Twelve mag june 2013

2

For Connoisseurs & Conscious Living

This magazine is called

TWELVE to note it’s

monthly presence, only

TWELVE times a year.

Also, and more impor-

tantly, TWELVE is a symbol

of time. So it represents

timely information and the

central point by which life

events are measured. And

of course, time pieces are

part of the finer things,

perfect for our core read-

ers in pursuit of sophisti-

cated living.

Welcome to TWELVE.

3

Welcome to No. VI!

It’s finally June. We’ve been waiting for this.

School’s out, the weather’s nice, vacation

plans are being executed. Plenty to celebrate

including Father’s Day and Juneteenth too.

This month is also Black Music Month. Con-

sidering that, you’ll find articles highlighting

some of our talent and treasures making a

name for themselves, and Kansas City, nation-

wide. We’ve got much more in store for

you. After all, this isn’t just a magazine. It’s a

movement!

As always, we highlight the people to watch,

key tips and places to go. So enjoy the fea-

tures.

Remember, this is your magazine. You have an opportunity to contribute to the content by

writing, submitting story suggestions, and of course, attending the launch events and more.

Contact us at [email protected] to get involved and send us feedback too!

Sincerely,

Ken L

BLACK MUSIC MONTH

COVER

Anthony Saunders

DON’T MISS

Visit KCSoul.com for the

Summer Guide

INSIDE

Our Music 6

CONNECTED 13

Shani INSPIRED 24

Dads & Daughters 28

Kerwin from PE 32

Anthony Saunders

40

VOLUME 50

JUNE 2013 Volume I, Issue VI

Though a lifestyle publication isn’t unique, TWELVE evolves the genre. It’s the only magazine

that you both read and live. We set out to create more than a literary piece. We’ve merged

both the online world and the live event into the “magazine experience”. Once a month, we

release a new issue of the magazine. The release is paired with a live launch event on First

Fridays, where the feature elements and characters of our magazine are brought to life for

you to touch, taste, feel and experience. The live experience becomes part of gathering

ground of additional stories, photos, and more for the final written magazine.

What’s Different? Read It & Experience it Live

kcsoul.com #TWELVEKC

TWELVE Magazine is

part of the kcsoul.com

network. Owned by

H.G.E. Marketing, LLC.

4

CLOSER TO MY DREAMS Plan now for Spring Graduation! Establish a Gift page today for the graduating student. Enable friends and family to easily make a contribution to salute their well-deserved ac-complishment. Help toward future expenses such as travel plans, a new car, or a new suit for interviews or jobs. Chances are a little extra money toward the tuition bill would be useful too! It’s FREE to start your page. Log on today.

Where The Nation Goes to Give

GIFT PAGES PROVIDE:

Real-time direct payments

Customized donation amounts

Goal meter option for tracking

Social media sharing

Email & contact invitations

Personalized gift page urls

Picture & video additions

Reporting

Specials & bonuses

Because sometimes they need it. Other times they deserve it.

5

SPECIAL THANKS

To all of Our Writers, Designers,

Planners, Contributors,

Advertisers & Supporters of

TWELVE!

Ken L.

Join the team: Email: [email protected] W. Sarah Fletcher

DJ Franklin

Raye Jackson

Danielle Jones

Clarence Lomax

Iman Lott

Sherry Lumpkins

LeAndrea Mack

Randi McCreary

Gary Mitchell

Casie Murff

Earl Smith

Michele Watley

Jessikha Williams

Christopher White

Salute To:

AEH Photography

Blue Symphony, LLC

BLACK MUSIC MONTH

6

Music

ansas City is rich in talented and revered music but when Kansas Citians hear the word “local” what’s the in-

sinuation? Does local equate to inferior, defining a sound that doesn’t warrant taking a few seconds to check

out the music? Or do many individuals just not know how to engage in a local artist’s project? After all, KC has

become accustomed to the limits of what the radio airs and what programs like MTV, VH1 and BET expose. However,

this city abounds with talent that has never been heard and KC has also lost out on untold talent because of the ane-

mic opportunities for exposure. TWELVE Magazine is answering the call! In addition to bringing Kansas City excep-

tional individuals, connoisseurs, and encouraging a conscious lifestyle, we will bring you talent!

LEE LANGSTON Talents such as Lee Langston, a local independent artist, who produces his own shows and gives genuinely entertain-

ing performances. Coming a long way from the boy band that he started with in his early years, Lee Langston’s memo-

rable voice, original style, and distinguished material has become a staple in the urban art culture of Kansas City.

(Continued on page 8)

By LeAndrea Mack

Photos: Jessikha Williams

K

7

Lee Langston One of KC’s Top Voices

twelvekc.com

8

His genres include a distinct fusion of tradi-

tional R&B, Neo-Soul, and new age rhythm

and blues. Whatever the style, he has always

chased his passion for his God-given talent:

singing. Langston, who is finishing a project

to be released later this year, admits that

performing in Kansas City is difficult but says,

“This is the show-me state and Kansas City

holds true to that! You have to do what you

love and when you are pursuing your pur-

pose, the connection is so strong it enve-

lopes your spirit.”

Langston has parlayed his passion into a full-

time profession. Kansas City has come to

know and love his soulful music and per-

formances like his popular Tribute Series dur-

ing which he performs songs by popular art-

ists to sold out crowds.

ADRIAN RAY’MON SMITH Another artist who is making a lot of incisive

noise in the Kansas City area is Adrian

Ray’mon Smith, known in Kansas City as

Adrian Truth, a charming R&B artist with

Npursuit Alliance Records that just released an

album called, “Euphoria.” The album flows

seamlessly along a strong R&B theme, includ-

(Continued from page 6)


twelvekc.com

ADRIAN RAY’MON SMITH

Ready to Be Next

Photo: Jessikha Williams

9

10

ne in three children are living in the United

States without the presence of their biological

fathers. Many are young boys, just starting out

in life; trying to adapt to a challenging world. Realities

like these give reason to celebrate those fathers that

are unwaveringly present. Moments where grandfa-

ther, son and grandson can be together show a great

line of heritage and what loving family dynamics can

do.

There is nothing like being a father. It is a responsibil-

ity, a blessing and a challenge all rolled up into one

purposeful experience. It serves a vast and essential

purpose--to develop well rounded men that can pros-

per and contribute in the world with confidence and

drive. This of course, is taught in the midst of love

and the presence of family. The end result ? An un-

forgettable collection of human beings that know they

are laying a foundation and watching a legacy unfold.

Edward Lamothe was close to his father Andrew

growing up. He wants the same experience with his

son. He considers one of his blessings to be that his

son can still spend time with grandfather in Kansas

City. Now living in Virginia, Edward contributes the

good relationship to the lessons, morals and values

that his father passed down to him.

“ My dad taught me how to survive and how to take care

of my home. As a result I believe I was able to succeed

on my own and deal with adversity, “ Edward says. “ My

Here’s to the Dads And The Memories They Create.

O

Gil Lowe wants to maintain a strong relationships

with his boys..

By: Randi McCreary

11

goal is to show my son what it means to be a man.

Teach him to respect others, to compete, win or lose,

how to survive, how to tie a bow tie….overall the

goal is to arm him with the information and skills

that he can use for the rest of his life”.

Gil Lowe, a resident of Chicago, has memories

and lessons from his father that come with en-

couragement and participation.

“One project I remember the most was building a

basketball blackboard and goal from scratch with

wood from Sutherlands. We poured the cement and

drilled the holes for the goal. Every time the basket-

ball goal would get wear and tear or be torn down

we would always be fixing it. I spent many hours

playing ball and staying close to home because of

this”.

Today, Gil has an amazing relationship with his

two sons Greyson and Lawson, who love spend-

ing time with their grandfather in Kansas City.

“ My dad taught me how to

survive and how to take care

of my home. …”

Edward

Lamothe Knows a fa-

ther’s role is

to be there.

12

LOVE STARTING WITH YOURSELF

W. SARAH FLETCHER

W. Sarah Fletcher Photograph: Raye Jackson

twelvekc.com

W. Sarah Fletcher twelvekc.com

13

When it comes to National

Music, Kansas City is well-connected!

They make the stars! [Partial List]

Anthony Saunders

Songwriter/Producer

Bishop

Singer/Songwriter

Brian Kennedy

Musician/Producer

Charmelle Coffield

Songwriter/Vocalist

D. Baker

Producer

Damon Thomas Producer

Dewain Whitmore, Jr.

Songwriter/Vocalist

DJ Pooh

Producer/Filmmaker

Earl “Punch” Wight

Choreographer

George Forte

A&R, Cash Money

Janelle Monae

Singer

Jo Blaq

Singer/Producer

K Stylis

Rapper

K. Briscoe

Producer/Songwriter

Kerwin Young

Producer/Composer

Lance Alexander

Producer/Songwriter

LaShawnna Stanley

Model Talent Management

Lil Ronnie

Producer

Prof T

Songwriter/Producer

Richard “Swoop” Whitebear

Choreographer

Saisha Beecham

Celebrity Make-Up Artist

Tech N9ne

Hip-Hop Artist

Tone Henderson

Record/Artist Promotions

Warnae Watkins

Booking Agent

Prof T, Producer

“The industry is pretty transparent.

Art as a whole is struggling, but

especially Black music. There’s

good music out there, the problem

is that it’s all the same. That’s

what we need to change.”

Warnae, Watkins,

Booking Agent

“Artists need to manage to their

market sometimes to make

money. You can’t outprice your-

selves, not considering the mar-

ket .”

Tone Henderson, Promotions

“Henderson Entertainment

Artists have to market themselves.

You can’t rely totally on the internet.

You have to get back in the streets,

to make more money.”

D.Baker, Producer

“Artist Development is lacking.

Labels are not spending to prepare

an artists. The sweet spot in this

industry is film scores.”

Anthony Saunders, Producer

“When it comes to music, “Style is

going to change.” Genres are ongoing

and evolving.”

Saisha Beecham, Make-up Artist

“Record labels cut budgets which im-

pacted promotion features like music

videos for artists. Back in the day, if there

was song, the music video made you listen

to song. Now, music videos are limited.

Everything’s about reality TV shows.

George Forte, A&R

“Today, the marketing budgets are lower. A

lot of artists get signed for Singles vs. full con-

tracts. “Stick and Move” is the name of the

game. Record labels want to see how well

you’ll do. They limit their exposure to lower

budgets, maybe $250,000 where years ago it

would have been a two million dollar deal.”

i Industry

ROUNDTABLE

We held an industry roundtable with a few of our industry experts and all-stars. Below are just a few highlights on the state of the industry.

NATIONAL MUSIC INDUSTRY \ HEAVY HITTERS FROM KC

Check The List of Artists

They’ve Worked With on

Page 48.

14

When you ask Karam “Ashot” Johnson what

the hip hop sound was when he first discov-

ered music he can’t help but smile. As a

young artist and music lover growing up in

Kansas City, Missouri, hip-hop was raw and

unfiltered.

“You had to have your own direction,” he recalls.

That love led to the discovery that he had his

own gift for performing. By the age of fifteen

Ashot knew that he was ready to battle with

the best of them. The early nineties sound

gave way to a conscious vibe and lyrical con-

tent with more awareness and eventually op-

portunities for himself and his group “The

Hungry Coterie”. By the early nineties Ashot

was opening for artists like Keith Murray.

Today’s hip -hop sound is much different than

the vibe brought by artists like Murray.

Techno beats, dance tracks and lyrics that are

missing what was once a powerful message,

cause emcees like Ashot to get it back to

where it was. This doesn’t mean he can’t ap-

preciate the evolution. After all, music has a

tendency to reciprocate and take on a new art

form while still revisiting the past.

In addition to being an emcee, Ashot is an

emerging visual artist with work to be fea-

tured on his upcoming album. The portrait,

which doubles as the title for his new project

Anti-Everything explores the social, economi-

cal and moral plague of our society. It speaks

to the youth and the elders. It uncovers that

which is often pacified. All in ten hard hitting

tracks that are, most fittingly, raw and unfil-

tered.

His former project “Streetlights for Dark

Blocks”, includes songs like 4Dem and Hunger

Pains that shadow the content of Anti-

Everything. Ashot is an independent artist

whose music can be found on Bandcamp.com,

YouTube, and itunes.com. For inquiries about

his work he can be reached at facebook.com/

karamashotjohnson.

Ashot By Randi McCreary | Photo Jessikha Williams

15

twelvekc.com

16

Sound Off

17

18

Saisha Beecham

By Randi McCreary

19

f you’ve ever watched The Real Housewives of At-

lanta and wondered how Kenya Moore gets those

billowing eyelashes , or Kandi Buress’s complexion

seems to remain smudge free all of the credit goes

to celebrity stylist and makeup artist Saisha Beecham.

Saisha, a Kansas City native, has been a heavyweight in

the styling industry for over ten years.

“I was always the designated friend to do everyone’s makeup

when going out, even in high school so I guess I knew I had

somewhat of a gift at a young age but never once thought it

would be my destiny, “ explains Beecham.

Saisha continues to wow audiences and makeup lovers

around the country with her accessible trends and go-to

tips. With her wealth of knowledge, Saisha has even had

the privilege of seeing some of her clients like Nia Long

and Janelle Monae walk the red carpet. She describes

the experience as feeling like a proud mother.

At this stage of the game Saisha is accustomed to getting

a last minute call to pack her bags and head half way

around the world to work on a project. The freedom of

being creative and making her own schedule keep her

satisfied and allows her to keep the inside track on what

is trending in makeup.

The summer season proves no different. With women

wondering exactly what makeup trends will land them

on the hot list, Saisha guarantees that the key word for

summer is color.

“The trend right now is bright color lips! This trend is sticking

around, only this time, the lips aren't glossy. Try it matte or

with a light sheen in colors like coral, orange, pink, hot pink,

and even bright purple!”

For women that want more makeup advice than how to

shade their lips, Saisha provides some makeup basics

that will keep any woman looking beautiful and feeling

sexy.

“Three essential items that a woman should always have are

a great lip moisturizer, a great mascara and a great blush or

bronzer. I love Kinerase Ultimate Volume Lip Conditioner.

With this, your lips are being moisturized and they also have

a shiny lip gloss look! You can never go wrong with

Smashbox Bionic Mascara in Jet Black. This will really open

your eyes and make you look finished even if you didn’t have

time to do much! For blush or bronzer try NARS Orgasm.

This is a classic that never fails!!

I

Saisha puts those finishing

touches on Gladys Knight

By Randi McCreary

20

Lonnie & Gina McFadden.

Music is in the blood.

“I was always around musi-

cians. My father taught us

how to tap dance before I

even knew what that was.”

21

ansas City’s rich music heritage is recog-

nized across the country for its true

musicians. The sound is so distinctive

that it gives listeners pause. No matter

the form - jazz, blues, R&B, rap or other

- Kansas City’s music style is unique and

trained ears always pick up on it.

Integrated within the very fabric of our musical

history and culture were legends and iconic

figures that would all pass through, playing and

jamming in the 18th & Vine district. Kansas City

still has many living legends among us and the

McFadden’s are a part of that legacy.

The McFadden family is and has been an integral

part of our musical history, passing on musical-

ity, showmanship, and pure passion and love for

the art from generation to generation. The McFadden Brothers, continue to wow

crowds with their jazz performances. Lonnie

plays the trumpet and Ronald plays the alto

saxophone. Both brothers sing and tap dance.

However, it is no longer just the brothers shar-

ing an intense love of music, but also, Lonnie’s

daughters, Gina and Chloe, are singers pursuing their

own dreams and touching lives through music.

Lonnie McFadden credits his gifts and love of music to

God and his father, Jimmy McFadden, who danced with

the best big bands of the ‘20‘s, 30‘s and 40‘s. Dizzy Gil-

lespie asked Jimmy and his group to perform with his

band, in addition to performing with Louie Armstrong

and Nat “King” Cole. As a tap dancer, Jimmy danced in

Kansas City during the 20‘s and ‘30‘s when jazz was big

in Kansas City.

Influenced by his father’s friends Count Basie, Lester

Young, Mary Lou Williams, Charlie Parker, and very

close friend Sammy Davis, Jr., Lonnie remembers that

he was immersed in the arts. “I was always around mu-

sicians. My father taught us how to tap dance before I

even knew what that was.”

Lonnie equates doing what you love to living and

breathing your passion. He is intensely grateful for all of

his experiences including his world travels. In many

ways, he feels he is not just living his dream but a dream

filled with second chances. From touring the world, he

found that others held Kansas City in high regard. He’s

humbled to be such an intricate piece in the scene and

sound of Kansas City jazz and music. When Lonnie talks

about his passion and love for music he is joyful and

very much like a kid in a candy store. However, when

he starts to talk about his daughters, his whole being

radiates and beams. He swells with the pride found in

the pure simplicity of being a dad.

In awe of his girls, Lonnie feels their talents exceed his

each in her own right. Gina, with the notes she hits and

her vocal range and Chloe, with her natural ability to

entertain. The McFadden girls have performed locally

and in other cities with their father for as long as they

can remember. Gina’s passion for music and the oppor-

tunity to make a difference in the lives of others thor-

ough song is what inspires her. A singer since the age of

4, Gina is accustomed to being on stage. She sang at her

high school graduation, competed on American Idol,

and still sings locally. She says she wasn’t pushed into

music, but knew at a very early age that she wanted to

sing. A blended vocal styling of R&B, blues, and jazz,

Gina loves the R&B blended style. And, sometimes love

hurts. “Music broke my heart when I didn’t make

[American] Idol. I auditioned three times. It broke my

heart again when I didn't [win]. I stopped singing but I

still love music. I’m married to R&B.”

Gina is often amazed and overwhelmed by the love and

support she feels from her hometown. While she

knows her family is a part of Kansas City music history,

she doesn’t often see herself in that light. At the begin-

ning of the day, “I’m just a girl who loves to sing, purs-


Ronald McFadden on sax.

K

twelvekc.com

22

twelvekc.com

TONE HENDERSON Photo: Jessikha Williams

23

ing a hit song, “Vice”, that local fans

are raving over. Like Langston,

Adrian Truth recognizes the strug-

gles that local KC artists endure

but his love for music is rooted so

deeply, that the struggle is but a

mere distraction. As a matter of

fact, it was a driving force to get

him to where he is now. Reflecting

on his efforts to hone his craft

locally, Adrian says, “This is my

city and I love to bring it music

that we can all relate to and hon-

estly, Kansas City has shown me

that they love to hear it, too.”

TONE HENDERSON

Kansas City’s local music has seri-

ous connections to key players in

the industry on a national level.

Even when KC overlooks our own

talent, heavy hitters are noticing,

including Tone Henderson, a for-

mer A&R and Marketing represen-

tative for seven years at LaFace

Records and plaques from super-

stars including Usher, TLC, and

Donnell. Henderson, who now

owns the lucrative Henderson

Entertainment, working with all

of the major record labels, was

raised right here in KC and visits

often. Living in Atlanta now, Hen-

derson says he is still very con-

nected to Kansas City and will

continue to seek out talent from

this region. As a former DJ, he

feels that the radio is an important

outlet for artists but reminds them

that it is not the only one. Sup-

porters of local artists have the

power to launch them into to star-

dom.

TWELVE Magazine is proud to

be an avenue through which con-

noisseurs find gems in their own

community. Local artists will once

again propel our city into the ma-

jor hub that it once was.

(Continued from page 8) Tone has been hard at work., a force behind mak-

ing the stars you know and love today..

24

Shani Tate Developing Sprint Center

& Touching Lives

25

Radiant. Passionate. Driven. Shani Tate is a con-

nector, creator, a facilitator, if you will, of what we

most treasure: our dreams and memories.

As Vice President of Marketing, Communication and Ticket Sales at

the Sprint Center, she has been integral in the revitalization process

and growing pains of Kansas City through music & entertainment. For

the last five years, Tate has brought a host of big names and attrac-

tions to the Sprint Center; an arena which she says belongs to the

people of Kansas City; an arena that, against all odds and widespread

doubt of success, has ranked among the top arenas, both nationally

and internationally for the last five years, and currently is ranked third

nationally and 11th globally. Clearly, under Tate’s leadership, she and

her team specialize in making memories and dreams come true for all

who see the world-renowned names and performances hosted at the

Sprint Center.

A native of Kansas City, Shani Tate has traveled the world and has

had opportunities to live in other cities across the country, yet, it is

her love for Kansas City that keeps her here. Grounded in her faith

and centered by family, friends, and mentors, it’s easy to understand

Tate’s passion and success, after spending a little time with her.

Xii: Shani, Thanks for taking time to meet with us and allowing us this

opportunity to learn more about you. First, what’s your purpose in both life

and career?

Tate: My personal purpose is to be a Connector. Whether through

entertainment, life, sports, etc., life is about making connections, so I


Building A Better World

twelvekc.com

By W. Sarah Fletcher Photo: AEH Photography

26

Page 26

kcsoul.com

SUCCESS

am very privileged that in my job, I get to see peo-

ple’s dreams come true when they come here.

Xii: Nice, and your passion?

Tate: I’m passionate about service. Whether it is

service to others or service in the smallest way, but

really serving each other; really knowing who you

are and your place in the universe and world. When

you are personally centered, you have a better idea

of how you can be a better asset to the world.

Xii: Does your purpose and passion get you out of bed

each morning or is there something extra?

Tate: My passion is seeing people’s dreams come

true and that gets me out of bed every single morn-

ing. It doesn’t matter if it’s seeing people spend their

hard earned money to come here and see Tina

Turner or to see Garth Brooks or who whomever

(Continued from page 25) their favorite artists may be. Quite honestly,

when I see fathers and daughters dressed up in

tuxedos and princess outfits for Disney on Ice,


Tate helps host some of the

biggest artists in the world.

“When you are

personally cen-

tered, you have

a better idea of

how you can be

a better asset

to the world.”

27

ing my passion, and chasing my

dream. I still see me on stage,

winning Grammys but more im-

portantly touching the lives of

other little girls.” “I’ll be known

as the girl who didn’t give up,

who didn’t let go of her dream.”

It’s clear that the McFadden leg-

acy, a legacy richly intertwined in

the fabric of Kansas City, is being

passed like a torch, from genera-

tion to generation, with one very

important note. “I just want my

girls to do what they love”, said

Lonnie. “I want them to be suc-

cessful.” He beams, “I’m just

proud to be their dad.”


You haven’t experienced the

McFadden Brothers until you’ve

seen them tap dance. Lonnie

McFadden pictured here.

twelvekc.com

28

Dance With My Father

When there’s a bond like

this between Dads and

Daughters…it’s something

to sing about.

Photo: AEH Photography

twelvekc.com

29

LOTT of LOVE “Inseparable, that’s what we are…” sings Tucker Lott. “

I think that would be a song I would use to describe

you, parts of it at least”. I smile at the thought of my

dad knowing that even though one day I will move on

and start my own family, he and I, his little girl, will al-

ways be inseparable.

From the day daughters are born we each become the

apple of our father’s eye. They watch us grow and de-

velop into young women and hesitate to let us go when

they walk us down the aisle. They pick us up when we

fall and mend our broken hearts after the first of many

times it will break. They offer wise counsel and lay the

foundation for what we hope our future husbands will

be like. My dad is my hope.

“Daughters, in particular, are always in the foremost

part of your mind. We fathers want to give them every-

thing they need.” he says, “Foundation starts by setting

an example in your home. It was my responsibility to

be present, to be a good and effective parent”. That he is. What I admire most about my father is that

he was always there to pick up the pieces of the abso-

lute mess I was. He always seemed to know exactly

what to do or say. Everything seemed better and

brighter after one of his hugs.

“The affection that you give a daughter changes when

she becomes an adult. At least it did for me. When

you were younger I think I gave more hugs and kisses,

however, when you grew older that changed and I wish

it didn’t. I believe my children know I love them I just

wish I would’ve been more affectionate longer”. I wonder how he could think that. To me, there was

no wrong he could do. His hugs inspired me to be bet-

ter, to forgive, to keep moving.

“Ain’t no stopping us now…” I hum in my head.

“I think if I had to pick a song for us I would say ‘Ain’t

no stopping us now’ by McFadden and Whitehead” my

By Iman Lott

30

By LeAndrea Mack

H. Ervin Photography

AEH Photography

Read It.

Wear It.

Dream It.

father blurts out unexpectedly.

“Dad! That is exactly what I was just thinking!”

“Confirmation.” We nod our heads in agree-

ment.

I’m sitting on my parents’ living room couch

beginning to get into what I call my “writing

zone” when I hear my dad walking towards me.

He’s reading something out loud that sounds

familiar.

“ ‘Many nights we prayed with no proof anyone

could hear; in our hearts a hope for a song we

barely understood. Now we are not afraid,

although we know there's much to fear, we

were moving mountains long before we knew

we could. There can be miracles, when you

believe’. This depicts what I think about you in

terms of faith. You believe in miracles. Your

life is a miracle. I encourage you continue to

live your life this way; Believing and achieving.”

He does it again without even knowing it. I’m

immediately encouraged. I grin. My dad is still

my hope.

LAMBERTS...BETTA

WATCH THOSE TWO “Kristen is hard working and dedicated. One of

the things I taught my children was if you have

the desire to achieve something you stick with

it. She absolutely exhibits that.” states Charles

Lambert about his daughter Kristin Lambert. Kristin smiles warmly in complete admiration as

her father talks about his one and only girl.

“That’s definitely something I got from my dad:

the ability to trust in myself and the decisions

that I make. If you know it’s something you

want, go for it. I appreciate him for instilling

that in me”.

Mr. Lambert seems to blush as Kristin ex-

pounds on the philosophy she inherited from

him.

“I think it’s easy to quit when something is

hard or appears hard to achieve but my dad

never did. He’s overcome so much. His ability

to adapt is admirable. I’ve never seen him


31

magazine

32

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Velvet Blazer, Pants,

Shirts, and Pocket Square.

BANANA REPUBLIC

Boots

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t the next concert you attend in town, the MC

might say, “When I say Legendary Hip-Hop you say Kansas City!” Or maybe this one, “Put one fist in the

sky like this, and if you’re Public Enemy fan, say DJ drop the

Mozart.” Confused? You’d be wisest among men to figure out the connec-

tion…but here it is…Kerwin Young. KC now has claim to one of the

foremost producers in Hip-Hop, Mr. Kerwin Young of the legendary Bomb

Squad, the groundbreaking producers for Public Enemy (PE) whose mem-

bers included pioneers Hank Shocklee, Keith Shocklee, Chuck D, Eric

"Vietnam" Sadler, Gary G-Wiz along with the man himself, Kerwin "Sleek"

Young. We find today, that Young’s music interests and capabilities have

no bounds and are definitely not limited to Hip-Hop.

When it comes to Kerwin’s music, legendary is the appropriate descrip-

A

twelvekc.com

33

Kerwin Young

ROCKSTAR STATUS

34

35

tion. He’s got at least 25 years in the game and now, he

shares in one of the most laudable honors in the music

industry with Public Enemy’s induction into the Rock and

Roll Hall of Fame on April 18, 2013 in Los Angeles.

Though outside of the traditional realm of “Rock”, the

Hip-Hop and R&B influence on music in general and Rock

in particular is being acknowledged as demonstrated by

PE’s induction along with fellow 2013 inductee, power-

house, Quincy Jones. Now, the world is taking notice.

Contributors like Kerwin should be proud.

Heavyweight

Kerwin holds an impressive discography. He’s been a

ghostwriter with his music featured in the first season of

the TV drama, New York Undercover and during the

second season of reality series, Flavor of Love. His work

extends to the silver screen, appearing in hit movies like

Sister Act 2 and The Green Card. And of course, he’s

earned numerous production credits from working with

top names ranging from his East coast cohorts of PE to

the West Side with Ice Cube and Dr. Dré. With national

hit music, TV and movie placements, the presumption is

that if he’s in Kansas City, he must be a guest professor

or lecturer, right? No. Kerwin actually came to UMKC to

learn.

Back in the Day

Let’s go back. We start back in 1989 in Roosevelt, a

community in Long Island, NY, home of Kerwin, Chuck D,

and Flavor Flav. There, Kerwin cites that baseball was

really his first love. He had dreams of going to the pros

and had actually been in training at baseball camp in Mid-

land, MO for a few years. However, a bad shoulder injury

in high school forced him to redirect his energy to his

other interest, music. “After I messed up my shoulder, I

started DeeJaying and selling tapes in school,” says Young.

At only 18, Young got a gig as a backup DJ. “I worked

Wednesday through Sunday, 7:30pm to 4:00am, at a club

in East Meadow Long Island, the Spectrum Café. I was

underage. It was a 23 & older club,” says Young, reminisc-

ing. Every Thursday, for Ladies Night, I’d see Bomb Squad

members like Keith Shocklee, and Drew from the S1W’s

(Security First World), PE’s Security team. “In addition to

DeeJaying, I was also in the NAACP Youth council. I met

two guys in through there who were from British Guiana.

They had a session at Public Enemy’s studio in early sum-

mer of ’87 with Eric Satler from Bomb Squad, so I started

going to the studio with them.”

Young developed an insatiable thirst for music and the

studio experience. He recalls walking the three-mile

roundtrip to and from the studio nearly every day from

17 to age 24. By the time he was 19, you would even find

Young sleeping overnight at the studio.

Starting from the Bottom

First, I watched and sat around. The studio was owned by

Dr. Gant, a dentist. The studio was on the 2nd floor. In

early ’89, they’d have me go get food or tell me to push a

button here or there for production. When they were

doing “Fear of a Black Planet”, Ice Cube came with Jinx to

do their album, AMERIKKKAS Most Wanted, so I worked

on that. I was in charge of keeping the sample log.”

“(Professor) Griff had been kicked out in ’89. I went

down to Miami with him to produce Pawns in the Game.

But still I worked on every Public Enemy album from Fear

of a Black Planet, except Apocalypse in ’91. I was asked

to, but Bomb Squad had broken up. Hank Shocklee and

Eric Sadler had “a thing”. I was loyal to Eric, so I didn’t

work on that. Instead, I worked on Eric B. & Rakim’s

album, Don’t Sweat The Technique (1992). “I stayed busy

with PE full time,” says Young, and got demo projects, like

for the Gravediggaz and Mobb Deep’s first album.”

Learned Behavior

Young’s father was a musician and his mother was also a

performer, so he was well groomed in the arts. “I could

always read music. I started playing the sax when I was

nine years old. I taught myself how to write music. I was

only familiar with treble clef growing up so I had to learn

alto, tenor clef, bass clef, and then learn all the ranges of

all the instruments. I learned that on my own. In New

Kerwin Young

Came to UMKC to

Master music!

36

York, I would go to Adelphi Univer-

sity and Hofstra University. I’d visit

the library or the bookstore and buy

books, then I’d go home and study

and teach myself.”

He continued his self-study he moved

to Atlanta in 1999 where Chuck D

had established a new studio. Young’s

trip to Atlanta began as a visit. He

stayed for 10 years. “I would hang

out at Spelman or Clark University all

day in the library and going through

music scores.”

KC, Here I Come

Young’s quest for learning was driven

by his belief that he hadn’t realized his

full potential. He’d learned a lot on

his own through books and hands-on

training and had made real contribu-

tions, but, he dreamed of bigger


Congratulations to Public Enemy

on their induction into the Rock

and Roll Hall of Fame.

twelvekc.com

“I worked on every Public Enemy album from Fear of a Black Planet, except Apoca-

lypse in ’91.”

“I’m writing a percussion

concerto about this Black

Korean who was the first

or second Shogun.”

37

things, more money, and making a bitter impact with his

music. Orchestration, film score work, those were to

be his future, but he felt those heights required more

formal training.

“In 1994 I started writing music, on my own, without

training. By 2002 I felt confident enough to apply for

schools to fine tune my work. In Atlanta, I was meeting

members of the Atlanta Symphony. I met with the li-

brarians, the one’s that prepare the music, edit and pre-

pare the parts. I’d have them review and critique my

compositions and they didn’t find anything wrong. Even

without software or computer 22”x24” staff paper…

everything by hand.” With that, I applied to the Paris

Conservatory, and they told me I was too old, and that’s

after I paid the application fee.”

Not one to be deterred, Young took his search online

which led him to Professor Chen Yi at UMKC’s top-

rated conservatory. “I met Chen Yi on MySpace. She’s

like the top female composer in the world,” exclaims

Young. I emailed her about visiting UMKC to study or-

chestration for one month.” The conservatory was im-

pressed with Young’s résumé and convinced him to offi-

cially enroll. Now, a few years, later, he has his Bache-

lor’s degree and has moved to on the graduate program.

Making Music and Knowing Music…There is a

Difference

Hearing Young describe music, you realize there’s a

depth and sophistication in music much greater than an

understanding of a bass line and a hook. He credits his

former days of being a DJ and knowing what to play for

his ability to create music today. Now he’s mastering

techniques. “I can hear when something’s wrong. But

being in the music conservatory, you have to be able to

hear the exact interval. If the note is wrong is it sharp

or flat? You have to be able to tell a musician, you

played C sharp and it’s a C natural. I don’t have that skill

yet. But that’s why I’m taking classes.

Young always considered himself a musician, but pulling

samples and playing one-handed chords are a long way

from what he’s doing at the conservatory. “We have to

play four semesters of piano. Here man, its two hands

and sight reading at a specific tempo. It’s Bach, Mozart,

and Hayden. I had to take one course twice.”

Young goes on to describe symphonies and concertos

that are part of his program. “It could take anywhere

from a week to ten years to write. It depends on the

number of movements. Most of mine take six to eight

months to write. It could involve a story line, subject

matter, current events or a person, so you have to re-

search the person, find the sound, draft out sound. I’m

writing a percussion concerto about this Black Korean

who was the first or second Shogun, Sakanouye Tamu-

ramaro, from the 8th Century. It will be music that fits

that period but speaks now, infusing Afro-Asiatic steel

drum and winds.”

Where to Go From Here

What’s the ultimate goal for the man who’s done it all?

That’s a pretty quick answer for Young, “Teach compo-

sition and orchestration on a collegiate level, score ma-

jor films, and get commissions for orchestration. We’re

sure, with his skill set, all of that will be realized in the

short term. Go head on…Rock Star. Bach Star.

PE’s own, Flavor Flav & Chuck D, the legends.

38

‘Cause Women Love A Well-dressed man!

sweat. I have a ring tone for my dad. James brown ‘I feel good’. He personifies that song. He has always shown

me that it’s okay to live.

You got God. You are alive. Feel good about it. Life’s a party with my pop!” Kristin exclaims, “Because of that

we would get in a lot of trouble with mom!” The two share a robust laugh.

“Celebrate good times, come on!”

The song begins to resonate from his IPad. They begin to move as though the music has put a spell on them.

Shoulders bounce and feet tap.

“Ahhh ‘Celebration’ by Kool and the Gang “ Kristin smiles, “Yeah, this would be our theme song since mom

says we never acted right when she left the room. She swears up and down that we got into trouble every-

time”.

Mr. Lambert laughs in agreement at more shared memories between the two.

Now is the time to celebrate fathers, protecting us through the bad times and cheering us through the

good times.


By Danielle Jones

People of Color are often less aware

that while their risk of developing

skin cancer from over exposure to

the sun is lower than that of Whites,

the rate of death is higher because

often times when the disease is diag-nosed it is already at an advanced

stage. While the melanin in our skin

is our front line barrier to UVA/UVB

rays there are several steps we can

take to minimize our risk even fur-

ther.

Apply a broad spectrum SPF 30-50 at

least 15-30 minutes before going

outside and reapply every two hours

if possible. Wear protective clothing like a hat

and sunglasses.

When protecting children, adults

should spray the sunscreen onto

their hands first before applying it to

kids' faces.

Ensure your sunscreen is stored

properly. The protective ingredients

can degrade if left in a hot environ-

ment such as a car or lose its effec-

tiveness if frozen. Also the majority

of sunscreens are only good for up

to 2 years so check your products

expiration date.

It’s Summer.

Watch The

Rays.

Dads & Daughters

39

Look forward

not at the

ground.

Keep your chin

parallel to the

ground.

Gently tighten

your stomach

muscles.

Walk smoothly,

rolling your foot

from heel to toe.

Hold you

Head high.

Move your

Shoulders

Naturally.

Keep your

back straight

not arched

forward or

backward

Swing your

arms freely

with a slight

bend in your

elbows.

Reference: Mayo Foundation for Medical Education and Research

Walking Technique

40

Anthony Saunders is a producer, songwriter, singer and pianist whose music knows no limits. Saunders, a native of

Kansas City, KS comes from a family rich in musical history dating all the way back to the time of Duke Ellington,

Count Basie, and Lionel Hampton. His Great-uncles, both accomplished percussionists, can be seen on countless clas-

sic jazz albums of the 1930’s and 40’s. Anthony’s parents, both accomplished musicians in their own right, encouraged

and coached Anthony at a very early age to develop his love of all things music and perfect his gift of singing writing

and playing various musical instruments. As a kid, Anthony was well known in school as well as the community for his

musical abilities.

After graduation, Anthony embarked on his musical journey traveling across the country to work with some of the

best of the best in the business. Some of them would include artistic, writing, and production powerhouses like

Grammy winning songwriter Adonis, Grammy winning producer Bangladesh, Grammy winning songwriter/production

duo The Messengers, Singer-Songwriter Mario, and up-and-coming Songwriter Melanie Fontana as well as many oth-

ers. Those lessons and experiences have made way for him to score major credits with the likes of artists in many

genres. His credits include Pop sensation Justin Bieber’s “Fairytale” and “Just Like Them,” R&B legend Joe’s “Tonight,”

and the song “Gone” for Brandy and Ray-J’s A Family Business, and 3 songs with smooth jazz artist Julian Vaughn “Be

my girl”, “Always be together”, ”I’ll do it”. Anthony, an eclectic musician inspired by legends such as Prince, Stevie

Wonder, Marvin Gaye, Michael Franks, Quincy Jones and Harry Connick, Jr. is in a class all his own, equipped with an

appreciation for all forms of music that in turn shaped him into the musical brainchild he is today.

Anthony Saunders HE’S GOT THAT STAR POWER

KINDA MUSIC

twelvekc.com

Photo: Raye JJackson

41

42

Sat 05/18 KCKS Delta Sigma Theta Sorority, Inc.

2013 Jabberwock Pageant Event type: Fundraiser Venue: Ritz Charles: 9000 W. 137th

Street Overland Park KS Time: 7:00 PM - 9:30 PM Producer: Kansas City KS Alumnae

Chapter of Delta Sigma Theta Sorority Contact: KCKS Deltas Email: kcksdel-

[email protected] Phone: Web: www.KCKSDeltas.org Sun 05/19 Wild N Out Comedy Tour Event type: Comedy Venue: The Juke House : 1700 E 18th

Street Kansas City MO Time: 7:00 PM - 2:00 AM Producer: StanDaMan Prod & CoEd Inc Contact: Stanley Taylor Email: standa-

[email protected] Phone: Sun 06/09 The Mountain Top Event type: Fundraiser Venue: The Unicorn Theater: 3828 Main

St Kansas City MO Time: 6:00 AM - 10:00 PM Producer: Elite Performance for Alpha

Kappa Alpha Sorority, Inc. Mu Om

Contact: Camille May Email: [email protected] Phone: 816-820

-3117 Tue 06/11 2nd Annual NETWORK with the 100 Event type: Networking Venue: CBE at SPRINT CENTER: 1401

Grand Kansas City MO Time: 5:30 PM - 8:30 PM Producer: 100 Black Men of Greater KC Contact: Email: [email protected] Web: network100.kcsoul.com Sat 06/15 Taste of Art Event type: Community Action Venue: Negro League Museum: KCMO Time: 6:00 PM - 10:00 PM Producer: Alpha Kappa Alpha Sorority,

Inc.- Xi Tau Omega Chapter Contact: Jamie Braden Email: ja-

[email protected] Phone: Fri 06/21 NPHC-KC Party KC Greek Picnic Wknd Event type: Party Venue: Club Rain: 8015 Troost KCMO Time: 9:00 PM - 1:30 AM Producer: NPHC-KC KC Greek Picnic

Sat 06/22 Bold.New.Poets | Poetry The Soul of

Kansas City | The Writers Place | Event type: Fundraiser Venue: THE WRITERS PLACE: 3607

Pennsylvania, Kansas City, Missouri MO Time: 6:00 PM - 9:30 PM Producer: T.L.WILLIAMS Contact: terance williams Email: [email protected] Phone:

8166127640 www.themusicandmorefoundation.org Sat 06/22 NPHC Flag Football *& KC Greek Picnic Event type: Fundraiser Venue: Swope Park - Shelter 2: KCMO Time: 12:00 PM - 3:00 PM Producer: National Pan-Hellenic Council

KC & KC Greek Picnic Contact: Joseph Jones Email: jterrell-

[email protected]

kcsoul.com KCs Urban Source. Add Your Events!

Just a snapshot of events from

the nonprofit calendar.

For complete listings, visit

kcsoul.com

Malcolm X

Add your upcoming events and more to kcsoul.com. Just create a login or use your Facebook log-in.

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Details and Tickets: kcsoul.com

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43

44

45

t’s an age old tradition for new fathers to

hand out cigars with the birth of a child.

Some trace the origin back to the Ameri-

can Indians who provided gifts and smoked at

the birth of a child and other special occa-

sions. This tradition was later adopted by

the English and early American settlers when

they arrived. Other references claim its

roots may be in the fact that men weren’t

always allowed in the birthing room, so cigar

smoking, an extracurricular activity domi-

nated by men, became an opportunity for

them to bond outdoors while still marking

the occasion.

We may never know all of the facts, but we

can agree on it’s purpose—a gift of cigars

marks an occasion to celebrate.

We stopped by Qudos to get some tips on the

art of smoking cigars.

Finish

Cigar smoking is about the flavor. Hickory taste with a

spice finish. Cherry infused, blueberry, especially a treat

for ladies.

Ring gauge

This is the girth or circumference of a cigar. 35”, 50”

and 60” are some common sizes. The larger tend to

yield a longer smoke 45minutes to 1.5hours. Take in the

moment with a nice conversation, drink and lounge

chair.

Pairing

Similar to pairing wine with a meal, you can pair a cigar

with a drink. One popular pairing at Qudos is the Ro-

meo y Julita with a Remy Martin V.S.O.P.

Humidors

Help retain the moisture in cigars to ensure a savory

smoke.

Lighting

You can use a lighter, but cigar enthusiasts will tend to

use a wooden match. Light it holding it up and down

when lighting so the sugars in the cigar flow to the tip.

Experience

Don’t inhale. Savor without taking the smoke into your

lungs, which experts claim makes cigar smoking healthier

than cigarettes.

Women Too

Not just bonding opportunity for men anymore.12% of

cigar smokers are women. Join the experience. Cele-

brate the moment.

Celebrating

Fatherhood

It’s Tradition

I

46

Chris Jones with the 100 Black Men connects

with guests at the 100 table.

Let the networking begin!

Tonight’s event was also the official presentation affair for TWELVE Maga-

zine’s Success Guide. TWELVE Magazine’s Iman Lott (l) and W.Sarah

Fletcher (r) along with Andrea Hendricks, Ed.D, SVP of UMB (c)

47

48

Thank You Kansas City

On Behalf of Music Superstars Everywhere...

Jill Scott, Jordin Sparks, Ariana Grande, LeToya

Luckett, B5, Al, Oceana, Snoop Dogg, Wiz

Khalifa, Justin Bieber, Joe, Scotty McCreery,

Lupe Fiasco, Trey Songz, R. Kelly, Brittney

Spears, Mary J Blige, T.I., Usher, Bow Wow,

T Pain, Ginuwine, Tupac, Ciara, Jennifer Hud-

son, Rihanna, Chris Brown, Faith Hill, Nick

Jonas, Jordin Sparks, Young Jeezy, Jacob Latti-

Producers and Writers from Kansas City Make the Hits For the World’s Largest Artists.

49

Thank You Kansas City

more, Lionel Richie, Omarion, J. Valentine,

Justin Timberlake, Donell Jones, Olivia, Mario,

JoJo, Mario Vasquez, Stacie Orrico, Jordin

Sparks, Ruben Studdard, Fantasia, Katharine

McPhee, Aretha Franklin, Jay Z, Timbaland, Keri

Hilson, New Edition, Earth Wind & Fire, Jessica

Simpson, Janet Jackson, Shanice Wilson, Alexan-

der O’Neal, and Johnny Gill, to name a few.

Producers and Writers from Kansas City Make the Hits For the World’s Largest Artists.

50

Thank you. Thank you for the hits.

Kansas city GETS volume

T

STAFF CALL 12Mag MOVEMENT

We call it a movement

because it’s massive—

the written magazine,

live events, videos,

web, products and ser-

vices and our overall

reach.

Become an OFFICIAL mem-

ber of our TWELVE Magazine

staff. Writers, event plan-

ners, graphic artists, models,

publicists, stylists, and more.

It doesn’t take a full-time

commitment, just a little time

each month. Or, sign up to

be a one-time or periodic

contributor. JOIN TODAY!

[email protected] KC’s not new to the national scene.

Bloodstone, with hits like “Natural High” are worldwide favorites.

hank You KC! Producers and songwriters of Kansas

City, on behalf of superstars everywhere, we say

51

Take a look at

page 48. The

concept we

envisioned

was a page

depicting all of

the stars, out-

side of jazz,

touched by

producers and

songwriters

from Kansas

City, BUT

WE RAN

OUT OF ROOM!

However, I’m sure you get the idea! Take the col-

lective portfolio of “Kansas City’s Own” and you’ll

realize our influence is massive. Even beyond stan-

dard urban genres of R&B and hip-hop, our talent

has produced the pop, rock and country hits, too.

The net is that hundreds of artists per year benefit

from “Kansas City’s Own.”

We’re not just behind the scenes. We’ve also got

our own national performing celebrities for sure.

Janelle Monae is really blazing the charts and stages

around the country. Let’s not forget the number

one independent artist in the country, Tech N9ne.

We also recognize that our star power resides in

other industry positions, beyond the music creators.

They too, deserve credit. Whether it’s the market-

ing and promotions pros that bring the awareness

or those who manage the style and look, KC is well-

represented.

Yet, we can’t help but wonder, can we do more?

Can we make more hits, create more superstars?

Of course we can. This music issue of TWELVE is

just the first piece of a new campaign we call VOL-

UME to do just that. We’re about to turn

things up!

or little kids first experience Sesame Street Live,

those are the kinds of things that are most gratifying

and rewarding, because it is not so much about the

show, as it is making those family connections.

Whether you’re with family or your friends, we

make memories here. You can’t take that away and

neither can I.

Xii: What’s important about being a woman and leader

in corporate America?

Tate: I think it is very important to realize who you

are, to surround yourself with positivity, and to be

willing to accept criticism. Identify mentors and be

willing to hear the difficult things that people say,

that you may not be ready to hear. A wise person

once told me just because you feel like saying it,

doesn’t mean that people are ready to hear it.

Xii: How has that served you?

Tate: Especially being a type A personality, you

have to realize what people are able to digest,

knowing your environment, knowing your situation,

and figuring out what is the best use of my talent

and skill in this particular moment and space.

Xii: What do you love about KC?

Tate: It’s located in the middle of the country. I

think it is a great place to not only raise a family but

also, a great place to grow up. It’s a great place to

have a foundation, to go out and experience the

world, and to come back and reinvest.

Xii: You have roots here and you continue dig deeper...

Tate: And it’s a choice for me to live here. AEG is

a worldwide company. There are opportunities here

that can’t be duplicated in other markets. I think

there is a uniqueness here, and element of hospital-

ity that we share in terms of passion. No one does

hospitality like Kansas City. And, having traveled

around the world I see it, making those connections

are so meaningful here. For example, when I go to

shows in other cities that I’ve seen play in our build-

ing; those shows have been completely different.

Shows that play in our building don’t want to leave;

shows in other cities are shorter than here and



52

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53

that’s because artists feed off the love from

fans. The passion that’s here, the knowledgeable

fans, it just means so much in Kansas City and

you can’t buy that.

Xii: What are you involved in outside of work?

Tate: I am part of Event and Arena Marketers,

I am a Jackson County Link. Because I work 80

hours a week, spending time with family and

friends is especially important. It’s so important

to make those meaningful connections. We are

in times where we have

social media, but how do

you make and maintain

those meaningful connec-

tions, throughout life

changes, when you haven’t

talked with your best

friend? When I’m not at

work it’s really about con-

necting.

Xii: List three key character-

istics that have helped you

get where you are.

Tate: Humility, Tenacity,

Creativity.

Xii: How so?

Tate: Humility in terms of knowing what you

can do, what your skills are, realizing how to

place your skill set in the environment you are

in. In sports and entertainment, degrees aren’t

necessarily valued, but achievement is. Your

personal achievement is, but also realizing that

others may not value that. Realizing what your

personal contribution is and being willing to do

something. There is nothing I would ask a mem-

ber of my staff to do that I haven’t already

done. It’s easy to see where you are now, but

my first job, I was paid a whopping zero dollars,

and I started off as an intern. You make the

sacrifices so you can grow and elevate your

game, but also rise to the top.

Xii: 80 hours a week, what keeps you centered?

(Continued from page 51) Tate: Oh, working out, loved ones, spending

time, and really knowing when to say when.

Everything is not always a “yes”. Making those

difficult decisions…It may or may not be worth-

while for you to commit to something in that

space and time.

Xii: That’s beautiful.

Tate: That’s serious. All money is not good

money.

Xii: What are words of wisdom or a quote that you

live by, something someone has told

you or that you love?

Tate: Really, that quote that my

mentor said: just because you feel

like saying something doesn’t

mean that someone is ready to

hear it. A lot of times we teach

our women, especially our

younger women of color, that we

have to be the voice and always

be heard. There is a time to be

heard and seen and to let your

voice speak volumes. But often-

times we underestimate silence.

It’s your times of silence that

make your words more powerful.

That’s something that we don’t - I

didn’t necessarily get, until I was

much older.

Xii: You work around music all day. How does it

inspire you?

Tate: Music is really what makes the world go

round. It sounds cliché, but I think about my

first concert. My first concert was Michael Jack-

son when I was 5. It wasn’t so much about him

or the Jacksons, or Dianna Ross who was also

on that show, but about the fact I went with my

parents. It was about the fact that my dad took

off work to take me to see New Edition at

Worlds of Fun. Music and the ability to play

instruments really transcends color; it tran-

scends race, transcends creed, and it really is


“But oftentimes

we underestimate

silence. It’s your

times of silence

that make your

words more pow-

erful.”

54

the ultimate unifier. You can’t take that away.

When you appreciate good music, it is the ultimate.

Xii: Why do you think that this arena is so important

to Kansas City?

Tate: At the time of the groundbreaking in 2005, a

lot of people believed this building wouldn’t come

to fruition. When we opened people said we

wouldn’t be busy. We’ve been amongst the top

arenas in the world every year since opening. But,

that’s not about the Sprint Center or Sprint Center

operations per se, it’s because the Sprint Center

building belongs to everyone in the city. And the

thing we are most proud of is the diversity of our

programming. Whether you are coming here to

see rock, Latin, hip-hop, urban, it’s all here for you.

If you are coming to see a family show, if you want

to the Globetrotters or the Miami Heat, whatever

floats your boat, we look to try to book it here in

Kansas City. The best part is that artists appreciate

that.

Xii: What are some challenges and obstacles you’ve

had so far in your career, and how have you overcome

them?

Tate: I think being centered in your faith is very

important. A lot of time it is very easy to let too

much pride get in the way; but understanding that a

rising tide lifts all ships and one person can’t do

anything alone is important. Also, it’s important to

meet people where they are. It may not be where

you are, but meeting people where they are, so

that you can figure out what the commonality is,

that common ground where everyone can work

together to achieve common goals. It’s not rocket

science.

Xii: I love that you say it’s not rocket science. But it

feels like it is rocket science.

Tate: It can.

Xii: Why is that?

Tate: Because I feel like people aren’t cognizant of

the importance of making personal connections. If

you make personal connections with people, most


people will do whatever you need. It’s human na-

ture, we want to help people, we want to move

the ball across the line. We all want to succeed. If I

see a child a trip over his own feet, like I did yes-

terday, fall on the concourse, and spill his popcorn

and soda, it doesn’t really cost anything for me to

replace that - $5 dollars. His mom may not have

that, but it just saved that little kid from devasta-

tion. How can you move the ball forward? What-

ever your playing field is, how can you move the

ball forward down the field?

Xii: Last question. What would you attribute your suc-

cess to?

Tate: A total team effort. My success really isn’t

about me. I'm fortunate to have a supportive hus-

band and family, mentors and friends, all of which

aren't afraid to provide honest feedback, even

when it may not be the counsel I'm seeking. It’s a

sum total of hard work, and there are a lot of peo-

ple I don’t want to let down. I’m very cognizant

that when I look at this industry, there aren’t too

many people that look like me, I have a responsibil-

ity and obligation to open doors and I take it very

seriously.

Xii: Beautiful. Thank you.

Shani Tate’s passion for music and making memo-

ries is a gift she continues to give not just to Kansas

City, but to all who enter our Sprint Center, as

they experience, firsthand, the magic of memories

to treasure. It’s no wonder our Sprint Center is

ranked third in the country and 11th globally. With

a driving force so focused, balanced with passion

and grounded in faith and family, the imprint Shani

Tate is making on Kansas City, our nation and

globe, is only just beginning to be felt.

Xii would like to offer a very special thank

you to Shani for taking time to meet with us

and share with our readership.

55

56

Twelvekc.com

Twelve mag june 2013

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