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Nathaniel Hawthorne
Tie SCARLE LELIGKk Chapter One
THE GREAT SIONE FACE read by
BASIL RATHBONE directed by Howard Sackler
The extraordinary gift of Nathaniel Hawthorne was much
like that. of the native American portrait-painters of his gen-
eration in the mid-nineteenth century. Like them, he looked
gravely and unsparingly at people, declined to idealize them,
painted them with decisive angularity but with insight, com-
passion and rich colors, and immortalized an American way of
life which others saw but failed to probe. Hawthorne probed.
The Scarlet Letter begins with as gripping a scene as can be
found in literary annals. The woman Hester Prynne stands
alone upon the village scaffold, the child in her arms not hiding
the scarlet symbol of adultery upon her breast. Around her is
the Puritan throng, meting out to the woman her just punish-
ment, the pitiless stares which are the prelude to her new role
as outcast of the town. In that first richly embroidered scene,
the entire theme and plot are developed with masterly control.
We feel the burning sun above, the burning shame within, the
mystery of human passions, the profound sense of life in this
raw land where conformism was the great talisman against
primeval nature, both beyond the settlement and within the
heart. In the course of later chapters, Hawthorne records every
wild flutter of the hearts of Hester Prynne, her unknown lover
the Reverend Arthur Dimmesdale and her corroded, avenging
husband Roger Chillingworth. And he whose pen so subtly
conveys the interaction between nature and humankind con-
veys the beauty and mystery of both as no writer had done
before him, and few so well since.
In Hawthorne’s best-known short story, “The Great Stone
Face,” again there is the haunting sense of natural forces act-
ing upon the lives of men. The tale is more poetic parable than
story, a dream of man perfectable so long as he remains cog-
nizant of the beauty of nature, but lost once the magic of
communion is lost. It is a strange mixture of Transcendental
philosophy with Rousseau, perhaps, but a dream worth the
dreaming. Again the painting of America comes to mind, but
this time the type of Cole’s “Course of Empire” series. The
awesome mystery of the natural universe is implicit in these
artists of the ancient, settled Coast, who understood all too
well the dangers of hewing down the soul with the forest
primeval; of turning the back upon the mountain and facing
mediocrity. But be receptive and the message is not far to seek.
Heed only the beauty, elusive and strange as the morning
mists upon the Great Stone Face.
Note: this high-fidelity recording can be played on both monaural and stereophonic equipment.
© 1965, CAEDMON RECORDS, INC. Performance and reproduction rights information avail-
able from Caedmon Records, Inc., 461 Eighth Avenue, New York, N.Y. 10001. Made in U.S.A.
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TC 1197 STORIES OF HAWTHORNE, VOL. 2: RATHBONE
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