The Rosary (Le Chapelet, Der Rosenkranz)

University of Dayton University of Dayton

eCommons eCommons

Marian Sheet Music Marian Library Special Collections

January 1903

The Rosary (Le Chapelet, Der Rosenkranz) The Rosary (Le Chapelet, Der Rosenkranz)

Ethelbert Nevin

Robert Rogers

Theodore Baker

Isadore Martinez

Follow this and additional works at: https://ecommons.udayton.edu/imri_sheetmusic

Recommended Citation Recommended Citation Nevin, Ethelbert; Rogers, Robert; Baker, Theodore; and Martinez, Isadore, "The Rosary (Le Chapelet, Der Rosenkranz)" (1903). Marian Sheet Music. 73. https://ecommons.udayton.edu/imri_sheetmusic/73

This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in Marian Sheet Music by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected].

I

THE ROSARY [LE CHAPELET: DER ROSENKRANZ]

WORDS BY ROBERT CAMERON ROGERS

ENGLISH, FRENCH, AND GERMAN TEXT. SET TO MUSIC BY

ETHELBERT NEVIN

I n 'l'he hours 1 spent with thee, dear heart,

Are as a string ef pearls to me; Each hour a pearl, each pearl a pray'r

'To sh1l a keart in absence wrung: I count them over eu'ry one apart, l tell each bead unto the end,

My rosary, my rosary! And there a Cross is hung!

1 . soP. OR TEN. er. 6o

SOLO ~ $z1Jd

III 0, memories that bless and burn!

0 barren gaz"n and bitter loss! I kiss each bead, and strive at last to learn

'Io kiss the Cross, sweetheart! to kiss the Cross.

2.MEZZO-SOP.oR BAR. 00, 6o '-!4 _J~t ]

4. Piano Solo (in book of" Melodies") n 1.25 7. Military Band (Cornet Solo) 5. Orchestra Accompaniment, DI> • n .8o 8. Violin and Piano 6. Orchestra (Cornet Solo) • n .8o 9. Violoncello and Piano

10. Quartet or Chorus for Mixed Voices . . . .15

11. Quartet o'r Chorus for Mixed Voices (Sop. or Ten. Solo) .15

12. Quartet or Chorus for Men's Voices • . .15

13. Quartet or Chorus for Men's Voices (Sop. or Ten. Solo) .15 14. Quartet or Chorus for Women's Vokes . . . .15 I 5. Piano Solo, arrangement by Benjamin Whetpley • .60

THE BOSTON MUSIC CO. G. SCHIRMER, BOSTON, MASSACHUSETTS

\'

AGENTS FOR GREAT BRITAIN: SCHOTT & CO., LONDON AGENTS FOR AUSTRALIA: ALLAN & CO., MELBOURNE

• n .8o . --:oo-~ • •00

( /

./ I

1 I

I 2 OLD FRENCH SONGS (WEKERLIN)

COMPLETE n.$1.25

1 Tell me, Mother. (Maman, dites·moi.) 2 Sing on. (Chantons les amours de Jeanne.) 3 Naught do I believe. (Non, je ne crois pas.) 4 0 Shepherd so fickle. (Bergere Iegere.) 5 Love takes Flight. (L'amour s'envole.) 6 My Little Heart. (Mon petit creur soupire.) 7 Celimene. (Celimene.) 8 0 Hasten, Ethereal Spring. (Venez, agreable printemps.) 9 Lizette. (Lizette.)

IO Paris is the King's. (Paris est au Roi.) 11 Ye Pretty Birds. (Petits oiseaux ) 12 I Wait for Night. (]'attends le soir.)

12 Old French Songs

with a piano part by Wekerlin (that world-known authority), selected and translated by George L. Osgood (none better for this task in every regard), constitute a tasteful paper-covered volume of some 45 pages in color, pleasing, on good heavy paper, and the cream of this literature.

The offering (at $ l. 2 5 n.) is a notable one and will be of great interest in all respects to all lovers of song. These quasi folk-songs are naive and charmingly archaic, and the piano version preserves and reproduces the same quaint flavor.

The taste for this class of song literature ha' steadily grown in the last few years, and very praiseworthy is that growth ; nor is it confined to singers of mark, but is shared ardently by musicians and by those of literary turn of mind.

Hence the appearance of this volume is of great and wide-spread :.;; portance.

Sent postpaid to any address for $1.00.

G. SCHIRMER THE BOSTON MUSIC co. BOSTON, MASS.

The Rosary.

The hours I spent with thee, dear heart,

Are as a string of pearls to me;

I count them over ev'ry one apart,

My rosary, my rosary!

Each hour a pearl, each pearl a prayer

To still a heart in absence wrung:

I tell each bead unto the end ,

And there a Cross is hung.

O, memories that bless and burn!

0, barren gain and bitter loss!

I kiss each bead, and strive at last to learn

To kiss the Cross, sweetheart! to kiss the Cross.

(

~-

-

The Rosary. Le Chapelet. Der Rosenkranz.

Text by Robert Cameron Rogers. • French Verslon b.)'Isa<iore itlnrtinez.

German Version by Dr. Th.Baker.

~ _L _j_

Voice. ~_a

_h 7T a; !"<;" I rz-nT ~!Z --,,,. ~

@

Mezzo-Soprano or Baritone.

k- -k _l T !'\.:

!"<;" I'\" --.T -.T -.r ~ .....

_l ~

Music by ETHELBERT NEVIN.

-~

fi-3:. --..: -ir

T The hours 1 v spent with thee, dear 111art, Nos heu - res in - ti - mes, 0 ma che - re, Dt'e S!tttl - dett, dir at - !etil ge - - weillt,

ii fj M_ - -..., _b._ x .~ L

I :i. -"" rz-a -~ -. . :K ~ IT ... .. . "' .im~ ~ } ~

. ~'1~ ~ ] .

Piano.

l=q~ 7T \ ~ CLX.K :T 7. --,,,.

?J

Are as a string of pearls to Me semblent comme un fil per mz'r ist wie Per - len rein znr

-~' r:- ·1 - ~ .1 r.r.:.li r\ ffi -, ~h ~

:;;1 ~ ~ ..I. r.- • ~ 1:4-lL '!". ::".!: f 17

@. one a - p~rt, My ma pri - e - re, C'est

.. . ..... --.....

IDP;

le· ' G!a11s,

T :::;;;;: . ~

~ ~ lo -

... sa -

de ma

.. ry, vi -

fiin - sam-keit: 111ezn Ro - sen-km11~

~ _L_.1_ ,,__.

~ ::II ~ :rr :; h -..- .... ~

IJ -.,.. 17 .h_ ::II

.,,,,. -,.; A 7 CT y OT ""' @) ..__,, 6-

~ ;=t:. I ~ h ~ "Z -.:T ~ ..... rT 7T

L _h x ~ T y rJ h --.:+' 7T ...

. . Orchestration & m1htary band parts to be had of the Publisher . Copyrigltt, L900, by 0. Scllirmer,jr. Secured for all countries.

B M C Co:Pyrigltf, L.90111 !Jy G.Scltirmer,jr . • • Q807

~ l J JLL .z:. ~ i::.z:

=- ~ 1 - .-. -

I count them o _ ver ev - 'ry Je fais en le re- pas - sant, kn siih- le sie gar oft iii

.1 J.. I':'.

r. ~ 3E:P: I jL I 7.L :::rr:

Kiy 7 ro - sa - ry! e le cha - pe - let!

metil Ro - sen - kran.:. I':'. m.g.

::£i:. ~ B: r.

~ L

: ... ~:~

dolee

_L_i__

~ ...._ ¥ :.<"' IC :r. •

?.:: •

ll l L

--Z-~i!-!:J:F=:Z~ @]

()__ l _l_

\ l.6_b_

LI Cl ..b. __iln_ -" :!'.: ~

t l-'--1• ~ L!Lh

/ h _v -':'.'...IL~

(J _L _i

~ V •..b. 1-r ¥IZSi =w :.'.'.:

i: -kk '

l 7J li ::E:: ~~~ ~

/ ,.,:: :K ~ _h_

\ --" ]L_h_

(l l :k L _h_ ....".: lL - " fL__h_ -"" -~

()__ li -I:i~ -" @.!

cq rzLh. z~~ ,,..

B. M.C91'07

\ \

_1 _l _l J.. _J_ _l _l _l -h: -"' !'l.c .A ~ ~ ~ ~ ::P- . ., :-.. .c-.: -~ __., rs: CZ:

-:..:. ::wz L:L • 1' 2J 'J.LLJ/IL ::..: I,T f --- --- ---Each hour a pearl,each pearl a pfay'r To still a heart in ab - St'fiC'P

Pour cal - mer ma dou -leur ' J e prie, en les contant, pour a - - me - r e , Und je - de Per- te ez°Jt Ge - - bet f!lrj-Hers1 dus s z"ch mtr seh - 11e1t

---- --- ii H

::.i: :TI~ -1. J .

~ JZ: :J . K,

~ . :32'1 1 ~

. ~~~ ~ . 1r q1 i 1 . ~ .. . ?; ~

.

~-I ti.. ... . 1-k A .

_LI!_ ~ . =- - ~

JI • c• _1 I -_L =- ~ L ·-· 7) -.~ 1q~ - .-. ?,:; •· ,~ .. -

.. :;.. _L J.. _J_ :::>. :::>.

-1. i: ::k C'i: :rz:ll: -:..:. I I ~ 4• - --- -..d. • -.... il r-: £- ~ ~ -12. '2 :::iz: ¥ f'.= -f-

I r To the 1:1-iid ' T ! T

w r u ng : te ll Pach bead un - And there a toi; Majs ' la fi n de sai - J e trou -a mon ro - - r e ve

kttlllt; iclt ) . bi's a1t's E11 rle her: r!a hii11gl e/11 sag s ie -

~ I _..c:. A ~

[TT.

~ ~

:ti 7L

~ '~ • - clohe

k ~ - ~~ ·~ ... ~ __,

ILi_ _L

Dfr- = _._ 111 _,

:::>. 4 I"':'.. r:-. :::>.

--- . N ~ J"".: ~ L

----c i oss is hung ! u - ne croix!

Kreitz r!a - ran!

:::>. I"':'.. I"':'.. ~

tJ ¥ ~ 2: [JI ..

ff mo/to tenuto

!~ L 1£1_ ~ 1"' ..6.L _. _1

• .

' I /

~ I"':'.. I"':'.. ,,. ::rr: -= . :l -I c:ll -'- :r;:. ::k -~ A_ z: • _r,_ __. •• _Lf-_

l ~J !t_ I:_: I"':'.. I"':'.. ::..!! IA: 1£.

~ ~ __., -"' !"!: _.e_

~

P ~ -h: J..~ -1'. • rs: ::rs: ::rs:

--- VJ '

--- --- ...;:..

0 mem - 0 - ri es that bless and 0 sou - ve - nirs ple ins de r e -

Er - i'tut' - nmg) f reud-

~ -------~ ~ -~ It

quasi a 11;e~gio p VlOJ'f.do

~ .k :oil ~ ~ ~ ~ =- ~

LLm

F· I dole?°ss. ~.

~

ttJld I d - dell -

~ !3 ~ ~ -= I&. _a la_ _Jot~

t Ji_ _..._

r

•

6

fl L I cv,n

~ .. T 17" ::JZ::i' ~

~""1':17~ ~ n#

f ~. :i; IT." 7 li ...

' J"'.:IZ:"· ' ,...

11 :lz:k "7' "Ji" ...

Li' -K

~

~

I

11 -kt.: ~=" ... v--n ...

I@

r~. '7/. u.-n

7 .. Y' " u..: ...

.

B.M.C<? 807

J

sempre cresc. --.: l:!~ --- • • --y __.,

"" 17

O, bar - ren gain 0 hon - heur Ya in! o -r/er Ge - wz"nn -------------

J.. -_1.

["" LI _., II• 17

and bit - ter 0 tris - te

- --- . ~ ....,..

loss! joi -d1t/

r Gfu.

:::-:,...

---....,..

- e !

:::-:,... :::-:,... -rr.,

--- --- lllT ["" ... !fir

7 --qc lA

I kTiss each b~a<i, ;_r!1d strive -Kt p last tfb I1 aru To k" 7he !SS Je bai - se per le per - le cha - pe - let , A - fin d'ap-a mon Oie Per-le11 k iiss' z(;J_ ob z"cft, /dis- SCJl sol! das .l&eu,a- . da -

Ii

::ril __. ~· • .,,,. _.. --, :!I

:k _.. Ill Ill "lll Liii ._Ill . _ll • ::::i1 -- ' Lil i.111 -'" -""' -.::;; ~ :I ::JI : .. :• -. -. -.. ~

l>' • ~·· • u

::::> ::::> f~ ~ n ~ 1 - P""" l J 1 _E

¥ -~ ~ ~ ~ t.J" -

~

a eve I ' _L_.--::: - _LJ._~

I"':'... Largo ~ ::s: ~· :E"". ..IL :I 7 ii """'- ..IL~ ~

:.l: --'Liil. ..IL --1 _A

---- ---- . -----.. II

~ ..IL II

Cross, sweet - heart! to kiss the Cross . pre n - - dre bai - ser la cr oix. z 11? L ieb - cit en! das Kreu,a- da - .su?

Ji~ I":'... I":'... ~

...:~ 11 ~

~ ::rr =t llC: ... -, 7r -1!!....m --1 -T i _. - _lo!_ "'"' -, ::!' • •• t. l . ~· ~· • .ff.I' .. I:_ ~

t:"I -:!I .I.- 1- ...L. ""' ::tI 1"" 19' --- ~ ~ -, -.,; ,,. A IA --1

...,,,. :::..: --.:+ ~ 1"" 7 7.

Y- ~ T \;,,/ ~ ~ u = q~ - -?; 4

'.-

t

l (

)

1 ( r I 1

1 j 1 1 j

; l 1

)

!

I NEVER KNEW

EDWARD TESCHEMACHER ROBERT COVERLEY

I"':\ atempo

VOICE

I nev - er

PIANO pa tempo

well, Un - til in

~k 2-~~JZ: -;::;; ~ :;or ~ _a_ ....._ ....._ ....._

::K::Oii[ J//L -""". J//L _burl -""". -""". --tJ .,- V'-"'

bit - ter tears we had to part, Un - til you

r

~ l --1 J::::: ~

\ --. _n_TK L ..tl

J:'.: _::--:_ ....._ -"'_IL ....._ J//L -""". ....._

~---_...,,..

IL ~ _. ~ _. _burl _L LJllf_ -""". = tJ ~1..- t • • vi r ~ n 1 1 • VO

--= ~ .

l~ ck!: 1_ ~ --l -6LJL• J//L -""". -""". J//L ~ .._

~ .._

_.__. -1lL Jill_ ~ ~ _1.1 L _h_ ...... 1L 1-.

L...IL ~ ...i L. 1-- ~ - -~ ~· -e-

--....,

Copyright, 1909, by G. Schirmer, Boston B M Co. 2122 For all countri'e•

r /.'

' ,....,,..-)

v.~ . -- ----""" __,

I

NEW AND EFFECTIVE PIANO COMPOSITIONS, MODERATELY DIFFICULT . Complete Copies may be had at any Music Shop, or from the Publishers

26 & 28 WEST STR. THE BOSTON MUSIC COMPANY BOSTON, MASS.

G. Schirmer <Inc.) Boston and New York Compl•te Copy • 60 To my wife Complete Copy .60

Melodic Sketch Egyptian Love Song (In A) Ethelbert Nevin

Theo. Hemberger

Allegro grazioso

~~'fw. * 'fw. * ~- * ~·

ll!:JNr;'l='Jn!r;?l ll!:::f l:r~;il·~I 'fw. * 'fw. *6fu. * 6fu. * dime rit t '" · · ~ten. a tempo e iranquillo 11 _ >- · : l! e1!1yo

l I~:~~ ---...:..--

~- 6fu.

Copyright, 1908, by G. Schirmer for all countries Copyright, 1908, by G. Schirmer for all countries

Complete Copy • 60

Daffodils To Miss Alice Garland, Boston, Mass. Diabolo complete copy .75

Melodic arpeggio study S. M. Downs ~-·:

Brightly ( J = 94) I':'\ > 6

Robert Carvel

* Copyright, 1908, by G. Schirmer for all countries LI for all countries

THE PIANIST'S GUIDE An attractive booklet, containing a graded and classified list of recent publications, use­• ful alike to teachers, professronals and amateurs. Sent to any address free of charge

/

' \ ';-

\