Top Banner
THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
59

THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Dec 13, 2015

Download

Documents

Deirdre Atkins
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

THE MODERNS1900-1950

 

CHANGE

 

Americans emerged from the war as victors, but

something was beginning to change.

The country seemed to have lost its innocence.

Page 2: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

THE MODERNIST MOVEMENT

 

WWI was a turning point in American lives

Page 3: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Americans were disillusioned with traditions that seemed to have become spiritually empty

Page 4: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Creators of literature, paintings, music, and the other arts began to call for bold experimentation.

The First Wave of the Great Migration (1916-1919) - part I "Around the time of WWI, many African-Americans from the South left home and

traveled to cities in the North in search of a better life." © Jacob Lawrence

Page 5: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

                                                           

The Roaring TwentiesTHE JAZZ AGE— (named by F. Scott Fitzgerald)

Page 6: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Flappers

Page 7: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Flappers

Page 8: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Flappers

Page 9: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

The Jazz Age

Page 10: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

The Great Depression brought suffering to millions of Americans—those hard working people that had put their faith in America to provide for them.

Many saw the depression as punishment for their sins of loose living.

Page 11: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

FDR and the New Deal programs tried to renew prosperity, but not until the industrial build-up of WWII did an economic resurgence occur.

Page 12: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

ELEMENTS OF MODERNISM IN AMERICAN LITERATURE

•Emphasis on bold experimentation in style and form—reflects the fragmentation of society

•Rejection of traditional themes and subjects.

•Sense of disillusionment and loss of faith in the American Dream. (Modernists rejected Emerson’s optimism.)

•Rejection of the ideal of a hero as infallible in favor of a hero who is flawed and disillusioned but shows “grace under pressure” (Hemingway)

• Interest in the inner workings of the human mind. (Sometimes expressed through a new narrative technique such as stream of consciousness—William Faulkner)

Page 13: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

THE AMERICAN DREAM: Pursuit ofPromise 

Page 14: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

  Three Central Ideas:

1) There is admiration for America as a new Eden

 A “promised land” ofbeauty, bounty, unlimitedresources and promises,and endless opportunities.

Page 15: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

2) Americans have faith in progress, and we can optimistically expect life to keep getting better and better.

 The American birthright is one of ever-expanding opportunity.

•Progress is a good thing.

•A belief that we are movingtoward an era of prosperity, justice, and joy that alwaysseems just around the corner.

Page 16: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

 

3) The independent, self-reliant individual will triumph. Americans have confidence in the ultimate triumph of the individual.

•Everything is possible for the person who places trust in his or her own powers and potential.

•Remember Emerson’s “Self-Reliance.”

Page 17: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

A CRACK IN THE DREAM:

Breakdown of beliefs and traditions

   World War I

  Economic Crash

 Both damaged the tenets of the American Dream.

Page 18: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

CONCLUSION

American modernist writers both echoed and challenged the American Dream. They took on a broader voice than before causing a second American Renaissance. Even with these challenges, they continue to ask the fundamental questions about life and the purpose of human existence.

Page 19: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

The Dust Bowl

Page 20: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 21: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 22: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 23: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 24: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 25: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

                                                                

Page 26: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 27: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 28: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 29: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 30: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 31: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

1929 Hudson Super Six 1929 Hudson Super Six That's a Ford Trimotor in the background

This picture was posted on alt.binaries.pictures.autos by Lz127

http://oldcarandtruckpictures.com/AmericanMotors/Hudson.html

Page 32: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 33: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 34: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 35: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 36: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 37: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 38: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 39: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 40: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 41: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 42: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 43: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 44: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 45: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

                                                

Page 46: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

                                                           

Page 47: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 48: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 49: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 50: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 51: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 52: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 53: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

                                                                                                      

                                  

Page 54: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 55: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 56: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 57: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.
Page 58: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

Perhaps the most devastating weather driven event in American history, the drought of the 1920's and 1930's significantly impacted Minnesota's economic, social, and natural landscapes. Abnormally dry and hot growing season weather throughout the better part of two decades turned Minnesota farm fields to dust and small lakes into muddy ponds. The parched soil was easily taken up by strong winds, often turning day into night. The drought peaked with the heat of the summer of 1936, setting many high temperature records that still stand today.A combination of cut worms and heat destroyed the

corn on this farm, 6 miles east of Appleton. 1936.Courtesy: Minnesota Historical Society

Page 59: THE MODERNS 1900-1950 CHANGE Americans emerged from the war as victors, but something was beginning to change. The country seemed to have lost its innocence.

http://www.howstuffworks.com/dust-bowl-cause.htm/printable

http://www.livinghistoryfarm.org/farminginthe30s/water_02.html