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THE ARTS AND MEDICINE From Sgt. Pepper to Dreamachines: My Scientific Odyssey With William S. Burroughs Andrew J. Lees, MD, FRCP, FMedSci, FRCPE W illiam S. Burroughs was a postmodern novelist, sci- ence fiction writer, spoken word performer, and visual artist whose life and work were a continu- ous interrogation of the pieties of established medicine and polite Western society. I never met him personally, but he was an important mentor to me during my career as a clinical re- searcher and neurologist (Video). We were introduced in 1967 on the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover. He stood in the sec- ond row between Marilyn Monroe and the Hindu mystic Mahāvatār Bābāji, a position he earned from his impor- tance to the Beat Generation, his hallucinatory writing, and experiments with tape recordings he conducted with Paul McCartney in the Beatles’ studio in Montagu Square. Two years later at a time of disillusionment with my medical education I read Naked Lunch, his series of fantastic nonlinear vignettes described by a Boston judge as a “revolting miasma of unre- lieved perversion and disease.” The novel’s horrific hanging scenes with immodest orgasms and Burroughs’ clinical descriptions of the inferno of junky existence were hard to stomach but the persona of Dr Benway, a disembodied physician whose role was to brainwash, control, and terror- ize was so outrageous it made me laugh. The antithesis of the good doctor, Benway was an amalgam of some of the “croakers” Burroughs had consulted to obtain his next junk fix and to salve his mental anguish through psycho- analysis. Benway reminded me very much of a frightening, godlike thoracic surgeon who strode the wards of my own teaching hospital. Doctors feature recurrently in Burroughs’ literary work as complicated shadowy figures invested with symbolic power and threat. They are a reflection of his serious inter- est in medical psychology and perhaps of his brief flirtation with medical school at the University of Vienna, from where he dematriculated after contracting appendicitis in 1936 in a turn of events that likely saved many lives. Burroughs was dependent on doctors and compared the patient- physician relationship to the need of the addict for his pusher. His books were full of unprincipled quacks and sadistic “nutcrackers” such as Dr Tetrazzini, the surgeon who did not so much operate as perform or “Fingers” Schaeffer, The Lobotomy Kid who believed the human nervous system could be reduced without detriment to a compact and abbreviated spinal column. Burroughs’ determination to expose the hypocrisies of physicians and medical institutions endeared him to me as a student in the 1960s. In works such as APO-33 Bulletin: A Metabolic Regulator—A Report on the Synthesis of the Apomorphine Formula (1966) and Blade Runner: A Movie (1979) (a screenplay of a 1975 novel that donated its title, but not story, to Ridley Scott’s 1982 film classic), he exposed the avarice of the pharmaceutical industry, the stifling bureaucracy of universities, and the dangers of academic editorial control. He railed against health care corporations and “patients for profit” and decried the hyping up of sci- ence for personal glorification. As my career advanced, his books warned me to admit my mistakes and remain vigilant for the first signs of hubris. Documentary Video William S. Burroughs’ 1959 novel Naked Lunch. “The title was suggested by Jack Kerouac,” Burroughs wrote “[and] means exactly what the words say: NAKED lunch, a frozen moment when everyone sees what is on the end of every fork.” 4 Image copyrighted by Grove Press. E1 JAMA Published Online November 16, 2017 (Reprinted) jama.com © 2017 American Medical Association. All rights reserved. Downloaded From: on 11/17/2017
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Page 1: THEARTSANDMEDICINE FromSgt.PeppertoDreamachines ... · THEARTSANDMEDICINE FromSgt.PeppertoDreamachines:MyScientificOdyssey WithWilliamS.Burroughs AndrewJ.Lees,MD,FRCP,FMedSci,FRCPE

THE ARTS AND MEDICINE

From Sgt. Pepper to Dreamachines: My Scientific OdysseyWith William S. BurroughsAndrew J. Lees, MD, FRCP, FMedSci, FRCPE

William S. Burroughs was a postmodern novelist, sci-ence fiction writer, spoken word performer, andvisual artist whose life and work were a continu-

ous interrogation of the pieties of established medicine andpolite Western society. I never met him personally, but he wasan important mentor to me during my career as a clinical re-searcher and neurologist (Video).

We were introduced in 1967 on the Beatles’ Sgt. Pepper’sLonely Hearts Club Band album cover. He stood in the sec-ond row between Marilyn Monroe and the Hindu mysticMahāvatār Bābāji, a position he earned from his impor-

tance to the Beat Generation,his hallucinatory writing,and experiments with tape

recordings he conducted with Paul McCartney in theBeatles’ studio in Montagu Square. Two years later at atime of disillusionment with my medical education I readNaked Lunch, his series of fantastic nonlinear vignettesdescribed by a Boston judge as a “revolting miasma of unre-lieved perversion and disease.” The novel’s horrific hangingscenes with immodest orgasms and Burroughs’ clinicaldescriptions of the inferno of junky existence were hardto stomach but the persona of Dr Benway, a disembodiedphysician whose role was to brainwash, control, and terror-ize was so outrageous it made me laugh. The antithesisof the good doctor, Benway was an amalgam of some ofthe “croakers” Burroughs had consulted to obtain his nextjunk fix and to salve his mental anguish through psycho-analysis. Benway reminded me very much of a frightening,godlike thoracic surgeon who strode the wards of my ownteaching hospital.

Doctors feature recurrently in Burroughs’ literary workas complicated shadowy figures invested with symbolicpower and threat. They are a reflection of his serious inter-est in medical psychology and perhaps of his brief flirtationwith medical school at the University of Vienna, from wherehe dematriculated after contracting appendicitis in 1936in a turn of events that likely saved many lives. Burroughswas dependent on doctors and compared the patient-physician relationship to the need of the addict for hispusher. His books were full of unprincipled quacks andsadistic “nutcrackers” such as Dr Tetrazzini, the surgeonwho did not so much operate as perform or “Fingers” Schaeffer,The Lobotomy Kid who believed the human nervous systemcould be reduced without detriment to a compact andabbreviated spinal column.

Burroughs’ determination to expose the hypocrisiesof physicians and medical institutions endeared him to me

as a student in the 1960s. In works such as APO-33 Bulletin:A Metabolic Regulator—A Report on the Synthesis of theApomorphine Formula (1966) and Blade Runner: A Movie(1979) (a screenplay of a 1975 novel that donated its title,but not story, to Ridley Scott’s 1982 film classic), he exposedthe avarice of the pharmaceutical industry, the stiflingbureaucracy of universities, and the dangers of academiceditorial control. He railed against health care corporationsand “patients for profit” and decried the hyping up of sci-ence for personal glorification. As my career advanced, hisbooks warned me to admit my mistakes and remain vigilantfor the first signs of hubris.

Documentary Video

William S. Burroughs’ 1959 novel Naked Lunch. “The title was suggestedby Jack Kerouac,” Burroughs wrote “[and] means exactly what the words say:NAKED lunch, a frozen moment when everyone sees what is on the endof every fork.”4

Image copyrighted by Grove Press.

E1 JAMA Published Online November 16, 2017 (Reprinted) jama.com

© 2017 American Medical Association. All rights reserved.

Downloaded From: on 11/17/2017

Page 2: THEARTSANDMEDICINE FromSgt.PeppertoDreamachines ... · THEARTSANDMEDICINE FromSgt.PeppertoDreamachines:MyScientificOdyssey WithWilliamS.Burroughs AndrewJ.Lees,MD,FRCP,FMedSci,FRCPE

Burroughs spent much of his life seeking to expand hisperceptions and consciousness through self-experimentationwith psychoactive drugs, but did so in the spirit of a fieldworker with a scientific mindset. He inspired me to questioneverything, to look beyond appearances and to try to dis-cover the truth. Although many of his notions and prophe-cies were far-fetched, his writings on apomorphine; hisfield work with ayahuasca (also known as yagé), a naturalhallucinogen; and his study of Dreamachine-induced “flickerphenomena” especially inspired my Parkinson disease(PD) research.

ApomorphineApomorphine is an old drug synthesized by mixing morphinewith hydrochloric acid. Despite its name it does not functionas a narcotic opioid but over the last century has been vari-

ably used as an emetic, atreatment for erectile dys-function; and a sedative. Ifirst heard of apomorphinefrom a chapter Burroughsappended to Naked Lunch af-ter kicking his junk habit en-titled “Deposition: Testi-mony Concerning a Sickness”in which he describes his suc-cessful treatment for heroinaddiction in a Kensingtonclinic with the so-called junkvaccine (apomorphine). Hisphysician Dr John Dent be-lieved that apomorphine

was effective through metabolic effects on the brain stemrather than through aversion mechanisms resulting from thenausea and vomiting the drug often induced. By the time Ibegan my PD research in the 1970s, Dent’s suspicions wereconfirmed. It had been shown that apomorphine stimulatedcentral dopamine receptors, an empirical explanationfor how it reduced craving in addiction, and my reading ofBurroughs gave me the idea to design a trial of apomorphineto alleviate refractory motor and mood fluctuations (on-offeffects) in patients with PD.1 The findings from that trial ledto the licensing of a subcutaneous apomorphine mini-ambulatory pump as therapy for advanced PD in 1989.

In Burroughs’ opinion heroin addiction was a meta-bolic disease induced by chronic exposure rather thana moral failing or a criminal offense; junkies needed dopeas much as people with diabetes required insulin andhe anticipated by 40 years the neural basis of drug cra-ving. In his book Junky (1953), he also provided gooddescriptions of tolerance and reinstatement—the observa-tion that it takes several months of exposure to form a habitbut that even after many years of abstinence a single reex-posure leads to dependence—before they became acceptedpharmacological terms in the addiction literature. His obser-vations also helped me understand the dopamine dysregu-lation syndrome, a subversion of the brain’s reward systemsfollowing chronic exposure to levodopa (L-dopa) that mani-

fests as an L-dopa addiction syndrome with mania andbehavioral changes in patients with PD.2

AyahuascaIn the early 1950s, Burroughs traveled to Colombia and Peruto investigate the telepathic properties of ayahuasca,a plant concoction used by indigenous shamans to facili-tate communication with their dead ancestors. Severalmonths of dedicated self-experimentation culminatedin the observation that the maximum psychoactive ef-fects of ayahuasca depended on mixing 2 leaf types:Psychotria viridis, later shown to contain the hallucinogenN,N-dimethyltryptamine3; and Banisteriopsis caapi, whoseactive ingredient is harmine. Harmine is a β-carboline thathad been marketed briefly by Merck in the 1920s as a treat-ment for PD in Germany—Adolf Hitler’s medical advisors hadprescribed it to him for his tremor—but it fell out of favor as aPD treatment with the arrival of synthetic anticholinergicdrugs. Shortly after Burroughs made his observation, har-mine was shown to be a monoamine oxidase inhibitor withpotential as an antidepressant. I emulated Burroughs andtraveled to Colombia to try ayahuasca at a time when I wasbeginning to run out of new ideas. The trip was a rainforestexperience that broke down barriers that had begun to stiflemy creativity. Afterward, I was able to make the connectionbetween the older use of harmine for PD and its mechanismof effect in ayahuasca and identification as a monoamine oxi-dase inhibitor, and I have since begun a line of investigationwith colleagues to see if harmine might be an effective treat-ment for depression and motor symptoms in an animalmodel of PD.

FlickerIn 1959, while living in the Beat Hotel in Paris, Burroughsread pioneer brain wave investigator William Grey Walter’sbook The Living Brain, which described use of electronicstrobe lights to induce visual hallucinations in humanvolunteers. Burroughs became interested in “flicker” asa drug-free method of inducing visual hallucinations,and Ian Sommerville, one of his boyfriends, wrote that hehad constructed “a simple flicker machine; a slotted card-board cylinder which turns on a gramophone at 78 rpmwith a light bulb inside.”4 Burroughs referred to the device asthe “dreamachine” which, he wrote, “can be used to modelthe complex mechanisms underlying specific (not all) visualhallucinations and might contribute to the state of bliss andhappiness the Beatniks were searching for.”5

Patients with PD experience complex, nonfrighteningvisual illusions involving doppelgänger and presence phe-nomena, hallucinations of passage (insects or mice runningacross the floor), images of faces and animals, and delu-sional misidentifications (Capgras and Fregoli syndromes).These are usually intermittent and unpredictable, althoughthey tend to occur in dark rooms. What causes them isunknown and even their emanation is contested. A col-league and I are now using a Burroughs-inspired Dreama-chine to model functional MRI (fMRI)–compatible light-emitting diodes that will stimulate brain activity in patients

JAMA.COM +

Documentary VideoMentored by a Madman—TheWilliam BurroughsExperiment

Produced by Ben Crowe

The Arts and Medicine

jama.com (Reprinted) JAMA Published online November 16, 2017 E2

© 2017 American Medical Association. All rights reserved.

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with PD. We will expose patients with PD with and withouta history of visual hallucinations and a group of age-matched controls without PD to flicker during fMRI, andanalyze the brain activity corresponding to patient descrip-tions of any visual hallucinations that occur during theexperiment. We hypothesize that fMRI will reveal aberrantactivation of the associative visual cortex with increasedactivation in frontal areas in the hallucinators with PD.6

William S. Burroughs gave me some of my best researchideas. He helped me understand that the arbitrary linebetween art and science should be rubbed out, that nothingof importance ever happens as a consequence of blind luck.Art is a complementary source of truth that enlists the helpof imagination to transport science beyond the acquisi-tion of fact.

1. Stibe C, Lees A, Stern G. Subcutaneous infusion of apomorphine and lisuridein the treatment of parkinsonian on-off fluctuations. Lancet. 1987;1(8537):871.

2. Giovannoni G, O’Sullivan JD, Turner K, Manson AJ, Lees AJ. Hedonistichomeostatic dysregulation in patients with Parkinson’s disease on dopaminereplacement therapies. J Neurol Neurosurg Psychiatry. 2000;68(4):423-428.

3. Lees AJ. William Burroughs: sailor of the soul. J Psychoactive Drugs. 2017;1-8.

4. Miles B. William Burroughs: El Hombre Invisible. London, UK; Virgin Books. 2010:163.

5. ter Meulen BC, Tavy D, Jacobs BC. From stroboscope to dream machine:a history of flicker-induced hallucinations. Eur Neurol. 2009;62(5):316-320.

6. Weil RS, Schrag AE, Warren JD, Crutch SJ, Lees AJ, Morris HR. Visualdysfunction in Parkinson’s disease. Brain. 2016:aww175.

Author Affiliation: National Hospital, Queen Square, London, United Kingdom.Corresponding Author: Andrew J. Lees, MD, FRCP, FMedSci, FRCPE, NationalHospital, Queen Square, London WC1N3BG, UK ([email protected]).Published Online: November 16, 2017. doi:10.1001/jama.2017.17914Conflict of Interest Disclosures: The author has completed and submitted theICMJE Form for Disclosure of Potential Conflicts of Interest. Dr Lees reportedreceiving personal fees from Britannia Pharmaceuticals, Bial, Zambon, Teva,Lundbeck, Nordic Infucare, NeuroDerm, and UCB.Submissions: The Arts and Medicine editors welcome proposals for features inthe section. Submit yours at [email protected].

Andrew J. Lees, MD, is the author of Mentored by a Madman:The William Burroughs Experiment, published by Notting HillEditions and distributed by New York Review of Books.

William S. Burroughs (1914-1997). His relentless self-experimentation was always done in the spirit of field work with the intent of documenting his experienceand its mechanisms.Photo reproduced with permission from Duffy Archive.

The Arts and Medicine

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Downloaded From: on 11/17/2017