1 Toshio Matsumoto Filmography 松本俊夫フィルモグラフィー Non-Profit Organization Postwar Japan Moving Image Archive | PJMIA (Release date: Jul 26, 2019) NPO 法人戦後映像芸術アーカイブ(2019 年 7 月 26 日公開) This Matsumoto’s filmography is a compilation of information on 83 works that he participated in the director, 9 works that he participated in the screenplay (including collaboration) and 3 works that he participated in the assistant director or second-unit director. This filmography was created with reference to “Kawasaki City Museum Cinematheque News (Kawasaki City Museum. Oct, 2006)”. We added found information from primary source and interview with artist for this filmography. The rules of description are as follows. 1: Clarification of the basic information. (Title | Date | Event title and venue) 2: Clarification of the format. (Film gauge or video type and aspect ratio; Presence or absence of color; Presence or absence of sound; Run time) 3: Clarification of the used medium. (For example, expanded cinema, installation and performance) 4: Clarification of the production staff. When there are sponsor company and production company, we listed on the first line. Basically, the production staff was listed in this order; Planner, Producer, Screenplay, Director, Cinematographer, Gaffer, Production Designer, Editor, Music Composer, Audio Engineer, Others, Production Coordinator, Assistant, Actor and Narrator, etc. Attached square bracket on the actor's name indicate name of the role. このフィルモグラフィーは、これまでの調査で判明した、松本俊夫が監督または演出として関わった 83 作品、脚 本として関わった 9 作品(協力含む)、助監督もしくは B 班監督として関わった 3 作品の情報をまとめたものです。 『川崎市市民ミュージアム シネマテーク・ニュース』(川崎市市民ミュージアム、2006 年10月)に記載された情 報を参照して、作家への聞き取り調査、および一次資料の調査を経て作成されました。記述のルールは以下の通 りです。 1:作品タイトルなどの基本情報を明記する。(作品タイトル|完成日・公開日または初演日・放送日|催事の名 称もしくは会場) 2:フォーマットを明記する。(フィルム・ビデオの種類および画面サイズ/カラーの有無/サウンドの有無/時 間の長さ) 3:使用されたメディウムを明記する。(エクスパンデッドシネマやインスタレーション、パフォーマンスの場合) 4:製作スタッフを明記する。企画会社や製作会社などが存在する作品の場合は、それらを一行目に表記する。製 作スタッフは「企画・製作・脚本・監督または演出・撮影・照明・美術・編集・音楽・録音・その他・進行・助手・ 出演・解説」という呼称および順番で表記することを基本方針とする。出演者の名前に付記された角括弧は作中 での役名を指す。
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This Matsumoto’s filmography is a compilation of information on 83 works that he participated in the director, 9 works that he participated in the screenplay (including collaboration) and 3 works that he participated in the assistant director or second-unit director. This filmography was created with reference to “Kawasaki City Museum Cinematheque News (Kawasaki City Museum. Oct, 2006)”. We added found information from primary source and interview with artist for this filmography. The rules of description are as follows.1: Clarification of the basic information. (Title | Date | Event title and venue)2: Clarification of the format. (Film gauge or video type and aspect ratio; Presence or absence of color; Presence or absence of sound; Run time)3: Clarification of the used medium. (For example, expanded cinema, installation and performance)4: Clarification of the production staff. When there are sponsor company and production company, we listed on the first line. Basically, the production staff was listed in this order; Planner, Producer, Screenplay, Director, Cinematographer, Gaffer, Production Designer, Editor, Music Composer, Audio Engineer, Others, Production Coordinator, Assistant, Actor and Narrator, etc. Attached square bracket on the actor's name indicate name of the role.
このフィルモグラフィーは、これまでの調査で判明した、松本俊夫が監督または演出として関わった 83 作品、脚本として関わった 9 作品(協力含む)、助監督もしくは B 班監督として関わった 3 作品の情報をまとめたものです。
1_1. Bicycle in Dream | 銀輪1_2. Caisson | マンモス潜函1_3. Growing Power | 伸びゆく力1_4. Japan Atomic Energy Research Institute Part 2 | 日本原子力研究所 第二部1_5. Children Calling Spring | 春を呼ぶ子ら1_6. Japan-U.S. Security Treaty | 安保条約1_7. 300 Tons Trailer | 300 トン・トレーラー1_8. Document of a Long White Line | 白い長い線の記録1_9. The Weavers of Nishijin | 西陣1_10. Chronicle of a Black Long Shadow | 黒い長い影の記録1_11. I’m Nylon | わたしはナイロン1_12. The Song of Stone | 石の詩1_13. Lie and Truth When Seen from Back… | 嘘もほんとも裏から見れば1_14. Harumi Pier Warehouse | 晴海埠頭倉庫1_15. Mihama Nuclear Power Plant Part 1 | 美浜原子力発電所 第一部1_16. Mothers | 母たち1_17. 12 Methods for Beautiful Skin | 素肌美のための十二章1_18. A Tale of Two Cities Tokyo and Matsue | 二都物語1_19. Magnetic Scramble | マグネチック・スクランブル1_20. For the Damaged Right Eye | つぶれかかった右眼のために1_21. Projection for Icon | イコンのためのプロジェクション1_22. Ecstasis | エクスタシス=恍惚1_23. Funeral Parade of Roses | 薔薇の葬列1_24. Shadow | シャドウ1_25. Space Projection Ako | スペース・プロジェクション・アコ1_26. Demons | 修羅1_27. Metastasis | メタスタシス=新陳代謝1_28. Autonomy | オートノミー=自律性1_29. Expansion | エクスパンション=拡張1_30. Community Life: Pasadena Heights | コミュニティ・ライフ―パサディナ・ハイツ1_31. War of Sixteen | 十六歳の戦争1_32. Mona Lisa | モナリザ1_33. Multiple Video Mona Lisa | マルチビデオのためのモナリザ1_34. Fly | フライ=飛ぶ1_35. A Town of Meeting: Aggregation, Pasadena Heights | 出合いの街―集合体 パサディナ・ハイツ1_36. Andy Warhol: Re-reproduction | アンディ・ウォーホル=複々製1_37. Morning Dew | モーニング・デュウ=あさつゆ1_38. Total Theatre Aoi no Ue | トータル・シアター葵の上1_39. Everything Visible is Empty | 色即是空1_40. Phantom | ファントム=幻妄1_41. A Girl | 青女
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1_42. Atman | アートマン1_43. Murder Cataloge | 殺人カタログ1_44. Kite | 凧1_45. Uterus | ユーテラス=子宮1_46. Cybernet | サイバネット1_47. Blackhole | ブラックホール1_48. Enigma | エニグマ=謎1_49. Kendaraan Rakyat Colt T120 | 民衆の足コルト1_50. Hands | ハンズ=手1_51. Illumination | イルミネーション1_52. Double | 二重像1_53. Aquarium | 水族館1_54. Whitehole | ホワイトホール1_55. Cosmic Relation | コズミック・リレーション1_56. Ki or Breathing | 氣 Ki or Breathing1_57. Kimoto | 生酛1_58. Connection | コネクション1_59. Relation | リレーション=関係1_60. Ema | 絵馬1_61. Shift | シフト=断層1_62. Kumadori | 隈取1_63. Formation | フォーメーション=形成1_64. Delay Exposure | ディレイエクスポージャー1_65. Wave | ウェーブ1_66. EE Control | EE コントロール1_67. Multi Connection | マルチコネクション1_68. Sway | スウェイ=ゆらぎ1_69. Vibration | バイブレーション1_70. Articulation | アーティキュレーション=分節1_71. Spreading Computer World | 広がるコンピューターの世界1_72. 1986 Summer | 1986 夏1_73. Engram | エングラム=記憶痕跡1_74. Globe Screen | グローブ・スクリーン1_75. Dogra Magra | ドグラ・マグラ1_76. Luminous Globe | ルミナス・グローブ1_77. Trauma | トラウマ1_78. U-Land Story | ウランド伝説1_79. Old/New | Old/New =気配1_80. A Trap of Narratology | ナラトロジーの罠1_81. Dissimulation | ディシミュレーション=偽装1_82. The Story is Created in This Way | 物語はかくしてつくられる
1_83. Toro Axe Part 1, Part 2, Part 3 | 蟷螂の斧 第 1 部・第 2 部・第 3 部
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2_1: Participated in the screenplay (including collaboration) 脚本として関わった作品(協力含む)
2_1_1. The Catch | 飼育2_1_2. Aluminum Uncle | アルミおじさん2_1_3. Lens and Precision Machine | レンズと精密機械2_1_4. Nichire a la carte | ニチレ・ア・ラ・カルト2_1_5. Cana Lock | カナロック
2_2: Participated in the screenplay (Television program) 脚本として関わった作品(テレビ番組)
2_2_1. Night Full of Wounds | 傷だらけの夜2_2_2. Closed Morning | 閉ざされた朝2_2_3. Memory | 想い出2_2_4. Between Insanity and Sanity | 異常と正常の間
3: Participated in the assistant director or second-unit director 助監督もしくは B 班監督として関わった作品
3_1. Rice Blast | いもち3_2. Spread One’s Wings in Nature | 大自然にはばたく3_3. Transporting the Olympic | オリンピックを運ぶ
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1. Participated in the director 監督または演出として関わった作品
1_1.
Bicycle in Dream (Ginrin) | May, 1956 (Completion date)
Caisson (Mammoth Senkan) | Apr or May, 1957 (Completion date)
Format: 16 mm standard; BW; Sound; 20 min 50 secSponsor: Obayashi CorporationProduction: Shinriken EigaScreenplay and Director: Toshio MatsumotoCinematographer: Jun Takano
Japan Atomic Energy Research Institute Part 2: JRR-2 (Nippon Genshiryoku Kenkyusho Dainibu: JRR-2) | Nov, 1960 (Completion date. Matsumoto participated in film
production until end of 1958.)Format: 35 mm standard; Color; Sound; 28 min 50 secSponsor: Japan Atomic Energy Research InstituteCollaborator: Mitsubishi Atomic Power Industries, Inc., Shimizu Corporation, Kajima CorporationProduction: Shinriken EigaProducer: Seiji KoyamaScreenplay: Toshio MatsumotoDirector: Katsuya Irie (Former director: Toru Haramoto, Mitsuo Kishi, Toshio Matsumoto)Cinematographer: Hiroshi Nakano
Children Calling Spring: Career Path Guidance for Students, Future Prospects (Haru o Yobu Kora: Shinroshido Series Tembohen) | May, 1959 (Completion date)
Format: 16 mm standard; BW; Sound; 17 min 50 secProduction: General Council of Trade Unions of JapanScreenplay: Hiroshi Sekine, Toshio MatsumotoDirector and Film Editor: Toshio MatsumotoMusic Composer: Kazuo OkadaAudio Engineer: Matsuo Ono
The Song of Stone (Ishi no Uta) | Feb 28, 1963 (Television broadcasting date)
Format: 16 mm standard; BW; Sound; 24 min 30 secProduction: Tokyo Broadcasting System, Inc., Tokyo Television EigaScreenplay, Director and Film Editor: Toshio MatsumotoMusic Composer: Kuniharu AkiyamaAudio Engineer: Junosuke OkuyamaPhotographer: Y. Ernest SatowWord: Masayuki Nagare
石の詩| 1963 年 2 月 28 日放送
フォーマット:16mm スタンダード/白黒/サウンド/ 24 分 30 秒製作:東京放送・東京テレビ映画構成(脚本・監督・編集):松本俊夫、音楽:秋山邦晴、音響:奥山重之助、写真:アーネスト サトウ(Y. Ernest Satow)、言葉:流政之
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1_13.
Lie and Truth When Seen from Back…: Two or Three Acts with Choral Intermission (Uso mo Honto mo Ura kara Mireba: Gasshokyoku Fu Makumageki Tsuki Nimaku mataha Sammaku) | from Apr 7 through Apr 13, 1964 (Premiere date) | “Gekidan
Seihai The 13th Performance” at Haiyuza TheaterFormat: Theatrical performanceOriginal Story: “Ciascuno a Suo Modo” Luigi PirandelloAdaptation and Director: Toshio MatsumotoDirector of Audiography: Toshi IchiyanagiAudio Engineer: Junosuke OkuyamaGaffer: Sadahiko TachikiProduction Designer: Setsu AsakuraStage Management: Akira KawashimaAssistant Director: Shigeru Shiota, Michiko Sato, Akemi HorieAssistant Stage Management: Takuya SugiyamaActor: Eiji Okada [Junzo Tsuno], Yukio Ninagawa [Kunio Imaizumi], Isao Kimura [Junpei Sugiyama], Chisako Hara [Keiko Sonogiwa]
For the Damaged Right Eye (Tsuburekakatta Migime no Tame ni) | Apr 15, 1968
(Premiere date) | “*ex・pose’68 Nanika Ittekure Ima Sagasu” at Sogetsu HallFormat: 16 mm standard (triple multi-projection); BW/Color; Sound; 12 min 10 secMedium: Three 16 mm projectors and magnesium flash powderProducer: Mitsuru KudoScreenplay, Director and Film Editor: Toshio MatsumotoCinematographer: Tatsuo SuzukiMusic Composer: Kuniharu Akiyama
Format: 16 mm standard; BW; Sound; 11 min 10 secProduction: Matsumoto ProductionProducer, Screenplay, Director, Film Editor and Music Composer: Toshio MatsumotoCinematographer: Tatsuo SuzukiActor: Peter [Eddie], Toyosaburo Uchiyama [Guevara]
Shadow | from May 10 through May 30, 1969 (Premiere date) | “The 9th Contemporary Art Exhibition
of Japan” at Tokyo Metropolitan Art MuseumFormat: Installation with rotating lightMedium: Lighting equipment and rotary apparatusInstallation: Toshio Matsumoto
Metastasis (Shinchintaisha) | Oct or Nov, 1971 (Completion date)
Format: 16 mm standard; Color; Sound; 8 min 20 secSponsor: Toto Kiki Ltd.Production: Total Media Development Institute Co., Ltd.Planner: Noboru Kawazoe, Kiyonori Kikutake, Kiyoshi Awazu, Toyojiro HatanoProducer: Haruyoshi KinoshitaScreenplay, Director and Electro Color Process Operation: Toshio MatsumotoCinematographer: Akichika SugiyamaFilm Editor: Toshie IwasaMusic Composer: Toshi Ichiyanagi
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Production Coordinator: Haruo Asanuma, Yasushi Yamaguchi
Multiple Video Mona Lisa (Multi Video no Tame no Mona Lisa) | from Mar 20
through Apr 29, 1974 (Premiere date) | “Xerox Knowledge-in” at Ginza Sony BuildingFormat: U-matic VTR (ten multi-display); Color; Sound; EndlessMedium: Ten 20-inch CRT video monitors and two U-matic VTR playback equipmentsInstallation: Toshio Matsumoto
Format: 16 mm standard; Color; Sound; 8 min 50 secProduction: Matsumoto ProductionProducer, Screenplay, Director, Music Composer and Electro Color Process Operation: Toshio MatsumotoCinematographer: Akichika Sugiyama, Hironari IshiiFilm Editor: Toshie IwasaAudio Engineer: Matsuo Ono
Total Theatre Aoi no Ue | Apr 25, 1975 (Premiere date) | “The 3rd Runa Festival” at Ashiya
Municipal Grand Hall (Luna Hall)Format: Filmstrip (triple multi-projection) and 16 mm standard (triple multi-projection); Color; Sound; About 70 minMedium: Six filmstrip projectors (three pairs), three 16 mm projectors, lighting equipment and nohOriginal Story: “Aoi no Ue” Omi Sarugaku, ZeamiVisual Director: Toshio MatsumotoMusic Composer: Toshi IchiyanagiGaffer: Sadahiko TachikiNoh: Hisao Kanze, Hideo Kanze, Masakuni Asami
Format: 16 mm standard; Color; Sound; 28 min 30 secSupervisor: Nippon Tako no KaiCompilation of Historical Materials: Tadao SaitoSponsor: Japan FoundationProduction: Toho Ad. CenterProducer: Teruji ShibataScreenplay and Director: Toshio MatsumotoCinematographer: Takayo OshikiriGaffer: Bunichi FukumotoFilm Editor: Toshie IwasaMusic Selection: Yasuo Fukazawa
Uterus (Shikyu) | Oct 23, 1976 (Premiere date) | “The 9th Exhibition of Contemporary Art:
Expression in Film & Laser’76” at KBS Laserium CenterFormat: Filmstrip (triple multi-projection) and 16 mm standard (single projection); Color; Sound; About 7 minMedium: Six filmstrip projectors (three pairs) and 16 mm projectorVisual Director: Toshio MatsumotoMusic Composer (Sound Material): Joji Yuasa
Hands (Te) | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (8 min 30 sec)Medium: Special Effect Generator 1310, video cameras (unknown quantity) and CRT video monitorProducer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio Matsumoto
Illumination | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (7 min)Medium: Special Effect Generator 1310, flashing lamps, video cameras (unknown quantity) and CRT video monitorProducer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio Matsumoto
Double (Nijuzo) | Aug 12, 1979 (Premiere date) | Ikebukuro Seibu Department Stores event space
Format: Real-time video signal; Color; Sound; Performance (9 min 10 sec)Medium: Special Effect Generator 1310, lamp, two video cameras and CRT video monitorProducer, Screenplay, Director and Special Effect Generator 1310 Operation: Toshio MatsumotoPerformance: Kumiko Sejima (first time), Midori Mori (second time)
Aquarium (Suizokukan) | Oct 20, 1979 (Television broadcasting date)
Format: Real-time video signal (three multi-display); Color; Silent; EndlessMedium: Goldfishes, water tank, three video cameras and three 3-inch CRT video monitorsInstallation: Toshio Matsumoto
Format: 16 mm standard (triple multi-projection); Color; Sound; EndlessMedium: The Triple Travelling Screen System and three 16 mm projectorsInstallation: Toshio Matsumoto, nac Image Technology Inc.
Format: 16 mm standard; Color; Sound; 9 min 10 secProducer, Screenplay, Director and Music Composer: Toshio MatsumotoCinematographer: Akichika SugiyamaVideo Editor: Junosuke OkuyamaActor: Ichimura Uzaemon XVII
Multi Connection | May 19, 1985 (Premiere date) | “The 5th Congress of Japanese Association for
Semiotic Studies” at Nara Women's UniversityFormat: VTR (four multi-display) and 16 mm standard (single projection); Color; Sound; EndlessMedium: Four CRT video monitors, VTR playback equipment and 16 mm projectorInstallation: Toshio Matsumoto
Globe Screen | from Nov 6 through Nov 12, 1987 (Premiere date) | “International Textile Fair'87
Kyoto” at Kyoto International Conference CenterFormat: VTR; Color; Sound; EndlessMedium: The Fiber Optic Globe Screen, video projector and VTR playback equipmentScreen Development: Toray Industries Inc. (Optic Fiber Marketing Department)Video Production: Kyoto College of Art Image Art Film and Video(Toshio Matsumoto)
Luminous Globe | from Jul 22 through Aug 27, 1989 (Premiere date) | “The 4th Contemporary Art
Festival; Moving Images Now” at The Museum of Modern Art, ToyamaFormat: U-matic VTR; Color; Sound; EndlessMedium: The Fiber Optic Globe Screen, LDC panel, cyclic screen, video projector and U-matic VTR playback equipmentScreen Development: Toray Industries Inc. (Optic Fiber Marketing Department)Installation: Toshio Matsumoto
A Trap of Narratology (Narratology no Wana) | from Apr 14 through May 9, 1992 (Premiere
Date) | Kyoto Ufer! GalleryFormat: VHS VTR (twenty-three multi-display and single projection); Color; Sound; EndressMedium: Statue, sand, white line, video camera, rotating platform, video projector, 60-inch CRT video monitor, 34-inch CRT video monitor, 29-inch CRT video monitor, six 27-inch CRT video monitors, six 21-inch CRT video monitors, two 13-inch CRT video monitors, six LDC panels and twelve VHS VTR playback equipmentsInstallation: Toshio Matsumoto
The Story is Created in This Way (Monogatari ha Kakushite Tsukurareru) | from
Sep 16 through Nov 26, 2006 (Premiere date) | “Memai no Sochi; Matsumoto Toshio o Meguru Intermedia no Komyaku” at Kawasaki City MuseumFormat: VTR (double multi-projection and six multi-display); Color; Sound; EndressMedium: Sand, white line, two video projectors, six CRT video monitors and VTR playback equipment (unknown quantity)Installation: Toshio Matsumoto
Between Insanity and Sanity: “Challenge the Unknown” Episode 9 (Ijo to Seijo no Aida: Michi heno Chosen Daikyukai) | Sep 13, 1964 (Television broadcasting date)
Format: Television program; BW; Sound; 45 minProduction: Tokyo 12 Channel Production KyoikubuScreenplay: Toshio MatsumotoActor: Hiroshi Utena (Psychiatrist. Department of Psychiatry and Neuroscience, Gunma University)