page is/was here., Public Domain,  https://commons.wikimedia.org/w/index.php?curid=1755787  

 

The repertoire played by the rondalla is filled with folk music such as the balitaw , kundiman ,                                balse , danza , lullaby , and march . It also plays a modern repertoire.    

 

Filipinos became really passionate about rondalla and this is why it flourished in the                            Philippines. It became in-demand in the 1900s when many rondalla bands were formed within                            cities, families, schools, and universities. It is performed everywhere and were heard on the                            radio. Both urban and rural communities in Luzon made rondalla tradition alive. There were                            national competitions for it since the 1960s.  

 

Juan Silos Jr. is considered the “Father of the Rondalla” in the Philippines for his dedication                                to building several rondalla groups in different schools and organized the “All-Star Filipino                          Rondalla” which showcased the versatility of the rondalla as it accompanied the Tchaikovsky                          Piano Concerto 1 and Khatchaturian’s Saber Dance with pianist, Benny Goodman, in 1949.   

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Try It Yourself  

 

Dance to the music of rondalla by recalling some of the folk dances you learned in your                                  Physical Education class. Search for the following video performances on Youtube:  

● Philippine Folk Dance La Jota Moncadena  ● “LERON LERON SINTA” by Anne Quiambao  

 

 

Check Your Understanding  Fill in the blanks with the correct answers.  

1. Rondalla originated from the country of ____________.  2. The ensemble practices the tradition of _________________ strings to make harmony.  3. _____________ is a word that means going around the village to sing and play with guitar                                

accompaniment.  4. The bandurria used to be a 12-stringed lute was changed into a ___________ instrument                            

to bring about a richer sound.   5. ________________ is a smaller version of the bandurria and plays the ornamentation and                          

the higher tones in pieces.  6. ______________ plays the alto part or counter melody with f-shaped sound holes.  7. ______________ brings together all the melodies from the different instruments and                      

serves as an accompaniment to the melodies of the ensemble.  8. ______________ is an instrument with 4 thick strings that looks as tall a person and plays                                

the bass notes for the pieces.  9. The repertoire of rondalla is filled with___________ music such as balitaw, kundiman,                        

balse, danza, lullaby, and march.  10._______________ is the “Father of the Rondalla” in the Philippines.  

 

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Challenge Yourself!   Write True if the statement is correct and False when the statement is wrong.   

_______________ 1. Murza is a rondalla that means street musicians.  

_______________ 2. The octavina plays the alto melody in the rondalla.  

_______________ 3. The bajo de uñas looks like a bass guitar that is played vertically.  

_______________ 4. The laud plays the tenor voice in the rondalla.  

_______________ 5. Rondalla became in demand in the 1900s when many rondalla bands were                            formed within cities, families, schools, and universities.  

 

 

Let’s Jam!    

1. Form a group of five and practice the basic chords of the ukulele.  2. Using the ukulele, learn a simple traditional Tagalog folk song called “ Bahay Kubo. ”  3. Play it together and make sure you are synchronized with the rhythm of the striking of                                

the strings and sing the melody in tune.  4. Present the song in front of the class.  

   

       

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Lesson 2: Musikong Bumbong      

Learning Targets    

In this lesson, you should be able to:  

● identify Musikong Bumbong ;  ● recognize the instruments of a Musikong Bumbong ensemble;  ● discuss the importance of Musikong Bumbong in Philippine history.  

 

Is it possible to make a band that sounds like a brass band but the instruments are made of                                      bamboo? What makes Musikong Bumbong a remarkable ensemble in the Philippines?   

 

 

Let’s Warm Up!    

1. As a class, watch this video that talks about Musikong Bumbong in Obando, Bulacan                            entitled, “HTS Musikang Kawayan (Pistahan).”  

2. Individually, describe the music that you hear from the band on a piece of paper and try                                  to compare and contrast the music to a brass marching band.   

3. Share your thoughts to your seatmate.   

 

 

 

 

 

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Learn about It!     

Musikong Bumbong is a band that can be likened to a western brass marching band, except                                all the instruments are made of bamboo. It means “bamboo music.”   

 

During the Spanish era, the frailes or priests have ownership of marching bands, but the                              Filipinos sought for a way to make these institutions genuinely Filipino. They formed a                            marching band called Musikong Bumbong that showcases the Filipino musicians’ skills of                        harmony, good singing, resourcefulness, and nationalism. The members of Musikong                    Bumbong often make their own bamboo piccolo, tuba, flute, clarinet, and saxophone. The                          known inventor for the bamboo instruments is, Felix Ramos , a native of Malabon.   

 

Figure 2.1 shows an example of an instrument found in Musikong Bumbong . This is the kind of                                  tuba that can be found in Musikong Bumbong. It is made of bamboo and rattan. Rattan is also                                    a very strong raw material found in the Philippines that could be weaved together. The                              materials such as the bamboo and rattan make the instrument sturdy and durable. When it                              is played, the player is required to produce sound using his own singing voice in tune with a                                    leaf or paper placed between the lips. The timbre of the sound is lighter, thinner, and smaller                                  than the brass counterpart.   

 Fig 2.1 A tuba made of rattan and bamboo.  

Source: https://farm8.staticflickr.com/7431/13906342629_1ab5192fe6_k.jpg  

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 Musikong Bumbong and the Katipunan  

 

One Musikong Bumbong band known in Luzon is the D’original Malabon Music Bamboo,                          Banda de Boca which means “Band of Mouth” or “ Banda ng Bibig ,” the very first Musikong                                Bumbong in the Philippines. It was founded in Barrio Tonsya in Malabon, Rizal. It was formed                                in the year of 1896 by founder, Felix Ramos and his co-founder, Gregorio Kilala .   

 

The band was always tasked to play patriotic music for freedom during meetings of the                              Katipuneros. The Katipuneros are known to love the country so much that Musikong Bumbong                            played pieces like “ Veteranos de la revolucion ” and “ Alerta Katipunan ” to show the group’s                            dedication to nationalism and love of freedom.  

 

Musikong Bumbong in the Modern Times  

 

The tradition of playing Musikong Bumbong continues until these times. This kind of music is                              played in places like Bulacan with bands named Sta. Clara Musikong Bumbong and in Malabon                              with the Musikawayan, D’original Musikong Bumbong . The repertoire has already expanded that                        they now play numerous native and modern music. They play in town festivals, welcome                            dignitaries, and provide cultural shows and concerts everywhere still bringing with them a                          sense of nationalism.    

 

Try It Yourself  1. Listen to one of the modern music pieces that the Sta. Clara Musikong Bumbong band is                                

playing in the video performance entitled, “Banda Sta. Clara Musikong Bumbong” on                        Youtube.  

2. On a piece of paper, write a short paragraph describing the music of Musikong Bumbong                              in modern times.  

 

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Check Your Understanding    

Fill in the blanks with the correct answers.  

1. Musikong Bumbong can be likened to a Western __________ marching band where all                          instruments are made of bamboo.   

2. During the Spanish era, _____________ have ownership of the marching bands.  3. The known inventor of the bamboo instruments is ________________.  4. Materials such as __________________ and _____________ make up the instrument.  5. The co-founder of the first Musikong Bumbong in the Philippines is_____________.  6. _____________ means “Band of Mouth”  7. The Musikong Bumbong that can be found in Bulacan has a name called _____________.  8. The Musikong Bumbong that can be found in Malabon is named ________________.  9. Musikong Bumbong played for the meetings of the ___________, a group that showed love                            

for country and nationalism.  10.Two of the famous pieces played by Musikong Bumbong are the __________________, and                          

the ____________________.  

 Challenge Yourself!     

Write the answer to the following questions.  

1. What materials are needed to make a Musikong Bumbong instrument?  2. Describe how sound must be produced when playing the instrument.  3. Describe the timbre of the sound produced from the instrument.  4. Recall the two pieces that Musikong Bumbong played for the Katipuneros.  5. What is the importance of these pieces to the Musikong Bumbong band?  

 

 

 

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Let’s Jam!    

1. Form groups of five.  

2. As a group, watch this simple documentary about Musikong Bumbong .                    (https://www.youtube.com/watch?v=e3PcKtD8xlw&t=93s).  

3. Observe the issues that Musikong Bumbong is facing right now.  4. Make a creative presentation using a song, dance, and instrument-playing that could                        

help preserve the art form and its goals.   5. Share your presentation in front of the class.  

 

 

 

 

               

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Lesson 3: Bamboo Organ      

Learning Targets    

In this lesson, you should be able to:  

● recognize the history of the bamboo organ of the Philippines;  ● identify the parts of the bamboo organ;  ● discuss the importance of the bamboo organ in the Philippines.  

 

It is very remarkable to notice that Christianity has spread in the Philippines that churches are                                found in many places like Luzon. Big churches found here would usually have the same                              features as the big churches in Europe, and one of the main features of the churches is the                                    pipe organ that accompanies the choirs and the liturgies. It is usually made of metal pipes.                                But who would ever think that bamboos would be a tough and enduring material for                              the pipes of such a beautiful instrument?   

 

 

 

Let’s Warm Up!    

1. As a class, watch this clip about the Bamboo Organ of The Philippines.                          (https://www.youtube.com/watch?v=GnQhtJITpyU).  

2. Note the qualities of the bamboo organ that amazes you.  3. Write it down in a paragraph.  4. Share your thoughts to your classmates.   

 

 

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Learn about It!  

 Fig 3. 1 The Bamboo Organ  

Source: Cealwyn Tagle (https://commons.wikimedia.org/wiki/File:Las_Piñas_Bamboo_Organ_CealwynTagle_DCera.jpg),  „Las Piñas Bamboo Organ CealwynTagle DCera“, https://creativecommons.org/licenses/by-sa/2.0/legalcode  

 The Bamboo Organ is the very first pipe organ made of bamboo in all of the world. The                                    instrument, organ, is a renowned European instrument but it was adapted to use the native                              material and attuned to survive the Filipino climate. This instrument is installed in St. Joseph                              Parish in Las Piñas and was invented by Fray Diego Cera Dela Virgen Del Carmen , the very                                  first parish priest of the town during the Spanish era. He created it in 1816 and was finished in                                      1824, taking eight years of construction.  

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The bamboo organ has the basic components of an organ. It has a divided keyboard for bass                                  tones consisting of 32 tones named Mano Yzquierda , while the other part for treble tones                              has 29 tones named, Mano Derecha . The organ comprises of a pedal made of 12 tones, and                                  there are also some knobs for ornamentation where effects such as Pajaritos or bird sound                              could be accessed. There are one-thousand and thirty-one pipes inside the organ.                        Nine-hundred two are bamboo pipes, and the others are made of metal. These pipes use                              steady air pressure from a billow so that it can vibrate and maintain a pitch which is described                                    as unique and mellow sounding.  

 

However, in the 1880s a big typhoon and earthquake came, it destroyed the roof of the                                church. This enabled stones and rainwater to enter the organ case, making the instrument                            unplayable. However, in 1917 some tourists noticed the beauty of the instrument and they                            made attempts on saving it.  

 

Only in 1972, the project on saving the instrument became a reality when Johannes Klais                              Orgelbau from Bonn, Germany restored it. He restored it in Germany and sent back the                              organ materials to the Philippines in March of 1975.   

 

Eventually, a foundation called Bamboo Organ Foundation Incorporated was formed to                      preserve the use of the instrument and enrich the cultural tradition of the town. They make                                an annual festival in February to honor the existence of the organ and is inviting local and                                  international music enthusiasts to the event.  

 

In 2003, it was recognized as a national treasure by the National Museum of the                              Philippines and was said to be the only 19th-century bamboo organ that is still surviving and                                functioning.  

   

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Try It Yourself   

 Observe how the bamboo organ could sound like through this link.                      (https://www.youtube.com/watch?v=COa01vUlCkk). Write a short paragraph on how you                would describe the sound of the bamboo organ.  

 

Guide Questions :  

1. Does the bamboo organ sound like other church organs?  2. Can the bamboo organ function like other church organs?  3. Can the bamboo organ be used to play difficult organ pieces as well?  

 Check Your Understanding  

 

Fill in the blanks with the correct answer.  

 

1. The Bamboo Organ is installed in _________________ in Las Piñas.  2. The Bamboo Organ is the ________ pipe organ made of bamboo.  3. The construction of the Bamboo Organ lasted for ______ years.  4. The part of the keyboard for the bass tones consisting of 32 tones is named ___________.  5. The part of the keyboard for the treble tones with 29 tones is named ______________.  6. The pedal of the bamboo organ is made of _______ tones.  7. The are ( how many all-in-all? ) _______________ pipes inside the organ.  8. __________________ from Bonn, Germany restored the Bamboo Organ.  9. __________________ was formed to preserve the use of the Bamboo Organ and enrich the                            

culture of the town.  10. In 2003, the Bamboo Organ was declared as a ________________ by the National Museum                              

of the Philippines.  

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 Challenge Yourself!   

 Write True if the statement is correct and False if the statement is wrong.  

______________ 1. Ornamentations such as Pajaritos (bird sound) can be accessed in playing                          the Bamboo Organ.  

______________ 2. Earthquake and Typhoon were the reasons why the organ was unplayable                          in the 1800’s.  

______________ 3. In March of 1978, the organ’s return from Germany was celebrated by the                              Filipinos.  

______________ 4. An annual festival every February is done in honor of the Bamboo Organ.  _____________ 5. The Bamboo Organ is the only surviving and functioning 19th century organ                            

in the Philippines.     

   

Let’s Jam!    

1. Listen to one of the Bamboo Organ Festival performance using this link.                        (https://www.youtube.com/watch?v=XTuRk5hO4cI).  

2. While listening to the sound of the organ with the orchestra, make a drawing or                              symbolism that would best describe the Bamboo Organ for you.  

3. Share your thoughts with your classmate.   

 

 

 

 

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Lesson 4: Angklung Ensemble/ Himig Pangkat  Kawayan   

 Learning Targets  

 

In this lesson, you should be able to:  

● identify the history and origins of the Pangkat Kawayan of the Philippines;  ● recognize the instruments of the Pangkat Kawayan ;  ● recognize the angklung instrument;  ● discuss the importance of Pangkat Kawayan in the Philippine context.  

 

Filipino creativity has been shown in plenty of the ensembles of Luzon. This creativity leads                              Filipinos to be resourceful and see to it that music honors Filipino roots and traditions. What                                is Himig Pangkat Kawayan and what are their instruments?  

 

 

Let’s Warm Up!    

Observe the video in the link, https://www.youtube.com/watch?v=C35luDCb2JY. On a piece of                      paper, draw the instruments you have found and describe how it is played.  

 

 

 

 

 

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Learn about It!    

Himig Pangkat Kawayan is the “ Singing Bamboos of the Philippines .” This is an orchestral                            group of bamboo instruments, and it came from the initiatives of elementary schools in                            Quezon City and Manila. Victor Toledo managed the first Himig Pangkat Kawayan in its                            formation on September 6, 1966 . He became the conductor and music director of the group.  

 

The musical instruments involved in the orchestra are numbered to be more than a hundred.                              These bamboo instruments are in different sizes, designs, and shapes. Terms such as these                            would pertain to the instrument it was made to be:  

 ● Bumbong - a sounding bamboo tube that when blown produces a pitch.  

 

 Fig. 4.1 The Bumbong  

Source: https://iak.olx.ph/images_olxph/826499715_1_1000x700.jpg?bucket=04  

 

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● Talunggating - bamboo marimba played by a pair of mallets that plays the melody.  

 Fig. 4.2 The Talunggating  

Source: http://bandakawayan.ph/img/instruments/marimba.png  

 ● Kalagong - an instrument that sounds like a hollow gong when tapped by flat and                              

flexible surface tappers. It plays the bass line.   

 Fig 4.3 The Kalagong  

Source: http://bandakawayan.ph/img/instruments/kalagong.png  

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 ● Tulali - bamboo flute.  

 Fig 4.4 A Tulali  

Source:  https://upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Shakuhachi-2.png/220px-Shakuhachi-2.png  

 ● Kalatok - bamboo knockers, percussive instruments that give off a pitch when struck                          

with a rubber mallet.  

 Fig 4.5 Kalatok  

Source: http://bandakawayan.ph/img/instruments/kalatok.png  

 

● Kiskis - bamboo scratcher that is played by rubbing a rattan stick on the ridges of the  body.  

 

Fig 4.6 Kiskis  

Source: http://bandakawayan.ph/img/instruments/kiskis.png  

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The ensemble also houses rattles, drums, cymbal gongs, triangles, and the very unique                          Southeast Asian instrument, Angklung .  

 Fig. 4.7 The Angklung  

Source: Crisco 1492 - Own work, CC BY-SA 4.0,   

https://commons.wikimedia.org/w/index.php?curid=40357779  

 

Angklung of the Philippines  

 

The angklung is a popular Southeast Asian instrument, made of two bamboo tubes attached                            to a bamboo frame. It originated from Indonesia as it was played as Sundanese music in the                                  ancient times.  

 

The tubes of the instrument are carved so that when it is struck it produces a very sonorous                                    pitch. The two bamboo tubes sound an octave apart, making the tone sounding like one.  

 

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The base of the frame is held by the hand, while the other hand shakes the instrument swiftly                                    from side-to-side, giving the instrument a repeating note sound. One angklung can only play                            one note, and so to make a melody, a lot of angklungs are needed to be played. This                                    instrument can also be aligned in a rack with an array of pitches becoming a bamboo piano .                                  In Filipino, the angklung bamboo piano is called, tipangklung . For the Pangkat Kawayan, it                            plays a counterpoint melody or baritone voice for the harmony.  

 Fig. 4.8 A Tipangklung  

Source: © 2005 Sulfur, CC BY-SA 3.0,   

https://commons.wikimedia.org/w/index.php?curid=70484746  

 The instrument must be played vertically or in an upright position for easier playing.   

 

The Angklung set for kids is made of 8 tones while the adult set can have a number of 15 , 18 ,                                          37 , 43 up to 49 in tones.  

 

The ensemble plays Philippine airs, light classics, folk songs, modern songs, and pop songs                            which cater to many people.  

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Try It Yourself    

1. Observe how the angklung is played using this link.  ● (https://www.youtube.com/watch?v=pwvrvUVsEp4).   

2. If the angklung is available in your school, play the instrument using the technique you                              saw in the video. If not, imitate the movements used in playing the ensemble’s                            instruments.  

 Check Your Understanding    

Fill in the blanks with the correct answer.  

 

1. Himig Pangkat Kawayan is also called ________________________________.  2. The orchestral group is formed through the initiatives of ______________________ in                      

Quezon City and Manila.  3. The first Himig Pangkat Kawayan was formed by ____________________ who is also the                          

conductor and musical director of the group.  4. The bamboo flute of the orchestra is called ___________________.  5. The bamboo knockers of the orchestra is called ________________.  6. The _________________ is a bamboo instrument that is rubbed against a rattan stick.  7. The _______________ is a popular Southeast Asian instrument which is made of two                          

bamboo tubes attached to a bamboo frame.  8. The angklung must be played _______________ for easier playing.  9. The Filipino term for angklung bamboo piano is ___________________.  10. The angklung plays the ___________________ melody.  

 

 

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 Challenge Yourself!     

Write True if the statement is correct and write False if the statement is not correct.    

____________ 1. The two tubes of the angklung is an octave apart.  ____________ 2. The bamboo piano of the Philippines is called talunggating .  ____________ 3. One angklung can only play one note, and so in order to make a melody,                                  a lot of angklungs are needed to be played.  ____________ 4. The kalagong is an instrument that is tapped by flat and flexible surface                              tappers to sound like a gong.  ____________ 5. The Himig Pangkat Kawayan was formed in 1968.  

 

 

Let’s Jam!    

1. Form groups of five.   2. Have a look at the bamboo instruments in your classroom and study how it is played.   3. Practice how each instrument must be played with proper form and striking.  

 

 

 

 

 

 

 

 

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Did You Know?    

The original Musikong Bumbong from Malabon was instrumental for the plans of the                          Katipuneros to revolting against the Spanish regime in 1896. The instrumentalists were tasked                          to cart away weapons to the Katipuneros and hiding them from the guardia sibils during those                                times. They did this by hiding the bolos inside the instruments and smuggling them to the                                Katipuneros .  

 

 

 

Web Links  

● https://www.youtube.com/watch?v=rmgxPAZyYps&t=6s  

● https://www.youtube.com/watch?v=y9Xp7w8xwzE  

● https://www.youtube.com/watch?v=e3PcKtD8xlw&t=252s  

● https://www.youtube.com/watch?v=CWwNGUbgk-w&t=18s  

● https://www.youtube.com/watch?v=y38MYxnBsgE  

 

 

 

 

 

 

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Performance Task     

Activity 1  

“Sulyap Lahi”: a Glimpse of Filipino Culture    

Purpose:  

At the end of this activity, the students should be able to:  

● perform a piece in a Pangkat Kawayan style;   ● sing and play a folk song in the right tune and tempo; and  ● demonstrate proper technique and form in playing the instruments of the ensemble.   

 

Role: You are cultural performers that are tasked to show the beauty of Filipino culture and                                resourcefulness through an ensemble presentation with song and dance.  

 

Competence: The group must be able to present a Filipino song in an ensemble using                              improvised instruments.   

 

Procedure  

1. Form a group of six.  2. Get a folk song that you would like to make a rendition of.   3. Make your own instrument using recycled materials inspired by the Pangkat Kawayan                        

instruments you’ve learned about that could accompany your song.  4. Make presentation that would incorporate all the aspects of the ensemble and be as                            

creative as you can in performing it. You can add some dancing and acting as well.  5. Show your presentation in front of the class.  

 

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 Key Questions  

 

1. What kinds of instruments are needed to orchestrate the folk song?   2. What kind of materials should be used to make a lasting instrument?  3. Did the process of making the instrument show the resourcefulness of Filipinos?  

 

Reflective Questions  

 

1. What makes music-making in the Philippines unique?   2. Do you think that Filipino instrumental music is still relevant to this modern age?  3. How can you show the Filipino pride in music-making?  

 Self-Check  

 

 

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Reflect  

  

I find __________________________ the most interesting because ______________________.  

I got ____ checks because _______________________________________________________.  

I need to improve on _______________________because _____________________________.  

I need to practice _________________________ because _____________________________.  

I plan to ___________________________________________________  

__________________ .  

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Wrap Up    

   

 

 

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Bibliography    

National Library of the Philippines. “Rondalla.” Accessed by February 7, 2019,  

http://nlpdl.nlp.gov.ph:81/CC01/NLP00VM052mcd/v5/v41.pdf  

Vitto, Leon. Dela Peña, Verne. “A Brief History of the Philippine Rondalla.” Strings of Unity.                              Accessed by February 7, 2019, https://stringsofunity.org/philippine-rondalla/  

Santos, J. Sonny. “Rondalla Pioneers.” Accessed by February 7, 2019,                    http://jayars.tripod.com/pioneers.html  

Del Mundo, Ofnel. “Mga Instrumentong Rondalya.” Accessed by February 7, 2019.                      https://www.slideshare.net/ofhel/mga-instrumentong-rondalya?next_slideshow=2  

Cayabyab, Marc Jayson. “Malabon Bamboo Band remembers Katipunan Past”. The Philippine                      Star, Aug 18, 2018.  

NCCA Philippines. “Musikong Bumbong.” Accessed by February 10, 2019                  https://www.flickr.com/photos/nccaofficial/18261536209  Las Piñas Government. “Bamboo Organ.” Accessed by February 7, 2019                    http://www.laspinascity.gov.ph/lifestyle/18/bamboo-organ  “The Bamboo Organ of Las Piñas Philippines” Accessed by February 7, 2019                        http://mypipeorganhobby.blogspot.com/2009/02/bamboo-organ-of-las-pinas-phillipines.html  “Pangkat Kawayan” Accessed by February 10, 2019              https://365greatpinoystuff.wordpress.com/tag/pangkat-kawayan/  Manila Times. “How the Bamboo Organ was Assembled and Restored” Accessed by February                          10, 2019 https://www.manilatimes.net/bamboo-organ-assembled-restored/311698/  

 

 

 

 

 

 

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Glossary    

Angklung refers to a popular Southeast Asian instrument made of bamboo tubes attached to                            a bamboo frame.  Bajo de arko refers to a four-stringed instrument that is as tall as a person and plays the low                                      notes in pieces.   Bajo de uñas refers to the four-stringed rondalla instrument.  Bamboo Organ refers to the very first bamboo pipe organ in the world.  Banda de Boca refers to the “Band of Mouth”, the first musikong bumbong  Bandurria refers to a 14 stringed, pear-shaped lute  Bumbong refers to bamboo tubes that are blown.  Comparza refers to a semi-professional rondalla band.  Estudiantina refers to a rondalla band of student musicians.  Guitar refers to six-stringed instrument that serves as a harmonic guide and accompaniment                          in rondalla  Himig Pangkat Kawayan refers to the orchestral group of bamboo instruments.  Kalagong refers to a hollow gong tapped by surface tappers.  Kalatok refers bamboo knockers.  Kiskis refers to bamboo scratchers.  Laud refers to a fourteen-stringed rondalla instrument that plays the alto part.  Mano Derecha refers to the treble tones in the keyboard of the bamboo organ.  Mano Yzquierda refers to the bass tones in the keyboard of the bamboo organ.  Murza refers to a rondalla ensemble of street musicians.   Musikong Bumbong refers to bamboo marching band in the Philippines.  Octavina refers to a fourteen-stringed rondalla instrument that plays the tenor part.  Pajaritos refers to the bird sound effects  Piccolo refers to a smaller version the bandurria.  Rondalla refers to an ensemble that originated from Spain which practices tradition of                          

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plucking strings.  Talunggating refers to the bamboo marimba.  Tipangklung refers to a Filipino term for Angklung.  Tulali refers to a bamboo flute.  

   

 

                         

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 Quiz  

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LESSON 1: Rondalla  

I. Knowledge [Items 1-3. Simple recall of information presented]  

1. Question   Single Choice   A ns  

Explanation  

From what    country did the      rondalla ensemble    originate?  

A. Brazil      The rondalla    tradition of    plucking strings    came from Spain      and this ensemble      was brought to us        during the Spanish      colonization.  

B. Spain   X  

C. Portugal    

D. Ecuador    

2. Question   SIngle Choice     Explanation  

What does    rondo or ronda      mean?  

A. circles     Rondo or    ronda meant going      around the village      with guitar    accompaniment.  

B. going around the        villages with guitar      accompaniment  

X  

C. dancing     

D. watchguards    

3. Question   Single Choice     Explanation  

Who was    considered to be      the Father of the        Rondalla in the      Philippines?   

 

 

A. Remy Juan     Juan Silos Jr.      was the Father of        Rondalla in the      Philippines. He    spearheaded many    rondalla groups    and showed the      ensemble’s  versatility in    repertoire.  

B. Frailes    

C. Juan Silos Jr.   X  

D. Jose Cervantes    

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II. Process [Items 4-8. Comprehension, Application; may refer to Bloom’s                    Taxonomy]  

4. Question   Single Choice   Ans .  

Explanation  

Which of the      following is not      part of the Filipino        Rondalla?  

A. violin   X   The violin is      only found in the        Spanish rondalla.  B. laud    

C. octavina    

D. bandurria    

5. Question   Single Choice     Explanation  

Which of    these music is not        part of the      repertoire of the      rondalla?  

A. danza     The rondalla    usually plays folk      songs and these      can be danza,      march, and    balitaw.  

B. march    

C. aria   X  

D. balitaw    

6. Question   Single Choice     Explanation  

What  instrument from    the rondalla must      be used to play        ornamentations  and higher tones?  

A. Bajo de Uñas     Piccolo plays    ornamentations  and higher tones      since it is the        smaller sized    bandurria.  

B. Laud    

C. Bandurria    

D. Piccolo   X  

7. Question   Single Choice     Explanation  

What  instrument is    needed to play the        low and    supporting tones    but is as tall as a            person?  

A. Bajo de Arco   X   All the  instruments play  

some low and  supporting tones  

however only Bajo  de Arco is as tall as  

a person.  

B. Bajo de Uñas    

C. Octavina    

D. Laud    

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Part III: Application and HOTS questions  

8. Question   Single Choice   An s.  

 

What  instrument does    the alto line in the          ensemble?  

A. Laud   X   The Laud    plays the    counter-melody or    alto line in the        ensemble.  

B. Octavina    

C. Bajo de arco    

D. Piccolo    

9. Question   Single Choice      

What  instrument is    14-stringed but    has f-shaped holes      and a flat back?  

A. Piccolo     The laud has      f-shaped holes and      a flat back.  B. Bandurria    

C. Octavina    

D. Laud   X  

10.  Question  

Single Choice      

A tenor line      is highlighted in      the ensemble,    what could be the        instrument heard?  

 

A. Bandurria     The octavina    plays the brilliant      timbre of the tenor        line in the rondalla.  

B. Bajo de arco    

C. Laud    

D. Octavina   X  

LESSON 2: Musikong Bumbong  

I. Knowledge [Items 1-3. Simple recall of information presented]  

1. Question   Single Choice   A ns  

Explanation  

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Who was the      creator of    Musikong  Bumbong?  

A. Juan Silos Jr.     Felix Ramos    is the creator of        Musikong  Bumbong, a native      of Malabon and is        part of the      Katipunan.  

B. Felix Ramos   X  

C. Nicanor Abelardo    

D. Francisco Santiago    

2. Question   Single Choice     Explanation  

Musikong  Bumbong  instruments are    made up of what        material?   

A. rattan     All  instruments in    Musikong  Bumbong is made      of bamboo but      some instruments    especially the big      ones, are made      from bamboo and      rattan.  

B. bamboo    

C. bamboo and rattan   X  

D. plastic and glue    

3. Question   Single Choice     Explanation  

 

Musikong  bumbong is    likened to what      kind of music?   

 

A. brass marching    band  

X   Musikong  Bumbong is    likened to a brass        marching band.  B. string orchestra    

C. piano    

D. percussion    

II. Process [Items 4-8. Comprehension, Application; may refer to Bloom’s                    Taxonomy]  

4. Question   Single Choice   Ans .  

Explanation  

Where did    musikong  

A. Marikina     Musikong  Bumbong  

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bumbong  originate?   

B. Bulacan     originated in    Tonsya, Malabon.  C. Angono    

D. Malabon   X  

5. Question   Comprehension     Explanation  

Give the two      known pieces of      Musikong  Bumbong for the      Katipuneros.  Categorize under    Yes if the piece is          part of the      repertoire and No      if not.  

A. La Liga Filipina   No   The two    known pieces are      nationalistic pieces    played by the      Musikong  Bumbong for the      Katipuneros.  

B. Veteranos de la        Revolucion  

Yes  

C. Alerta Katipunan   Yes  

D. Sa Mahal Kong        Bayan  

No  

6. Question   Single Choice     Explanation  

Check the    examples of    modern musikong    bumbong bands    that still play to        this day ? Choose      Yes if the example        still plays to this        day and No if not.  

A. Sta. Clara      Musikong Bumbong  

Yes   Banda de    Boca has already      changed its name      and was the very        first Musikong    Bumbong. Sta.    Clara and    Musikawayan are    groups that still      play to this day.  

B. Musikawayan,    D’original Musikong    Bumbong  

Yes  

C. Banda de Boca   No  

D. Kawayan ng      Katipunero  

No  

7. Question   Single Choice     Explanation  

These are the      initial goals of      forming the    Musikong  Bumbong except    for?   

A. Nationalism     The first goals of  forming Musikong  Bumbong is to  establish a truly  Filipino institution  that showcases the  skills and  resourcefulness of  the Filipinos.  

B. Showcase Skills of        Filipinos  

 

C. Resourcefulness    

D. Entertaining    People  

X  

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8. Question   Single Choice   An s.  

 

On what    year was the      Musikong Bumbong    founded?  

A. 1880     Musikong  Bumbong was    founded in 1896.  B. 1896   X  

C. 1899    

D. 1885    

9. Question   Single Choice      

How does a player        produce a sound      in the wind      bamboo  instruments?  

A. Singing in the      right tune with a        leaf or paper      between the    lips.  

X   Singing in    the right tune is        essential for hitting      the right tune for        the wind bamboo      instruments.  B. Make the body of          

the instrument vibrate    

C. Blow and split the          air in half to make a sound  

 

D. Striking the body of          the instrument  

 

10.  Question  

Single Choice      

Who is the      co-founder of Felix      Ramos?  

A. Gregorio Kilala   X   The  co-founder of Felix      Ramos is Gregorio      Kilala.  

B. Gregorio Kidlat    

C. Gregorio Kilat    

D. Gregorio Ramos    

LESSON 3: Bamboo Organ  

I. Knowledge [Items 1-3. Simple recall of information presented]  

1. Question   Single Choice   A Explanation  

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ns  

Who was the      inventor of the      bamboo organ?   

A. Fray Diego Cera dela        Virgen del Carmen  

X   Fray Diego    Cera an organ      builder wanted to      invent a pipe organ        using bamboos.  

B. Fray Diego Circa dela          Virgen de Assumption  

 

C. Fray Diego    

D. Fray Damian    

2. Question   SIngle Choice     Explanation  

Where is the      bamboo organ    located?  

A. Marikina     The bamboo    organ is located in        St. Joseph Parish      Las Piñas.  

B. Las Piñas   X  

C. Pasay    

D. Antipolo    

3. Question   Single Choice     Explanation  

 

What is the      part of the      keyboard that    contains 32 tones      for bass?  

 

A. Mano Yzquierda   X   Mano  Yzquierda is the      bass part of the        keyboard.   

B. Mano Derecho    

C. Pedal    

D. Pajaritos    

II. Process [Items 4-8. Comprehension, Application; may refer to Bloom’s                    Taxonomy]  

4. Question   Single Choice   Ans .  

Explanation  

What is the      part of the      keyboard that    contains 29 tones      for treble?  

A. Mano Yzquierda     Mano  Derecho contains    the treble part of        the keyboard.  

B. Mano Derecho   X  

C. Pedal    

D. Pajaritos    

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5. Question   Single Choice     Explanation  

What is the      name of the bird        sound effect in the        bamboo organ?  

A. Mano Yzquierda     Pajaritos  effect is used to        make a bird sound        effect in the      bamboo organ.  

B. Mano Derecho    

C. Pedal    

D. Pajaritos   X  

6. Question   Single Choice     Explanation  

How many    bamboo pipes are      inside the bamboo      organ?   

A. 1,031 pieces of        pipes.  

  All in all,      there are 902      bamboo pipes.  B. 902 pieces of pipes   X  

C. 102 pieces of pipes    

D. 1,040 pieces of        pipes  

 

7. Question   Single Choice     Explanation  

Who restored the      bamboo organ so      that it can be        played again?  

A. Johannes Orgelbau   X   Johannes  Orgelbau was the  one who restored  

the bamboo organ.  

B. John Organbau    

C. Jonathan Orgelbau    

D. James Organbau    

8. Question   Single Choice   An s.  

 

What  recognition did the      National Museum    of the Philippines      give to the bamboo        organ in 2003?  

A. Bamboo Organ      Foundation Recognition  

  Bamboo  Organ was    recognized as a      National Treasure    in 2003.  

B. Gawad Urian    

C. National Treasure   X  

D. Best in Bamboo        Instrument  

 

9. Question   Single Choice      

What foundation    takes care of the        

A. Bamboo Organ    Festival  

  Bamboo  Organ Foundation    

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continuous use of      the bamboo organ      and enrich the      cultural tradition of      Las Pinas?  

B. Bamboo Organ      Foundation Inc.  

X   Inc. was formed to        take care of the        continuous use of      the bamboo organ.  C. Bamboo Organ      

Limited.    

D. National Museum      of the Philippines   

 

10.  Question  

Single Choice      

How many years      did it take for the          organ to finish?  

A. Eight years   X   It took eight      years to finish the        bamboo organ.  B. Nine years    

C. Five years    

D. Eleven years    

LESSON 4: Angklung Ensemble/ Himig Pangkat Kawayan  

I. Knowledge [Items 1-3. Simple recall of information presented]  

1. Question   Single Choice   A ns  

Explanation  

What does    Himig Pangkat    Kawayan mean?  

A. Bamboo Group      Himig  Pangkat Kawayan    means “Singing    Bamboos of the      Philippines”.   

B. Singing Bamboos of        the Philippines  

X  

C. Music of the Bamboos    

D Bamboo Musical    

2. Question   SIngle Choice     Explanation  

Himig  Pangkat Kawayan    was formed    through the    initiatives of what      organizations?  

A. Radio Stations     Himig  Pangkat Kawayan    was formed    through the    initiatives of    elementary  schools in Quezon      City and Manila.  

B. Elementary Schools   X  

C. Wealthy Families    

D. Government    

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3. Question   Single Choice     Explanation  

Himig  Pangkat Kawayan    can be likened to        what kind of      ensemble?   

 

 

A. brass marching band     It is an      orchestra of    bamboo  instruments.  

B. vaudeville    

C. orchestra   X  

D. percussive ensemble    

II. Process [Items 4-8. Comprehension, Application; may refer to Bloom’s                    Taxonomy]  

4. Question   Single Choice   Ans .  

Explanation  

What is a      talunggating ?  

A. blown bamboo      tube  

  Talunggating  is a bamboo      marimba played    with mallets.  B. bamboo marimba   X  

C. bamboo hollow      gong  

 

D. bamboo flute    

5. Question   Single Choice     Explanation  

What is the      tulali?  

A. blown bamboo tube     The tulali is      a bamboo flute.   B. bamboo knockers    

C. bamboo hollow gongs    

D. bamboo flute   X  

6. Question   Single Choice     Explanation  

The  Southeast Asian    instrument found    in the ensemble is?  

A. rattle     The Pangkat    Kawayan houses    the Southeast    Asian instrument,    angklung.  

B. zitter    

C. Ranat    

D. Angklung   X  

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7. Question   Single Choice     Explanation  

All statements are      true for the      Angklung except    for what?  

A. One angklung can      only play one note.  

  The angklung must  be shaken or  jarred in order to  produce a sound.  B. The angklung originated        

from Indonesia.    

C. The angklung tubes are          an octave apart.  

 

D. The angklung is tapped          by tappers in order to make            a sound.  

X  

8. Question   Single Choice   An s.  

 

Who is the      first conductor and      music director of      Himig Pangkat    Kawayan?  

A. Jose Cervantes     Victor  Toledo is the first        conductor and    music director of      Himig Pangkat    Kawayan.  

B. Leopoldo Silos    

C. Chino Toledo    

D. Victor Toledo   X  

9. Question   Single Choice      

What do you call        the angklung in      Filipino?  

A. Tipangklung   X   The  tipangklung is a      term for Filipino      angklung.  

B. Angklung    

C. Angklungan    

D. Tangklung    

10.  Question  

Single Choice      

The following are      ways to play the        angklung except:  

A. jarring the frame        from side-to-side  

  The tubes    must not be held        as it will not be          able to sound.  B. play uprightly or in            

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 KPI for Writers: [Please refer to this doc for details of criteria]  

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Successful performance.)  

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vertical position  

C. shaking the frame    

D. holding the tubes        and shake vigorously  

X  

QS Writer: Click to enter your name.  

Assigned Topic: Click to select Grade Level – Unit Click to indicate Unit No. – Unit Title    

Criteria  [1]  

Below  expectations  

[2]  

Needs  Improvement  

[3]  

Successful  performance  

[4]  

Exemplary  performance  

Self  

-Rating  

S/SCS  Rating  

Standa rds  (DepEd  Competencies)  

Standards  are not addressed.      Integration of given      competencies across    domains is not evident.  

Standards  are somewhat    addressed. Integration    of given competencies      across domains ( is        insufficient.  

 

Standards  are adequately    addressed.  Integration of given      competencies across    domains is evident  

Further  researched and    addressed relevant    DepEd competencies    to make integration      across domains    consistently evident.  

 

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Introdu ction, Essential    Questions, and    Wrap Up  

Does not tap      interest and prior      knowledge. Unit    overview is    inadequate. Unit ends      without a wrap up and          a concept map.   

Lesson  activities did not      address the essential      questions.   

Lesson is    opened by the      overview of the lesson.        Limited attempt to tap        interest and prior      knowledge. Unit ends      with limited review      and limited concept      map..  

Essential  questions iare    meaningful but lesson      activities did not      address aspects of the        questions.  

Lesson is    opened by tapping      interest and prior      knowledge, and giving      an overview of the        lesson. Units ends      with a comprehensive      summary of lessons      and key points and        concept map.   

Stated  questions are    meaningful and    relevant for target      grade level. Activities      addressed the    questions.   

Lesson is    creatively opened by      tapping interest and      prior knowledge, and      giving an overview of        the lesson. Units ends        with a comprehensive      summary of lessons      and key points,      presented in a      creative manner.    Questions were    meaningful and    relevant to learners,      framed the central      idea and adequately      address by the      activities.   

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Discuss ion and text      boxes  

Match  between lesson    content and    objective(s) is lacking in        the discussion proper;      examples provided are      irrelevant and    inadequate; no    opportunity for    student practice  

Discussion  proper has limited      match between lesson      content and    objective(s); relevant    examples provided;    limited opportunity for      student practice.  

Discussion  proper has clear      match between lesson      content and    objective(s); relevant    and adequate    examples provided;    with opportunities for      student practice.  

Discussion  proper has evident      match between    lesson content and      objective(s); relevant,    multiple and/or    appropriate examples    provided; with    opportunities for    guided and    independent practice  

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Content  Accuracy  

The content    has 10 or more errors.  

The content    has 9 to 4 errors.  

The content    has 1-3 minor errors.  

The content    has no errors.   

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Criteria  [1]  

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[2]  

Needs  Improvement  

[3]  

Successful  performance  

[4]  

Exemplary  performance  

elf-Rati ng  

C S/SCS  Rating  

Check  Your  Understanding,  and Self- Check      Assessment  

This  section is missing      or may be present        but does not follow        the set guidelines,      unclear and not      concise.  

They are    not grade    level-appropriate  assessments and    no attempt at      differentiation.  

 

Questions  have no variety in        difficulty levels. and      are not aligned with        the objectives.  

Questions  are not clear and        concise; utilizes grade      level-appropriate  assessments but with      little attempt at      differentiation.  

 

Varying  difficulty of questions      are given and are        aligned with the      objectives. Questions    are somewhat clear      and concise. They      show relationship to      all objectives in the        unit; utilizes grade      level-appropriate  assessments with    some evidence of      differentiation.  

Varying  difficulty of questions      are given and are        aligned with the      objectives. Questions    are clear and concise.        They show defined      relationship to all      objectives in the unit;        utilizes grade    level-appropriate  assessments with    evidence of    differentiation.  

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Perfor mance Task  

This  section is missing      or may be present        but does not aid        learning at all.   

Performa nce Assessment    GRASPS was not      followed.  

This section    provides psychomotor    activities (at least 1        item per topic) that are          appropriate for    students but does not        necessarily challenge    the students’ creativity      or resourcefulness.    GRASPS was not      followed.  

This section    provides  psychomotor  activities (at least 1        item per topic) that        are appropriate for      students and    challenge their    resourcefulness or    creativity.   

GRASPS was     somewhat followed.  

This section    provides psychomotor    activities (at least 1        item per topic) that        are appropriate for      students and    challenge both of their        creativity and    resourcefulness.   

Performance  Assessment GRASPS    was followed.  

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 KPI for Editors:  

 

 

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Profes sional Writing    and Other    Support  Features  

Poor  quality as    evidenced by 8 or        more errors in      writing mechanics    (e.g., clarity,    spelling, usage    and/or grammar). A      huge section of      plagiarized content    is detected, and for        rewriting. Did not      follow the template.   

Fair quality    evidenced by 5-7      errors in writing      mechanics (e.g., clarity,      spelling, usage and/or      grammar). Few    plagiarized content is      detected, and for      revision. Somewhat    followed the template.   

Good  quality evidenced by      grade-level  appropriate  discussion, and 1-4      errors in writing      mechanics (e.g.,    clarity, spelling, usage      and/or grammar) No      plagiarized content.    Followed the    template.  

Professional  attention to writing is        evidenced by grade      level appropriate    discussion through    clarity in writing as        well as absence of        spelling, usage, and      grammatical errors.    No plagiarized content  

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10 -    Point Quiz  

10-point  quiz in each lesson        is lacking either in        questions or in      explanations or the      quiz is poorly made,        majority of the      questions didn’t    follow the    guidelines.   

Correspondi ng 10-point quiz is        missing 1-2 numbers.      Half of the items did          not follow the      guidelines .  

Each lesson    has a corresponding      10-point quiz, with      complete  explanations, and    majority of the      questions followed    the guidelines.   

Each lesson    has a corresponding      10-point quiz, with      complete  explanations. And all      of the questions      followed the    guidelines.   

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Remar ks  

  Total        

        

QS Editor: Assigned Topic: Click to select Grade Level – Unit Click to indicate Unit No. – Unit Title

C riteria

[4]

Exceeds the Standard

[3]

Meets the Standard

[2]

Approaching the Standard

[1]

Developing the Standard

Self-Ratin

g S/SCS Rating

Making Revisions

A bility to Revise

Makes revisions above and beyond what is expected. Revision has been exceedingly sufficient to improve

Makes some revisions above and beyond what is expected. Revision has been sufficient to improve the content,

Makes some revisions but somewhat lacks the ability to revise in a substantial way. Revision done has

Demonstrates a lack of ability to revise in a substantial way. Whatever revision has

been done has not been sufficient to

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the content, focus, structure, clarity, and

coherence of an earlier SG draft.

focus, structure, clarity, and

coherence of an earlier SG draft.

been somewhat sufficient to improve the content, focus, structure, clarity, and

coherence of an earlier SG draft.

improve the content, focus, structure, clarity, and

coherence of an earlier SG draft.

Makes relevant and meticulous adding/ substituting of relevant material to an earlier SG draft; meticulously deletes unhelpful material.

Adds/Substitutes relevant material to an earlier SG draft; deletes unhelpful material.

Somewhat adds/substitutes material to an earlier SG draft; somewhat deletes unhelpful material.

Does not add/substitute relevant material to an earlier SG draft. S

elect rating.

elect rating.

Strengthens essential questions, objectives, introduction, transitions and wrap-up; creatively rewrites sentences that may be distracting; combines sentences that may be combined.

Makes revisions on essential questions, objectives, introduction, transitions and wrap-up; rewrites sentences that may be distracting; combines sentences that may be combined.

Makes minor revisions on essential questions, objectives, introduction, transitions and wrap-up; rewrites sentences that may be distracting; combines sentences that may be combined.

No revisions were done on essential questions, objectives, introduction, transitions and wrap-up; did not rewrite sentences that may be distracting.

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Ensures that mechanics ( grammar, punctuation and spelling) of final revision are nearly flawless.

Mechanics ( grammar, punctuation and spelling) of final revision has 2 errors; mechanics are mostly accurate and rarely impede meaning.

Mechanics ( grammar, punctuation and spelling) of final revision has 3-4 errors; mechanics are somewhat accurate and rarely impede meaning.

Mechanics ( grammar, punctuation and spelling) of final revision has 5 or more errors; mechanics have either not improved significantly or appear to be the only focus of the revision.

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C riteria

[4]

Exceeds the Standard

[3]

Meets the Standard

[2]

Approaching the Standard

[1]

Developing the Standard

Self-Ratin

g S/SCS Rating

Ensures that bibliography is complete and follows the CMS format.

Bibliography has 1 error in format.

Bibliography has 2-3 errors in format.

Bibliography has 4 or more errors in format.

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A bility to

Comprehens ively incorporates

Incorporates constructive comments

Incorporates comments that

Incorporates comments (or none at all)

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constructive comments that prove helpful to improving the content, focus, structure, clarity, and coherence of an earlier SG draft.

that prove helpful to improving the content, focus, structure, clarity, and

coherence of an earlier SG draft.

somewhat prove helpful to improving the content, focus, structure, clarity, and

coherence of an earlier SG draft.

but does not prove helpful to improving the content, focus, structure, clarity, and

coherence of an earlier SG draft.

rating. rating.

W ork Flow

Follows the guidelines established for Asana tasks; followed guidelines in encoding slides and quizzes.

Followed the guidelines established for Asana tasks; followed guidelines in encoding slides and quizzes, with 1-2 misses.

Somewhat followed the guidelines established for Asana tasks; followed guidelines in encoding slides and quizzes, with 3-5 misses.

Did not follow the guidelines established for Asana tasks; did not follow guidelines in encoding slides and quizzes, with more than 5 misses.

Punctuality of Submission

Submitted ahead of time (no extensions asked).

Submitted on time (or on approved/adjusted deadline).

Submitted a day after the given deadline.

Submitted two or more days after the given deadline.

Select

rating. elect

rating.

Total            

Page 54: U N I T 2 : I n s t r u m e n t a l M u s ic o f L u z o n

 

   

Classify      

   

 Present  

 

 

 

 

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