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MESSENGER BOY.H IFlew anb vicjlnal nDusical pla^
BY
JAMES T. TANNER & ALFRED MURRAY.LYRICS BY
ADRIAN ROSS & PERCY GREEN BANK.MUSIC BY
IVAN CARYLL & LIONEL MONCKTON
VOCAL SCOREDo. (Bound)
PIANO SOLO
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Produced at the Gaiety Theatre, London, under the Management of Mr. George Edwardes.
THE MESSENGER BOY.grama lis person;:.
Hooker Pasha {Conmissioner of tfu Nile) ...Cosmos Bey {Agent to Hooker Pasha)Ci.iVK Radnor {a Qtuen's Messenger)Cai'TAIN YoTiT {of the ss. Shark)PkoI-ESSOR PiiuNCKWITZ 'a German Egyptologist) .C(XMTE LE FI^ELKVMr. Tudor Pyke {a Financier)Lord Punchestown (Governor of El Barra)CaF'TAIN Naylok (of the P. and O. ss. Sirdar)Mk. GascoIGNE {an Amateur Journalist) . .PlKSERTommy Bang {a District Messenger)')^OV.K {Lady Pinichestown's Step-datighter)M RS. Bang ( Tommy's Mother)Lady Punchesto\vn {a Leader of London Society)...ISAIiEL BlythLady WinifredCECIMA GOWKR
and
Rosa {Lady Punrhestoivn's Maid)and
Society Ladies. Populace.
Mr. Harry Ntcholls.Mr. E. J. Lonnen.Mr. L. ^L\CKINDER.Mr. Fred. Wright, Jun.Mr. Willie Warde.Mr. Roisert Nainby.Mr. John Tresahar.Mr. a. Hatherto.n.Mr. Harry Grattan.Mr. F.llis Ogilvie.Mr. J. Thompson.Mr. Edmund Payne.Mlss Marie Studholme.Miss Connie Ediss.Miss Maud Hobson.Miss Rosil Boute.Miss Margaret Eraser.Miss ^L-\lE SaqulMiss Katie Seymour.
Solo Dance by Miss Kitty Mason.Dances arranged by Willie Warde. Dresses designed by Wilhllm.
ACT LScene I.H6tel dc Luxe, Thames Embankment|Scene H. Brindisi )
ACT n.Scene 1.CairoScene H. Paris P-.xhibition Gardens
Mr. Joseph Harkek.
Mr. T. E. Ryan.Mr. Joseph Harkek.
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^t~\FHB MKSSBNGER BOY.--9a&--
CONTENTSNO.
I.
2.
3-
4-5-
act i. Scene I.Opening ChorusT)VTS.i: {Nora and CHve) ... Ask Papa Quintet {Cosmos, Daisy, Gascoigne,
Le Fleury,a7id Phuuckivitz) Bradshaw's Guide ^oviG {Tommy and Chorus) The Messenger Boy DvY-T {Rosa and Tommy) ... Aspirations ,
6. Opening Chorus7. Song {C/k'e and C/iorus) ...8. Trio {Captain Naylor. Captain
Pott, and Cosmos)9. Song {Mrs. Bang and Chorus)
.
10. Concerted Pieceti. Finale
Scene II. Tarantella ...The Pretty PetticoatOff to CairoIn the wash Hold tight
(To our Charity Bazaar) ...(Oh, my dearest, ere I go)
PAGEI
16
(If you want to go by a proper P. and O. ) 3c(I am a smart liltle sort of a chap) ... 34(I'm a little messenger, summoned by a call > 37
(You may think it rather strange)
(I will bet the crowd a dinner) .(You talk about detectives in a story) .
.
(You'll have to brave the terrible wave)(Cast the moorings free)...
52
728t8793
12. Opening Chorus13. Song {Clive)14. So^G (AWa and Chorus) ...15. Song {Isabel and Chorus) ...16. Dervish D.\nce ...1 7. Song (Captain Pott and Chorus) They're all after Pott
'
18. Concerted Piece ... The Fun of the Fair
^rt J{. Scene I.(Sheltered from the noon-day glare) ... 114
A Perfectly Peaceful Person ... (I don't much care about theatre^) ... 133When the boys come home once more (The boys go marching down the street) 139'Maisie ... ... ... ... (There's a girl you may have met) ... 146
152(I'm famous Captain Pott) ... ... 156
... (Ev'rybody, smart or shoddy) ... ... 163
Scene II.19. Opening Chorus...20. Dutch Duet {Rosa and Tommy) ...21. Song {Rosa and Chorus) ... Captivating London 22. So'^g {Tommy and Chorus) President Dopper ...23. Song {Mrs. Bang and Chorus) The Boys of London Town24. Finale
(To the Paris Exhibition)(I'm a little Dutch maid)(When I am on the stage)(I used to govern the simple folk)(You talk about your Paris shows)(Hail, the Messenger Boy)
171194202209224-3j
Vocal Score.
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The Messenger Boy.1. OPENING CHORUS.
byKOSS.
Allegro
Music byIVAN CARYLL.
m^hm.
SOPRANO.
tfTENOR.#BASS
y unis.
To our
I P PTo the
20,932. Copyright, MDCCCC. by Chapprll i C
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z
r P F F ^ JM J J wCha . ri - ty Ba . zaar, Come and buy buy
^ *r F ^F F I r F Fbuy
From a^N. Cha . ri . ty Ba . zaar, Come and buy buy') p'
I? F F m ^ buy
From a^Cha . ri . ty Ba . zaar, Come and buy buy buy From a
m m ir=*f= oi( ^1 * m m S *3i^
F' F F F ^^ t^OP. pshop . man to a Czar, Low or high, or^ F y F high. You'll bei^i ^^shop . man to a Czar, Low or high, or
J: r F F (T^ P ^shop . man to a Czar, Low or high, or^=^ m ^E high, Well be^mhigh. Well be^
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^ ^ V; ^ h-H ' ^ ^ 1 ^ p't I iii^ ^ ^ Miled up . r)n ami pet . ted By a beau . ty co.ro . net . ted; Us a
^-f-f-M-l F F M ' i^ M ' ^ ' i M ^smiltii up . on and pel . ttil By a beau . ty co.ro. net . ted; It's a
( H M F F F M F' P F M P F^^iled up . on and pet . ted By a beau . ty co . ro . net . ted; It's a
$ ^- i^ r^ii J J
^ ^^* * *
^^ ^ ir=r^ ^
I'iI yr I iii-i \ p'imi i'J 'Ji>i ;^Cha . ri . ty Ba . zaar, That is why That is why At the
'j F' F F F I r F F3 ^ i' I r ' ^
Cha . ri . ty Ba . zaar. That is why That is why
'>F' M F Tr r F I J^^^^Cha . ri . ty Ba . zaar, That is why That is why
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/) unis. . ^ ^Cha . ri . ty Ba . zaar a . ny man
.
Can ac
p p irEN.A . ny man
m fem^^^
j.): [_J ^^ unis.p F F I L^' ;^OP. 21- quire a crac . kle jar, or a fani . Or aF P I'rEN. =^
^ Or a fan Or a-) 1-E^ASS. ^2Or a fan I Or a
-> 'r f f >r
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5
U~^^ ^' >> I .> ,J' i i I i' J' J' J' 1 ^ i' ^li . tied la . dy palm . ist, Will al . lure the ve . ry calm . est, At a
r ^ F T~^ (? F F I M F M F ^^ti . tlod la . dy palm . ist, Will al . lure the ve . ry calm . est. At a
> I'p- PFF I FFPMI^PPM^'^^'''ti . tied la . dy palm . ist, Will al . lure the ve . ry calm . est. At a
i ^m unis.Sr p ?= rCha - ri . ty Ba . zaar, Thai's the plan That's the plan To our
/F' g F F :e ^EN ^=iCha . ri . ty Ba . zaar, Thai's the plan That's the plan To the
') f IT r ^ M m. t^ M r ff p^*Cha . ri . ty Ba . zaar, That's the plan That's the plan To thet-J 'LF I ^ Lf r'-f ^' f o
jnr^HH-^ Mf
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6i^^fpr nV-
E ^ J' I J JCha . ri . ty Ba . zaar, Come and buy buy
# ^Cha . ri . ty Ba - zaar, Come and buy buy
55f1r M m. t ^Cha . ri . ty Ba . zaar, Come and buy buy
buy
buy
buy
Come and
r=^F
buyjC ^ :
Come and buy
I F M rJ ^K r^^7 F F ^^ cresc.Come and buy Come and buy Come and buy ,^F=^i ^=^^1 ^
Come and buy Come and buy Come and buy .
'> i P P ^mm r ^ IT cresc.Come and buy Come and buy Come and buy^m ^m
-*_ m j ; ^ ' m ^ jl j I
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/ a fsi ^mComef3
and
^buy .f7^ n *
Come and buy .^^ ^Come and buy .
t^ wm wm i Moderate.jjyS -m^ - -*^ I J j^ - ^^ ^y^ ,/rP'F=r i* ^frttS ^^ # ji ^T?t1r^r^^ #*-.P^^ W^ b^ =3* ^
Sop. (stall lloldns)^ ^ ii S P P P P F PAt pre . sent we're not ve . ry, ve . ry clear What^m /TV O: =iF= i^
s^ -^(^'/31:^ 3d^ L f cJ20,932.
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i \ r I '|
i p ji^^ M M ^ ^ sall our pret.ty, pret - ty show's a - bout; It's un . tier, stood there's some . thing
F 1 1^ P p J' J' J'' I r ^good The sec .re - ta . ry knows a bout, To
i
l ' Jf luJ ^ ^t^ Eft^ ^ P 11 P ii ^' ^^ M^B P P p p ^^feed the blacks with per. feet, per. feet stacks Of dain - ties ne .ver, ne.ver nig-gerf(n ^ ?
ate.P I P P P Ji F P I I
' ^For such an end you'll glad . ly spend.^m ^
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r *i
Five
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9
' i y ?i^ i^f
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10
*fe
'f^m^mefeIf *=s ^^ raI . > IM Sop. (stall Holders.)
P M M P ^ ^You drink a cup of cof.fce, cof-fee up, And-^ 'I
- - J' ^#^^ t4\^ ^# #^^^^^^^ p p p J^^ay an eight . een - pen . ny, pen . ny rate; P ^ ^^^By acts like these the Sou . dan .
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II
I 'm ni M ' P l B M p p ^^de.cent dress his life, his life will bless, No more, no more hell bolt his mut.ton
^^^m F I p p M) |7 I? ^^whole; For such an end you'll glad . ly spend.P ^ ^^r J- ^r^
i iEE^ f gi:::^
fg* ' j, Ji Ji J'^F >^ Sop. & Cont. (Stal/ Holder*.)$op. gui . nea for a but . ton - holei-i^ arcel. S E ^ F 'w A gui . nea^ dccel. yE fe^ASS^ A gui . nea
Z^Jaccel. J^ -JH-j-^f--
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12
rail. mf a tempo^pa^ fgui - nea The low - est we can quote
*fe^ ^^
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low . est,
mA Crete. Plow - est,i:t
Allegro.
flow - est
' // ;It
can quote To our
i ? ^^low - est yorail
quote To the
^ ran. /y
Lfcl
low - est.
*=* ? ^
low - est you
^^ 1^^^^can quote To the
Allegro.'\i''
rait.
b5 5 3 3 \# # #^^^n^^^I ^?; fci P gttfeEfe3
t' p ^' V4f ? ^ -'- I' I 1' i- |l I' ICha . ri.ty Ba- zaar. Come and buy buy buy From a shop, man to a^^^^^^
Cha- n.ty Ba . xaar. Come and buy buyl buy From a shop, man to a
') F' H M i r^3^ ^ r I : P ^ T]Cha- n-ly Ba . laar, Come and buy buy buy From a shop, man to a
^
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14
/- ^ iCome and buvi^J ^
Come anJ^^ i < M ' rCzar, Low or high, or high, Come and buy#^ jt-iCzar, Low or high, or high, Come and buy') ^ f? 4U4 ^^
Czar, Low or high, or high, Come and buyl
^rt m % i J It^ ^^~j I j J -buy
yL J--J iT M ' r f=Come and buy Come and buyI I F M r =g=f
Come
Come and buy Come and buy
'> i p n ^ ^^Come
Come and buy Come and buy .a^ Come^SI ^ C3P^P ^ff20,932.
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15
^i i iiU i i i -m ; j m_'^ S- ^ *^mf
'^^m^E20,932.
f^
^mw^
t
^^ -ei
^^^ i\ V' ff ^'/^
=^=?^) ? ^-
I'/=
_7 7^
^
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16
N9 2 DUET (Nora and Clive.)ask papa'.'
Words byPERCY GFEENBANK.
Music byIVAN CARYLL.
AllegrettoClive,
Piano,
Oh, my dear . est, ere I go, There's one
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17#^m ^^ ^^ ^
NOKA.
A^k I'a .
thing I want to know, When, oh, when will you a . jjree tor u um +21 m
_^^- F*i
^ I ife^
_ 1i
m ^ J ^ J d' mpa: Ask Pa . pa He's the per . son to de . cidc So itV ' ' I Mj^^ iT^^
Ask Pa . pa
ty . 1 . J i~^7
c:ir^i:: rw . 7
^*
tH^C^
^m ? ^ ^^^E E Jcan - not be de . nied That the quick . est way will be to
r=^
^^^i. J.^ ^^ Ask Pa -^ir^ir^ ta
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18
Ie-J i^
I I,_Ask Pa . pa^ i
^^ ^ F^Ask Pa . pa Though Im leav . ing you at
ie~r-f'f-\' 'ij: f
1^^ ^ ^ j i j / j ^p I II III U,SS IIr f r r r n^^
re
^ E J i' l J i' ^sent, Yet the time so quick . ly flies, Tell me,
t ^ 1 PIf you^hen shall I be trus . ted with so val . ua . ble a prize?
\J i> J* j ^ I IS5^3 i 3 ^3 ii/iiii .^ > > >=* # . ^
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19
If' 'i ^1' i ^ ^
rial Iv want lo know that. You will do as I ad
ij^t t't i i i - Ijfj J>V' r ^ ^ r ^^ g^ rif.vise, J ^ \ rAsk Pa . pa . mil.^ -9Ask Pa .
Ask Pa
11
m lit. ^= [^ ? 7f=^ In trmpii\ ->'i' ( f > m mil. 1^^ -'^ ^-^Tempo di Valse.
i: r/7.n friiipo
^i=^a^i -^ ^ ^^^pa^ Wei7. will ask P:n tiiiipn pa the ques^ ^Etion, Im^^^^. pa We will ask Pa . pa the ques1^ tion, I m^1 fi 3::
rii.fe^ a tfiiipa_6_^^20,932.
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20
l il'' I I , 1, 1 ^^H^W that he will know,1-' J ^ 7 Ji I ^ ^ 7 J)
that he
tm^^^will know;
3^^f
:2j
9^
EHe may give.... us
n r I y rI r r I ^^He may give... us
-O^s- V
/
sug -
sug -
: fc i&-^
i^
ges
?=
^
p 7 [I I J ^^ ^tion Of what IS cnmme il fa lit.
i 7,h=^=?=^ -tJ-tges . - tion Of what IS comme if faut.
E1= ^r^ ^^1 :si
So I
PSo I/^=^
m '^ ^ r 1^al . ly think, don't you?.
tJ ?re . al . Iv think, don't you?
.
^ ^ s 42..2_ That is what we'd bet . terThat is what we'd bet . ter- - =fe\^
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ai
(
ril. ^ J i IAsk Pa . pa
hu i Irit.
STTPa . pao. Ask
^^i *a tiinpocriac.rit.
rii.^^ : > E ^ Iz^3^^ I J. M ^ i^
Ask Pa . pal
i i21 ^ ^ ^^Ask Pa . pa
:m sr^4-^ rt ^ t E E i^ s^J) % I %
f
I ^^ 3^ ^ ^ ^ ^^l lliAllegretto
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zz
^^^ i ^^charm . inc; lit - lie maid, Who be . haves so ve . ry* p^ ^ *V> J^~ Jl^^ S5^ f ^=^ ^
. J }' ^^ ^Ask Pa . pa Ask Pa . pa. J JI 7 j ^^
paweel . ly,
w-^
Ask Pa^g^^ i = >
i J^i>^^
r
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2:i
Fj-''- I ^I J'
^^ My P-i - paJ i' I ^pal Your Pit . pa You've been used lo ev . 'ry
>i 9
^^ mifoil, Can you do wilh ra . ther . less?. Do you J J i J J J >j J J i J J J J n J' =
,s m20,932.
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24
i j^r F I'f ^^m m mthink I shall al . low j-ou quite suf . fi . cient for your dress? And isg^ 3 J J 1^ i s3 3 3 Hiil> > > f=y^ 1^ ;^
crfSC.
r r r r % % % %m ^ u*i^ i^ ^ ' I b
mar . ried life a fai . lure, or an out - and - out sue .
i U i i t t t ^^^m j[ i j[ It ^^^ Ji * :^^ g -f^-ri /i( rail. i^? ^
Ask Pa . pa^ Ask Par F 11^
cess? Ask Pa^ran. '
ii ^ ^ ^rif.^=^
a tempo
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Tempo di Valse.i rit. a tempoJ J i i If ^^m25
^^^ -^^ ^- pa
iWe will ask Pa . pa the quesrit
.
a tftnpu^ ^^ ilion, I'm
F 221- pa We will ask PaTempo di Valse.
pa the ques
itlUD, I'm^^- ^ 3
rjt.
:
^^ 't/ u tempo w^ ^'' J j ^ J> N * ^ J> I J J I r r r I *r i^
that he will know; He may Ki^'*- us^^ , \) \ J i 1 ^^ ^ SUK^stthat he will know; He may give... us
P i rtsug
1=vf ^2 ^^ =1= i2.^^^^^^ ' I * 122
ges# tion Of what IS comme n faut.m So Ip W' I * 223:ges tlun Of what IS comme a faut.^jF^Vff
So I
^g=
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28
t f n re . al - ly think, don I you?.
i^ ?= ^re - al - ly think, don't you?.-( p-
That is what
That is what
I. r It^ ^^^ ^ u i rp we'd bet . ter do,.mwm Ask Pa - pa rit.^e'd bet . ter do,
.
Ask Pa
it ^ ^^Ask Pa . pa/^ ^^ J'' I r ^ ^ II?
. pa ,
Ia tempo
Ask Pa . pa
Xk^ t S f^ ^^E ' ^ ^
i^ ^ -i^s^
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27Dance.Moderate alia Mazurka,
locu.Pi=^i^ i I M^- ^^ L,J
^^^ ^ ^ IP *? * ' *^^^ -I ^
i fi^^ *^ ^3*^^^^^^^^^
^ */ mp^^ ; > ^
M ^- ^i p 1
I.' 1 ^ ^ ^^^^ ^, r iLf l:*i ^1 E^^ ^==r =^=jp
^'^ J^ -: V b^ *i *; ^E^^ ; 1 j
?^ ^^b 1 T 1
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28
fU^K ' ^r'ttr?' T^dm. p a tempo^
^ ^ ' ^PSc
iM g -? ^) *; Jp ' ' ^^'L/
^^^''J^^fl^pTT
^^ 7 ? MI^ 3^7 1 i
I t M:^=^
^ P^n'' ^ '^ f T=^
;^ r rcjE ? 1 j
f^fe^
KJ,T* ^^ ii^ .- i . ^^w ? ?'^
1^
^h ^^ T -? ^ h *? -/ ^
^ f f * =^^1 i^ ^=^20,932.
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2U
jj. QUINTET. (Cosmos, Daisy, Gascoigne, Le P>ury, and Phunckwitz.)BRADSHAWS GUIDE
Words byROSS.
Music byIVAN CARYLL.
Allegro.
m rr *MOS. If ycu want^^^%^^^^^1. COSMOS. If ycu want to go by a2. DAISY. But in ilnubt am, f o I
'^/ J^ 1^ r^ r^^' J' .u ^ I I ^-^ i r ;|>F ixn^
:**pro . per P. .t O, You will start whin dawn is blush . ing,go by Rot . ter . dam, And get to Mi .Ian in one dayi ^^m -iF-W--^ . .i^DAISY. I hadGASiI should7
iJ '^Jf
s t^
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30*fc:
GAS. But it's not so quick asCOS. But the train doesn't run on
^ J' J' i' J. J', I J i. i' ^7 ira . ther vote for a Hook of Hul . land boat,re . com . mend vi . a Brus.sels and Os . tend
V' ^#^ >^ :^ ^ it:^> c^M^^^cfe Flush . ingMon . day -, ^i' Ji I }' F J' /'p I Y F F *r F ^-^^PHUXCK. I to me must get ein cir - cle-rnund bil . let So I
LE FL. Mais ze sa . cic guide she is what you call cock-eyed And I
|V J-' J'
msfc^
say good - bye and leaf take;will not can en . dure her
i m ^ i=^LE FL. I vill take chip - trip on zePHUNCK. Dat make my brain go20,932.
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31
U:' P M M >r ^' I ^' ^ ^ rchat - ler Dove -ham ship. And ton - '-quo n- Bri - tish bif - leek
schwin -del - ish a - gain Dir vi-r - fluih - lir Brad - shaw, fiih - rer
^4 nr r f t^^^ g ^^f=# ^ : ^ tf^^ #-sA ALL. (Ullis.) ^ r Jl I F ff^^
OhOh
(he Brad - shaw's Guidt thethf Brad - shaw's Guidt thei^t-gg^igefe
S*E =2= **-^f , ^ f , I rg^
J^^ ' ^ t^^iJr
J' i'. Ji I P i?F ^F ^ ' - L-P-^p-4ife^
Brad - shaw's Guide Will take you o - ver the world so wide There arcBrad - shaw's Guide You can - not know it un - til you've tried It has
trt^ * ^^ ^ ^'=* _ .rf^7-n- P J' J^4-l^.^jb^M^
trains that start and trains that call, Andtrains that di'p. and trains that arr. And
trains that nev - cr gettrains that take you a
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sz uSife^ Ji J'l I F (? r p J' i|J' i' j) J)in at all There arelot too far There are
trains that back andtrains too late and
trains that shunt, And thetrains too soon, At six
* * *i_
goods' trainclock in the
P^ ^5 ^m ^^^^^on in fronts Butaf - ter - noon; It's
each and all can becaused full ma - ny a
mS3
ifefe ^^m ^Pfound insu - i side. Thecide, That in - ci - den - tal,fas - cin - a - ting,V r~i i orir na - men - tal ,ri - ta - ting,^^^-^U^ rr ir-z:^ 5^^^=^con - ti - nen - tal Brad - shaw'sag - gra - va - ting Brad - shaw's^
f t t
Guide Guide.rr ^ ^^ : Dance.P
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:$:{f^^\ l} P'>'*/ il i
** *)(.
^m^ J:J ^^j-p^& SE*ig i^i?^^^ ^ it
^ ?^P t: ^w=m^^ ^^^ iy *W#
K-Ei LJrrf , f g fZ-AT/Y)IT IT y^ f=f
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34
N9 4. SONG. (Tommy and Chorus.)Words by
PERCY GREENBANK.Allegro.
Piano.
tps ^ V _^=^=^
THE MESSENGER BOY.
tistuMusic by
LIONEL MONCKTON.
r N f.^m
^ Z=3C 1^*~^^ TOMMY.li : ji J' ji J) ;^1. I am a smart lit . tie2. When you en . trust a . ny
3. Now, as a rule, in the
fy y
^
^sort of a chap,note to my carefem . in . ine breast
i->
^I F -^ F FVe . ry o . blig . ing and acI will look af . ter its carU . ni . fornn cau . ses a flut
^
^=^=^tive,riage,ter,^^
y y _^^^ J' J' Ji 5^ ^^ ^ ^
No . tice my u . ni . form, but . tons and cap,Whe.ther it's on . ly some busi.ness af . fairOf . ten some nice look . ing girl has ex.pressed
=^ ^ ^M ^^ FNeat, but ex . treme . ly at.
Or a pro . po . sal ofThings I'm too bash . ful to
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?=^ F F > ^'Jw^7^j~ntracmarut
tive;riage;ler;
Though ra . thcr small, y u will find that I ktIf you are stay . ing inAs the re . marks are in
town ra . ther late,tend . ed for me,
''' i' i^^ ^=y: ==y ^mJ > * s=s mT f 'j' r |- '' SM' M- r- I I ' ' ' 11^
Plen _ ty of dod . ges and wrin . kles,When there's a wife you should fly lo,Par . don me, pleasf, if I swag . gers;
All o - ver Lon . don IIII go and tell her she
Housemaids and cooks on thea^ s w'^m iP ^ ^ |J ^ ^
h ,> J^ J'
i wi J' f^^ j) y y j^=4^ -J' J' J' .1 J. I .J^rush to and fro,is . n't to wait,
sub . ject a . grec.
No mat . ter where, I amCharg.ing you what is theSol.diers, po . lice . man and
rea . dy to gous . u . al rate,,sai . lors at sea
^^^ ^Soon as the tel - e . phone tin . klcs. )Bring. ing you back her re . ply tool '.,Have, n't a chance with a Jag . gers I >m^j?3 ^^EE
^JyyJt
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36
T. ^k==^ ^F I F '' F F^^ ') A: J'I'm.
^^S=
the Mes . sen . ger Boy Wilh my jaun . ty air And my
^S m ^f vf ^^ ^ ^^ ^ r F ir FT^^^^.cheek . y stare; I'm the lad you ought to em . ploy,
i ^ ^ IS i ^*^^ *^ i' J' J' J
CHORUS.
^iil ^ Quite mod . el Mes . sen . ger Boy He's.^'ll 4 II J' ^ ^ ^ ^ thei^ i f^^^ /I' r 'I' r
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37^ ^ P ^ r F I ^ M F pi
He's the lad we ought lo em . ploy, So ring the bell for the-J> ^
, J J' 1, .^ ^ ^ i^ ^nrrr^ f- M fI1. * 2.
'> [T F r r sr
Mes . sen . ger BoyDance.
f fP a: ^^3ir-=2= ^S i^ i> _ ^=^^= ^^=t F=i=^D.C.h i'JTl J7l ^s ^ ^ Pvf |>^ * i=r
^^ii r N f p^^ ^ ^1=P CHORUS./..r ^r F I F ^ F F PHe's. the Mes . sen . ger Boy With his
^^ #pi iW- -^^f-^-f^/ i ^^
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38
jaun . ty air And his cheek . y stare; He's the lad we ought to em. ploy, So
J ^'^j *:
kf^t r t^^if ^
aUarsandor-rnring the bell for the
i.);> r f [T ^^^Mi' P M
the bell for the Mes . sen . ger Boy The Mes . sen
Mes . sen . ger Boy The
-f ff ^ ff ff-Mes . sen-f^-^
r -h j^ I ^ ^al/ar^nndo
tati -^-^^SOP. I >r Pj| g-CON. --
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3U
5.
Words byROSS.
DUPZT ('Rosa and Tommy.)ASPIRATIONS.
Music byLIONEL MONCKTON.
Allegretto.
P'lfll:TOMMY.
l l J' 1^ J' 1^ I J^SS^ ' n \ r ' 1 ^'' i' ^' J'I'm a lit . lie mes.sen.j;er. Summoned by a call; I should ve . rv^^^^r^=f ^^5r=f^^ ^ i^ ^^1^^
^^ 5 * V
> N J I Jl i' ^^ 1) ; .J' J' I ff r^;=p=much pre.fer To be big and tall. I would be a bob.bv then,
g ^ J ' T P ^^ J J J ^/^ JJ^ I Ir r^^^^ -9 # :^'ii j. jij' jm J- : I .'^ J' J' > i J' J' J I j^ ;>]> J'
Ve . ry great and grand. Slop.ping all the Iraf.fic when I held up my^ ^^'''-'II ^r [J20,932.
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40
T.mROSA.
S i ^^ > ^' I ^' i^J' JI would be a nursemaid neat, Try .ing hard to cross the street
^handZli J' f
=S^'=^
^^t^ P^
^i:=^
^m.t=:n ^
(^ t.^m. ^/^ /f=3M.^^ ^ tn^n.^=^^^^ ^ ^^^^mmu^^^^^s^ .^r^ ^.pD^ it^ .^pi ^pi^^^ gi
J j J^ J^
^E^-^g 11^ .fci' # /
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41
J-' i' h I J^ ^^Oh, po.Iicp.man, hold me tight
^Han .soms give me
^mAll right, miss^mI f ## ^ *sp ^ ^^m \ I > , > I1PP=F P^^ 4' '
such a fright Come and see us Sa . tur.day,
r- H F F r '^^All right, miss I'll look in on Sa. tur.day.
W ^ W ^^^^
^ ^i ^V V w^^ S; 3^^P^ ^^ ^^^' ^ I h ^^ ?^^^f -1 J^' J wayhen the Mis . sis is^H J, ^ ji ; I Jm J' . I ^ to^^When the Mis . sis: j J j I
IS a
TJTway I^^
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42Moderate.
gji.^, J^JJ ,Jj^ ' ijtifr i) S*'' 1JJf^^/
'>^ ii' (^ j p ^ I ^^7>7> *^^i'- r qrv 'irf^ ^=^^ JJqJ** J^3^rr ^=gF?;= 5t ^t%) * *fiS) *
Poco piu vivo.^? ^ff ^j ? ^r? ^/ ^^^y a%^poco>' J f J i ^^. F ^Ff ?Ff :^J^^^ >tfjf ^/ii[_' 'r r 'i
poco aecellerando^ i^*? ^ rf T f ^ f7 pp^ fr ''Pr ''J'^
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43Allegretto. ^^
I m a III . lie^ ^ i f^5# rt P ^ F=^*
ll i Is J M F Mr f^^ ^ ila.dy's maid, Al.ways on the go, For my la . dy wants my aid^ ^ f P =^ ^ ^^^^?^ & ^ ^^5 ' > J)$=:|V^^^^^ w^ i^ E^Ev.'ry hour or so But I drar.Iy wish I were Just a sai . lor^ E f & =^ ^ ^m^^^^5 ^ ^Tf ^
n J- H -^^ ^^ '^' ^' I -^-'^ hj^ J) j^ =^^l;td Fur. ling up the spin.na . kcr On an I . ron . clad
a=^^ 4^14-1^ I?^^^would^ ^
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44
iJS ,,M' J J I r > i'Tl^ ^ ^
be Ihe bo . s'n stout, And Id nr . der you a . bout
^m ^ ^:m^^'^^^^ i^i y=^
J^ p- .>n ^n
IJ' i1 JTIJm
M^sm^^W
^ ^H4 >..
| 'f ^7 llf ^^^Iff^*
la^^
eiff^^^^A
s^^^
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^45
r i' J^II ^aReef your fo'. c'sile mi . zen . headP^mAve, aye, sir
m ^^jHaul vourwind and=. ^ ^^^ra
C^ iJ ^^ ^5^ ^^^^
^ J :' ^JAye, aye. Douse your jib when
F F P ^ Jheave the lead
iDouse your jib when
it * w^C^ itJ^ ^=^i i' 7 J ) >;1^^ h ^ iE
you've a chance, Pipe all hands for grog and dance 1VvT^ ^5 ^^E*' 7you've a chance, }'ipe all hands for grog and dance^^
V J S J ;S ^s/
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46
m ^frffriffrr^m^ ^^^^ *r^M-^20,932.
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47
to ^=im. fiA.>t ' w^c/ A A^ >- . i . F FP=^ # ^ J' J' J' JlIf I could be^^- -:mt:born a boy That would not be bad.
J' i, J' i, I i' i^For I would en . list with joy
'^S ^ J ^ ^ ^ S 7 J ^ f ^^ ^^=5N 7r=t f=^=f -0 -0) . . ^ h . jS ) . , ^s f w
i S J' i' J' Jhj J' > J' J' I p f J I J^ ; J' ^As a sot . dier lad I would wear a kha - ki kit, Paint mv but . tons^*^^E^=S ^ ^^ ^ j^ ff*F Jt It tg^^^^ ^^^ ^ ^-0
f' > J' J' I J' i' J 11^)) h^;g^^ J * J' i' J' J' I J^ af^rown; None could see me- not a bit, Till I shot them downP I ji jiI'd be
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fc^j' i' > I r J' J' I > I ^ser . geant to you still, And I'd put you through your drill.^ ^m^ M.^ i ?= ^^^^
.tn ^^n tj^^
i =^^==^=^in ^~n
mm ^U HJ J :te .ii ff itit
Ar^ in tn tn
^ ^P3 ^sfM ^ J^ ^
e ttf (^ * 8 i20,932.
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49
jfi^^Ten - lion, num - bcr from the right
^^mOne, two,^ threeJ ^^
^One, two.i'n^^^ ^ES& threeT ^^Eyes right March You are a sight^ r^r~^ ^^^ ^i^ c^ c^
J' I h J' ^ J' 7 J> ^ I^^m Shoul.der arms fix ma. ga . zine For. ward Sol . diers of the
i J' I ji i'^ > ^ J' ^ Hi^^ g ^Shoul.der arms fix ma - ga . zine For. ward Sol . diers of thetH n n-'' M a-
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50^m ^ ^ I rQueen
h\\ K-i ^ I ^Queen
Tempo di Marcia.
fl'l }\^''- ^^ i I I a y aI I/ ^
l^^ ^ f f ff _ _ ^^ ^^^g^ i i i i ^ y=f== ^^^^^* :^=^ W^ ^ zafL^^ % 1^m t % % =f i i I =r^ ^ i^ ^^^^ ^ l i 5 ^3i=r>^t f 1 ^SF 1^^=^20,932.
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51
K f f f f
ulJ ^A .E_Jt m^m i =;==g^i^^ ^^^ILr-^^t=r rt ^ r [ r ffc ^ >
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r>2
N'?6.
Act I- Scene n.OPENING CHORUS.
TARENTELLA'.'
Music byIVAN CARYLL.
Allegro.
Piano.
^^m P=Mm:
^^mf ^ h=^^^f 11^ ;&i^
^^m^^m
mm
^^miM*
miti-
rf -^^-^ ^*/= ^^ ben marcato^ -^-^^^ ^ > r ^^ fe^
^_K_lt
^^ t ' ty y y y^
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55
im ^ ^^ 'f > j V^4 ') T ^^^^^^ > ^ ^^ > ^5=5=^^^
i ^p^=y ^s^ ^ #^=^I^=^ ^ ^ ^^ y y y - n y y ^W ^ r-^ -^-r-^,^r ULi f'M'^r ^^^^^
jfT^ V^ -^^-^ - y- -^-^ ^=^=r -^-^ ^^ -^
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54
VH J) y y -^^ y y - V> ^= ^ ^|
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55
SOPRANO.
TENOR.p p p F ' ^ ' 1^ I'' ' I' 1 - F ^BASS
^^Tra la la la la la la la la la la la laT^=^ I' I I' 1 1' I' r r ^Tra la la la la la la la la la la la la
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56
gJiA_J) J- 7 Jm f r^ f' ^ J^ J) ^ J^^^ ^?Tra la la la la la Tra la la la la la la
f '' [T y ' I F ' F ^ - I F ' ' F ' ' ' P ^^ '^Tra la la la la la la la
J^ , m I [ p if |Tra la la la
3 JT]-
^ -r-r ^^^^ -t-^la la la la
-m rr]^F=^ ; -t-^^ S-?1-
^|r '' [T iljlJ
. w-=^^ feE^2Tra la la la la la la la la la la la la
Tra la la la
-^ -^-^
la la la la la la la la la
^^^i y
=
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=^Fi
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57
SOP. t^-r^^^^ ^^ i' V J' Ju jr ^^Tra la la la la la la Tra la la la 1 la la
> ff > >F ^ ^ I F ^ ^ F ^' ^ ' r ^ r^^^^^Tra la la la la Ud la la laTra la la la la la
la la^^^^>a la
^S^ '> y ^ y y
g| 'f ^ ^IT ^Bf^ T ^ > T L^lj'' ' l-M I. F ^ |i |) > ^'a U la la la la la la
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58
4i^ ^' ' -I' -I' -I' I F^ F^ F r F ffrTra la la la la la la Tra la la la la la la
ff 7 */- [T '/ I F > f) ^ I M ^ F > H |) ^ >Tra la la la la la la
>I, f V ^ F ^ ^ I F ^-^h-^--r-\-=f== -^^
Tra la la la la la^ y y rla la
^ ^ *, P^i V4 y^i V- -^ I ''f ^ ^ ^ :=t E lf > ^ ^SOP. ^^ ^ =STEX.
BASS.
Tra la la la la ^^P mTra la la la la-J'^ [> F ^ F
-fi>-^ ^^^^EI
^Tra la la la la
^.^fJTra la la la
> r f JTra la la la la
^mrn rnT' f^^j itt
^i^
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i^^^^
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R9
itra
Ira.Stra.
:zj
^
la
la
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*/5
[? 1 1 J -rjahl
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60
'-^zla.
^*la.
la.
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la
la
ila
la
ila
la
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^
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la
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SE
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f I^' ' ^'' F ''If ' 1^ p^tra la la la la la
i^ ^ -^t*^ I? -I [T r > >tra la la la la la
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I
ji 'ii [; 1 p p 1 I C 1 F p 5tra la la la la la tra la
^ 1) -'T t ^ *> I ^ f P ^T-j^tra la la la la la tra la^^ E^F^=^ ^^g^ -?-rtra la la la la la tra la
m iti I 6^:
la la
la la
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*:
ilh-1^ . Ji J' . J) I p , ., J._^i tra la la la lam . tra.P ^ g ^ -*?^^tra la la la la tia.
;= ^IU '' '^
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J.IJ
la
la
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la.
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62
ffi'T- 1^'la
la
la
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la
Si
#la
f f *l
) V *l J *? *l
la
i
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la la.
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'
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'f^^^'^tra la la la la la tra la la
p- I J' -, J' p ^r^^^^f-^ 'il ltra la la la la la Ira la la
p . F P^ . - i tmlJ-A^lL'I' ' '' Itra la la la la la tra la la
*) F f V^ -^?-^ h-Y- H J 'l^= fe^ F ii. f r'>
:*^
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la la la tra la la
Iw ^ n ^ ^ Kp: jF ila la la tra la la^i g . g g ^^
la la la tra la U la#
a^ tl iaJ# ^ E E :e ^ i ^
tra la la la
r^ n ^ htra la la laF . F F ^ Ptra la la la
accil.M ^ p rla la la.arcel.
la la la.~^ accel.
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.
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64
SOP.
tra la la.cresc.
^^ F > F r
JXf=^^Etra la la.
r=^>=p
S tra la la.Cresc. ^_ i tra la la.f/At .,t rtra la la
.
tra la la.
^H r r r r r^resc.
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65
7. SONG. (Clive.)THE I'KKTTY PKTTICOAT'.
Words byGKEENBANK.
Moderate. ^
fa*^W
Music byLIONEL MONCKTON.
P^^ JUP
1. You may2. Now the3. You're ac
i E31^^ y ^^=^
J'- J^iA J^ j), J^ F' M ^ M ' P ^ J'- ^ ^think It ra . thur strange of me bemaid is young and charm . in>;, you cancept . ed, and you en . ter in . toI^ =
cause I choose to sing Of sotell that at a glance, When you'vema . tri . mo . nial ties, But the
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6B
J'- ji f
f r p i'^ J'^H^^ J _ -J' ^ i Pli . cateished tak
a subing no
tri . mo . nial
ject astice of
gent was
aherthe
petpetpet
ti . coat
.
ti . coat .ti coat I
iToAndYou
theyouare
J' J^iJ'- J'' >. -^^ F' p I ^ M' P ^ ^^
or . din . ar . y man it's quite a flim . sy sort of thing,find you can't fur . gtt her, so you swear if you've the chance.hap . py for a while, then you be gin to re Use
*
ButYouThat
yourwillher
i=^^' r M' H'- ''' ' ^ P r'r ' ^- ^'fate may be de . ci . ded by a pet . ti . coat .in . ter . view that god . dess of the pet . ti . coatl.
ways are not so charm . ing as her pet . ti . coat .
#m
You areYou obAnd, as
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C7
^ff* * ' * J
walk . ing down the street up . on atain an in . Iro . due . tion_ how youtime goes on, your ra . ther hast . y
rain . y A . pril day. When youdo it good . ness knows, Then you'reac . tion you re . gret. Kor your
#^ ^ mg E^- TT-rsud . den . lyal . Ways turn
dreams of sweet
ob , serve a pret . ty girl a . cross the way,ing up at all the pla . ces where she goes,ro . mance are get . ting more and more up . set,
SheAndAnd
ISyouyou
N J^ p- ( J', ii > ^ I J'- Ji p- p J J^hold . ing upget so veend by be
her skirt, and sory fond of hering sor . ry that
she hap . pens toyou're pronip . ted toyou ev . er, ev
dis . playpro . poseer met
JustToWith
thethethat
^ 1f iR
/rsir
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68
i- iiji J>- J, i,j'. ,ii J'. J, I y itji g sbor . der of a vedam . sel who's in . sideper . feet lit . tie dra
ry pret . tythat charm . inggon of a
pet . ti . coat pet - ti . coat
.
pet . ti . coat
Trimmed with dain . ty lace and oPlen . ty of at . ten . tion toHere's a lit . tie mor . al it's
1rj7-jr s I'i I i'- Ji J'. ^ ^therthead
tri . fles you will note, Through thela . dy you de : vote, At hervi . sa . ble to quote, When the
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f^' Ji i'- i' Jr- li ' ^' I I ^ ' ^ ' ' ' ' T I,pud . dies she is trip, ping, And herfoil you soon arc kncfl.ing, And yourrain be . gins to pat . ttr You may
F
shoes she can't help dip.pin^,pas . sion you're re . veal . inx,
praise a la . dy's hat . ter,
W^^ mBut sheAnd theBut yuu
vi^
C. j, J) i'. i' i'- iiJi J'- M ^'- p p- p r Fdoes . n't dip the bor . der of her pret . ty pet . ti . coat 1cause of all the mis . chief was a pret . ty pet . ti . coat ,must . n't won . der where she bought her pret . ty pel . ti . coat .
CCHORUS.
Oh,.Oh,.Oh,
/^W^ E
the petthe pelthe pet
ti . coal
ti . coat
ti coat
^ p I J'. ,J^V i' J'. ii Jl ^JSuchSuchSuch
pretpretjca
tyty
p.tpet
lous pet
f k p i P
ti
ti
coalcoal
ti . coat I
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70
f^^ ^ h ;.. ^1 I ^'- -i' jJ ' - ii r ^^Trimmed with dain . ty lacePlen . ty of at . tenHere's a lit . tie mo
and o . ther tri . fles you will note, Throuj^h thetion to the la . dy you du . vote, At herral it's ad . vi . sa . ble to quote, When the
^ii ;, }\ y^r EEJi Ji i) J i ^f ^ud - dies she is trip . ping,
feet you soon are kneel. ins,rain be . gins to pat - ter
AndAndYou mav
heryour
shoes she can't help dip -ping,pas . sion you're re.veal.ing,
praise a la - dy's hat . ter.
m jti-j LJ-LnBut sheAnd theBut you,0
/^he.
Ji. J) J-- j^'W^'- M ^' F r F r ^ =1'does . n't dipcause of allmust . n't won
the bor . der of her pret . ty pet - ti . coatthe mis - chief was a pret . ty pet . ti . coatder where she bought her pret . ty pet . ti . coat
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m te*h^? -^pft.
If , f Ii^ ^
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12
N9 8.
Words byADRIAN ROSS.
Capt. Naylor,
TRIO. (Captain Naylor, Captain Pott, and Cosmos.)OFF TO CAIRO.
Moderate.
Piano.r^Et^^
Music byIVAN CARYLL.
0^[,/ '^ ' Jh
,i1 J^ i,h i7 r
^^1. I will2. I will
^ ^^
1^ F' ^F F' F F ^' ^' ^'1 ^- ^ ^'- ''^^^COS. ^
bet the crowd a din - ner that I get to E . gypt firstbuy the stock of ci . gar . etles and smoke them all in fives
S m1 willThen I
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74
;
t ^i- i'^J'- i'^>- JM, Jtl > A}>. jJ'v Iplay a game of Py - ra . mids andtake the crew and pas - sen . gers to
mark it onPa - les . tine
the Sphinx,in brakes,
iP.We'll
I^ ) ^ i ^ ^ ^1*
^ h -/ I r^=^-^ ^^ - i'tf>- J^ ^J
-'-
ji J). J) I y J) ;>. i J'^ ^wake up an . cienl mum . mies with amean to ride a cam . el though ' it
course of modfills me full
em drinks,of achesiOS.
We'llI'll^ ^ ^ ^S ^h ^ ^ ^^
^ r ^ fi
With aAnd we'll
^ r'Pw With aAnd we'll
see an Eas . tern danc - ing girl who's up to Wes . tern winks. With ateach you how to do it in a brace of A . rab Sheiks. And we'll^ E aC^'C^ :^
I f 7 f V -l-^20,932.
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75111 unison.
^ P -? J' ? g W H ff ^ N ^ ^ '/^ ^ r r r ryo heave ho, raypipe all hands to
hi-ar . tiesdm . ner
So we re , _off to Cai . ro,For we'reII h-
i i'-' i ii '> }''}' ^^ i'y^'^ ih^^ ^^ ^^^P. r J i.. iiiii'- Jij I
>ff to Cai . ro, off to Cai . ro, All a.mongstthe jol . ly Gyp. pies#^^: ^w */
P ?^ jM^5^^ 'j > I > >. > ^P. ^ ^ -*^ * Z7there, III get morehough its hot there now we're notW^m ^ ^ ?
9^1, N ? Il 7 K ^ If ?^ ^N lt;=^i< < - 7 *| - ^p. ^ h j>. j'l J J-'. Ji I fi ^ r r- ^
in a day or two For wi;'re off to Cai - ro, off to Cai . ro,
^ '/J' ^ Tvtrr/'.vr.
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76
r r if J-;, u^i^ r ? i r r i ^ iCai . ro That is where the pre - sent trip is, And we'll go ^^ P^^ ^ ^ ^i h i i ^^ p
,< f ^r ?^^^%
Li-L^-r^^.
#
f^ff^ff^i i
COS. i'2.
r ig ^, and you^^ :^^ ? ?^
^ j'rsp^ir^r^^^ i^
^ ^11: *
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77
Dance.
4J- CiJ- C^ ill nnr^fg;n ji-. ^1 j,i ^1 I ji-. 1^^^^ j) ? p -? j) ' P ''
; V rj 0- vmm ma'-'ij^^^^^^^l ^ ^ h '^' ' ^ ^^g I? ^^
i l^r- T \^ ^ ^^h r ^' -I I -j'-s^^F=^ j^ > P ^?^^^r ^C-/ ^#-^ ^ 4^ f P */ J) > P *> J' ^ ^ -> i' -> f >20,932.
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78
i i^^=^^m ^r: : 3' d < d>/
f - f ^ ^g ^ ^ F=r^? k ? ~^ ^-TTTfe^
-T* * ^ * */
^^^- L-j
1 t 1W^ ^^^ *l y. /r j' ' Fr^ m n ar a ^^Vh Jl -^ I j , 13-P^ ^ ^-^|_-? K^^^f'^^# f f F f^^^^^^
^ /^^ _ K -^? y 1
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TJ
m J'' h j'' i s^^ y ^' r =^ir^3 ?= ^^ ^ ^
Tj.Tff- J ' d
r ^ r ^^
^^ J ^'H- -m- #-//S
ir ^ ^^
^^^^
' r j> F1^ =?=
# # 1*
k^^ y^' 1'P^^
p fhM,
yv y F 3^20.U32.
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80
V-t ji 1 t X-J^^i^ i^ i ^f^ i^
^ ^ . ^ . ^^ il^ :?EEES* I -l #-i'rn-fi,, k ^^^ T f r r^^ Lvr./- ^^^14Si^^^ 1^ CJ'r:^^^ , J20,932.
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81
9. SONG. (Mr.s Bang and Chorus.)IN THE WASH.
byROSS.
Bang.Allegretto
|1> 9
Music byLIONEL MONCKTON.
^ h ^ -i J'^talk a . boul deknown a man thatcame in . (u a lee . lives in a stothought him - self so clebit of mo . ney one ry,...ver...day,.^^5 E E ^ ThatInAnd^^^^^f) ^^ J' i' ^^ g20,932.
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82
P ^' J' J) J' I i' ^ Mguess what . ev . erkeep - ing lit . lietook a set of
peo . pie say ormat . ters from hisman - sions near a
do;...wife;square;
^ ? / gIHeI
S^^'' J> J' J) I I J) > J' J. E. B. > 1
think that Sher. locknev - er had a
bought a spe . ciat
Holmes in all his glo . ry,...let . ter sent him, nev . er ...frock for best and Sun . day,.
MightAndIn
^^^^^^E :^ ^yj i> i' ^ ^^
i' J' i> J^ > ^?? B. ^ ^ ^^=^ ^ask the hum . ble
would . n't send aCO - lours war . rant
laun - dress for awire to save hised to wash and
clue ,life...wear .
If
HeIt
i ^iH' J '
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^3
,
f '^ i' J' j> J' 1^^ J) jm r fe ^==^a . ny crime isal . ways had thehad ma . gen . ta
hard to dis . en . tanbesl ex . cu . ses madesprigs to match my bon
gle,.up...net,.
'^^^rt^ ^
YouSup .And
r 1^ r T -
##=#=??^ S^ put the wa . shcrpus . ing ho dido . range dai . sies
wo . man in the box,.,not come home to tea ...,on a ground of green;
^^ForHe'dThe
f' J'^J^' J' J'T I ^1 Ji I I I Jwhen she's put acalled to see aser - vant went and
par . ty through the manfel - low who was laid
spilt the soup up . on
gle,..up-,it
\ ^ 1 HSheThatAnd
-i ''
f r f-* ^ T ^ ^
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84
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^ ^ ^ ?F=V =C:-r f^tell he's got nosaw his cuffs weregot It rinsed aad
f ?dol . tars By the ed . ges of his col . lars, for itspot . ty. Ca . fe Roy. al sup . per Lot . tiel So ttsha.kea. It was Just like streak .y ba . coa. For the
i CHORL'S. funis.)^e aUaUdye
comescamecame
outoutout
^
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86
fPB S^^^man may say he'ssaid his friend hadsaid the co . lour
?weal - thy but I know that'sgot the flue, but that's allw(juld-n't run, but that's all
-f^-^-J^-bosh I canbosh For Ibosh When she
^ ^tell he's got nosaw his cuffs weregot it rinsed and
dol . lars By thespot - ty, Ca . fesha - ken, It was
^^ed - ges of hisRoj' . al sup . per-just like streak -y
'' 1^ 1^ .. Ncol . lars, For itLot . tie So itba - con, For the
S all
1*2.^m I r ^ I'fallall(lye
comescamecame
outoutout
ininin
thethethe
wash, Wash,wash, wash.Wash, wash,
washwash
wash
^^fe^^ zaez n Em /P ^^^20,932.
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S7
10. CONCERTED PIECE.(Tommy, Captain Pott, Cosmos, Le Fleury, Phunckwitz,
Rosa, Air? Bang, Daisy and Isabel.)HOLD TIGHT.
Words byROSS.
Music byLIONEL MONCKTON.
Allegro
Piano.
^5ill? ^ _^=^=^
I 1 jtTOMMY. ^
f1. Y(ju'n have to brave the2. hoard it said the^f^
^ ^^^^^3^f^T'-'^l^^^ 1 1 .^^
M ^ r F r ^' ^ter . ri - blc wave as calmwind is a - head, and ve ly as you can,...ry strong it feels;. ThoughThet t
1 'I [i ^=^ ^^^^ t _^F=^=^
i- a i \^ 'I S J) ^^
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88
J' I h J^ 1^ ^not a few areship will pitch ex
lost in the blue Meces . sive . ly, which may
r (^ r Fdi . ter . ra . ne .in . ter . fere with
* ^^ ft rm t^^=^ 1 1 p *7 ? =t :5=r5= ^^=^COSMOS.^ ^ * ^^ E
ani A reefmeals Capt.P. You won't
or rock with shiv . er . ing shock maybe sick if on . ly you stick to
X4^^ J^ ., , ji ^ ., P
^ h 1 J' ^ Esend you down bewhat is best for neath,me And then what larks forSome fat salt pork upm S } 3 I^ ^ ^ 1 ^^=^ Tt^[t 1 -I ji 1^ ^ IT #i ALL.f' U' J' F r ^loc . al sharks withon a fork, a se . ve . ral rowscup of the sai oflors' teethtea WithAm f^F^ ^20,932.
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I>
ih i> J' > V g I 'lf p i ,Ji | J'i ,J> > J ^sev . IT . al rows of teeth,.cup (if Ihr sui . lors' tea
with biv . er . al rows ofa cup of the sai . lors'
^^ P ^ J JT ^Wkp k ^ V i
TOMMY.'m ^^ ) *f ^H.ild tight mo . thert ^ ) 'I 1
rffc E ^=^ ^ ^^ ^f [There it's bad e . nough;. But when we're out there's^^ i #^ t 7 ^^1 7 >g* I
I uJ0.y3i
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90
r. '' r ^ ^m ^ ^not a doubt The sea will be un . com . mon . ly rough
I I I ^ M 7 *WiW^^S: UJ L-l-^ ^ ^V ^^Hold tight mo . ther . now we're near the
-) ? ?
^ii r 1 te-
J > J^ F ^ Pshoals;. But when we're clear be .i^ F ^ Fa ^
*: j^^^^ ^f r ; 7 7yond the pier, Hul . lo
.
she rolls .,
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91ALL.
rfii^J- J- F^=y ^ ^ i mhere it's baJ crf^ Qough;.( V But^r M F r T J T
E ^ E^ r 1^ r ^hen we're out there's not a duubt The sea will be unm i=^ m i^ w'j t J 1 ^^
i i' [ ) h J i^ =1^^common, ly rough Hold tight mo-ther. now we're near the^mr r p ^ Eshoals;. But when we're clear be . yond the pier, Hal . lo. shef-^UU} =N^#=r-=^ ^
^
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9TOMMY. D.C. h 'If g ^^ I ^ jt , ^^
rolls
.
2. Ive
^N^l =?=y fill ?=fs D.C. %ff ^ ^ J^ ^ ^==^ ^ :y _^=^=^Dance.^ ^T^I t^O ^ Lj ^ ^^__ ,^^ ^ ^ ^ ne:^*
i i f f r f I f F f f I F f E^E^ > ^>'% J t J t ^E^e^i ^ Efei i^^. -^ 1^^ , lie ^
'*t i F f^tP g
a ^Ell -E ^ 1
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93
11. FINALE -ACT I.^VorJs by
ROSS.Music by
IVAN CARYLL.Allegro.
Piano. ff'y\hi i .
it^fe
i^ if^ Pm^ :fc^mr^X^ ^^m P fc=^^ ^w * ^EEI ^ ifeElm p^% gj ^ ^^^ ^ ^^1 te-^
Cast the moor.ines free. Warp the ves . sels round, Point them for the sea.p'^in I, IJ J. i *J> J) J I J J 1^;^Cast the moor.ings ^ee, Warp the ves. sels round, Point them for the sea,BASS.^^^^^ ^^ fcSCast the moor.ings free. Warp the ves. sels round, Point them for the sea,
^mm a* tfJ* 1 I J
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94
r j j I f ^ j I J=piV ii^ J i j^ f=f=^Both are out. ward bountl Stoke the fires with coal Till the boi _ lers burstMO; r TF F r ^f-^sF^^^^^^ f^Biith are out. ward bound Stoke the fires with coal Till the boi .lers burst^^ r I F F f^
Both are out. ward boundl Stoke the fires with coal Till the boi . lers burst
^ m ^ j I jjt i ^--TfI H i > *s** ^ I J iiJ' i' I r iJ \ } i ^ T7E . gypt is the goal, Who will get there first?P' i' i' ]' i' I f^^ S Point themf I p ;> I ^^
E . gypt is the goal, Who will get there first?
-Hi^J' J^ J^ ^ Point therr F M r ^E - gypt is the goal, Who will get there first?dh&W=^ ^ i Point themsimile.?^^ i i ^ it i- ^t^ J^ marcnib
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05
for the sp;
i '-r=r 'j=^ Wpa, Both arp out .ward bound Sloke the fires with coal Till the
f^^^i 5 i ^ p iiJ I r r ^jE^*>/)> f'F
i^i ^^^r155 ?ii3i 3 IP ^;^ ks *
for the sea. Both are out. ward bcundt Sloke the (ires with coal Till the
f F r I f fM^Hr-r^^for the sea, Both are out .ward bound Stoke the fires with coal Till' the
*
m f^^^ iboi - lers burst,42boi . lers burst,
boi . lers burst,^ i^^^ill the boim m.m
-5*1*
Till the boi
mfr^ f \ ^ I ^ ^=Till the boi
3^lers
-x^
lers
lers
y > ^ \\ \lburst
burst
Xj*=4.I
butstl
3^
^^H^H
g
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96&llegro moderate.tfii F ^ F ^ m *^=^
V * ^^ ^* ^rialm CAPTAIN NAYLOR. / h. i) J' Ji. ^t V .(^ In spite of the waves and the^ f P^* t t^* * ^ / ^=SMiu CAPTAIN NAYLOR.
^ car . ry the GovCAPTAIN POTT. ern .ment mails .i i ^ I J>. >ii > P^ ^And / have the fe . males you>% rr
i * * *
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i*1
< ^ m ISABEL.^ t F M^- >^ ^' T ^^^^^OhI fiv to the land nf the
$ dkA CAPTAIN POTT.w ^ VtUi ^^ i ' i -i W''^V)^ ; m
i ii^'' ^' ff ff ^' ^ ^ ^i-=-Nile,. To pyr . a . mid, palm and ho . tel;.P To^* r^fr
3^ ^ -I - ^pj A i; I? ^. Ji4^^
:i
suns that in .cess . ant.lyjjl DAISY.
smile,.
g i ^ J 1^1 p- J^ilJ' J'- ^And pes . si .ble hus. bands asy d J =3=
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98SIX GIRLS, CAPT. N . , CAPT. P. and CEOYiVS. (in unison.)
MP J). }i i' J'. ^^ ^^m0-pyr . a. mitl, palm and hoA tel ; To suns that in . cess . ant . ly*_5 m _
-/tfi f ? L f f . f J^ JL^l*=^ ^
CBOBUSOnlv/ kAi-4ijmp-^^^^^ ^ E** smile, And pos . si - ble bus . bands as well I In( # ^ ^ F WS>):y ^ f , f 1^ Jt Jt_JkK ^ ti/ =^
^ -Jh , t J^u-'^n n I f'' ^ r I F M^ F F F i^^^i
spite of our fem. in . ine host,^ ^^^^^E/.^r^r-i^L L
Su . pe . ri . or luck we en joy; We're
t- X^
:F^=^^^E ^fg2.f20,932.
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09
f f f F F F I r * 1 1 i J' J' i' ^' ^' I F . w J ulsuro to bo first at the post Wf Car. ry the M''S . sen. Ror
gJ'J'J'i'i'J' i F I I. I , I .|
, ii ^ i C ^Allegro moderato.car.ry the Mos.sen.ger Boy The Mes.sen. ger
ItBoyM =*a ^ ^^ B^^ ^
ytp TOMMY.> -> iiJilNo she.l-LfeESS:-J-MgJ^
te^g^fc^ -p- lucom m m.i=r f j^ 1 t
^^^1i = m
jtf J | J ' > .L IU' h I l| ^ ^ I I l| M Iis.nt the Mes.sen.ger Boy; I'll ^ive it her hot when I get her Sh e'suPLTU-j^20,932.
ff5*^^ a a=:
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100
J f I' ' I I l,JJ I ^=5ve . rv a - cute, she's Vrsto.len my suit, But h > J' Ji^'
I shall de . li . ver my
-S 1 J h J^ ps=5'j^ > > ji I Ji i' i' ji i' ji I r ^Yes, of course, I'm the Mcs.sen. ger Boy
*fa*^ m 4 e And^=^^ :^^ i > > I J' J' ^ J' I .^^ E1^num_ber'd as such on the ros . ter It's clear as the sun that^m n . nW^te*^'[1-^ C^ i ^^ 1=1 ^u&F M '' I' I i^H ^^4***
I am the one, And that is a wick.ed im . pos - ^?,'',', r,,,^ ^.CHORUS. O ' so.j
e^ Si i^E ^Yes, of20.932.
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KM
F I F H- J^ jl jcourse he's the Mes.sun.ger Boy
itt^^ And num.bii'd as such on thef' ^ ^ mi s^ t^ c^ ' c^ c> ^ o
g i' J^ ^ JM J' i^ i, J. i s^ ^'u ros . ler It's clear as ihi- sun that is the one, Andm^^ O^ ^ D> ^^
(^ *ir j, jt J J^ Ji i' I ti^ p j) ii I i' Jl i i ii j^that is a wick.cd im . pos . tor Yes, of course he's the Mes.sen. ger
W^J JU ^IIi . ^ fi I i' i 'F I F nll o . thers areov o . thers are boun - ders and brag . gers; OneM.m ^^ i r T r H20,932.
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102
Ji h' J' ii ^s^ ^^ ^^ mrlook at the youth is a proof of the truth, That he is the gen . u . ine
ph^ iJ.>>iJUp ^^F .^ | ^ ^ppp^Xlook at the youth is a proof of the truth, That he is the gen . u . ine
^/j^^^^ ^ ^ I r f fT^ F H M Mlook at the youth is a proof of the truth, That he is the gen . u . ine
ij r f rP^ W^ 9 g ^ El^j;ii V . # 0L ^A i* ll *_jlJ*i=r ta r T iAi=m^
Allegro.
^Jag-gers
0-^^^J-MAJag.gers
'JH'> t' i? i PMJag.gers
Allegro.
|
V jt;DL[
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I03^. ny m-'hhVv r
A . ny more.
or the shore
^^For the shore
iFor the shore
his . ties
Whis . tits^Whis . lies
^^^/S^^ fefe^Etrem.
?2j
^^ ^^=^SF-=-
i^^Msl^ S -^i
blow,^^ blow,
blow,
^ff we gof ^Off we go
^Off we go
Off.
Sc-
off.
Off.
$
r f n
l *h r [ r ffiH*i_4i
^#=-^
rt 0- #s-'
fe *? jt *>4/3
^^E^11
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104Tempo di Valse.mt' d ?.^l i
go
Mf 'i ^U igo
go^=^
Tempo di Valse.
3EEE Mmway be
fci A^ay be^ tt^^ I jt fA . way be/ -
V J i J I J i J I 1 1J I J i j^-^i-^rTr^->-^yond the bar . bour moulh, The har . hour mouth to the sun . nytm J > J I J J I J I J I I J 1^^wyomi the har . bour mouth, The har . bour moulh to the sun . ny
')-4n\ \ Tip 1^ ? i m tyond the har . bour mouth, The har . bour mouth to the sun . nyP J ' J? ^ S ^S '^ E ^-T y y ^^r # #Ef ^20, 932.
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105
*4:r J I r > J I r M i r > r i r j
south A . way a . cross the wa . ter fast, Andm
mj=p f^i ^ i^f south
A . way cross the wa . ter fast, And
m^ i P ^ ^^^south A . way a . cross the wa . ter fast, And
ii t c [TJ ^ g^fep ^^'^^*
i.I f=F tt ^ ^ t'
^Mra//. y |=M a tempo^m- i 3^p: l^iM^who will be win . ner and who be last? So off they go, At
HJ-^ail.^ =JC=ttJC a tempom ^ i0=who will be win . nor and who be last? So off they go, At_ii a temporail, -=.-->. ^ -^ --, --. '
^ r I r ' ^ EEP r I' ^ rwho will be win . ner and who be last? So off they go. At* ^ ^ ^=.-rail. M A^m^ in a trinpni
=^^ ^ a^^^ ^^t t^
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lOG
yn^ J i J M .1 1^ ^ ^first it's slow, But soon they'll put on the pace, we know
>ii^ J 1 J
IJ J ^=N J > J \k-
first it's slow, But soon they'll put on the pace, we know
) r i r ^ ^ fcfirst it's slow, But soon they'll put on the pace, we know
*M i^ ^s^^ 3: P V^^g^ m m t t t# A^*t^^^s i VUJWla_=z: 5= =^' rOn.ward to . geth . er, Vy . ing in mo . tion, Brav . ing the wea.ther and
(j r r ^lipitf p^ i r r ^p i r ^F r N [i^^nOn.ward to . geth . er, Vy - ing in mo - tion, Brav . ing the wea.ther and
m^ m m Pi f^|^'^ r ^n*r p^ i f Jr i , f..^^On.ward to . geth . er, Vy . ing in mo . tion, Brav. ing the wea.ther and^^ i w ^^F^ F < 1^ i ^ /^:fe^^ S^ m m ^
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I07
*im J I < ii *ii^ J ^^^mcean
On . ward sail . ing,ion . ward
U1-11 fi . :pir-rirth J J i^ cean On . ward sail . ing, on . wardI > iifiiHit r r ^T ^ iceani On . ward sail . ing, on . ward
P^ P A 3:)-|t||*j;^^^ yin j f-f ^ muifcfc,i^^ sail - ing, ^ D=ver sea to the south . ern land, P^Who willisH J \'
sail . ing,^ 32
ver sea to the south . ern land,r r IWho will
j^^^ ^ H-^^-^ ^sail . ing, O . ver sea to the south . ern land, Who will
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108
fl *''' *r r i ^ri . umph, who will stand Fore - most there on gypt'sP^ iP pitri . umph, who will stand Fore - most there on gypt's
')% r r i n f^^ ^ zz:tri .umph, who will stand Fore -most there on gypt's
*^i in:# ^^^; /f=* f=t r=f ^ ^ ^f6tt* i
sand ? None can say what one pre . vail - ing, Shall a
*im i Psand ?
^#rNone can say what one pre . vail . ing, Shall a
^=^T=^ P Psand? None can say what one pre . vail . ing, Shall am
ft /i ^ra=
W^ ff^ ^to20, 932.
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1U9
ifctt*&con.quer . or's crown en . joy He who is there,
m ^First of the
^fe ^^ ^5f ^5Eicon.quer . ors crown en . joy- He who IS there, First of the^ isSyn r r P IPcon.quer .ors crown en . joy He who is there, First of the
^BF m ^ait ^=^ czre t-1m. m iii ^ii'tt
i- J I J J J I p J tep^pair, He must be the .Mes . sen . ger Boy^ ^^ Hal ^pair, Hi; must be the Mes . sen . Ker Boy Halnh r r mpair, He must be the Mes . sen . ger Boy
.
Hal
jF C ^ r ^ i ^ ^ M^ Me s=f=*^ ff% ^ it i ^ ft20, 932.
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110
a i ^ #^=^T^. lo hal . lo whom have we here? A la . dy fair, and a^ i J 1 J I J J I ^^- lo hal . lo whom have we here? A la . dy fair, and a^^ f r-(*f ' < r ^ ^
^etlo hal . lo whom have we here? A la . dy fair, and a
M m ^*^= -* i ^ ^ ^^ i 4^$^ ttf f*4i^^ Ei ^ F^?fi . nan . cier In vain, in vain, it's all in vain. Thef^m s= 3 P* jE^P?
fi . nan . cier In vain, in vain, it's all in vain, The
'f'H^ r < r I f f \ ^ I f I ^ > f I f i eIe^fi . nan . cierl In vain, in vain, it's all in vain, The
**: m i litm i 4>ii
,
)t t m m ^^ i^t20,932.
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Ill
i M.rail. - tempoW =B= i^m
'Mmes . sen . ger will not come back a. . gain He's off, he's lost, andrail. -=;>. :=,,; ^ ^^'a tempo^ i*r i i J If ^ ^mmes . sen . gtr will not come back a . gain He's off, he's lost, andi rail. a tempor r r I r ^r ^ * r I I 'r 1?mes. sen. ger will not come back a . gain He's off, he's lost, and
M: ill ?rn//.mnf^
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'
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fair . ly gone, You'll have to wait or to fol - low on.
fair . ly gone, You'll have to wait or to ful - low on,
Pfair . ly gone. You'll have to wait or to fol . low on.
*ti * s ^m ^ g ttP t m 2.9- r ^'^ I 9-^M
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112
rT^y r-
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ijft
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myour
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lis
* r\rail.^^ \ F F^
*fcgone, and will come back no more,.
rail.
i ^one, and will come back no more,.rail.H||i if' -^ I r r=Nf^ i
no.4^
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gone, and will come back no more.
['im ^
more
m=^ ^moremore^ it= #- -fP- * 1 4-g-tI^g^a tempom i ^E lt-r t-t^ mW* < * i=a ^ /TNt^ f
/TV* ^ ^ 3:20,932. .VD OF ACT I.
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114 Act II.N9 12. OPENING CHORUS.
Words byPERCY GREENBANK.
Allegro
Piano.
Music byLIONEL MONCKTON.
^]Jr,^J?P^ -^ f^ym tst ,mrr]r rpoeo r=f f^^
^ ij ^r=T f=r
f- f- f- r f- p- f- ? f- fj'l. ^p^ p^ j-^j^fie ^P J~iJ-^ i^^^
/s * 4t I^^ ^ i f
SSheltered from the
Ji .
ncjon.day glare,m ^ i E/
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115
^'i J ; ^ J-C\ - vi - lized so
^^l f=IK If###ri - - tv.
^^^w^Ga . zes on the
f==-^^^ fpass . ers by,
m h f f f ff^^ > 4E f Tf fUM FfcAto
#. .M^f4^itf^''- J f i^Who af - fortl the
^ i. r P T g^^cul . turcd eye
mit-H-g-Plen . ty of
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116PI
^Vi - si . tors from
'y^ r F ^1^^^ sk
near and far.
^m^^
As a rule the^^i^fpeo - pie are
^
fet|* * ;? -m'-
g^^* f~* *n - -9 f^
=^^ ^Shel - tered from the^ noon. day glare,-^ P P-^=^^^ ^**
^## =^^^ f^5=S
iJfc^
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117m j J' j J'Ci - vi . lized so0- it- f- ^^^^^^
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:g i r\ '
t ^ fVi - si - tors from\^M. M. M. M.
=^=^^ear and far.
iJ
ijj'i. f y ^ ts tA^tt ^p^
* f p^ J J^c ^1^'# #r F r p r ^f f f ''^^^ ^^ ^eo . pie are Ve . ry, ve . ry cos . mo. po - li . tan,f ff r-^ff g r P =1
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^g ^ ^s I ^ ^#^ ^^M^EI^-''I, j ^ j ^ k: 1S>- - ^< r
ve - ry, ve . ry. ve . ry cos . moS ^ po . - liif E^^U sJ
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118
i^ -S-^ I 7 7 jl ?tan Is#=^ # JF.
^ T ? 7 j[ 7M^ M #. ^k^s ^ p. ^ 1 > J/ a ^ It J^^^
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Eh*^m f ^ J1 ^Li^istesso tempo. Some re - main a while^m i ^^ f ^ i n~*^^ ^ mm m w^W fc nig ^^-.^f^^ ^^^In this bu . sy town,. Some go up the Nileips f ^w^ a : -m m20.932,
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Il
fr-y i?r^^fiw -j^ l J'l.^^ f^ *i ^mSiiim- are CDm.mn down; Some are well - lo - (Jo Some have in. comesi-ifc#' #--r ^ 5^# h^ * =1=P t *small Some have aims in view, Some have none at all,
3===^ J^^ ^ i mr ^ J. JI^m m wm^Some have f *none atE }i JM ? jt *?all[\ ^ ^ i' i ^ I -? iTEN.* BA.SS.^n/: 1Pi/ Buti^te g^ T=T * ^== ^^f =^=^^ ^f =^=^ ^^h,\^ r, ^ p p rJ^ n r r Mp M i^ ^
if there is a . ny - onerkt K-
ra . Iher in doubt How he is go . ing to^n^^=i ' 1 'z JM 7$ fc T===T ^^=^ 1 7
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uo
''y' 3S *? jS ^y ^^== ^^=: *y v i] ' ^^
f 15'^ i-i> M p p ^^ ^n ^ ^p ^ r ^ ^Hoo.ker Pa.sha is the par . ty to go to. If there's^^^ ^?^^=^ ^^=^ 1 1 j- 1 1\
Vn'\^ h ^ y h ^ V ^^ =^=^ *? ? ==^Mp M ^ f I p M ra . ny - one ra . ther in doubt, Yes, ra . ther in doubt,$ ^r ' ' j' ' 7 ^ ^^^? 7 J '^ -
^ ? 7 ,^^=^F^^=^ ^T=^ T=^ ==T
r^ni'i) M M M I M ^ '^ t^ h ^ p p [;^oo.ker Pa.sha is the par . ty to go to, the par. ty to go to ish 1 1 1,,^^
V'i>h> j) 7 7 J) ? ?
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121
->^'-.> F M r ^1 \f u f n \^ ^ n M^ /:^> J J^ J. / ; I J' J* H' J'4
Hoo.ker P.t . sha is the par- ty to go to, Yes,
Hoo . ker Pa . shal
3: i 1 I^m= t i ^ ^ i *i *}
^m/
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^fa:^
ff^ 1 ?, * m m *P I M' ^^ ^zAJ' ' ^Hiio.ker Pa .sha.^ Yes, Hoo.ker Pa .sha.^ [? F r ~ F ' ^^=>
But
i fc=.f^m
'>\'i F P \f- ' m s i fc:' ' i 'Him
.
i' i^ > j) > ^< m:^^
20,.
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122P Ptown.. Some go up... thp... Nile,.
^* W F F g F I F M Ff
f I u r r EEtr.i.vel a . bout, A word of ad. vice to the hii^h.born and low too,
VV \^==^ i 7 7 3 1 ^7 7 / / i 7 7 -^^ ^V- 1,^> .^E^^^^') 7 7 ^ > 7 7 ^ 7 7 ^^ ^ y 7;>-j i . t, i: h II V ^F I rV ^ ^ J' l r- ^
Some are com . ing Some are well - to
Hoo.ker Pa - sha is the par . ly to go to, If there's
$ ^do,
J .1 J J IJy M F F T r ^ r
r=^Some have in . comes small,
ra . ther in doubt.
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I2:{
IT i i I t'^f i l ^ ^ i' iSomo hav *' m--0* W^m m mm=z m i *lrr-Hookfr Pa-sha Hooker Pa.sha
#- # ^
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vnihfUr J i' J JM J> J' J- J 7 I J J'^ J P
Ct . vi.lized so . ci . e . ly,. Vi - si. tors from near and far,
r ff fir ly , g E cr;e^ ;fc=4fc=^rjf f i tfJ^jj i i ^j^ f i> j^ tE '# .^ #. #. if^ '' f ^
^ J^i^ J^B P Vf MrAs a rule the peo . pie are Ve . ry, ve . ry cos . mo.po .li . taiii'>'iS. F fF ^f y r-^nF M ^iI
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^tt^ ^^^ & s^ ^ t:110,932,
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12 >p. tao
^m^-fr-^ C V V i ^^ ^x^ y 7 > ^ ^
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15t TRAVELLER.J W ,f J' I j^^ tf J' J ^''I want to cross the des - ert, but it^^^ i j' - h V ^ h ^^^^ ^^ ^^^ s^ ^s E^ ^5
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126CHORUS.
g^ J J' J i' J' i' J J' ^^ -^^-^ ^ Efills mc with a larms;. Hoo.kcr Pa - sha will fit you out fl$^ ^ F r i^ ^
'Hoo.ker Pa . sha will fit you out an^ -^^^ ') ^^ 7 ^=^=r= ==P^= :^ ^=^=^ W 7 I I /^ 'V rfc i=t -r-r -^^->- 7 72nd TRAVELLER.
es . cort un . dor arms 1
is 1^^ ^ is Y^=^^ &^ ^-^-^ -j' ^ ^ j ^=1^ =t =t: 7 7 -^ -y- fctg J i ^ J'
. CHORUS.J' J' J i' ^P^ ^ ^
don't know where to buv them Hoc . ker Pa . sha has some in stock, we're
m ' m w ^ Hoo.ker Pa . sha has some in stock, we'reffct Z ) 7 7 ^^ ^j 7 7 g ^S ^1 7 7
V^ ^ 7 7 ^ j V-7-y- -7 / / -7^^
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1273' ? TRAVELLER.^P 52
sure he will sup . ply thpm The Pv - ra . mids one
Il P ^^=iought to sre and
fep r i? Ifsure he will sup . ply them') ^ j) ^ ^ ^ 'R^ ^ ^ :p3^i *) R^
r^=^ ln^
^^^^3S^=t ^^ ^ w J' y y K ^^^ CHORUS.
Hoc . ker Pa . sha will
ij ' ' Iy y ,E=r=^ y==^^^^^ -^^-^/
J ^ ^' K ^j > ^ . ' ^j > yy f. ^J- I J'
4thTKAVELLEK.
ry best of
^ r FT F r Fr '' rthee . com . mendi Ji ' ' ^
ry best of guides .,
'F- I. V - ^-yy-^^E
P *f y ^^^ h ^ ^ f^ ^ ^f1r^~T- ^v=^ h - r y y
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128
TR. i ^P 1 ^ ^ ^ ^ ^P EE / /t
want a good in . ter . pre . ter, for words are apt to fail one
F -v-r- -y-v^ ^ ^ K ^ ^w) 7 7 ^^
V ^ K V-^^-r^^-
^^-^^7-^1 rt= P^=^
CHORUS.M F ^ Hoo.ker Pa . sha can
>>: f f F r ^;
^ *let you have a
^
^^fe . male or
male one .
iHoo.ker Pa. sha can let you have a fe . male or a male oneU
^) ^ 7 _ ^=^=^/
^ -^ ^< ,1 '>
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fy , i SS;
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^^^ :^==# i
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^ M M ^'he is a won . der . ful
^ f f r F Fman,.. And
i^^he is a won . der . ful man,. And#=^
7 7 h ^^E ) 7 7
) 7 7 J)=^^=^
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129
few have an in . flu - ence
n ^ ^P J > J'wi . dir; We^ ^^
^^) J' J' i' Ib(i\v tu him since he's a
III
|i\
|T rI
;)- M'ff F F ^J' j^ J' y P3sort of a prince, But a ji p ' ' M I 1 I ' 'Ilost u - ni - ver - sal pro vi - der. If1^ M B F ^ ;F ^ i rl *? ?
, ^ ^ ^
r'*^^ T=^N */ ? .1,^^
J^ ^ ^ =^=^
) 1 1 I, h ==^=^
I) ? -^ _ 5
M M f ^you would ex.plore the Sou
^dan, Or1^hi t [I ==^
^^^^[^^ ^ ? h 3^=^ ^ ; ? h '?=^
toil up the Py . ra . mid
|
l
|i II 1^ F ^
4^'
' j- '*i ^ _ v%
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i:^o
F g M F ^'hold of this White . ley And
t^ ff f M ^ i' J' i> J' i' hask him po . lite . ly IfMM ^ P FN *? '7 ri,^^ ^^^=^ ^?== ^^==^ ^^^^^S -w==^ ^^=^ ^^==^ =^=^ ^^=^ 3^
^^ M F M ^he'll put you up to the ropes Oh he is a won - der - ful->^ P M P ^^ ^ r ff t^ 1^ g =^
? *? .^^^ t? ^ ^ 'y? ??/
j^ -/ 7 r ^ =^=v=^? 7 Y=^=^^^ h ;) J> ^j=J^
man, And few have an in - flu . ence wi . der; We^ ^m M, ^ ^^m1 '^ 1 1
\ i 1 ^ ^^*? 7 V=^=^ [^'7 7 J) -7 7
f
^7 7 ^
=^=^
t 7 7
K 7 7
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131
\i,
h h ;. J^ J' i'I
J' j^ J'- > , >,bow to him since he's a
:ji ,M M ^sort of a. prince, Bui a
P- ^P M p p^^^ost u - ni . ver . sal pro
^ ^ P P^U^^=^ =^=^ F ^F== i ^^ 1 7 1' i =^=^^ ^^=^ ^^=^ =^=^ '^==^ '^=^
i M F M ^' I ^ hW. vi - der. If you would e.x.plore the Sou . dan Or
y=l=^ ^^ F M M g ^^j 7 7 H =7=^ :^ ? g ?=^ g ? ? > ^ ^
f\ ^ ^ ^i^ 7 :y ^F==^ *? 7 y=^=^
r~M M ^';>- p F P-HM?^
=^=^ * 7 ? ^^ '^=^hold of this White . ley And
=?=^ ^^==^g^ 7 7 _'F=^=^ ==?= ^^'?=?^ :y 7 =^=^20,932.
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133
j(- > J' i' J' ^^ask him po . lite . ly If
v^ Mp ff M fJ' > J' F P Phe'll put you up to the
ff M P ^ ^^ -^^-^ tropes Hoo.ker Pa . sha .
=?== jlf
*? ^
^^=^ ^==
^^=^ ^ ^^? ^ S=W=^
^=^ 1^=^M^1-^ ^ M M ^ 7 ? j[ *? P Pa Hoo.ker Pa^Y-^ , ^ g ^1 sha5- ^J ? *? ^ 7 Pa shal.#'i
/C\ * *: * ^ I*:~ T r ^ ^-^ # i i^^=^*|; 7 7 ^
I te i *^)- F - \ n\ 351 1 i *i
I /TN? ? ? j[ ?a->i i ^ /?\
J ? 7 jt 7 ? ? j[ 7 ^ ^7 7^7^^ =^ 7 7^7 ^7 7^7
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133
N9 18. SONG. (Clive.)'A PERFECTLY PEACEFUL PERSON.
Words and Music by PAUL A. RUBENS.
Clive. ^^==^fi p
Piano. ^ ff(s^^
^ i^_M=f^ Pcan't stand ev.'mng par. ties, I a -bom.i.nate Sun . day calls;j' J ' H> 'h r J rj
^ ^^ ^^^^Pl^ fe=^ ^
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134
c. 1^ J J' J' m m~9 bar look . ing on at fire, works, They're al . ways beast . ly slow, In
m f m^fi 1m ^ ^^
if-^^ti J JO ' J J I J > > J ^ Jfact I'm fear . ful . ly, fright . ful - ly bored Where - e - ver I'm askod to
l^^m ^ fT^ .2.*=P
f p ^ ^p Ji^^ J J J ' J' Ig'>- But I'm a per . feet - ly peace . ful per - son. And I
fe=: ^ f^mJ
,J
: z:
Sf
mset, don't much mind if Imf m^
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13.-
JL^iJi .' tp ^ I r ^[i P r ^ ^.ber or blind, I don't care if ills fine or wet.
^I'm such a
> ^j > ^^ i ^^m 4 fc=i ^,r_L_jiu-tJ J i j J [P I p p J itJ> i' J I J1-.4J
per. feet . ly poa( . ful per . son, It.... real. Iv don't mat . ti.r a scrap, I'm
f- * iii ' ^i^^^SE^
m^^^-^-sW^F'r-f--
ir ij g-T^
Now5i ^Sf*
I r I^'iI=^e^ W 3e r i P i
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136
say I get a
J J I J )
2:
^'1. r i J
^^ -**let . tcr From my tail . 01; just to
5^say He
T1^^
^^ ^5 PP^ 3 ^^hopes I'll send a lit . tie cheque, By half, past one next day. If I've
C. ^ ^ -^ rz2got a . no . ther en . gage . mcnt To lunch, it's ten to
S
W M r I J J ^r ^ I f FP^,T Icut the tail, or and meet my friend, And lunch,-it's much more fun For I'm aMj J *
^n r M ri^ ^^r 0 a
^ P20,93:3.
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137
J )|J' ^ I J ^per. feet . ly pcacf . ful por . son, And I don'l got much up set, Bui I
3:3; a. ^ a ^ S 3f^ f^^ f^ ^^ ^ I r ^F F ^ ^ ^^d' d :ccr.tain.Iy rf prefer lunch for two To pay . ing a dri.vel.Iing debt I'm such a^m ^ ^fe fe# ^^^^ i >[* I f? F^ ij J' J''^ U-^fper. feet . ly ptuce.ful per. son, It.... real- ly don't mat . ter a scrap, If ai ^m w^ fT g^^ P=^=^^ ^ ^
^^Jii' J > J'I1.4JLJi> ^ 1^ ^bill I can't meet, why, I just go and eat. In fact, I'm a rare smart chap.irati.
^ m3'H JtJ J
1 iz^ fIZC
f t v/-^*20 932.
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138
EXTRA VERSES.
Now I'm not the sort of chapWho cares to get a 'Vai-sity blue;I'm bothered if I'm going to tryTo stroke a Leander crew :
I never play at football,It makes one fearflly cold,
And cricket's simply bunkumWhy, one always getting bowled But I'm a perfectly peaceful person,
I've a suit of sporting togs,And the one exercise that I do j)atronizeIs to just walk about with dogs
I'm such a perfectly peaceful person,For polo I don't care a scrap ;Why, I'm bound to confess that I much prefer chess -In fact, I'm a dashed smart chap
Now there's been a lot of troubleJust lately at the Cape
'Tween a bit of Royal PurpleAnd a lot of cheap Red Tape :But as Kruger won't surrender.
We're tighting him to-day.For our noble Queen VictoriaWon't think of giving way.
For she's a perfectly peaceful person,And she don't get much upsetBut if Kruger won't do what she wants him to
He'll get something he won't forget
:
She's such a perfectly peaceful person.But she wants the African mapAnd for these little jobs she sends out Lord BobsAnd Bobs is a dashed smart chap
Paul A. Rubens.
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13il
14. SONG. (Nora and Chorus.)'when the hoys come home on( f more,
Words byLESLIE MAYNE,
Music byLIONEL MONCKTON.
Tempo di marcia
.
^ /n /mi
[k ^^>-v =i ^ rf ^f i# wNORA.
I I I I I
I IM J J J I J J ^ ^1. The boys go march - ing down the street, With a2. boys go for - ward to the fight, With a3. boys will come back bright and brave, With aw ^^t
simile
.
^ i ^ i ^^^* t*a ^^^ ^5 P^tramp, tramp, tramp, And a tramp, tramp, tramp You hear the tunc of atramp, tramp, tramp. And a tramp, tramp, tramp Thrir hopes are high and theirtramp, tramp, tramp, And a tramp, tramp, tramp With bells that ring and with^^^tz^m i p^
Tramp, tramp, tramp.
aTramp, tramp, tramp
^ramp, tramp, tramp,P ^mTramp, tramp, tramp 20,932.
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i40^^ ^ ^ ^thou - sand feet Its ahearts are light, Us aflags that wave a
tramp, tramp, tramp. And a tramp, tramp, tramp, Thetramp, tramp, tramp, And a tramp, tramp, tramp Andtramp, tramp, tramp, And a tramp, tramp, tramp, And
Pm Tramp, tramp, tramp,P Tramp, tramp, tramp,?^ r^^Tramp, tramp, tramp,P Tramp, tramp, tramp.
F^ -^ijn-rwho sigh. As the boys go gal - lant - ly marrh - ins; by. With aand all And a - gain their ech - o - ing foot - steps fall, With a
i - day. And the flowers will rain on the sold - iers' way. As lb
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141
b?'' ' I I I I < ^ hje i
tramp, tramp, tramp, tramp, tramp,tramp, tramp, tramp, tramp, tramptramp, tramp, tramp, tramp, tramp
But a bright - cr day's inBut a glo - rious day's inYes a glo - rious day's inM tj i 1 iTr.imp, tramp, tramp, tramp, trumj), tramp,tramp, tramp.pS} iiJ J 'J^ l.> > I -tramp, tramp, tramp, tramp,J J
Tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp,a ^mm r r r rTramp, tramp, tramp, tramp, tramp, tramp,tramp, tramp, tramp, tramp, tramp, tramp,
^ hi t Ms^m p^^ j^ j^ i ia *te:S
f p^ J'' J'^^f^ ^ :?= zzi S
store, \Vhtn the boys romi' home once morestore, When the bcjys come home once morestore, When the boys come home once morel
Oh,Oh,Oh,
girls,girls,girls,
^ fefe i ^n imrj. I j i^ramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp
I ^v J J J J I J J J J I J r r r I f ^^^tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp,tramp, tramp, tramp, tramp
^' i\} r r r r i r r r r ' r f=^ i^tramp, tramp, tramp, tramp, tramp.tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp
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142
4 ''' J' J' j^ J'hap - py you will be,hap - py you will be,hap - py you will be,
When your solWhen your sol 'When your sol
dier .dier
.
dier.
lads youlads youlads you
see.see.see.
^m 18 11i i^ m ^^^^m # mi f' J) h j' J J' i' I^ ^ ^
Hearts willHearts willHearts will
i ^all be full of gUie When theall be full of glee When theall be full of glee When the
boys come home onceboys come home onceboys come home once^m ii i i i zatzr^^ f ?i
ttfe (7-? ^ ^zzmorelmoremorel
SoonAh,
Armswillgirlsthatm vie - to - ry be wonon - ly tell me thisnev - er were dis-graced
Tramp, tramp, tramp, tramp, tramp
SITramp, tramp, tramp, tramp, tramp
^^nhrVH^Tramp, tramp, tramp, tramp, tramp
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143
#And their du - tyIs Ihere no - thing.
Yim will glad - ly ....
J'''' J J i I^^ r^^
bravp - lythat yousee re
dune,miss,placed
JustAren'tEarh
i^ m mthink,youarm-4-
r f$^ ^ i
what a lot of fun. When the boys come home oncelong - ing for a kiss When the boys come home cnceround a-bout a waist When the boys come home once
moremore?'more
$ U ^ J J J m ^i T= ?r=r^ rI m i ^fi ^m^^ ^m E P ^ i ^^ZBZI
fe-^Oh,Oh,Oh,
VlJ (^
Oh,Oh,Oh,'^M T
girls,girls,girls,
hap - pyhap - pyhap - pyyou will be,you will be,you will be,
When your s(j1 - diur..When your sol - dier..When your sol - dier..lads you see,lads you see,lads you see,
I' J) i.i J' i ^^^ ^girls,girls,girls.
hap - pvhap - pyhap - pyyou will be,you will be,you will be,
-
t-t^-HWhen your solWhen your solWhen your sol
-0
dier..dier..dier..
lads you see,lads you see,lads you see.^ i :5=hap - pyhap - pyhap - py you will be,you will be,you will be, When your solWhen your solWhen your sol dier..dier..dier.. lads you see^lads you see,lads you see.20,9.32.
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144
mw^t
HeartsHeartsHearts
PHeartsHeartsHearts
'^li' i t raHeartsHeartsHearts
willwillwill
willwillwills>willwillwill
$^^ W^^^^^ P ^allallall
bebebe
fullfullfull
of gleeof gleeof glee
When theWhen theWhen theboysboysboys
come home oncecome home oncecome home once
^^i ^ i mall be full of gleeall be full of gleeall be full of glee
When the boys come home onceWhen the boys come home onceWhen the boys come home once^ M g r ^=^
allallall
be fullbe fullbe full
of gleeof gleeof glee
.
When theWhen theWhen the
t
boys come home onceboys come home oncebovs come home once
t ^
* * -^
^^mmoremoremore
moremoremoire
SoonAh,Arms221
-Ewillgirlsthat
vie - to - ry be wonon - ly tell me thisnev - er were dis-graced^ ** * J' g:Soon will vie to ry be won
Ah, gitls on - ly tell me thisArms that nev - er were dis-graced
- j'V F r f 4
SoonAh,Armsf
willgirlsthat
1*zsz
vie - to - ry be wonon - ly tell me thisnev - er were dis-graced^
And their du - tyIs there no - thingYou will glad-ly^^nd their du tyIs there no - thing
You will glad-ly
And their du - ty ,Is there no - thing
You will glad-ly
tti20,932.
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n:
i^ ^ s I p p pi i^
brave(hatsee
ly done
,
you miss
,
re - placedJust
Arcn'lEichm
think,youarm
Whatlonground
a lot ofing for aa -bout a
fun,kisswaist
When theWhen theWhen thep p p P r - -*i-g-Jhat a lot of fun When the^ ZHbruve
thatsee
ly done,you miss,re - placed
JustAren'tEaih
think,youarm
What a 16t of funlong - ing for a kissround a -bout a waist
When theWhen theWhen the
;^Hv r r i r F p P r ^mbrave - ly done,that you miss,see re - placed
Just.\ren'tEach
think,youarr
JWhat a lot oflong - ing for a
round a -bout afun. When thekiss When thewaist When the
N* i^^ it>^ f:
im ?*= ^ -crrboys come home once morelboys come home once more?boys come home once more. NORA, ^^^m2. The3. The
jtc(-rr^
boys come home once more,boys come home once more,boys come home once more.
m^^f r r^boys come home once more,boys come home once more,boys come home once more.
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147
f^f i CHOKUS^^ ISABEL.^^turn a fi-1 . Inw's heHcl, Make him eragloam . ing's on the gloam. Dim and haal . ways on Ihe go, Nev . er la
ly. Mako him rra . z_v. Now shezy, Dim and ha . zy. Then thely. Nev . tr la . zy. She'll be
-^7^ ^ ^ mn4 ^ ^ j'.-i J jv ji I j. J) ,|j). ^ J m
is . n't slimstars come outbath . ing in
ly builta . bovethe bav
And her noseAnd sug . gestWhere the reg
has quite a tilt,a dream of love,u . la - tions .say
And you'll.\nd there'sThat the
f ' - jJi J'- J l i jxj, |>J)JEi ? ^hear the o . ther girls de . clarepas . sion in the balm . y air;gen . tie. man must go else - where;
That they real . ly can . not see What at .So if a . ny hand- some chap Has aBut the cur. rent now and Ihi'n Takes her
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148
li I I' ' I ,J I I ^ ' I IIrail.
. trac . tion there can be, Butcom . fort - a . ble lap, Maiin a . mong the men. And
she man . a . ges to get right there,sie man . a . ges to get right there,of course she has to land right there.
N.
a tempo
J_iM'. JM^'F f-F > J' J'.i' l ^r-p ^ - ^ J'- Ji^^dear, For the boys are mad a . bout her And they can't get on with . out her, And theydear; When she takes a fel . low walk, ing They do not go in for talk . ing. But hedear; And she likes the boys to chaff her And the men to pho. to. graph her. For they^^ 1 1q
I
a-
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W.t
rr i'- J. J'- ji ^^all cry whoops when Mai . sie's com . inn near,just says mps and (here's no . thing more to hear;all cry whoops as they see her from the pier:
Mai .sie.Mai .sie.Mai .sie.
does, n'tra . therpo . ses
i mi ^ ji J> ii^mindlikesnice
il,it,Iv,
Mai . sMai . sMai . s
e .e ,e ,
lei's themsays You
thinks it
staredare'.'rare..
J i hf' JUgi' -' I
O . therO . therO . ther
'j-^r^h- J f ^ i
^ ^fe^ ir [ ^'^ M r f ^' M ^' ^ '^^girls are so un . cer . tain When they do a bit of flirt . ing, Butgirls when they are kiss . ing Will go fool . ing round and miss . ing, Butpret . ty girls pro . voke us By re . tir . ing out of fo . cus. But
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150CHORUS funis.;
if ' L''i r^ ^^ J ^ .^Mai . sie.Mai . sie.Mai . sie.
gets rithtj;i'is righi
there.there,there.
Mai _ sie.Mai .sip.Mai - sic.
IS ais ais a
E^
dais . y,dais . y,Uais . y,
^Mai . sie.Mai - sie.Mai . sie.
ITTTT^ sj^
^ ^ iIS ais ais a
dear;,dear ;.dear;..
-^- ) ' i'
i .f2 i# i
For theWhen sheAnd she
^
|_^ -F r^'^' ' ' U I M ' ' ' ^ fboys are mad a - bout her And they can't get on with, out her, And they all cry whoops whentakes a fel . low walk.ing They do iwf go in for talk. ing, But he just says mps and there'sikes the boys to chaff her And the men to pho . to . graph her, For they all cry whoops as they
f^^-ft-rfrfffT-ftt^^ ^ ^ (g
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IftI^^Mai . sie's com . ing near.nu _ thing more to hear;see ht-r from the pier;
^mMai . sie.M.ii . sie.Mai . sie.
^ idoes . n'l mind it,ra . ther likes it,po . ses nice . ly.^m
^
^^J f I F
i rj j ^ p-fMai . sie.Mai . sie.Mai . sie.
let's them stare;.says You dare'.'..thinks it rare....
^fel fer F ' H fe^^- ther girls are so un.cer.tain When theyO.ther Rirls when they arc kiss.ing Will goO . ther pret . tj* girls pro.voke us By re.
1^dofoollir
^ '' F I SEf t, i'. Jl ^a bit of flirt, ing. Buting round and miss . ing, Buting out of fo . cus. But
i, ^ .f s:i t.^.^
m $
^ Trrr.Mai . sie gets right there.Mai . sie gets right there.Mai . sie stops right there.^^^m^ i
H
i>. r.
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152
1(3. DERVISH DANCE.Music by
LIONEL MONCKTON.
mAllegro./ ^^ i^ ^ mi^ksks^^ r r r ir7-\i Pj Js ^EEif
PdEEiT^ W5^ i;iEsir s^EEir
smf Ei Pf 5i^^4Mi^alfzx: f E^i f i^
1- l9- &=4^ in:S isi r ^ iEi^ :^ iiIr* uf, ^^wyri.^ T^ i Am
Pj=i ^