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Wednesday, September 9, 2009
BASIC MOTIF AS A FUNCTION ITERATIVE
Batik Lasem Art, Selling batik tulis Lasem : Batik is a
traditional art
that captures what is perceived by the community of Java in
Indonesia to two-dimensional medium of fabric. Batik can be a
form of
equivalence of the paintings in the public culture in the
other
hemisphere. But what is reflected in batik tended
not"straightforward" what is portrayed by the most commonly
known
paintings in historical milestones of human civilization. This
is becausethe fractal nature is reflected in batik, while most
known paintings
are the forms of repose geometry.
The
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Discovery Frac tal in Batik
portrayal byusing theperspective
transformation fractality is stereographic dynamics of the real
world
into the basic forms of batik which a greater emphasis on the
factthat systems in nature tend to be dynamic. The development
of
contemporary mathematics a fractal is a shape that the current
studyhas become a full-non linear methodological in capturing
systemincluding our efforts to map what is seen on what is
described in
batik cloth.
The shape is too similar to living creatures may have a tendency
tobecome idols, and 2-dimensional aesthetic craft in Indonesia
acculturation shows a motive works that are so neat batik in
thetransformation of the image into the arrest of the dynamics
ofpattern objects.
Fractal geometry of nature Basic Batik Motifs
There are a lot of the basic motifs in the traditional batik.
Basicmotive is at the authors 'narrative' of what you want to
be
represented by batik cloth. Basic motif can act as a major
constituent of the design of the batik motif to just be Isen or
harmonization and ornament. Efforts deconstruction of the
basicmotifs of batik of Java, for example, shown in Situngkir
(2008). This is
done by showing a pattern that can be deconstructed as a
transformation element in the iteration function system.
For example, traditional batik "plane" that can be seen as the
resultof the seven transformation of the whole pattern as seen in
picture.
In fact, as shown in the picture, many Javanese batik using this
basic
pattern.
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There are hundreds of batik design with ornamentation of this
plane,
which is described as a bird's wing. Batik patterns such as
cement,
gurdha and more popular use of this basic pattern. So,
quiteinteresting to find general aspects related to the
transformation
equation used to bring it.
Another example can be taken from batik from Cirebon, West Java
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Indonesia. A very popular design named "Mega Overcast" which
is
often the basis of ornamentation known as a form of "clouds in
thesky". This picture is shown in Figure 2.
Designers (people who traditionally known as an intellectual)
tomake some kind of "fractal transformation equations" given in
the
form of representation rules, the fractal approach we see
science as
a form of "atraktor" which mathematically.
"The transformation equation" is an interesting design to
manufacture a particular pattern desired by the designer. Thus,
inour example above, aircraft and cloud overcast, as well as
batik
pattern design can be viewed as a product of the iteration
function
system, is atraktor (cognitively) as traditional artists will
display"wings" and "cloud". This can potentially enrich our
understanding of
cognitive anthropology, which is implemented into the body
and
other traditional aesthetics.
For example, as the traditional heritage of Java, batik design
isinseparable with the life of the king's palace (palace). However,
once
the palace of Java has become the intellectual center as well
as
government. The influence of the palace in a show of batik
intellectual milestones of ancient history. For example, when
peoplein Cirebon, West Java, know of two palaces (for political
purposes),
namely: kasepuhan and Kanoman (respectively the oldest and
younger), both have the characteristics of different batik
designs."Attractor cognitive" in a chariot representations, in the
Palace
Kasepuhan described as a model while lion barong Kanoman
Palace
described as Peksi Naga Liman. This characteristic also occurs
in
other court in Indonesia such as Yogyakarta and Surakarta.
SFI fractal dynamics to capture the image of By relying on the
geometry, the visualization techniques, such as amotive, using a
variety of ways to mimic as closely as possible the
various forms of objects to be poured in the media and two-
dimensional images. Various techniques do here, ranging from
large
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design forms that need to be very keen attention to the
perspective
(the perspective) to the various techniques used in the process
of
drawing (eg, shading in the sketch, and so on).
It is not enough if we are grounded in a fractal pattern as the
basis
for representation. What do not mimic as closely as possible
whatyou want portrayed but capture the movement and dynamics of
the
objects that want visualized. In addition to these
technical-technical,
relying on the representations of fractal consider other
aspects, and
one of the most important is that atraktor of objects to be
described.
Pattern representation with System Function Iterations were
acquired as a construction to the basic motif of batik have
similaritiesto the pattern we can get when describing the classical
Japanese
painting famous artist Katsushika Hokusai of paintings
titled
"Tsunami Under Kanagawa". Foaming waves can be reconstructed
is
described by using the pattern function systems including
iterationsof our generation through the computer. In the picture
shown is how
the red triangles that indicate the general shape of the sea
water
patterns, and the depiction of the blue triangles to "catch" a
surge of
water from the bottom up. Here, the water as a system moves
frombottom to top (diagonally to the right).
This spectacular work shows a pattern similar to what is in
the
traditional batik when we want to pattern reconstruction with
the
same computer algorithm. In other words, I think we can apply
thesame when we want to describe the re-awanan cloud patterns,
vegetation, sayapan fluttering wings, and so forth as a basic
motif of
batik that our generative computational experimentation
goingthrough the software.
Batik Physics: "Logic" in batik Batik Generation Computing
In the software that we introduce here, we are trying to
fractal
transformation equations are the basic motifs of batik produces
no
contact with the user. In other words, the task of software
users is
to expand the imaginative horizons as wide as possible so that
the
various motifs can be generated in the fractal paradigm as
closely as
possible to the system of rules that may be present in the
cognitiveprocess of batik designers in the days past when batik
used to draw
with how to capture the dynamics of visual forms.
Software provided on the occasion Generation Computing Batik is
an
attempt to describe the basic patterns are formed from three
points
that form a triangle and its transformation which acts as
atraktor.
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BASIC MOTIFAS AFUNCTIONITERATIVE
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The steps can roughly abbreviated as:
1. Users determine the 3 basic points that become the primary
form
of representation to be described in outline (note the order of
the
points that make up the red triangle on the software).
2. It is then the iterative (repeated) determines the 3 points
that
make up the transformation of the triangle that represents the
main
form (on our software: the blue triangles as the transformation
of the
red triangles).
3. Triangles which is the atraktor (towing) points randomly
generated
by a computing process. Within each triangle (either red or
blue)have the same form (or a similar = similar) with the overall
shape of
the red and blue segituga merged into one. This is the nature of
the
so-called fractal-like nature with ourselves (self
similarity).
Our software does not display the mathematical equations of
the
transformation of the forms of the triangles. He just kept it in
a
directory where the software is run. In other words, users need
only
to the imagination of the patterns to be described (or
arrested
dynamics) in the process of system functions Iterations were to
serve
as the basic motif batik. From the triangles are then obtained
infinitebasic motive to be described as a raw material in depicting
batik
inspiration in a variety of media and forms, ranging from
traditional
chanting pemotifan to process the most modern textile. Batik
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Art, Selling batik tulis Lasem.
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Label: Batik, Fractal, Pattern
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