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The Actual Start
of the Actual
Story Starts
C h t e 1
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Oh, no, John! cried Abigail Templeton to herbrother. Six dancing dinosaurs have kidnapped
our dog, Cassie, and taken her to Paris, France!
We must thwart them at once, Abby! replied John.
But first I must have my appendix removed!2
The Templeton twins had been living in their new
house for about a week, doing all the things they usually
didgoing to school and coming home, completing their
homework, pursuing their hobbies, caring for Cassie
(their ridiculous dog), and making mealsbefore Satur-
day finally came, and their father, the famous Professor
Elton Templeton, was able to give them a tour of the col-
lege where he had recently started working.
So, after a breakfast of waffles and bananas, the twins
climbed into the car, along with their (still-ridiculous)
dog, and their father drove them to the campus.
Now, if I know you, you are wondering: What took
the Professor so long to show the twins around? Ill tell
you, because you deserve to know. Well, wait. Im not so
2. If you have read the Introductions, you know just how seriously to take this
explosive, thrilling, thought-provoking news. If you havent, then you dont.
Lets move on.
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sure you do deserve to know. But I will tell you anyway,
as a favor. Then youll owe mea favor.3
The Professor had been unable to give the twins a
tour of the new college right away because it was very
important that he get to work immediately. Over the
past few years, the college had not had enough students,
and so was in danger of going out of business. The college
had hired Professor Templeton and given him an urgent,
vital assignment: to create an invention that would be
so wonderful and remarkable and splendid that col-
leges and universities all over the world would want to
buy one for themselves. Money from those sales would
make it possible for the Professors college to remain
in business.
And so, for the first week, the Professor did nothing
but attend meetings and think of ideas and work calcu-
lations and sketch out basic designs for a new invention.
The name of the college was the Thespian Acad-
emy of the Performing Arts and Sciences. People calledit TAPAS, for short. Now, I happen to be one of the few
3. Please remember this, because it is quite possible that I will ask you for a
favor later onin this very book.
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people who know that the word tapas is a Spanish
word for a series of appetizerlike snacks served in small
portions on small plates at bars and restaurantsvery
often, in world-famous Spain itself.
In this case, however, the name TAPAS is what we
call an acronym, which is a made-up word formed by
the first letters of a chain of words or names. For exam-
ple, FAQ is an acronym for Frequently Asked Question.4
Similarly, TAPAS is an acronym for the Thespian Acad-
emy of the Performing Arts and Sciences.
Yes, I know: The first letters of of and the and
and do not appear in TAPAS. That is often the case:
4. Frequently Asked Questions, as you may know, are questions that are asked
frequently. I have my own list of Frequently Asked Questions (FAQs). Here it is:
The Narrators FAQs (Frequently Asked Questions)
1. Huh?
2. Are you serious?
3. How come?
4. Waitwhat?
5. Really? 6. What time is it?
7. But why?
8. Do we have to?
9. How should I know?
10. What do you mean?
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The first letters of unimportant or inessential words
often do not appear in acronyms. This is perfectly normal
and nothing to be upset about.
This college was devoted to teaching acting, sing-
ing, dancing (or dance, as people who dance refer to
dancing), and the many other important crafts and
technical skills related to performances of all kinds.
Each building resembled an object or a symbol that
was in some way connected with that departments
art or craft or skill. For example, the Department of
Acting occupied two buildings that were shaped like
the famous dualone might even say twinmasks
of Comedy and Tragedy that are commonly used to
symbolize Drama. The Department of Script Writing
was in the form of an immense typewriter. The Depart-
ment of Wardrobe was shaped like a gigantic armoire.5
And so on.
Look at these statues, said Abigail Templeton as
she, her brother, their father, and their notably silly dogstrolled around campus. They look kind of . . . tired.
5. Armoire is a French word. You pronounce it arm-WHAH. It means
I thinka place to keep your arms. Or maybe not. Look, never mind what
it means.
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It was true. The central quad (quad is what colleges
insist on calling their big, grassy yards) and many of the
spaces between the buildings were decorated with stat-
ues of actors, singers, dancers, directors, playwrights,
gaffers, grips, d-girls, and best boys.6But all the statues
were chipped, or rusted, or had pieces missing.
The Professor nodded. He said,
It was while the Templetons had paused near a statue
of William Shakespeare that a man wearing sunglasses
and a bushy beard suddenly encountered the family.
He carried a single folded sheet of yellow lined paper.
He stopped for a moment and seemed startled. Then he
quickly looked away and, with a busy air, marched off.
John watched the man stride across the quad. That
guy looks familiar, he said.
You know, the Professor said. A lot of actors
teach here. You may have seen him in a movie or on TV.Anyway, my workshop is just over there. In the Depart-
ment of Lighting.
6. I have no idea what those last four jobs involve. Do you? Oh, please.
You do not.
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This place is in trouble. Thats why were here.
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The Professor led the twins and their always-thrilled-
with-everything dog in the direction that the mysterious
man had gone. As they walked, Cassie wagged her tail
like crazy and panted and looked around as though walk-
ing past a building was the most exciting event of her life,
and the Professor explained his latest invention.
What is the difference, he began, between a play
or a musical, or an operaand a movie or a television
show?
Abigail said, A play is live.
Television shows can be live, John said. News is
live. So are sports.
Youre both right, the Professor said. But even live
television shows use something that plays cant use.
The twins traded a look that said, wordlessly, Wait.
We know the answer to this.
Cameras, they both said at the same time.
Excellent, the Professor said. And what do cam-
eras permit us to do that we simply cannot do in a liveperformance onstage?
The twins thought about that. So lets all think about
that as well, by which I mean, letsyouthink about it.
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Waiting for you to think about it . . .
Come on, we dont have all day.
All right, I will give you a clue. But not just any clue.
This clue will take the form of a cryptic crossword clue,
because cryptic crossword puzzles were Abigails hobby
(AYWKIYHRTTTHAI).7
Cryptics (as they are called) are different than reg-
ular crossword puzzles. The clues themselves are little
puzzles. There are certain rules that mostcryptic clues
follow, one of which is that the definition of the word
(or phrase) is either at the beginning or the end of the
clue. The rest of the clue is the puzzle you have to solve.
(Cryptic clues also tell you how many letters are in
the word, or words, which make up the answer.)
Thus, a cryptic clue might be Hateful dance? Its
only a game (8). You would know, from this, that the
answer is one word, with eight letters, which literally
means either hateful dance (whatever that can possi-
bly mean), or Its only a game.I shall place the solution to this clue in a footnote.8
7. As You Would Know If You Had Read The Templeton Twins Have an Idea.
8. See footnote on the next page.
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By this, I do not mean that I will come to your house and
attach a note with the answer on it to your foot. I mean
I will place the answer at the bottom of the page. But
before looking at it, first try to figure it out.9
The cryptic clue for the answer to the Professors
question is:Nutty cups lose pictures from very near(5-3)
Words like nutty or crazy signal you to recom-
bine the letters of the words before or after. The num-
bers tell you that the answer consists of a five-letter word
and a three-letter word joined by a hyphen.
If you cant figure out the answer (or if you cant be
bothered to try), you may look at the bottom of the page
if you wish.10
Where were we? Ah, yes: The twins were trying to
tell their father what it is that cameras allow us to do that
we cant do in a live performance.
Without much confidence, Abigail guessed, The
camera can record it so that people can watch it later?
9. Oh, please. Did you even tryto figure it out? Very well: The answer is BASE-
BALL. Base means, among other things, bad, hateful, vile, detestable, and
so on. Perhaps you didnt know that, but now you do. A ball is a kind of dance.
Baseball itself is, of course, a game. Isnt that clever?
10. As you can see, it isnt here. You will have to keep on reading.
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Or, John added, show it in black and white, if you
want to, instead of color?
Those are good ideas, the Professor said. But thats
not what Im getting at. Ill give you a hint. This is some-
thing so obvious that it might be very hard to see.
Does that hint shock and surprise you, reader? Oh,
I think it does. Because how can something be so obvi-
ous that you cant see it? Obvious means easy to
see. But sometimes, especially when were looking for
something that we think is tricky, we may see the
obvious things, but we skip over them. We think to
ourselves, I know that what Im looking for is tricky
and hard to see. So this obvious thing cant be it.
Except sometimes it is.
The answer, the Professor said, is that cam-
eras let us use close-ups. The camera lets us move in
close to an actors face, or hand, or foot, or an object
whatever we want the audience to be sure to see. We can
fill the whole screen with it. You cant do that ona stage.
Thus, if you get nutty with (i.e. rearrange the
letters in) cups lose, you will find that the answer is:
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The Professor paused and then said, somewhat dra-
matically, And that is what this college wants me to do.
To create a way to show close-ups onstage.
Now, if the Professor had said this to you, or even
to me, we would have stopped dead in our tracks, and
stared back at him with wild, bulging eyeballs, and
trembled in terror, and clutched our hair and pulled
it out in fistfuls, and cried, BUT SUCH A THING IS
IMPOSSIBLE! HOW WILL YOU EVER SUCCEED AT
MEETING SO OVERWHELMING A CHALLENGE?
All right, perhaps I am exaggerating slightly. I myself
would not behave in this way. But Im sure you would
have.
But neither you nor I are the Templeton twins, who
were long used to hearing about their father tackling this
or that impossible-seeming task.
That is why, instead of screaming in horror orfainting dead away, Abigail said, Thats interesting,
Papa, and John said, Neat. With some kind of lens?
and the Professor said, Yes! Good thinking, John.
CLOSE UPS
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Come on, Ill show you. And all of them, including
Cassie the You-Know-What dog, marched into the
building of the Department of Lighting and Allied
Illuminatory Sciences, which was shaped like a gigantic
stage light.
Inside, the twins meandered around the Professors
workroom, admiring the long workbench and its clut-
ter of equipment, wires, tools, and sheets of transpar-
ent plastic. They glanced at the whiteboard on one wall,
with its calculations and rough, squiggly diagrams. They
examined the surprisingly large array of batteries lined
up on another table.
Then they heard the Professor mutter, Hmm.
Whats this? Looking up, they saw him standing beside
his desk, holding a long sheet of lined yellow paper on
which they could see a handwritten message.
Someone left this for me, he said, and handed it
to John.
Professor, John read. Dropped by to see youbut you werent here. Steve Stevenson. He looked up.
Whos Steve Stevenson?
I have no idea, the Professor said.
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That man we passed in the quad was carrying a
piece of paper like this, Abigail said. Maybe that was
Steve Stevenson.
Why didnt he say anything? John asked.
His sister shrugged. Maybe he didnt know who we
were.
But why doesnt this note include a way to contact
him? the Professor asked.
All three Templetons would have fallen silent and
pondered this thought-provoking question, had not they
all suddenly jumped with fright when they heard a loud,
somewhat musical voice trill,
Heh-LOOO! Professor
Elton TEM-pleton!
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1. If you store your arms in an armoire, in what do
you store your legs?
a. A legoire.
b. A leg storage facility.
c. That is a very silly question and I refuse to
answer it. The arm in armoire refers to the
armor and weapons a knight in the Middle
Ages used.
2. What is the opposite of obvious? Write your
answer in the form of a recipe for chocolate
pudding.
3. What is a hyphen? Of course Iknow. I want to
see if you know.
F O R F U R T H E R S T U D Y