The Tempest Student Work Book

5/24/2018 The Tempest Student Work Book

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The TempestStudent Workbook

2007 English Tests

Original Version from Lincolnshire LA


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Contents

Shipwrecked . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 2

Im a Shakespearean Celebrity . . . . . . . . . . . . . . . . . . page 3

Historical background . . . . . . . . . . . . . . . . . . . . . . . . . page 5

Characters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 6

rospero the magician . . . . . . . . . . . . . . . . . . . . . . . . page !

"ct # scene # . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page $

%ramatic impact o& act # scene # . . . . . . . . . . . . . . . . page #2

Stage set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page #3

"ct # scene 2. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page #'

"ct # scene 2 (First set section). . . . . . . . . . . . . . . . page #$

"ssessing rosperos character . . . . . . . . . . . . . . . . . . page 26

"ct 2 scene # . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 2$

" per&ect world . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 2(

"ct 2 scene 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 3)

"ct 3 scene # . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 3#

"ct 3 scene 2 *considering Caliban+. . . . . . . . . . . . . . . page 32

"ct 3 scene 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 35

"ct ' scene # . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 35

"ct 5 scene 2 (Second set section). . . . . . . . . . . . . . . . page 36

,ust desserts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page '#

-eywords to describe rospero . . . . . . . . . . . . . . . . . . page '2

rospero /ictim or /illain . . . . . . . . . . . . . . . . . . . . . . page '3

0riting about 1he 1empest in your S"1s . . . . . . . . . page ''

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Shipwrecked!

ou are shipwrecked on an island. 0hat I4 things would you consider

essential in order to li/e on the island 0hat I4 lu7ury items would youlike to impro/e the 8uality o& your li&e 0hy would you take these

items

Essentials Luxuries

#. #.

2. 2.

3. 3.

'. '.

5. 5.

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Im a Celebrity . . . 9et :e

;ut o& Here but is rather

a&raid o& the island.

To vote for Trincuotext TRIN!"#O to

0811 81$

" nati/e o& the island. ?ooks

like a cross between a man and

a &ish and smells like one too but i& you

can capture and tame him

could be your ser/ant. -nows a

lot about sur/i/al on the island.

To vote for !ai%antext !A#I&AN to

0811 81'

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" mysterious spirit with the

ability to &ly and become

in/isible. eels trapped by

the island and unable to

lea/e until released. 0iththe promise o& &reedom>

"riel will be a loyal and

obedient ser/ant.

To vote for Arietext Arie to 0811

81(

" king who is desperately

worried about his lost son>

who is missing> presumed

dead. rone to depression

and black moods.

To vote for Aon)otext A#ONSO to

0811 81*

"n honest old man 9on@alo

looks on the bright side o&

li&e and tries to cheer

people up. "lways makes the

best o& a situation.

To vote for +on,aotext +ON-A#O to

0811 81.

" goodBlooking teenage boy>erdinand is the kind o&

young man who easily &alls in

lo/e. e/ertheless> he is

hard working and moti/ated.

To vote for/erdinand text/ERDINAND to

0811 81

" %uke> "ntonio came by his

title by getting rid o& his

brother who was %ukebe&ore him. "ntonio is

sel&ish and de/iousD he will

do anything to get what he

wants.

To vote for Antoniotext ANTONIO to

0811 818

Sebastians brother is king

something he en/ies. He can

be cruel and ridicule others.

He is easily in&luenced and

seems not to care about

what is right and wrong.

To vote forSe%a)tian text

SE&ASTIAN to0811 81

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Voyaes o "isco#ery $ %he &istorical 'ackround to %he %e(pest

1he 1empestwas written in #6##. "t the time great /oyages o&

disco/ery were undertaken by &earless e7plorers such as Sir

0alter Ealeigh and Christopher Columbus to &ind new lands. 1he

li@abethans were &ascinated with sea /oyages that led to the

disco/ery o& new lands and peoples. "t this time> the world was &ar

di&&erent &rom how we know it now . . . places such as "merica and

"ustralia were yet to be disco/ered.

"d/enturers returned &rom great sea /oyages with stories to

inspire and horri&y the landlubbers back

at home. Eemember> most ordinary people

at this time tra/elled little> rarely lea/ing

their own /illage or small town. urthermore>

peoples understanding o& their world was limitedD people readily

belie/ed in sea monsters and many were con/inced that the world was

&lat i& you sailed too &ar you would &all o&& the edge o& the earth but was usurped by his brother "ntonio and banished to the island when

:iranda was a baby. "t the beginning o& the scene the audience learn some startling

news what is it

The island. Befoe PROSPERO!S "ell.

Enter P%OSPE%O and MI%(N)(

MIRANDA%

f by your art, my dearest father, you haePut the )ild )aters in this roar, allay themThe sky, it seems, )ould pour do)n stinking pit&h,%ut that the sea, mounting to the )elkin/s &heek,Dashes the fire out 6, hae sufferedWith those that sa) suffer a brae essel,Who had, no doubt, some noble &reature in her,Dash/d all to pie&es 6, the &ry did kno&k#gainst my ery heart Poor souls, they perish/d+ad been any god of po)er, )ould+ae sunk the sea )ithin the earth or eret should the good ship so hae s)allo)/d andThe fraughting souls )ithin her

PROSPERO%%e &olle&ted"o more ama


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PROSPERO%/Tis time should inform thee farther 'end thy hand,#nd plu&k my magi& garment from me So

*a"s down his mantle

'ie there, my art Wipe thou thine eyes; hae &omfortThe direful spe&ta&le of the )re&k, )hi&h tou&h/dThe ery irtue of &ompassion in thee, hae )ith su&h proision in mine artSo safely ordered that there is no soul11"o, not so mu&h perdition as an hair%etid to any &reature in the esselWhi&h thou heard/st &ry, )hi&h thou sa)/st sink Sitdo)n;8or thou must no) kno) farther

9 :

MIRANDA%%ut that do not

PROSPERO%T)ele year sin&e, Miranda, t)ele year sin&e,Thy father )as the Duke of Milan and# prin&e of po)er

rospero then e7plains to :iranda how they came to be e7iles on the island.

"s rospero became more in/ol/ed in studying his books o& knowledge and Jsecret studiesK

he temporarily handed his power as %uke o& :ilan to his brother> "ntonio> in whom his

trust was without limit. 9aining this title Jawakened an e/il natureK in "ntonioD his

ambition led him to want possess the title and powers o& %uke o& :ilan

permanently. "ntonio ga/e bribes to rosperos enemy "lonso> the -ing o&

aples> &or support. "lonso and "ntonio then raised an army against

rospero and> in the dead o& night> sei@ed rospero and :iranda and put

them to sea on a Jrotten carcass o& a boatK. ?uckily> 9on@alo> an

ad/isor o& "lonsos> ga/e rospero and :iranda &ood> water and

clothing that enabled them to sur/i/e. He also pro/ided rospero with

his books to enable him to continue his studies o& magic. "&ter a

di&&icult sea Lourney> rospero and :iranda arri/ed on the island.

rospero has created the illusion o& the storm to bring his &oes to the

island.

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PROSPERO%!no) thus far forth%y a&&ident most strange, bountiful 8ortune,"o) my dear lady, hath mine enemies%rought to this shore; and by my pres&ien&e find my


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"ecisions3 "ecisions

0hat should rospero do now that he has his &oes within his grasp Eemind yoursel& o&

the part each o& the &ollowing characters has played in rosperos e7ile.

ntonio *rosperos brother+

lonso *1he -ing o& aples+

Ferdinand *"lonsos son+

Se1astian *"lonsos brother+

4on5alo *" nobleman o& "lonsos+

I& rospero is &eeling compassionate

towards his &oes he could . . .

I& rospero wants re/enge on his &oes he

could . . .

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ct - Scene / Lines -67 $ 8/- $ %he First

Set Section

rospero uses his magical power to summon "riel>

a spirit> who acts as his ser/ant. "riel has

created the illusion o& the storm and now brings

a report o& what has been done.

EnterARIEL

ARIEL%#ll hail, great master* grae sir, hail* &omeTo ans)er thy best pleasure; be/t to fly,To s)im, to die into the fire, to ride6n the &url/d &louds, to thy strong bidding task

#riel and all his =uality

PROSPERO%+ast thou, spirit,Perform/d to point the tempest that bade thee-

ARIEL%To eery arti&le boarded the king/s ship; no) on the beak,"o) in the )aist, the de&k, in eery &abin, flamed amaoin (oe/s lightnings, the pre&ursors6/ the dreadful thunder1&laps, more momentary#nd sight1outrunning )ere not; the fire and &ra&ks6f sulphurous roaring the most mighty "eptuneSeem to besiege and make his bold )aes tremble,3ea, his dread trident shake

PROSPERO%

My brae spirit*Who )as so firm, so &onstant, that this &oilWould not infe&t his reason-

ARIEL%"ot a soul%ut felt a feer of the mad and play/dSome tri&ks of desperation #ll but marinersPlunged in the foaming brine and =uit the essel,Then all afire )ith me the king/s son, 8erdinand,With hair up1staring,11then like reeds, not hair,11

Was the first man that leap/d; &ried, /+ell is empty#nd all the deils are here/

19

Highlight the words and phrases

that show

o "riels obedience to

rospero

o

"riels powers

:atch the phrases to "riels

speech about the tempest

o 1he tempest terri&ied

eptune> god o& the sea

o 1he lightning was &ire likeand /iolent

o "riel tra/elled

throughout the ship

o 1he storm was e7tremely

/iolent

How did those on board the shipreact to the storm

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PROSPERO%Why that/s my spirit*%ut )as not this nigh shore-

ARIEL%

5lose by, my master

PROSPERO%

%ut are they, #riel, safe-

ARIEL%"ot a hair perish/d;6n their sustaining garments not a blemish,%ut fresher than before and, as thou badest me,n troops hae dispersed them /bout the isleThe king/s son hae landed by himself;

Whom left &ooling of the air )ith sighsn an odd angle of the isle and sitting,+is arms in this sad knot

PROSPERO%6f the king/s shipThe mariners say ho) thou hast disposed#nd all the rest o/ the fleet

ARIEL%Safely in harbour

s the king/s ship; in the deep nook, )here on&eThou &all/dst me up at midnight to fet&h de)8rom the still1e/d %ermoothes, there she/s hidThe mariners all under hat&hes sto)/d;Who, )ith a &harm >oin/d to their suffer/d labour, hae left asleep; and for the rest o/ the fleetWhi&h dispersed, they all hae met again#nd are upon the Mediterranean flote,%ound sadly home for "aples,Supposing that they sa) the king/s ship )re&k/d#nd his great person perish

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0hat concerns do rosperos

words re/eal

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Highlight the phrases that show

what has happened to the crew

and noblemen who were aboard

the ship.

;n the ne7t page> using the

8uotations that you ha/e

selected> copy them on to a

rele/ant part o& the map toshow the locations o& the crew>

noblemen> the rest o& the &leet

o& ships and rosperos cell


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PROSPERO%#riel, thy &hargeEa&tly is perform/d but there/s more )orkWhat is the time o/ the day-

ARIEL%

Past the mid season

PROSPERO%#t least t)o glasses The time /t)it si and no)Must by us both be spent most pre&iously

ARIEL%s there more toil- Sin&e thou dost gie me pains,'et me remember thee )hat thou hast promised,Whi&h is not yet perform/d me

PROSPERO%+o) no)- moody-What is/t thou &anst demand-

ARIEL%My liberty

PROSPERO%%efore the time be out- no more*

ARIEL% prithee,?emember hae done thee )orthy seri&e;Told thee no lies, made thee no mistakings, seredWithout or grudge or grumblings thou didst promiseTo bate me a full year

PROSPERO%Dost thou forget8rom )hat a torment did free thee-

ARIEL%"o

PROSPERO%Thou dost, and think/st it mu&h to tread the oo


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ARIEL%"o, sir

PROSPERO%Thou hast Where )as she born- speak; tell meARIEL%Sir, in #rgier

PROSPERO%6, )as she so- must6n&e in a month re&ount )hat thou hast been,Whi&h thou forget/st This damn/d )it&h Sy&ora,8or mis&hiefs manifold and sor&eries terribleTo enter human hearing, from #rgier,Thou kno)/st, )as banish/d for one thing she didThey )ould not take her life s not this true-

ARIEL%#y, sir

PROSPERO%This blue1eyed hag )as hither brought )ith &hild#nd here )as left by the sailors Thou, my slae,#s thou report/st thyself, )ast then her serant;#nd, for thou )ast a spirit too deli&ateTo a&t her earthy and abhorr/d &ommands,?efusing her grand hests, she did &onfine thee,%y help of her more potent ministers

#nd in her most unmitigable rage,nto a &loen pine; )ithin )hi&h riftmprison/d thou didst painfully remain# do Sycora7s son

J&reckled whelpK Jhag bornK Jnot honourd with a

human shapeK

Jshe did litter

hereK

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0rite down and e7plain the ;AE

8uotations that describe Sycora7.

0hat impression do the audience

get o& her

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Compare the way rospero talks to "riel to the way he describes Caliban copy the

words and phrases rospero uses and e7plain what they show

"riel Caliban

0hat are rosperos &eelings towards

"riel

0hat are rosperos &eelings towards

Caliban

PROSPERO%Dull thing, say so; he, that 5alibanWhom no) keep in seri&e Thou best kno)/stWhat torment did find thee in; thy groansDid make )oles ho)l and penetrate the breasts6f eer angry bears it )as a torment

To lay upon the damn/d, )hi&h Sy&ora5ould not again undo it )as mine art,When arried and heard thee, that made gapeThe pine and let thee out

ARIEL% thank thee, master

PROSPERO%f thou more murmur/st, )ill rend an oak

#nd peg thee in his knotty entrails tillThou hast ho)l/d a)ay t)ele )inters

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How was "riel treated by

Sycora7

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How does rospero threaten

"riel 0hat does this re/eal

about his character





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ARIEL%Pardon, master; )ill be &orrespondent to &ommand#nd do my spiriting gently

PROSPERO%Do so, and after t)o days )ill dis&harge thee

ARIEL%That/s my noble master*What shall do- say )hat; )hat shall do-

PROSPERO%.o make thyself like a nymph o/ the sea be sub>e&tTo no sight but thine and mine, inisibleTo eery eyeball else .o take this shape

#nd hither &ome in/t go, hen&e )ith diligen&e*

E$itARIEL

#)ake, dear heart, a)ake* thou hast slept )ell; #)ake*

MIRANDA%The strangeness of your story put+eainess in me

PROSPERO%

Shake it off 5ome on;We/ll isit 5aliban my slae, )ho neer3ields us kind ans)er

MIRANDA%/Tis a illain, sir, do not loe to look on

PROSPERO%%ut, as /tis,We &annot miss him he does make our fire,

8et&h in our )ood and seres in offi&esThat profit us What, ho* slae* 5aliban*Thou earth, thou* speak

CALIBAN%9Within: There/s )ood enough )ithin

PROSPERO%5ome forth, say* there/s other business for thee5ome, thou tortoise* )hen-

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0hat instructions does

rospero gi/e "riel

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How do rospero and :iranda

speak about Caliban






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%e&enterARIEL li+e a water&n"mph

8ine apparition* My =uaint #riel,+ark in thine ear

ARIEL%

My lord it shall be done

E$it

PROSPERO%Thou poisonous slae, got by the deil himself4pon thy )i&ked dam, &ome forth*

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:ake a list o& words &rom page 23> 2' and 25

that are used to describe "riel and Caliban.

riel Cali1an

0hat di&&erences are re/ealed between "riel and Caliban


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ssessin 0rospero2s Character

1hink about what you ha/e learned about

rosperos character &rom this section.

Consider the way he beha/es towards the

di&&erent characters> his plans &or the crew

and noblemen on board the ship and the

language he uses.

Ree1erin to 0,E,E,!

%o produce successul writin in your S%s exaination you should use the

0O+9% EV+"E9CE E:0L9%+O9orula

Use this orula to explain the ollowin points; the irst has 1een done as an

exaple,

0O+9% EV+"E9CE E:0L9%+O9

rospero is a

power&ul character

"riel states J"ll hail> gra/e

sir> hail I come to answer

they best pleasureK

"riel demonstrates respect

&or rospero> calling him

JsirK and is keen to carry

out whate/er rospero

orders

rosperos powers

are /ery con/incing

rospero only wishes

to &righten> not

harm> those on board

the ship

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0O+9% EV+"E9CE E:0L9%+O9

rospero thinks time

is precious

rospero is

controlling o/er "riel

rospero demands

obedience

rospero dislikes

Caliban

rospero can be cruel

i& he is crossed

rospero lo/es his

daughter

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ct / Scene -

1he audience see the noblemen who ha/e been separated &rom other members o& the ship.

"lonso> 9on@alo> "ntonio and Sebastian ha/e been cast ashore on a separate part o& the

island. 9on@alo tries to cheer "lonso> looking &or positi/es about their predicamentD

howe/er> Sebastian and "ntonio snipe and mock 9on@alo &or his e&&orts.

0aradise or 0rison a Lester> wandering alone on the island stumbles across Caliban> whom he

describes thus

What hae )e here- a man or a fish- dead or alie- # fish he smells like a fish; a ery an&ient

and fish1 like smell; a kind of not of the ne)est Poor1(ohn # strange fish* Were in England

no), as on&e )as, and had but this fish painted, not a holiday fool there but )ould gie a pie&e

of siler there )ould this monster make a man; any strange beast there makes a man )hen

they )ill not gie a doit to reliee a lame beggar, they )ill la


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Caliban is ama@ed by Stephano and 1rinculo

and pro&esses to ser/e them to escape

rosperos treatment.

CO*E"> 9" %R4E"> 1his scene aimsto create comic relie& &or the audience and

balance the potentially tragic e/ents that

ha/e occurred so &ar

Consider which e#ents in the play would

pro#oke a coic response in the audience

and which e#ents are potentially traic,

ct 8 Scene -

1he scene shi&ts to erdinand> "lonsos son> who has been washed ashore alone on an

isolated part o& the island. rospero has engineered this e/ent to enable :iranda> his

daughter> to &all in lo/e with erdinand.

Consider e#ents that ha#e happened so ar in the play $ list the e#ents that suest

a traic endin to the play and those that suest a coic endin,

Suest a coic endin Suest a traic endin

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ct 8 Scene / $ Considerin Cali1an

Caliban pledges his loyalty to Stephano> who he belie/es will make a better master than

rospero. "riel> sent by rospero> in/isibly pro/okes a drunken argument between

Stephano and 1rinculo. 1he three characters continue to plot to o/erthrow rospero.

Caliban warns that without his magical books rospero is Jbut a sot> as I am> nor hath notone spirit to commandK.

Views o Cali1an $ look at the iaes 1elow and the ?uotations ro or a1out Cali1an,

=hat ipressions do they i#e the audience o this character< Cali1an iht

represent people2s #iews o the nati#es o newly disco#ered lands durin the -@AAs,

%hink a1out how 0rospero treats Cali1an, =hy do you think the character is called

Cali1an< (clue $ anara!)

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0rospero2s "escription o Cali1an $ ct - Scene / Lines 8/7 $ 888

Then )as this island11Sae for the son that she did litter here,# fre&kled )help hag1born11not honour/d )ith# human shape

0rospero2s initial treatent o Cali1an B ct - Scene / Lines 87/ $ 6

CALIBAN%This island/s mine, by Sy&ora my mother,Whi&h thou takest from me When thou &amest first,Thou strokedst me and madest mu&h of me, )ouldst gie meWater )ith berries in/t, and tea&h me ho)To name the bigger light, and ho) the less,That burn by day and night and then loed thee

#nd sho)/d thee all the =ualities o/ the isle,The fresh springs, brine1pits, barren pla&e and fertile5ursed be that did so* #ll the &harms6f Sy&ora, toads, beetles, bats, light on you*8or am all the sub>e&ts that you hae,Whi&h first )as mine o)n king and here you sty men this hard ro&k, )hiles you do keep from meThe rest o/ the island

PROSPERO%Thou most lying slae,

Whom stripes may moe, not kindness* hae used thee,8ilth as thou art, )ith human &are, and lodged theen mine o)n &ell, till thou didst seek to iolateThe honour of my &hild

CALIBAN%6 ho, 6 ho* )ould/t had been done*Thou didst preent me; had peopled elseThis isle )ith 5alibans

PROSPERO%

#bhorred slae,Whi&h any print of goodness )ilt not take,%eing &apable of all ill* pitied thee,Took pains to make thee speak, taught thee ea&h hour6ne thing or other )hen thou didst not, saage,!no) thine o)n meaning, but )ouldst gabble like# thing most brutish, endo)/d thy purposesWith )ords that made them kno)n %ut thy ile ra&e,Though thou didst learn, had that in/t )hi&hgood natures5ould not abide to be )ith; therefore )ast thouDeseredly &onfined into this ro&k,Who hadst desered more than a prison

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CALIBAN%3ou taught me language; and my profit on/ts, kno) ho) to &urse The red plague rid you8or learning me your language*

Cali1an2s Speech $ ct 8 Scene / Lines -// B -8A

%e not afeard; the isle is full of noises,Sounds and s)eet airs, that gie delight and hurt notSometimes a thousand t)angling instrumentsWill hum about mine ears, and sometime oi&esThat, if then had )aked after long sleep,Will make me sleep again and then, in dreaming,The &louds methought )ould open and sho) ri&hes?eady to drop upon me that, )hen )aked, &ried to dream again

0rospero2s Views on Cali1an ct Scene - Lines /A@ $ /--

# deil, a born deil, on )hose nature"urture &an neer sti&k; on )hom my pains,+umanely taken, all, all lost, =uite lost;#nd as )ith age his body uglier gro)s,So his mind &ankers )ill plague them all,Een to roaring

/idence to suggest Caliban is the =sa/age /idence to suggest Caliban is =ci/ilised

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ct 8 Scene 8

rospero creates an illusion o& a ban8uet &or "lonso and his noblemen. ,ust as they are

preparing to &east> "riel appears to remind them o& the wrongs they ha/e committed

against rospero. 1he men are terri&ied and are le&t repenting their wrongdoings.

ct Scene -

erdinand has passed rosperos test to pro/e his

suitability to marry :iranda. rospero relie/es him o&

his labours and arranges the union. "riel relates news o&

the illusion o& the ban8uet to rospero who instructs

"riel to bring "lonso and the others to him.

rospero then conLures a mas8ue> an elaborate illusion o&gods and goddesses> to celebrate the marriage o&

erdinand and :iranda. Eemembering Caliban> Stephano

and 1rinculos plot to o/erthrow him> rospero realises

he must use his powers to stop them.

rospero gi/es a power&ul speech> suggesting that he

&eels that he is satis&ied with what has happened to his

enemies on the island

PROSPERO%6ur reels no) are ended These our a&tors,#s foretold you, )ere all spirits and#re melted into air, into thin air#nd, like the baseless fabri& of this ision,The &loud1&app/d to)ers, the gorgeous pala&es,The solemn temples, the great globe itself,3e all )hi&h it inherit, shall dissole#nd, like this insubstantial pageant faded,'eae not a ra&k behind We are su&h stuff#s dreams are made on, and our little lifes rounded )ith a sleep

rospero lays a trap &or Caliban> Stephano and 1rinculo he lays out kingly

clothes which immediately distract Stephano and 1rinculo. Caliban>

howe/er> realises the trap> warning J?ea/e it alone &oolsD it is but trashK.

rospero conLures spirits as dogs and hounds to chase the three

conspirators away.

38


39/48

ct D Scene / Lines - $ -8 $ %he Second Set Section

SCENE I -efore PROSPERO!S.ell

Enter PROSPEROin his magi. ro/es, andARIELPROSPERO#

"o) does my pro>e&t gather to a headMy &harms &ra&k not; my spirits obey; and time.oes upright )ith his &arriage +o)/s the day-

ARIEL%6n the sith hour; at )hi&h time, my lord,3ou said our )ork should &ease

PROSPERO% did say so,

When first raised the tempest Say, my spirit,+o) fares the king and/s follo)ers-

ARIEL%5onfined togethern the same fashion as you gae in &harge,(ust as you left them; all prisoners, sir,n the line1groe )hi&h )eather1fends your &ell;They &annot budge till your release The king,+is brother and yours, abide all three distra&ted#nd the remainder mourning oer them,%rimful of sorro) and dismay; but &hiefly+im that you term/d, sir, /The good old lord .on


40/48

My &harms /ll break, their senses /ll restore,#nd they shall be themseles

ARIEL%/ll fet&h them, sir

E$it

PROSPERO%3e eles of hills, brooks, standing lakes and groes,#nd ye that on the sands )ith printless footDo &hase the ebbing "eptune and do fly himWhen he &omes ba&k; you demi1puppets that%y moonshine do the green sour ringlets make,Whereof the e)e not bites, and you )hose pastimes to make midnight mushrooms, that re>oi&eTo hear the solemn &urfe); by )hose aid,

Weak masters though ye be, hae bedimm/dThe noontide sun, &all/d forth the mutinous )inds,#nd /t)it the green sea and the aure, and, )hen hae re=uired

Some heaenly musi&, )hi&h een no) do,To )ork mine end upon their senses thatThis airy &harm is for, /ll break my staff,%ury it &ertain fathoms in the earth,#nd deeper than did eer plummet sound/ll dro)n my book

0hy do you think rospero decides to stop using his magical powers

40

0hat does rospero promise



In this speech rospero uses

"S1;E"? imagery images &rom

nature. Highlight the words and

phrases that show pastoral

imagery.

"lso> rospero shows his ownpowers o/er nature. Highlight

words and phrases that show this.

o astoral imagery

o rosperos powers


41/48

Asing his magical powers one &inal time> rospero brings the noblemen be&ore him in order

&or them to con&ess their =crimes against him.

Solemn musi.

%e&enterARIEL/efore: thenALONSO, with a franti. gesture, attended /" GONZALO;

SEBASTIANandANTONIO in li+e manner, attended /"ADRIANand FRAN$IS$Othe" allenter the .ir.le whi.h PROSPERO had made, and there stand .harmed; whi.h PROSPEROo/ser!ing, spea+s:

# solemn air and the best &omforterTo an unsettled fan&y &ure thy brains,"o) useless, boil/d )ithin thy skull* There stand,8or you are spell1stopp/d+oly .on


42/48

PROSPERO%Why, that/s my dainty #riel* shall miss thee%ut yet thou shalt hae freedom so, so, soTo the king/s ship, inisible as thou artThere shalt thou find the mariners asleep4nder the hat&hes; the master and the boats)ain%eing a)ake, enfor&e them to this pla&e,#nd presently, prithee

ARIEL% drink the air before me, and return6r ere your pulse t)i&e beat

Eit

GONALO%#ll torment, trouble, )onder and ama


43/48

PROSPERO%3ou do yet tasteSome subtleties o/ the isle, that )ill not let you%eliee things &ertain Wel&ome, my friends all*

(side to SEBASTIAN andANTONIO

%ut you, my bra&e of lords, )ere so minded, here &ould plu&k his highness/ fro)n upon you#nd >ustify you traitors at this time )ill tell no tales

SEBASTIAN%(side#The deil speaks in him

PROSPERO%"o

8or you, most )i&ked sir, )hom to &all brotherWould een infe&t my mouth, do forgieThy rankest fault; all of them; and re=uireMy dukedom of thee, )hi&h perfor&e, kno),Thou must restore

43

0hat threat does rospero

make to Sebastian and "ntonio




How is order restored





44/48

ust "essertses or no act 5

scene # or 1othset sections. Extension create a ;I1> 4I%C> M?""1I;

chart using the key words.

act - scene / eyword act D scene -

coandin

cunnin

erciul

copassionate

dissatisied

callous

concerned

deandin

hospita1le

ori#in

controllin

cruel

satisied

anipulatin

powerul

45


46/48

0rospero $ Victi or Villain 1rinculo and Caliban

His treatment o& 9on@alo> erdinand and "lonso

His silence about "ntonio and Sebastians plot to kill "lonso

1he language he uses

'. 0hat are rosperos good and bad 8ualities

47


48/48

%op %ips B &ow to =rite a Successul S%s answer on H%he %epest2

"O , , ,

Eead the 8uestion care&ully highlight key words and use them to plan your answer

?ook back at the scenes 8uickly SC" them and highlight use&ul 8uotations that you will use.

lan your answer use a brainstorm or bullet points to plan

your key points. umber them in the order you will do

them.

0rite a brie& opening where you start to answer the

8uestion with a GI9 I%" e7ample In these scenes

Shakespeare shows the audience how rospero changes

&rom wanting re/enge against his &oes to wantingreconciliation with them.

Ase 0O+9% $ EV+"E9CE $ E:0L9%+O9e/ery time

you make a point. 7plain what the 8uotation re/eals about

the character> how it builds drama or how it uses

interesting language.

:ake sure you balance you time so that you dont say too

much about one scene and then dont ha/e enough time to

write about the later scenes.

Check your spelling and punctuation care&ully.

Comment on Shakespeares use o& language.

"O92% , , ,

EeBtell the story o& =1he 1empest

0hen you use a 8uotation dont use your e7planation to

rewrite it in your own words.

%ont try to write e/ery detail in the scenes you ha/ent got

enough time

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