Reona Ito Choral Concert Series (RICCS) Presents Wonderful Classical Music Concert Performed by The Reona Ito Chamber Orchestra & Chorus Japanese American Association of New York Chorus Saturday Afternoon, October 24 th , 2009 at 4:00PM Broadway Presbyterian Church 601West 114 th Street (on Broadway), New York City Admission Free (Welcome Your Donation) Sponsored By Eurasia Culture Exchange Support Center (www.eurasia.jp) Japanese Intercultural Network Mr. & Mrs. Ikkan and Machiko Sanada Supported by Consulate General of Japan in New York Japanese American Association of New York Shukan NY Seikatsu - 2 - The Reona Ito Chamber Orchestra & Chorus Japanese American Association of New York Chorus Reona Ito, Music Director and Conductor Miss Akiko Ono, Violinist Mr. Maxim Anikushin, Pianist Miss Sachie Ueshima, Soprano Mr. Micah Killion, Trumpet
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Reona Ito Choral Concert Series (RICCS) Presents Wonderful Classical Music Concert Performed by
The Reona Ito Chamber Orchestra & Chorus
Japanese American Association of New York Chorus
Saturday Afternoon, October 24th, 2009 at 4:00PM Broadway Presbyterian Church
601West 114th Street (on Broadway), New York City
Admission Free (Welcome Your Donation)
Sponsored By
Eurasia Culture Exchange Support Center (www.eurasia.jp)
Japanese Intercultural Network Mr. & Mrs. Ikkan and Machiko Sanada
Supported by
Consulate General of Japan in New York Japanese American Association of New York
Shukan NY Seikatsu
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The Reona Ito Chamber Orchestra & Chorus Japanese American Association of New York Chorus
Reona Ito, Music Director and Conductor
Miss Akiko Ono, Violinist
Mr. Maxim Anikushin, Pianist
Miss Sachie Ueshima, Soprano
Mr. Micah Killion, Trumpet
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< Program >
Edvard Grieg Prelude from “Holberg Suite”, Op. 40
Felix Mendelssohn
Violin Concerto in D minor I. Allegro molto
II. Andante – attacca: III. Allegro
“Giunse alfin il momento – Deh vieni non tardar” Miss Akiko Ono, Violin Solo
Antonin Dvorak (arr. Kreisler)
"Slavonic Dance" in E minor Op. 72-2
Geroge Bizet (arr. Hubay) "Carmen Fantasy"
Miss Akiko Ono, Violin Solo / Maxim Anikushin, Piano
< Intermission (10 minutes) >
Antonio Vivaldi Gloria in excelsis deo from “Gloria”, RV.589
Wolfgang Amadeus Mozart
Laudate Dominum from “Vesperae Solennes de Confessore”, K.339 Alleluja from “Exsultate, Jubilate”, K.165
George Frederic Handel
Ombra mai fu (Handel’s Largo) with sacred words in Japanese
Joseph Haydn The Heavens are telling the Glory of God from “Creation” (Japanese translation)
Miss Sachie Ueshima, Soprano Solo
Vladimir Zak (1929 ~ 2007, Soviet Union - USA) “My Shostakovich” from Piano Suites
Pre-Performance Talk will be given by Mr. Alexander Zak, composer’s son.
Dmitri Shostakovich Piano Concerto No. 1 in C minor, Op. 35
I. Allegretto II. Lento
III. Moderato IV. Allegro con brio
Mr. Maxim Anikushin, Piano Solo / Mr. Micah Killion, Trumpet
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Meet the Artists Reona Ito, Music Director & Conductor 伊藤 玲阿奈 指揮者 Mr. Reona Ito was born in Fukuoka, Japan. He
holds a Bachelor of Arts in international affairs and
in music at the George Washington University. Afte
r composition and conducting study at the Juilliard
School, he received a diploma in orchestra
conducting from Mannes College of Music and a
Master of Arts in orchestral conducting from the
Aaron Copland School of Music, Queens College, CUNY.
Mr. Ito was born into a musical family of three generations of conductors. He was taught
violin and piano at the age of four, and composed music at the age of nine. Mr. Ito's broad
career includes being a pop-singer and lyric writer. He released a CD of his songs in 2001
from Loft Music Label (Japan).
He is presently the Music Director of the Reona Ito Chamber Orchestra & Chorus and the
Japanese American Association of New York Chorus. He is also the Associate Music Director
of the Chikuho Youth Orchestra (Japan) established by his grandfather. He has been invited
as a guest conductor in several places including the New Symphony Orchestra at Sophia,
Bulgaria.
On March 18th, 2008, Mr. Ito made a debut as an opera conductor with W. A. Mozart's "The
Marriage of Figaro" at the Goldstein Theatre, and also made a Carnegie debut on June 25th in
the same year. These concerts were reviewed by several newspapers and magazines. Among
them, Ongaku no Tomo ("Musician's Friend"), one of the most famous and authentic music
journals in Japan, says; "[In the Reona Ito's Carnegie concert] he conducted all from memory,
and showed the audience his sincerity toward music”. In December, Mr. Ito produced the
“Mostly Bach Concert Series” in Manhattan, and gave three Bach concerts with his ensemble
at Lincoln Center and Yamaha Hall. In March 2009, he invited his mother’s orchestra from
Japan into New York, and held a joint concert with them at Symphony Space. An excerpt of
the concert was broadcasted in Japan by NHK, the second largest public broadcasting
company in the world. Now Mr. Ito is conducting a new project; Reona Ito Choral Concert
Series (www.nyriccs.com), and attempting to cultivate amateur music lovers through letting
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them join his choral and orchestral concerts. The concert series will produce a Mozart’s
Coronation Mass concert and Beethoven’s Ninth Concert soon.
Akiko Ono – Violinist 小野 明子 バイオリン Akiko Ono launched her successful career after winning
numerous prizes in prestigious competitions such as the Yehudi
Menuhin, the Queen Elisabeth, the Szigeti, the Paganini, Viotti-
Valsesia and the Forval-Scholarship Stradivarius Competition.
Since then she has performed throughout Europe, the Middle
East, Central America and Japan with major orchestras
including the Belgian National Orchestra, Weimar Staatskapelle, Lille National Orchestra, the
London Mozart Players, Lithuanian Chamber Orchestra, NHK Symphony Orchestra, Tokyo
Symphony Orchestra, New Japan Philharmonic, Polish Radio Amadeus Chamber Orchestra
and Costa Rica National Symphony Orchestra with conductors such as Yehudi Menuhin,
Shlomo Mintz, Saulus Sondeckis, Hans Drewanz, George Alexander Albrecht, Matthias
Vladimir Zak (1929, Moscow, USSR – 2007, New York, USA).
Outstanding musicologist, composer, writer,
educator, public figure. Author of many books
and numerous articles on classical and
contemporary music. His works have been
published in Russia, Great Britain, USA,
Germany, Italy, Finland, Sweden, Israel, India,
Chechoslovakia, Bulgaria, Romania, Australia.
Vladimir Zak’s original theory of music analysis,
titled “The Line of Latent Mode (LLM)” is one of
the most significant achievements in the music science of the XXth century.
V.Zak is also the author of music to a number of plays and TV shows, as well as
vocal and instrumental compositions. Aside from his professional qualities,
V.Zak was an extremely kind and warm human being – something that all
people, fortunate enough to meet him, always attest to.
“My Shostakovich”
The piano piece titled “My Shostakovich” was composed by V.Zak in New
York City, at the time he was writing the book “Shostakovich and the Jews?”
(Kiev Publishing House, New York, 1997). Why is the book titled “Shostakovich
and the Jews?”? And what does the greatest Russian Composer of the XXth
Century, - Dmitry Shostakovich (the author of 15 symphonies, 3 operas, 5
ballets, 15 quartets, 6 concertos and various other music, whose name stands
with Haydn, Mozart, Mussorgsky, Tchaikovsky, Mahler), have to do with the
Jews? The essential point here, in the words of V.Zak, is the “astounding
semblance of the Jewish spirit to Shostakovich’s “spirit” in the perception of
the tragic”… 1 The tragic is inherent in the turbulent history of the Jews in
Russia, and later, USSR, where they were systematically persecuted.
Shostakovich himself was also a hostage of the totalitarian Soviet system and,
perhaps, that is why he keenly felt and understood the Jewish mentality.
Interestingly enough, that even in one of Shostakovich’s early compositions, -
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Piano Concerto No.1 (1933), the music of which is full of sparkling wit and
playfulness, we can clearly hear some sadness.
Vladimir Zak’s musical piece “My Shostakovich” was printed in that same book
(“Shostakovich and the Jews?”). In the words of the author himself: “… In my
piece, the intonational symbols of Dmitry Shostakovich’s music are, as though,
intertwined, - there are some of his themes from chamber music compositions,
- rather, better to say, – these are reminders of those themes… …I mean: the
starting measures of the “Jewish Dance” from the Piano Trio, the monogram
theme in its five-note variant from the Eighth (“Autobiographical”) Quartet
(DDSCH2), and, of course, some motifs ”From the Jewish Folk Poetry”… ”
V.Zak’s piece “My Shostakovich” has been arranged for the string orchestra in
2007 by maestro Maxim Anikushin.
Notes by: Alexander Zak
1 Vladimir Zak. “Shostakovich and the Jews?”, p. 19.
2 DDSCH is an abbreviation which stands for Shostakovich’ full name initials (from Dmitri Dmitrijewitsch Schostakowitsch), encoded in the German key signature alphabetic system notation, which has been used in Russia. The “S” initial transliterates into “Es”,
which is “E-flat”):
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The Reona Ito Chamber Orchestra & Chorus Japanese American Association of New York Chorus
Music Director
Reona Ito
Orchestra Chorus
*The RICO Chorus
Violin I Mitsuko Suzuki, concertmaster Shu Shioda Rieko Kawabata Ran Tao Violin II Shushi Hori, principal Jennifer Ahn Bruno Pena Kimmy Szeto Soprano Sachie Ueshima Eiko Aono Tsutsumi Asada Tatsue Cohen Keiko Freehauf Ayaka Kazama Masae Kobayashi Nobuyo Naoe Takako Onuma Seiko Oshima Reiko Osumi Masako Ryder Terue Saito
Viola Xiang-Ling Kong, principal Sayuri Lyons Yumi Oshima Cello Miho Zaitsu, principal Kai-Wen Liu Seth Woods Caleigh Drane Bass Lawrence Goldman, principal Yuta Tanaka Machiko Sanada Yasuko Soeno Misao Tokieda Aiko Yasuda Mieko Yuasa Jyunko Torii* Reiko Braun* Mamiko Tsurumi* Toshie Moore* Akemi Hiruma* Kayoko Nishitani* Mitsuyo Kobayashi*
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*The RICO Chorus
************************************************* This Concert Is Produced By Reona Ito Choral Concert Series Project Concert Staffs Reona Ito, Executive Producer Yuta Tanaka and Noriko Nagao, Manager Shizuko Kato and Yuta Tanaka, Program Editor Futoshi Miyai, Stage Manager Mitsuko Kawashima, Costume Coordinator Also we would like to thank our wonderful volunteers for their tireless works. Special Thanks To Mr. & Mrs. Ichida Koji and Seiko Oshima / Ms. Eiko Aono / Ms. Yoko Sasaki Ms. Shizuko Kato / Ms. Fusako Ohta (Japanese Intercultural Network) Mr. & Mrs. Reiji and Tsukiko Kimura (Hakobune Inc.) Japanese American Association of New York (Mr. Gary Moriwaki, President / Ms. Michiyo Noda, Executive Director) All of the JAA Chorus Members
Alto Shizuko Kato Toshiko Matsukawa Fusako Ohta Hiroko Onogawa Rumiko Saeki Ritsuko Suzuki Sadako Yamauchi Tomoko Shiimoto* Rinko Kinoshita* Tenor / Bass Koji Ichida Hideo Kidokoro Hideo Watanabe Momoji Matsumoto Harry Nishitani* Seiichi Tsurumi* Yukio Torii* Roland Moleka*
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Acknowledgement This Concert Is Sponsored By Japanese Intercultural Network Mr. & Mrs. Ikkan and Machiko Sanada
Eurasia Culture Exchange Support Center www.eurasia.jp
Supported by Consulate General of Japan in New York Japanese American Association of New York (www.jaany.org) Shukan NY Seikatsu (www.nyseikatsu.com) Also we gratefully acknowledges the support of the following individuals Ms. Tomoko Hanway Ms. Chizuko Korn Ms. Yoko Sasaki Ms. Fusako Ohta Ms. Reiko Braun Ms. Ritsuko Suzuki / Ms. Shoko Noguchi Mr. & Mrs. Koji Ichida & Seiko Oshima / Ms. Michiko Yokomizo Ms. Yukie Clerk / Ms. Eiko Aono / Ms. Tsutsumi Asada / Ms. Shizuko Kato Ms. Mitsuko Kawashima And Anonymous Donors
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ゾクゾクするハモリ、オーケストラ伴奏コンサートの醍醐味! 日時: 毎週金曜日 1:15 PM ~ 3:00 PM 場所: ニューヨーク日系人会(JAA) 15 West 44th Street ( be t . 5 t h & 6 t h Av e . ) 11thfl., NYC 会費: JAA会員 $8/クラス、JAA学生 $4/クラス、一般 $10/クラス レッスン料の他に楽譜代 $1/月を徴収します。 お問い合わせ: JAA(212)840-6942 または [email protected] あるいは直接レッスンへどうぞ。(初回見学無料)
♪♪ ~*~**~***~**~*~♪♪♪ * 唄好き、初心者、経験者も大歓迎!
* 喉に負担のない発声指導で心身爽快!
* 日本語の懐かしい曲、新曲、クラシックの名曲他!
* 実力派若手ミュージシャン共演コンサート!
* 日系唯一、オーケストラ伴奏のコンサート! JAA コーラス音楽監督・指揮者 伊藤玲阿奈 The LeFrak Concert Hall, Aaron Copland School of Music, Queens College Photo by Masao Katagami