Rate Card No. 35 Effective October 1, 2018 47 Eugene O’Neill Dr. New London, CT 06320 800.542.3354 860.701.4440 2018 Times RATE CARD SERVING GROTON,CONNECTICUT www.theday.com PRSTRT STD U.S. POSTAGEPAID PERMIT NO. 344 NEWLONDON, CT 06320 POSTAL CUSTOMER OPT IN/OPT OUT To inquire about home delivery of The Times, or to dis- continue receiving the paper, call us at (860) 701-4271 SERVING GROTON,CONNECTICUT www.theday.com Volume XIV No. 48 INSIDE CALENDAR 4 CLASSIFIED 16 November 30, 2017 PET PAL Dean loves to bark at fishing poles if they don’t bring up fish quick enough. PAGE 6 eTimesCT By LEE HOWARD Staff Writer In Jurate Svedaite Waller’s Mystic home, the grand piano sits center stage in the living room, an appropri- ate touch in a life full of music. Waller, just named executive di- rector of the Connecticut Lyric Op- era, succeeding Matthew Burry, has been involved with music all her life, from a girl in Lithuania to stages in Italy, Colombia and beyond as one of the leading operatic sopranos in the state. She won’t be on stage, but she will still play a leading role in the upcom- ing English-language production of Mozart’s “The Magic Flute” at 6 p.m. Saturday at the Garde Arts Center, helping coordinate all the perfor- mance details (gardearts.org for tix). “The company needed somebody — somebody who loves the compa- ny,” said Waller, an adjunct associate professor at Connecticut College who is also known by her performance name Jurate Svedaite. And Waller, along with husband John Waller (the company’s first ex- ecutive director) and artistic director Adrian Sylveen, have nurtured Con- necticut Lyric Opera from its begin- nings 14 years ago, so it made sense that she would finally step into the organization’s lead role. Local opera stagings with Waller in a featured role began quietly with productions in 2001 and 2002 of “Amahl and the Night Visitors” at the Thames Valley Music School, where Waller still teaches voice lessons. But when conductor Sylveen heard Waller’s voice, he expressed an inter- est in putting on an opera and per- haps forming a company in which she would take a leading part. They started intending to do just one show, a production of “Carmen,” which they miraculously pulled off in a very cramped space at the First Congregational Church on State Street. The production was so suc- cessful that they carried on with the “Barber of Seville” and decided to pursue nonprofit status, developing a loyal following. “It’s been a labor of love,” Waller said. “Our budget is pretty limited. ... But we figure if we have good singers and great music, people will forget about the things we don’t have.” Connecticut Lyric Opera doesn’t spend a lot of money on costumes and lavish sets, for instance. “When we step on stage, it’s almost like being in a black-box theater,” she said. “The singers are completely exposed, so the voice has to tell the story.” But the opera company also prob- ably boasts one of the best musical ensembles in the state, the Connecti- cut Virtuosi Chamber Orchestra. Led by Sylveen, many of the players are trained at the Yale School of Music in New Haven. “They are absolutely amazing play- ers,” Waller said. “It’s a huge asset.” Still, it’s been hard to raise mon- ey, especially since 2008, when the economy went south and Waller es- timates financial support was cut in half, “if not more.” “Our relationship with the orches- tra allows things to happen,” Waller said. “We help each other out.” What started as small-scale pro- ductions in a couple venues have slowly evolved into more elaborate productions that this year will be held in four spaces, including the Garde and the Wadsworth Atheneum in Hartford. The opera company also performs regularly in Middletown and New Britain. In addition, the Connecticut Lyr- ic Opera for the past three summers has been featured in productions held in Tuscany, Italy, that are being done in partnership with the Connecticut Virtuosi Chamber Orchestra and the Greve Opera Academy and Music Fes- tival. Next year, productions of “Aida” (to be performed locally in May) and “Carmen” will be presented at the A new voice heading Connecticut Lyric Opera PHOTO COURTESY OF CT LYRIC OPERA Jurate Svedaite and Jorge Pita Carreras perform in September 2017 in the third act of Verdi’s “Otello” at the Teatro Metropolitano Medellin in Colombia. SEE PAGE 10 D00750642 Wireless Zone®is a Verizon Authorized Retailer. One per customer per month, can not be used for Wireless service. See store for details. Groton | 860.448.9000 220 Route 12 New London | 860.439.1000 351 N. Frontage Rd. Our gift to you. $20 OFF! When you make a purchase of $30 or more this holiday.
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Rate Card No. 35Eff ective October 1, 2018
47 Eugene O’Neill Dr.
New London, CT 06320
800.542.3354
860.701.44402018
TimesrateCARD
Serving groton, ConneCtiCut www.theday.com
Prstrt std
U.s. Postage Paid
Permit No. 344New LoNdoN, Ct 06320
POSTAL CUSTOMER
OPT IN/OPT OUTTo inquire about home delivery of The Times, or to dis-continue receiving the paper, call us at (860) 701-4271
PET PALDean loves to bark at fishing poles if they don’t bring up fish quick enough. PAGE 6
TheTimesCT
By LEE HOWARDStaff Writer
In Jurate Svedaite Waller’s Mystic home, the grand piano sits center stage in the living room, an appropri-ate touch in a life full of music.
Waller, just named executive di-rector of the Connecticut Lyric Op-era, succeeding Matthew Burry, has been involved with music all her life, from a girl in Lithuania to stages in Italy, Colombia and beyond as one of the leading operatic sopranos in the state.
She won’t be on stage, but she will still play a leading role in the upcom-ing English-language production of Mozart’s “The Magic Flute” at 6 p.m. Saturday at the Garde Arts Center, helping coordinate all the perfor-mance details (gardearts.org for tix).
“The company needed somebody — somebody who loves the compa-ny,” said Waller, an adjunct associate professor at Connecticut College who is also known by her performance name Jurate Svedaite.
And Waller, along with husband John Waller (the company’s first ex-ecutive director) and artistic director Adrian Sylveen, have nurtured Con-necticut Lyric Opera from its begin-nings 14 years ago, so it made sense that she would finally step into the organization’s lead role.
Local opera stagings with Waller in a featured role began quietly with productions in 2001 and 2002 of “Amahl and the Night Visitors” at the Thames Valley Music School, where
Waller still teaches voice lessons. But when conductor Sylveen heard Waller’s voice, he expressed an inter-est in putting on an opera and per-haps forming a company in which she would take a leading part.
They started intending to do just one show, a production of “Carmen,” which they miraculously pulled off in a very cramped space at the First Congregational Church on State Street. The production was so suc-cessful that they carried on with the “Barber of Seville” and decided to pursue nonprofit status, developing a loyal following.
“It’s been a labor of love,” Waller said. “Our budget is pretty limited. ... But we figure if we have good singers and great music, people will forget about the things we don’t have.”
Connecticut Lyric Opera doesn’t spend a lot of money on costumes and lavish sets, for instance.
“When we step on stage, it’s almost like being in a black-box theater,” she said. “The singers are completely exposed, so the voice has to tell the story.”
But the opera company also prob-ably boasts one of the best musical ensembles in the state, the Connecti-cut Virtuosi Chamber Orchestra. Led by Sylveen, many of the players are trained at the Yale School of Music in New Haven.
“They are absolutely amazing play-ers,” Waller said. “It’s a huge asset.”
Still, it’s been hard to raise mon-ey, especially since 2008, when the
economy went south and Waller es-timates financial support was cut in half, “if not more.”
“Our relationship with the orches-tra allows things to happen,” Waller said. “We help each other out.”
What started as small-scale pro-ductions in a couple venues have slowly evolved into more elaborate productions that this year will be held in four spaces, including the Garde and the Wadsworth Atheneum in Hartford. The opera company also
performs regularly in Middletown and New Britain.
In addition, the Connecticut Lyr-ic Opera for the past three summers has been featured in productions held in Tuscany, Italy, that are being done in partnership with the Connecticut Virtuosi Chamber Orchestra and the Greve Opera Academy and Music Fes-tival. Next year, productions of “Aida” (to be performed locally in May) and “Carmen” will be presented at the
A new voice heading Connecticut Lyric Opera
PHOTO COURTESY OF CT LYRIC OPERA
Jurate Svedaite and Jorge Pita Carreras perform in September 2017 in the third act of Verdi’s “Otello” at the Teatro Metropolitano Medellin in Colombia.
SEE PAGE 10
D00750642
Wireless Zone® is a Verizon Authorized Retailer.
One per customer per month, can not be used for Wireless service. See store for details.
Groton | 860.448.9000220 Route 12
New London | 860.439.1000351 N. Frontage Rd.
Our gift to you.
$20 OFF!When you make a purchase of $30 or more this holiday.
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