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Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

May 03, 2017

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Page 1: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Visual Jokes Natural History and Still-Life Painting

ix

xiii

1

17 1

43 2

71 3

91 4

115 5

149 6

167 7

191 8

213

219

223

226

233

291

307

ix

2

3

4

5

7

18

19

20

20

21

23

24

25

28

32

35

47

47

48

x

51

52

53

55

57

58

59

62

63

64

65

79

82

87

95

98

99

117

123

124

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127

128

129

129

130

131

131

132

133

134

134

136

136

137

137

139

140

xi

141

143

143

144

145

145

151

152

159

172

173

175

176

178

179

183

183

184

186

187

188

195

197

197

202

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 2: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

ix

xiii

1

17 1

43 2

71 3

91 4

115 5

149 6

167 7

191 8

213

219

223

226

233

291

307

ix

2

3

4

5

7

18

19

20

20

21

23

24

25

28

32

35

47

47

48

x

51

52

53

55

57

58

59

62

63

64

65

79

82

87

95

98

99

117

123

124

126

127

128

129

129

130

131

131

132

133

134

134

136

136

137

137

139

140

xi

141

143

143

144

145

145

151

152

159

172

173

175

176

178

179

183

183

184

186

187

188

195

197

197

202

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 3: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

ix

2

3

4

5

7

18

19

20

20

21

23

24

25

28

32

35

47

47

48

x

51

52

53

55

57

58

59

62

63

64

65

79

82

87

95

98

99

117

123

124

126

127

128

129

129

130

131

131

132

133

134

134

136

136

137

137

139

140

xi

141

143

143

144

145

145

151

152

159

172

173

175

176

178

179

183

183

184

186

187

188

195

197

197

202

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 4: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

x

51

52

53

55

57

58

59

62

63

64

65

79

82

87

95

98

99

117

123

124

126

127

128

129

129

130

131

131

132

133

134

134

136

136

137

137

139

140

xi

141

143

143

144

145

145

151

152

159

172

173

175

176

178

179

183

183

184

186

187

188

195

197

197

202

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 5: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

xi

141

143

143

144

145

145

151

152

159

172

173

175

176

178

179

183

183

184

186

187

188

195

197

197

202

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 6: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

xi i i

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 7: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

xiv

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 8: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

xv

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 9: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

INTRODUCTION

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 10: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

1

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 11: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 01

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 12: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 02

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 13: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 03

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 14: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 04

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 15: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

6

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 16: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

7

figure 05

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 17: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

8

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 18: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

9

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 19: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

10

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 20: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

11

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 21: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

12

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 22: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

13

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 23: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

14

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 24: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

17

Arcimboldorsquos Lombard Origins

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 25: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

19

A R C I M B O L D O rsquo S E A R LY C A R E E R

figure 11

figure 12

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 26: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

20

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 27: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

21

figure 13a

figure 13b

figure 14

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 28: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

22

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 29: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

23

figure 15

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 30: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

24

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 31: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

25

figure 16

figure 17

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 32: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

26

A R C I M B O L D O T H E L O M B A R D M I L I E U A N D T H E L E O N A R D E S Q U E L E G A C Y

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 33: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

27

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 34: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

29

figure 18

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 35: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

30

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 36: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

31

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 37: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

32

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 38: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

33

figure 19

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 39: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

34

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 40: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

35

figure 110

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 41: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

36

E X C U R S U S T H E V I S U A L S O U R C E S O F A R C I M B O L D O rsquo S C O M P O S I T E S

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 42: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

37

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 43: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

38

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 44: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

39

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 45: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

40

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 46: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

43

Arcimboldo from 1562 The Creation of Composite Heads

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 47: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

44

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 48: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

45

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 49: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

46

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 50: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

47

figure 21

figure 22aacute

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 51: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

48

figure 23

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 52: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

49

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 53: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

50

T H E C R E A T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E H E A D S

figure 24

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 54: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 25

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 55: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 26 6

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 56: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

54

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 57: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

55

figure 27

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 58: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

56

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 59: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

57

figure 28

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 60: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

58

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 61: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

59

figure 29

figure 210

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 62: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

60

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 63: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

61

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 64: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 211

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 65: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 212

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 66: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

64

T O U R N A M E N T S F E S T I V A L S A N D P A I N T I N G S

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 67: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

65

figure 213

figure 214

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 68: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

66

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 69: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

67

T H E S O C I A L C O N T E X T A N D R E C E P T I O N O F A R C I M B O L D O rsquo S C O M P O S I T E S

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 70: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

68

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 71: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

71

Learning Poetry and Art

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 72: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

72

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 73: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

73

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 74: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

74

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 75: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

75

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 76: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

76

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 77: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

77

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 78: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

78

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 79: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

79

figure 31

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 80: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

80

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 81: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

81

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 82: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

82

figure 32

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 83: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

83

A R C I M B O L D O M I L A N E S E L I T E R A T I P O E T R Y A N D H U M A N I S M

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 84: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

84

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 85: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

85

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 86: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

86

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 87: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

87

figure 33

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 88: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

88

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 89: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

91

Serious Jokes

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 90: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

92

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 91: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

93

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 92: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

94

figure 41

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 93: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

96

A R C I M B O L D O rsquo S A L L E G O R I E S

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 94: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

97

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 95: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 42

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 96: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 43

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 97: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

100

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 98: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

101

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 99: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

102

A R C I M B O L D O rsquo S R I D I C U L O U S P I C T U R E S

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 100: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

103

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 101: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

104

του ἀισχρου ἐστι τograve γєλοιόν μόριον

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 102: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

105

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 103: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

106

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 104: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

107

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 105: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

108

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 106: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

109

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 107: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

110

A R C I M B O L D O rsquo S S I L E N I

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 108: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

111

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 109: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

112

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 110: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

113

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 111: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

115

Natural Philosophy Natural History and Nature Painting

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 112: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

116

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 113: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

117

figure 51

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 114: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

118

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 115: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

119

A R C I M B O L D O A N D N A T U R A L H I S T O R Y

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 116: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

120

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 117: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

121

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 118: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

122

A R C I M B O L D O rsquo S N A T U R E S T U D I E S I D E N T I F I E D

figure 52

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 119: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

123

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 120: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

124

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 121: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

125

figure 53

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 122: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

126

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 123: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

127

figure 54

figure 55

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 124: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

128

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 125: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

129

figure 56

figure 57

figure 58

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 126: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

130

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 127: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

131

figure 59

figure 510

figure 511

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 128: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

132

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 129: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

133

figure 512

figure 513

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 130: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

135

figure 514

figure 515

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 131: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 516

figure 517

figure 518

figure 519

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 132: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

138

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 133: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

139

figure 520

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 134: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

141

figure 521

figure 522

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 135: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

142

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 136: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

143

figure 523

figure 524

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 137: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

144

figure 525

figure 526

figure 527

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 138: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

146

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 139: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

147

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 140: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

149

Nature Studies

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 141: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

150

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 142: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

151

figure 61

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 143: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

152

A R C I M B O L D O rsquo S N A T U R E S T U D I E S A S ldquo E X O T I C Ardquo C O L L E C T I O N S A N D T H E K U N S T K A M M E R

ě

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 144: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

153

figure 62

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 145: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

154

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 146: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

155

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 147: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

156

ě

T H E M E A N I N G S A N D I M P L I C A T I O N S O F A R C I M B O L D O rsquo S S T U D I E S F R O M N A T U R E

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 148: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

157

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 149: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

158

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 150: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

159

figure 63

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 151: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

160

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 152: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

161

A R C I M B O L D O rsquo S N A T U R E S T U D I E S N A T U R A L H I S T O R Y A N D T H E I N T E R P R E T A T I O N O F T H E P A I N T I N G S O F C O M P O S I T E H E A D S

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 153: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

162

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 154: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

163

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 155: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

164

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 156: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

167

Arcimboldo and the Origins of Still Life

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 157: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

168

A R C I M B O L D O rsquo S A N T E C E D E N T S

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 158: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

169

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 159: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

170

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 160: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

171

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 161: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

172

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 162: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

173

figure 71

figure 72

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 163: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

174

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 164: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

175

figure 73

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 165: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

176

figure 74

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 166: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

177

A R C I M B O L D O rsquo S P L A C E I N A N D I M P A C T O N T H E H I S T O R Y O F S T I L L L I F E A N D A N I M A L P A I N T I N G

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 167: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

179

figure 75

figure 76

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 168: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

180

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 169: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

181

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 170: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

182

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 171: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

183

figure 77

figure 78

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 172: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

184

figure 79

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 173: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

185

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 174: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

186

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 175: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

187

figure 710

figure 711

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 176: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

188

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 177: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

189

figure 712

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 178: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

191

Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 179: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

192

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 180: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

193

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 181: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

194

A R C I M B O L D O rsquo S C O M P O S I T E H E A D S A S C A P R I C E S O F A R T A N D O F N A T U R E

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 182: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

195

Figure 81

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 183: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

196

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 184: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

figure 82

figure 83

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 185: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

198

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 186: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

199

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 187: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

200

T H E C O N T E S T O F A R T A N D N A T U R E I N A R C I M B O L D O rsquo S I N V E R T I B L E I M A G E S

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 188: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

201

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 189: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

202

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 190: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

203

figure 84

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 191: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

204

S O M E C L A S S I C A L S O U R C E S F O R A R C I M B O L D O rsquo S I N V E R T I B L E P A I N T I N G S

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 192: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

205

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 193: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

206

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 194: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

207

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 195: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

208

S O M E M E A N I N G S O F A R C I M B O L D O rsquo S S E R I O U S J O K E S A S I N V E R T I B L E S T I L L L I F E S

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 196: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

209

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 197: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

210

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 198: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

211

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 199: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

CONCLUSION

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 200: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

213

Arcimboldo in the History of Art

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 201: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

214

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 202: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

215

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 203: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

216

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 204: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

217

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 205: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

218

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 206: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

219

Arcimboldo the Facchini and Popular Culture

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 207: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

220

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 208: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

221

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 209: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

222

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 210: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

223

Arcimboldo and Meda at Monza

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 211: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

224

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 212: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

225

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 213: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

226

Concordance of Arcimboldo images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 214: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 215: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 216: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 217: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 218: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

Aldrovandi Bologna Dresden Vienna ldquoMuseumrdquo

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 219: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

233

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 220: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

234

235

236

1

237

238

239

240

241

242

243

244

2

245

246

247

248

249

250

251

252

3

253

254

255

256

257

258

4

259

260

261

262

263

264

5

265

266

267

268

269

270

271

272

6

273

274

275

276

277

7

278

279

ě řě ě

280

281

282

8

283

284

285

286

287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 221: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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278

279

ě řě ě

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285

286

287

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 222: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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1

2

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291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 223: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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1

2

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 224: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

238

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Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 225: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Printed Books Including Documents and Sources

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agrave agrave

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 226: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Printed Books Including Documents and Sources

292

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294

agrave agrave

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 227: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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agrave agrave

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298

č

299

300

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č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 228: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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ě

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agrave agrave

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ěČ

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 229: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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ě

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agrave agrave

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ěČ

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 230: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 231: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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283

284

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 232: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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273

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278

279

ě řě ě

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283

284

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287

288

1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 233: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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273

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ě řě ě

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283

284

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 234: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 235: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

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294

agrave agrave

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ěČ

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č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 236: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 237: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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ěČ

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297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 238: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 239: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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2

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291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 240: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Archives and Manuscripts

Printed Books Including Documents and Sources

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agrave agrave

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 241: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

289

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 242: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 243: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 244: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 245: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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279

ě řě ě

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283

284

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 246: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

280

281

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283

284

285

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 247: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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ě řě ě

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283

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1

2

289

291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

295

ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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283

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1

2

289

291

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Printed Books Including Documents and Sources

292

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294

agrave agrave

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ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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ě řě ě

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2

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

293

ě

294

agrave agrave

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ěČ

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297

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 250: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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ěČ

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297

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 251: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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1

2

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Archives and Manuscripts

Printed Books Including Documents and Sources

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294

agrave agrave

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ěČ

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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 252: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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291

Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

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298

č

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300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 253: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Printed Books Including Documents and Sources

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300

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č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 254: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ěČ

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298

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č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 255: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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298

č

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300

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č řč

301

ł

302

303

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304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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Archives and Manuscripts

Printed Books Including Documents and Sources

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č

č řč

301

ł

302

303

č

304

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ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 257: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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agrave agrave

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298

č

299

300

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č řč

301

ł

302

303

č

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ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 258: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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agrave agrave

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č řŽ č

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č

299

300

č

č řč

301

ł

302

303

č

304

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ntilde

307

308

309

310

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312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 259: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 260: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

289

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

296

297

č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 261: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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agrave agrave

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ěČ

296

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 262: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

289

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

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agrave agrave

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ěČ

296

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č řŽ č

298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 263: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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2

289

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Archives and Manuscripts

Printed Books Including Documents and Sources

292

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ě

294

agrave agrave

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ěČ

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298

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č

č řč

301

ł

302

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304

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ntilde

307

308

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311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č

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č řč

301

ł

302

303

č

304

305

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307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č řč

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302

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307

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310

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312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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Printed Books Including Documents and Sources

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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 273: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Printed Books Including Documents and Sources

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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 275: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 276: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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Archives and Manuscripts

Printed Books Including Documents and Sources

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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č řč

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 278: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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307

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 279: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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307

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 280: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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č řč

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302

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305

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307

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 281: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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č řŽ č

298

č

299

300

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č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
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298

č

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 284: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

299

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 285: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

300

č

č řč

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 286: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

301

ł

302

303

č

304

305

ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 287: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

302

303

č

304

305

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307

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309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 288: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

303

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304

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ntilde

307

308

309

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 289: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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305

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307

308

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312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 290: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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307

308

309

310

311

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 291: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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308

309

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311

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 292: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

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309

310

311

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 293: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

309

310

311

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313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 294: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

310

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 295: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

311

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 296: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

312

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index
Page 297: Thomas DaCosta Kaufmann Arcimboldo Visual Jokes, Natural History, And Still-Life Painting 2010

313

  • Contents
  • Table of Illustrations
  • Preface and Acknowledgments
  • Introduction
  • 1 Arcimboldorsquos Lombard Origins
  • 2 Arcimboldo from 1562 The Creation of Composite Heads
  • 3 Learning Poetry and Art
  • 4 Serious Jokes
  • 5 Natural Philosophy Natural History and Nature Painting
  • 6 Nature Studies
  • 7 Arcimboldo and the Origins of Still Life
  • 8 Arcimboldorsquos Paradoxical Paintings and the Origins of Still Life
  • Conclusion Arcimboldo in the History of Art
  • Appendix 1 Arcimboldo the Facchini and Popular Culture
  • Appendix 2 Arcimboldo and Meda at Monza
  • Appendix 3 Concordance of Arcimboldo Images from the Aldrovandi Letter Bologna Biblioteca Universitaria Dresden Kupferstich-Kabinett CA 213 Vienna (cod min 42) and the ldquoMuseumrdquo of Rudolf II (Oumlsterreichische Nationalbibliothek cod min 129 and 130)
  • Notes
  • Bibliography
  • Index