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Great American Nude #6, 1961 (48 x 48") Bathtub Collage #3, 1963 (84 x 106 x 20") Still Life #31, 1963 (oil, collage, working t.v., 48 x 60" Wesselmann: Still Life #20, 1962 (collage, assemblage, wood, bulb, sink, 46 x 48") Rosenquist: President Elect, 1960 (oil on fiberboard, 84 x 146") Richard Hamilton: Just what is it about today's homes that makes them so appealing? (1956) E. Paolozzi: I Was a Rich Man's Plaything, 1947 The Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes. ImagePage 1 of 7 Women and pop art.prs
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The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Mar 16, 2018

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Page 1: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Great American Nude #6, 1961 (48 x 48")

Bathtub Collage #3, 1963 (84 x 106 x 20")

Still Life #31, 1963 (oil, collage, working t.v., 48 x 60"

Wesselmann: Still Life #20, 1962 (collage, assemblage, wood, bulb, sink, 46 x 48")

Rosenquist: President Elect, 1960 (oil on fiberboard, 84 x 146")

Richard Hamilton: Just what is it about today's homes that makes

them so appealing? (1956)

E. Paolozzi: I Was a Rich Man's Plaything, 1947

The Pop Art Tendency

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 1 of 7

Women and pop art.prs

Page 2: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Lichtenstein's Hopeless and the original source (comic by Tony

Abruzzo, Secret Hearts

Roy Lichtenstein: Hopeless, 1963

Dick Tracy, 1960 (casein, crayon, canvas)

Andy Warhol and Roy Lichtenstein: Denial of the self in the name of

mechanical reproduction?

Smoker #9, 1973 (83 x 89"; oil on canvas)

Great American Nude #28, 1962 (48 x 66")

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 2 of 7

Women and pop art.prs

Page 3: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Marjorie Strider: Girl with Radish, 1963; acrylic on

laminated pine on masonite panels, 72 x 60 in.

Green Triptych (det.: center and right-hand panels)

1963

L'herbe tendre

1970; enamel on plexiglass, synthetic fur,

31 x 23 in.

Evelyne Axell (1935-72; Belgium):

Ice Cream

1964

oil on canvas, 31.5 x 27.5 in.

How many of these

artists can you guess?

Marilyn diptych, 1962; silkscreen ink, synthetic polymer on canvas, 82x114"

Before and After (1960-1; version one -left; version 2, right-- synthetic polymer and silkscreen ink on canvas)

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 3 of 7

Women and pop art.prs

Page 4: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Self-Portrait, 1961-2

The Family

1962

Painted wood, sneakers, door knob and plate, three sections

Overall 6' 10 5/8" x 65 1/2" x 15 1/2" (209.8 x

166.3 x 39.3 cm)

Marisol: Family, 1969; Love, 1962

Rosalyn Drexler: King Kong aka The Dream, 1963; acrylic and collage on

canvas, 40 x 30 in. {c/w: movie poster from same year}

Strider: Soda Box

1973styrofoam, mixed

media4'x4'

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 4 of 7

Women and pop art.prs

Page 5: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

the "dis"illusionment of Martha Rosler: Bringing the War Home: The House Beautiful Series (1965-72;

original montages - reprinted in color in 1991)

Irina Valdron:

Penalty Kick (self-portrait on the Football Field)

2002textile applique, 240

x 290 cm.

Old Lady

Vera Sazhina

2006

Haworth: A Lindner Dolly with Steinberg Clothes. An Homage,

1967, mixed media construction, 49 x 24 in.

Jann Haworth (b. 1942; U.S.)

detail from "Old Lady 1"

1962, various fabrics, yarn,

stuffing, Thonet chair

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 5 of 7

Women and pop art.prs

Page 6: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Portrait of the Artist as a Young Man1994, silkscreen ink and acrylic on canvas, 24 panels

88 x 132 inches (overall)

Chairman Ma (Gertrude Stein #7): det.

1993

acrylic and ink on canvas

46 x 42 in

Kass: (BARBRA) Jewish Jackie Series1992, silkscreen on acrylic on canvas

Body Beautiful, or Beauty Knows no Pain: Woman with

Vacuum (Vacuuming Pop

Art)

1966-72

photomontage, 20 x 24 in.

Vacation Get-Away

"Giacometti" on the left; untitled on the right

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 6 of 7

Women and pop art.prs

Page 7: The Pop Art Tendency - Radford University and art/Women and pop art.pdfThe Pop Art Tendency This image and the text corresponding to this image may only be used for noncommercial,

Desert Daddy #2

2007

oil and acrylic on

canvas

78" x 78"

Painting with Balls

2003

oil on linen

84 x 60 inches

This image and the text corresponding to this image may only be used for noncommercial, educational, and scholarly purposes.ImagePage 7 of 7

Women and pop art.prs