The Practice and Science of Drawing Harold Speed
The Practice and Science of Drawing
Harold Speed
CONTENTS
I. INTRODUCTION
Il. DRAWING
Ill. VISION
IV. LINE DRAWING
V. MASS DRAWING
VI. THE ACADEMIC AND CONVENTIONAL
VII. THE STUDY OF DRAWING
VIII. LINE DRAWING: PRACTICAL
IX. MASS DRAWING: PRACTICAL
X. RHYTHM
XI. RHYTHM: VARIETY OF LINE
XII. RHYTHM: UNITY OF LINE
XIII. RHYTHM: VARIETY OF MASS
XlV. RHYTHM: UNITY OF MASS
xv: RHYTHM: BALANCE
XVI. RHYTHM: PROPORTION ,
XVII. PORTRAIT DRAWING
XVIII. THE VISUAL MEMORY
XIX. PROCEDURE
XX. MATERIALS
XXI. CONCLUSION
APPENDIX
INDEX
r !
Absorbent canvas
Academic drawing
Academic and conventional
Academic students
Accuracy, scientific and artistic
Anatomy, study of, its importance
"Ansidei Madonna," Raphael's
Apelles and his colours
Architecture, proportion in
Art, some definitions of
Artist, the
Atmosphere indicated by shading
Atmospheric colours
INDEX
I1
I' 11
Audley, Lady, Holbein's portrait of
"Bacchus and Ariadne," Titian's
Backgrounds
Balance
Balance between straight lines and curves
Balance between flat and gradated tones
Balance between light and dark tones
Balance between warm and cold colours
Balance between interest and mass
Balance between variety and unity
"Bank-note" papers
Bastien Lepage
Bath for etching
Beauty, definition of
Beauty and prettiness
Beauty and truth
"Birth of Venus, the," Botticelli's
Black chalk
Black Conte
Black glass, the use of a
... ~
Blake, example of parallelism
Blake's designs
Blake's use of the vertical
Blocking in the drawing
Blocking out with square lines
"Blue Boy," Gainsborough's
Botany, the study of
Botticelli's work
Boucher's heads compared with Watteau's
Boundaries of forms
Boundaries of masses in Nature
Bread, use of, in charcoal drawing
Browning, R., portraits of
Brush, manipulation of the
Brush strokes
Brushes, various kinds of
Burke on "The Sublime and the Beautiful"
Burne-Jones
Camera, use of the
Carbon pencils
Carlyle
Circle, perfect curve of, to be avoided
Chalks, drawing in
Charcoal drawing; fixing solution
Chavannes, Peuvis de
Chiaroscuro
Chinese art
China and Japan, the art of
Colour, contrasts of
Colours for figure work
Colours, a useful chart of
Classic architecture
Claude Monet
Clothes, the treatment of
Composition of a picture, the
Constable
Conte crayon
"Contrasts in Harmony"
Conventional art
Conventional life, deadness of the
Corners of the panel or canvas, the
Co rot, his masses of foliage
Correggio
Crow-quill pen, the
Curves, how to observe the shape of
Curves and straight lines
Darwin, anecdote of
Deadness, to avoid
Decorative work
Degas
"Dither"
Diagonal lines
Discord and harmony
Discordant lines
Draperies of Watt eau, the
Drapery studies in chalks
Drapery in portrait-drawing
Draughtsmanship and impressionism
Drawing, academic
Drawing, definition of
H,
East, arts of the
Edges, variety of
Edges, the importance of the subject of
Egg and dart moulding
Egyptian sculpture
Egyptian wall paintings
El Greco
Elgin Marbles, the
Ellipse, the
"Embarquement pour l'Ile de Cythere," Watteau's
Emerson on the beautiful
Emotional power of the arts
Emotional significance of objects
Erechtheum, moulding from the
Etching
Exercises in mass drawing
Exhibitions
" , Expression in portrait-drawing
Eye, anatomy of the
Eye, the, in portrait-drawing
Eyebrow, the
Eyelashes, the
Eyelids, the
"Fete Champetre," Giorgioni's
Figure work, colours for
"Finding of the Body of St. Mark"
Fixing positions of salient points
Flaubert
Foliage, treatment of
Foreshortenings
Form and colour
Form, the influence of
Form, the study of
Frans Hals
French Revolution, Carlyle's
French schools
Fripp, Sir Alfred
Fromentin's definition of art
Fulness of form indicated by shading
Gainsborough, the charm of
I: i1 li I!
li I 11
i 'I
!I 1
iJ .1
I
i .1 I il
Genius and talent
Geology, the study of
Giorgioni
"Giorgioni, The School of," Walter Pater's
Giotto
Glass pens
Goethe
Gold point
Gold and silver paint for shading
Gothic architecture
Gradation, variety of
Greek architecture
Greek art in the Middle Ages
Greek art, variety in
Greek vivacity of moulding
Greek and Gothic sculpture
Greek type of profile
Greuze
Hair, the treatment of
Hair, effect of style upon the face
Halftones
"Hannibal crossing the Alps," Turner's
Hardness indicated by shading
Harsh contrasts, effect of
Hatching
Health, questions of
Henner, the work of
High lights
Hogarth's definition
Holbein's drawings
Holl, Frank
Horizontal, calm and repose of the
Horizontal and vertical, the
Human Anatomy for Art Students
Human figure, the outline of the
Impressionism
Impressionist vision
Ingres, studies of
Ink used in lithography
Intellect and feeling
Intuitions
Italian Renaissance, the
Italian work in the fifteenth century
Japanese art
Japanese method, a
Japanese and Chinese use of contrasts of colour
Keats' definition of beauty
Landscapes of Watt eau, the
Lang, Andrew, his definition of art
Lawrence, Lord, portrait of
Lead pencil
Lecoq de Boisbaudran, M.
Lehmann, R, portraits by
Leonardo da Vinci
Light
Light and shade, principles of
Lighting and light effects
Likeness, catching the
Line and the circle, the
Line drawing and mass drawing
Lines expressing repose or energy
Line, the power of the
Lines, value of, in portrait-painting
Lines of shading, different
Lithographic chalk
Lithography
"Love and Death," Watts'
Manet
Mass drawing
Masters, past and modern
Materials
Mathematical proportions
Measuring comparative distances
Measurements, vertical and horizontal
Medium, the use of
Michael Angelo, the figures of
Michael Angelo and Degas
Millais
Mist, effect of a, on the tone of a picture
Model, the
Monet, Claude
Morris's definition of art
Nature, variety of forms in
Nature's tendency to pictorial unity of arrangement
Newspaper as a background
Norman architecture
Oil, surplus in paint
Originality
"Our Lady of the Rocks," L. da Vinci's
Outline drawing
Outline studies and models
Paint, the vitality of
Paint, the consistency of
Paint, effect of oil in thick
"Painted Poetry"
Painter's training, the object of the
Painting and drawing
Panel or canvas, the
Paolo Uccello
Paolo Veronese
Paper for drawing
Parallel shading
Parallelism of lines
Parthenon, the
Pater, Walter
Pen-and-ink drawing
Pens for pen-and-ink drawing
Perspective, the study of
Philip IV; Velazquez' portrait of
Photograph, failure of the
Picture galleries, the influence of
Pictures, small and large, treatment of
Planes of tone, painting in the
Pre-Raphaelite paintings
Pre-Raphaelite movement, the
Preparatory drawings, disadvantage of
Primitive art
Primitive emotions
Procedure, in commencing a drawing
Profiles, beauty of
Proportions
Poppy oil and turpentine, the use of
Portrait-drawing
"Portrait of the Artist's Daughter," Sir E. Burne-Jones's
Pose, the
Peuvis de Chavannes
Quality and texture, variety in
Radiating lines
"Rape· of Europa, The," Paul Veronese's
Raphael
Red rays
Reed pens
Rembrandt and his colours
Reproduction, advantages of up-to-date
Retina, effect of light on the
Reynolds' contrasts of colour
Rhythm, definition of
Right angle, power of the
Roman sculpture, lack of vitality in
Rossetti
Royal Academy Schools
Rubens
Ruskin
Schools of Art
Scientific and artistic accuracy
Scientific study, necessity for
Scumbling
Shading
Shape, variety of
Silhouette, the
Silver-point
Silver-point work, shading in
Sitter, the
Softness indicated by shading
Solar spectrum, the
Solids as flat copy
Spanish school, the
Straight lines indicative of strength
Straight lines and flat tones, analogy between
Strong light in contrast with dark shadow
Study of drawing, the
Stump, the
Style
"Sublime and the Beautiful, The," Burke's
"Surrender of Breda, The," Velazquez'
Sympathetic lines
Talent and genius
Teachers in Art Schools
Technical side of an art, the
Thickness and accent, variety of
Tintoretto
Titian
Tolstoy's definition of art
Tone, meaning of the word
Tone values, variety of
Toned paper, drawing on
Tones, large flat, the effect of
Touch, the sense of
Trafalgar Square lions, the
Trees, the masses of
Turner
Types, lifelessness of
"Ulysses deriding Polyphemus," Turner's
Unity and variety
Unity of line
"Vale of Best," Millais'
Value, meaning of the word as applied to a picture
Values of tone drawing, the
Van Dyck, his use of the straight line
Variety in symmetry
"Variety in Unity"
"Varying well"
Velazquez
Venetian painters, and the music of edges
Venetians, the, their use of straight lines
Venetians, system and principles of design of the
"Venus, Mercury, and Cupid," Correggio's
Vertical, the, associated with the sublime
Vertical lines, feeling associated with
Vision
Visual blindness
Visual memory, the
Ward, the animal painter
Warm colours
Watteau, the charm of
Watts, G.F., portraits by
Watts' use of the right angle
Windsor, Holbein's portraits at
Whistler, a master of tone
White casts, drawing from
White chalk
White paint
White pastel